The Venice Ghetto was founded in 1516 by the Venetian government as a segregated area of the city in which Jews were compelled to live. The world's first ghetto and the origin of the English word, the term simultaneously works to mark specific places and their histories, and as a global symbol that evokes themes of identity, exile, marginalization, and segregation. To capture these multiple meanings, the editors of this volume conceptualize the ghetto as a "memory space that travels" through both time and space.

This interdisciplinary collection engages with questions about the history, conditions, and lived experience of the Venice Ghetto, including its legacy as a compulsory, segregated, and enclosed space. Contributors also consider the ghetto's influence on the figure of the Renaissance moneylender, the material culture of the ghetto archive, the urban form of North Africa's mellah and hara, and the ghetto's impact on the writings of Primo Levi and Marjorie Agosí­n.

In addition to the volume editors, The Venice Ghetto features a foreword from James E. Young and contributions from Shaul Bassi, Murray Baumgarten, Margaux Fitoussi, Dario Miccoli, Andrea Yaakov Lattes, Federica Ruspio, Michael Shapiro, Clive Sinclair, and Emanuela Trevisan Semi.

This book originated in the summer of 2006, in the burial ground of the First Church of Christ, Congregational, of East Haddam, Connecticut, where a team of forensic scientists began excavating the graves of two emancipated slaves, Venture Smith (d. 1805) and his wife, Marget (d. 1809). Those requesting this remarkable investigation were the Smiths' direct descendants, members of the eighth, ninth, tenth, and eleventh generations, who were determined to honor the bicentennial of their founding ancestor's death by discovering everything possible about his life. Opening burial plots in the hope of recovering DNA for genealogical tracing proved a compelling first step.

But what began as a scientific inquiry into African origins rapidly evolved into an unparalleled interdisciplinary collaboration between historians, literary analysts, geographers, genealogists, anthropologists, political philosophers, genomic biologists, and, perhaps most revealingly, a poet. Their common goal has been to reconstruct the life of an extraordinary African American and to assay its implications for the sprawling, troubled eighteenth-century world of racial exploitation over which he triumphed. This volume displays the rich results of that collaboration.

A highly intelligent, deeply self-motivated and immensely energetic slave transported from Africa, Venture Smith transformed himself through unstinting labor into a respectable Connecticut citizen, a successful entrepreneur, and the liberator of other enslaved African Americans. As James O. Horton emphasizes in his foreword to this volume, "Venture Smith's saga is a gift to all who seek to understand the complex racial beginnings of America. It helps to connect the broad American story with the stories of many Americans whose lives illustrate the national struggle to live out the national ideals."

In addition to Horton and volume editor James Brewer Stewart, contributors include Cameron Blevins, Vincent Carretta, Anna Mae Duane, Robert P. Forbes, Anne L. Hiskes, Paul Lovejoy, Marilyn Nelson, David Richardson, Chandler B. Saint, Linda Strausbaugh, Kevin Tulimieri, and John Wood Sweet.

A very dangerous woman is what Martha Coffin Wright's conservative neighbors considered her, because of her work in the women's rights and abolition movements. In 1848, Wright and her older sister Lucretia Mott were among the five brave women who organized the historic Seneca Falls Women's Rights Convention. Wright remained a prominent figure in the women's movement until her death in 1875 at age sixty-eight, when she was president of the National Woman Suffrage Association. At age twenty-six, she attended the 1833 founding of the American Anti-Slavery Society and later presided over numerous antislavery meetings, including two in 1861 that were disrupted by angry antiabolitionist mobs. Active in the Underground Railroad, she sheltered fugitive slaves and was a close friend and supporter of Harriet Tubman.

In telling Wright's story, the authors make good use of her lively letters to her family, friends, and colleagues, including Susan B. Anthony and Elizabeth Cady Stanton. These letters reveal Wright's engaging wit and offer an insider's view of nineteenth-century reform and family life. Her correspondence with slaveholding relatives in the South grew increasingly contentious with the approach of the Civil War. One nephew became a hero of the Confederacy with his exploits at the Battle of Fredericksburg, and her son in the Union artillery was seriously wounded at Gettysburg while repelling Pickett's Charge.

Wright's life never lacked for drama. She survived a shipwreck, spent time at a frontier fort, experienced the trauma of the deaths of a fiancé, her first husband, and three of her seven children, and navigated intense conflicts within the women's rights and abolition movements. Throughout her tumultuous career, she drew on a reservoir of humor to promote her ideas and overcome the many challenges she faced. This accessible biography, written with the general reader in mind, does justice to her remarkable life.

"I may dare to speak, and I intend to speak and write what I think," wrote a New York volunteer serving in the Mexican War in 1848. Such sentiments of resistance and confrontation run throughout the literature produced by veteran Americans in the nineteenth century—from prisoner-of-war narratives and memoirs to periodicals, adventure pamphlets, and novels. Military men and women were active participants in early American print culture, yet they struggled against civilian prejudice about their character, against shifting collective memories that removed military experience from the nation's self-definition, and against a variety of headwinds in the uneven development of antebellum print culture.

In this new literary history of early American veterans, Benjamin Cooper reveals how soldiers and sailors from the Revolutionary War through the Civil War demanded, through their writing, that their value as American citizens and authors be recognized. Relying on an archive of largely understudied veteran authors, Cooper situates their perspective against a civilian monopoly in defining American citizenship and literature that endures to this day.

The twelve stories of Veterans Crisis Hotline offer a meditation on the relationship between war and righteousness and consider the impossible distance between who men are and who they want to be. A veteran working at the hotline listens to the stories men tell when they need someone to hear their voices, when they need to access a language for their pain. Two men search for the head of a decapitated Iraqi civilian so that they might absolve themselves of the atrocities of war, a Marine hunts for the man who raped his girlfriend, and a teenage son replaces his dead father on the battlefield. With a quick wit and offbeat humor, Jon Chopan takes us from the banks of the Euphrates to the bars and VFW halls of the Rust Belt, providing insight into the Iraq War and its enduring impact on those who volunteered to fight in it.

Childhood as scholars often recognize it—innocent, vulnerable, and above all, precious—is anchored in the cultural imagination of the early nineteenth-century United States, when an attitude of child worship drove sentimental politics and literature. But, not all childhoods were defined by love, education, and nurture. Singled out by nineteenth-century legal and medical establishments, children already marginalized by slavery, ethnicity, and poverty were increasingly branded as incorrigible, delinquent, and antisocial.

Vicious Infants offers a counterhistory of literary childhood as both perceived social threat and site of resistance, revealing that many children were not only cut off from family and society, they were also preemptively excluded from the rewards of citizenship and adulthood. Turning to prison documents, medical journals, overlooked periodical fiction, and literary works from William Apess, Harriet Wilson, Herman Melville, Susan Paul, and Harriet Beecher Stowe, Laura Soderberg recovers alternate narratives of childhood and provides an important window into the cultural links between race, reproduction, and childhood in the antebellum period.

A study of American attempts to come to terms with the legacy of the Vietnam War, this book highlights the central role played by Vietnam veterans in shaping public memory of the war.

Tracing the evolution of the image of the Vietnam veteran from alienated dissenter to traumatized victim to noble warrior, Patrick Hagopian describes how efforts to commemorate the war increasingly downplayed the political divisions it spawned in favor of a more unifying emphasis on honoring veterans and promoting national "healing."

In Vietnam, the American government vowed to win the "hearts and minds" of the people. On the other side, among those who led and sympathized with the insurgents, the term "people's war" gained a wide currency. Yet while much has been written about those who professed to speak for the Vietnamese population, we know surprisingly little about the everyday life of the peasants who made up the bulk of the country's inhabitants. This book illuminates that subject. Drawing on a wide range of sources, including interviews conducted by the Rand Corporation with informants from My Tho Province in the Mekong Delta, David Hunt brings to light the daily experience of villagers in the midst of war and revolution.The peasants of southern Vietnam were neither onlookers nor mere victims as fighting raged throughout their country. From the "concerted uprising" in 1959–1960 to the Tet Offensive of 1968, the revolutionary movement they created was in fact the driving force within the war. Known as the "Viet Cong" to their adversaries, the rebels called themselves the "Liberation Front." They demanded an end to landlordism and an egalitarian distribution of the means of subsistence as well as a democratization of relations between town and countryside, parents and children, men and women. They hoped the Vietnamese people would achieve a fuller sense of their place in the world and of the power they possessed to fashion their own destinies, without reliance on supernatural forces.In the first half of the book, Hunt analyzes this cultural revolution. As fighting spread and became more destructive, especially after the U.S. escalation in 1965, villagers were driven from their homes, the rural infrastructure collapsed, and customary notions of space and time lost purchase on an increasingly chaotic world. In the second half of the book, Hunt shows how peasants, who earlier had aspired to a kind of revolutionary modernism, now found themselves struggling to survive and to cope with the American intruders who poured into My Tho, and how they managed to regroup and spearhead the Tet Offensive that irrevocably altered the course of the war.

The first book of poetry from David Kutz-Marks. Guided by long and musical lines with quickly shifting forms of discourse and reference, these poems challenge our identities, our thoughts, and our quarrels with each other as they dart back and forth between interior spaces and real human relationships.

Dismantling the image of the peaceful and serene colonial goodwife and countering the assumption that New England was inherently less violent than other regions of colonial America, Emily C. K. Romeo offers a revealing look at acts of violence by Anglo-American women in colonial Massachusetts, from the everyday to the extraordinary. Using Essex County as a case study, Romeo deftly utilizes seventeenth- and eighteenth-century sources to demonstrate that Puritan women, both "virtuous" and otherwise, learned to negotiate the shifting boundaries between acceptable and unacceptable violence in their daily lives and communities.

The Virtuous and Violent Women of Seventeenth-Century Massachusetts shows that more dramatic violence by women—including infanticide, the scalping of captors during the Indian Wars, and even witchcraft accusations—was not necessarily intended to challenge the structures of authority but often sprung from women's desire to protect property, safety, and standing for themselves and their families. The situations in which women chose to flout powerful social conventions and resort to overt violence expose the underlying, often unspoken, priorities and gendered expectations that shaped this society.