A SCHOLARLY BOOK REPOSITORY
9646 scholarly books by University of Chicago Press and 492
9646 scholarly books by University of Chicago Press
492 start with B start with B
492 start with B start with B
Blood Talk
American Race Melodrama and the Culture of the Occult
Susan Gillman
University of Chicago Press, 2003
The United States has seldom known a period of greater social and cultural volatility, especially in terms of race relations, than the years from the end of Reconstruction to the First World War. In this highly original study, Susan Gillman explores the rise during this period of a remarkable genre—the race melodrama—and the way in which it converged with literary trends, popular history, fringe movements, and mainstream interest in supernatural phenomena.
Blood Talk shows how race melodrama emerged from abolitionist works such as Uncle Tom's Cabin and surprisingly manifested itself in a set of more aesthetically and politically varied works, such as historical romances, sentimental novels, the travel literature of Mark Twain, the regional fiction of Kate Chopin and George Washington Cable, and the work of W. E. B. Du Bois. Gillman then uses the race melodrama to show how racial discourses in the United States have been entangled with occultist phenomena, from the rituals of the Ku Klux Klan and the concept of messianic second-sight to the production of conspiracy theories and studies of dreams and trances.
Blood Talk shows how race melodrama emerged from abolitionist works such as Uncle Tom's Cabin and surprisingly manifested itself in a set of more aesthetically and politically varied works, such as historical romances, sentimental novels, the travel literature of Mark Twain, the regional fiction of Kate Chopin and George Washington Cable, and the work of W. E. B. Du Bois. Gillman then uses the race melodrama to show how racial discourses in the United States have been entangled with occultist phenomena, from the rituals of the Ku Klux Klan and the concept of messianic second-sight to the production of conspiracy theories and studies of dreams and trances.
[more]
Blood Ties
A Story of Falconry and Fatherhood
Ben Crane
University of Chicago Press, 2020
Raised in rural England before the rise of the internet, Ben Crane grew up in the company of wild things, with hawks and other birds of prey alive in his mind—and woods and fields—as symbols of a kind of self-possessed, solitary power. He spent time with them, knew them, and loved them. But as Crane grew into adulthood, situations that may seem to many of us natural, or even comforting, were challenging: he found it difficult to be around other people and to read social cues, sometimes retreating in fear or lashing out in misunderstanding. Eventually, he was diagnosed as being on the autism spectrum. When Crane became a father, these challenges became unbearable, and he fled to isolation. Hawks brought him back.
In this artful and moving memoir, we follow Crane on his remarkable journey of flight and return. Traveling from the United Kingdom to Pakistan, we learn first about the history and practice of falconry, a beautiful and brutal partnership between humans and birds that has persisted for thousands of years. And as Crane’s personal story unfolds, we come to understand how he found solace and insight through his relationships with these animals. “I saw that my feelings toward nature, and birds of prey in particular, ran in parallel with my feelings for my son,” Crane writes. “I worked out that they were, in fact, two sides of the same coin—the deep love of one could, with gentle observation, inform and unlock the deep love for the other. . . . Perhaps this then is the central theme of my story.”
Many of us rely upon animal companions to provide a sense of joy, compassion, and empathy. But as Blood Ties teaches us, our relationships with the creatures among us can also transform us, illuminating what it means both to be human and to be part of the greater wild—what it means to be alive.
In this artful and moving memoir, we follow Crane on his remarkable journey of flight and return. Traveling from the United Kingdom to Pakistan, we learn first about the history and practice of falconry, a beautiful and brutal partnership between humans and birds that has persisted for thousands of years. And as Crane’s personal story unfolds, we come to understand how he found solace and insight through his relationships with these animals. “I saw that my feelings toward nature, and birds of prey in particular, ran in parallel with my feelings for my son,” Crane writes. “I worked out that they were, in fact, two sides of the same coin—the deep love of one could, with gentle observation, inform and unlock the deep love for the other. . . . Perhaps this then is the central theme of my story.”
Many of us rely upon animal companions to provide a sense of joy, compassion, and empathy. But as Blood Ties teaches us, our relationships with the creatures among us can also transform us, illuminating what it means both to be human and to be part of the greater wild—what it means to be alive.
[more]
Bloodtaking and Peacemaking
Feud, Law, and Society in Saga Iceland
William Ian Miller
University of Chicago Press, 1990
Dubbed by the New York Times as "one of the most sought-after legal academics in the county," William Ian Miller presents the arcane worlds of the Old Norse studies in a way sure to attract the interest of a wide range of readers. Bloodtaking and Peacemaking delves beneath the chaos and brutality of the Norse world to discover a complex interplay of ordering and disordering impulses. Miller's unique and engaging readings of ancient Iceland's sagas and extensive legal code reconstruct and illuminate the society that produced them.
People in the saga world negotiated a maze of violent possibility, with strategies that frequently put life and limb in the balance. But there was a paradox in striking the balance—one could not get even without going one better. Miller shows how blood vengeance, law, and peacemaking were inextricably bound together in the feuding process.
This book offers fascinating insights into the politics of a stateless society, its methods of social control, and the role that a uniquely sophisticated and self-conscious law played in the construction of Icelandic society.
"Illuminating."—Rory McTurk, Times Literary Supplement
"An impressive achievement in ethnohistory; it is an amalgam of historical research with legal and anthropological interpretation. What is more, and rarer, is that it is a pleasure to read due to the inclusion of narrative case material from the sagas themselves."—Dan Bauer, Journal of Interdisciplinary History
People in the saga world negotiated a maze of violent possibility, with strategies that frequently put life and limb in the balance. But there was a paradox in striking the balance—one could not get even without going one better. Miller shows how blood vengeance, law, and peacemaking were inextricably bound together in the feuding process.
This book offers fascinating insights into the politics of a stateless society, its methods of social control, and the role that a uniquely sophisticated and self-conscious law played in the construction of Icelandic society.
"Illuminating."—Rory McTurk, Times Literary Supplement
"An impressive achievement in ethnohistory; it is an amalgam of historical research with legal and anthropological interpretation. What is more, and rarer, is that it is a pleasure to read due to the inclusion of narrative case material from the sagas themselves."—Dan Bauer, Journal of Interdisciplinary History
[more]
The Bloodworth Orphans
Leon Forrest
University of Chicago Press, 2001
Leon Forrest, acclaimed author of Divine Days, uses a remarkable verbal intensity to evoke human tragedy, injustice, and spirituality in his writing. As Toni Morrison has said, "All of Forrest's novels explore the complex legacy of Afro-Americans. Like an insistent tide this history . . . swells and recalls America's past. . . . Brooding, hilarious, acerbic and profoundly valued life has no more astute observer than Leon Forrest." All of that is on display here in a novel that give readers a breathtaking view of the human experience, filled with humor and pathos.
[more]
Bloody Good
Chivalry, Sacrifice, and the Great War
Allen J. Frantzen
University of Chicago Press, 2003
In the popular imagination, World War I stands for the horror of all wars. The unprecedented scale of the war and the mechanized weaponry it introduced to battle brought an abrupt end to the romantic idea that soldiers were somehow knights in shining armor who always vanquished their foes and saved the day. Yet the concept of chivalry still played a crucial role in how soldiers saw themselves in the conflict.
Here for the first time, Allen J. Frantzen traces these chivalric ideals from the Great War back to their origins in the Middle Ages and shows how they resulted in highly influential models of behavior for men in combat. Drawing on a wide selection of literature and images from the medieval period, along with photographs, memorials, postcards, war posters, and film from both sides of the front, Frantzen shows how such media shaped a chivalric ideal of male sacrifice based on the Passion of Jesus Christ. He demonstrates, for instance, how the wounded body of Christ became the inspiration for heroic male suffering in battle. For some men, the Crucifixion inspired a culture of revenge, one in which Christ's bleeding wounds were venerated as badges of valor and honor. For others, Christ's sacrifice inspired action more in line with his teachings—a daring stay of hands or reason not to visit death upon one's enemies.
Lavishly illustrated and eloquently written, Bloody Good will be must reading for anyone interested in World War I and the influence of Christian ideas on modern life.
Here for the first time, Allen J. Frantzen traces these chivalric ideals from the Great War back to their origins in the Middle Ages and shows how they resulted in highly influential models of behavior for men in combat. Drawing on a wide selection of literature and images from the medieval period, along with photographs, memorials, postcards, war posters, and film from both sides of the front, Frantzen shows how such media shaped a chivalric ideal of male sacrifice based on the Passion of Jesus Christ. He demonstrates, for instance, how the wounded body of Christ became the inspiration for heroic male suffering in battle. For some men, the Crucifixion inspired a culture of revenge, one in which Christ's bleeding wounds were venerated as badges of valor and honor. For others, Christ's sacrifice inspired action more in line with his teachings—a daring stay of hands or reason not to visit death upon one's enemies.
Lavishly illustrated and eloquently written, Bloody Good will be must reading for anyone interested in World War I and the influence of Christian ideas on modern life.
[more]
Blowin' Hot and Cool
Jazz and Its Critics
John Gennari
University of Chicago Press, 2006
In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled—often both—but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. That is, of course, until now.
In Blowin’ Hot and Cool, John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The music itself is prominent in his account, as are the musicians—from Louis Armstrong and Duke Ellington to Charlie Parker, John Coltrane, Roscoe Mitchell, and beyond. But the work takes its shape from fascinating stories of the tradition’s key critics—Leonard Feather, Martin Williams, Whitney Balliett, Dan Morgenstern, Gary Giddins, and Stanley Crouch, among many others. Gennari is the first to show the many ways these critics have mediated the relationship between the musicians and the audience—not merely as writers, but in many cases as producers, broadcasters, concert organizers, and public intellectuals as well.
For Gennari, the jazz tradition is not so much a collection of recordings and performances as it is a rancorous debate—the dissonant noise clamoring in response to the sounds of jazz. Against the backdrop of racial strife, class and gender issues, war, and protest that has defined the past seventy-five years in America, Blowin’ Hot and Cool brings to the fore jazz’s most vital critics and the role they have played not only in defining the history of jazz but also in shaping jazz’s significance in American culture and life.
In Blowin’ Hot and Cool, John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The music itself is prominent in his account, as are the musicians—from Louis Armstrong and Duke Ellington to Charlie Parker, John Coltrane, Roscoe Mitchell, and beyond. But the work takes its shape from fascinating stories of the tradition’s key critics—Leonard Feather, Martin Williams, Whitney Balliett, Dan Morgenstern, Gary Giddins, and Stanley Crouch, among many others. Gennari is the first to show the many ways these critics have mediated the relationship between the musicians and the audience—not merely as writers, but in many cases as producers, broadcasters, concert organizers, and public intellectuals as well.
For Gennari, the jazz tradition is not so much a collection of recordings and performances as it is a rancorous debate—the dissonant noise clamoring in response to the sounds of jazz. Against the backdrop of racial strife, class and gender issues, war, and protest that has defined the past seventy-five years in America, Blowin’ Hot and Cool brings to the fore jazz’s most vital critics and the role they have played not only in defining the history of jazz but also in shaping jazz’s significance in American culture and life.
[more]
Blowin' Up
Rap Dreams in South Central
Jooyoung Lee
University of Chicago Press, 2016
Dr. Dre. Snoop Dogg. Ice Cube. Some of the biggest stars in hip hop made their careers in Los Angeles. And today there is a new generation of young, mostly black, men busting out rhymes and hoping to one day find themselves “blowin’ up”—getting signed to a record label and becoming famous. Many of these aspiring rappers get their start in Leimart Park, home to the legendary hip hop open-mic workshop Project Blowed. In Blowin’ Up, Jooyoung Lee takes us deep inside Project Blowed and the surrounding music industry, offering an unparalleled look at hip hop in the making.
While most books on rap are written from the perspective of listeners and the market, Blowin’ Up looks specifically at the creative side of rappers. As Lee shows, learning how to rap involves a great deal of discipline, and it takes practice to acquire the necessary skills to put on a good show. Along with Lee—who is himself a pop-locker—we watch as the rappers at Project Blowed learn the basics, from how to hold a microphone to how to control their breath amid all those words. And we meet rappers like E. Crimsin, Nocando, VerBS, and Flawliss as they freestyle and battle with each other. For the men at Project Blowed, hip hop offers a creative alternative to the gang lifestyle, substituting verbal competition for physical violence, and provides an outlet for setting goals and working toward them.
Engagingly descriptive and chock-full of entertaining personalities and real-life vignettes, Blowin’ Up not only delivers a behind-the-scenes view of the underground world of hip hop, but also makes a strong case for supporting the creative aspirations of young, urban, black men, who are often growing up in the shadow of gang violence and dead-end jobs.
While most books on rap are written from the perspective of listeners and the market, Blowin’ Up looks specifically at the creative side of rappers. As Lee shows, learning how to rap involves a great deal of discipline, and it takes practice to acquire the necessary skills to put on a good show. Along with Lee—who is himself a pop-locker—we watch as the rappers at Project Blowed learn the basics, from how to hold a microphone to how to control their breath amid all those words. And we meet rappers like E. Crimsin, Nocando, VerBS, and Flawliss as they freestyle and battle with each other. For the men at Project Blowed, hip hop offers a creative alternative to the gang lifestyle, substituting verbal competition for physical violence, and provides an outlet for setting goals and working toward them.
Engagingly descriptive and chock-full of entertaining personalities and real-life vignettes, Blowin’ Up not only delivers a behind-the-scenes view of the underground world of hip hop, but also makes a strong case for supporting the creative aspirations of young, urban, black men, who are often growing up in the shadow of gang violence and dead-end jobs.
[more]
Blue
A History of Postpartum Depression in America
Rachel Louise Moran
University of Chicago Press, 2024
A powerful look at the changing cultural understanding of postpartum depression in America.
“If you begin to feel at all depressed,” the famous pediatrician Dr. Benjamin Spock advised new mothers, “go to a movie, or to the beauty parlor, or to get yourself a new hat or dress.” Such was the medical expertise on postpartum depression in the postwar United States. For much of the twentieth century, postpartum depression—and, more broadly, postpartum mental illness—had not been considered a fit subject for public discussion or even psychological discourse, let alone political action. But that was about to change.
In Blue: A History of Postpartum Depression in America, Rachel Louise Moran explores the history of the naming and mainstreaming of postpartum depression. The push to define and diagnose postpartum is owed in part to the feminist women’s health movement, but it emerged as an independent grassroots force. Coalitions of maverick psychiatrists, psychologists, and women who themselves had survived substantial postpartum distress fought to legitimize and normalize women’s experiences. They emphasized that postpartum depression is an objective and real illness, even as it became politicized alongside other fraught medical and political battles over women’s health.
Based on insightful oral histories and in-depth archival research, Blue reveals a secret history of American motherhood, women’s political activism, and the rise of postpartum depression advocacy amid an often censorious conservative culture. By breaking new ground with the first book-length history of postpartum mental illness in the 20th century, Moran brings mothers’ battles with postpartum depression out of the shadows and into the light.
“If you begin to feel at all depressed,” the famous pediatrician Dr. Benjamin Spock advised new mothers, “go to a movie, or to the beauty parlor, or to get yourself a new hat or dress.” Such was the medical expertise on postpartum depression in the postwar United States. For much of the twentieth century, postpartum depression—and, more broadly, postpartum mental illness—had not been considered a fit subject for public discussion or even psychological discourse, let alone political action. But that was about to change.
In Blue: A History of Postpartum Depression in America, Rachel Louise Moran explores the history of the naming and mainstreaming of postpartum depression. The push to define and diagnose postpartum is owed in part to the feminist women’s health movement, but it emerged as an independent grassroots force. Coalitions of maverick psychiatrists, psychologists, and women who themselves had survived substantial postpartum distress fought to legitimize and normalize women’s experiences. They emphasized that postpartum depression is an objective and real illness, even as it became politicized alongside other fraught medical and political battles over women’s health.
Based on insightful oral histories and in-depth archival research, Blue reveals a secret history of American motherhood, women’s political activism, and the rise of postpartum depression advocacy amid an often censorious conservative culture. By breaking new ground with the first book-length history of postpartum mental illness in the 20th century, Moran brings mothers’ battles with postpartum depression out of the shadows and into the light.
[more]
Blue Chicago
The Search for Authenticity in Urban Blues Clubs
David Grazian
University of Chicago Press, 2003
The club is run-down and dimly lit. Onstage, a black singer croons and weeps of heartbreak, fighting back the tears. Wisps of smoke curl through the beam of a single spotlight illuminating the performer.
For any music lover, that image captures the essence of an authentic experience of the blues. In Blue Chicago, David Grazian takes us inside the world of contemporary urban blues clubs to uncover how such images are manufactured and sold to music fans and audiences. Drawing on countless nights in dozens of blues clubs throughout Chicago, Grazian shows how this quest for authenticity has transformed the very shape of the blues experience. He explores the ways in which professional and amateur musicians, club owners, and city boosters define authenticity and dish it out to tourists and bar regulars. He also tracks the changing relations between race and the blues over the past several decades, including the increased frustrations of black musicians forced to slog through the same set of overplayed blues standards for mainly white audiences night after night. In the end, Grazian finds that authenticity lies in the eye of the beholder: a nocturnal fantasy to some, an essential way of life to others, and a frustrating burden to the rest.
From B.L.U.E.S. and the Checkerboard Lounge to the Chicago Blues Festival itself, Grazian's gritty and often sobering tour in Blue Chicago shows us not what the blues is all about, but why we care so much about that question.
For any music lover, that image captures the essence of an authentic experience of the blues. In Blue Chicago, David Grazian takes us inside the world of contemporary urban blues clubs to uncover how such images are manufactured and sold to music fans and audiences. Drawing on countless nights in dozens of blues clubs throughout Chicago, Grazian shows how this quest for authenticity has transformed the very shape of the blues experience. He explores the ways in which professional and amateur musicians, club owners, and city boosters define authenticity and dish it out to tourists and bar regulars. He also tracks the changing relations between race and the blues over the past several decades, including the increased frustrations of black musicians forced to slog through the same set of overplayed blues standards for mainly white audiences night after night. In the end, Grazian finds that authenticity lies in the eye of the beholder: a nocturnal fantasy to some, an essential way of life to others, and a frustrating burden to the rest.
From B.L.U.E.S. and the Checkerboard Lounge to the Chicago Blues Festival itself, Grazian's gritty and often sobering tour in Blue Chicago shows us not what the blues is all about, but why we care so much about that question.
[more]
Blue Guide
Stephen Yenser
University of Chicago Press, 2006
Inspired by the miraculously mercurial potential of words, Stephen Yenser takes readers on a heady trip through a world full of promise yet compromised by human weakness. Set in sunny southern California and Greece, the poems of Blue Guide cast the shadow of mortality, and the tones are elegiac. This combination of the deadly serious and the exuberant is natural, Yenser notes; after all, work and orgy share the same etymological root, as do travail and travel, pledge and play.
Using various poetic modes, Yenser offers here a quatrain written to name a painting by Dorothea Tanning; a sequence of poems for his daughter; an excursive poem at once about Los Angeles and Baghdad and his father and a petty criminal; a group of prose poems set in penumbral bars; some postcards to a dead friend; and a meditation prompted by a sojourn on a remote Aegean island. The most unexpected work is an assemblage of quotations and glosses in the tradition of the commonplace book, except that in Yenser's hands these entries are densely interrelated
.
[more]
The Blue Guitar
Political Representation and Community
Nancy L. Schwartz
University of Chicago Press, 1988
Americans conceive of the process of political representation as operating like a "transmission belt." Elections convey citizens' preferences unchanged into the legislative assembly and thereby allow them to participate, through their representatives, in the political affairs of the nation. This conception stands firmly in the tradition of liberal thought, as does much theory about political representation. In that tradition, government is defined primarily in terms of power, and elections are little more than the means by which that power is transferred from the people to their representatives.
In The Blue Guitar (the title alludes to a poem by Wallace Stevens), Nancy L. Schwartz offers a radically new understanding of representation. As she sees it, representatives should be—and, in the past, have been—more than mere delegates or trustees of individual desires and interests and the process of representation more than the appropriation of power and control. Ideally, representation should transform both representative and citizen. Representatives should be caretakers of the community, not the watchdogs of special interest groups or individuals. Citizens in turn should feel increased personal responsibility for the whole that membership in the community entails. Moreover, representatives should serve as founders of their constituencies, constituting communities whose members value citizenship as an end in itself.
In her analysis, Schwartz canvasses the political experience of ancient, medieval, and Renaissance city-states to discover the communitarian meaning of citizenship, and she draws on classical political theory from Plato to Rousseau and Hegel, on the political sociology of Marx and Weber, and on such contemporary theorists as Arendt and Pitkin. Schwartz also enters the controversy over whether local, state, and national legislators should be selected by district or at-large elections. After examining a set of key Supreme Court cases on voting rights and district elections, she proposes that representatives come from single-member geographic districts.
In The Blue Guitar (the title alludes to a poem by Wallace Stevens), Nancy L. Schwartz offers a radically new understanding of representation. As she sees it, representatives should be—and, in the past, have been—more than mere delegates or trustees of individual desires and interests and the process of representation more than the appropriation of power and control. Ideally, representation should transform both representative and citizen. Representatives should be caretakers of the community, not the watchdogs of special interest groups or individuals. Citizens in turn should feel increased personal responsibility for the whole that membership in the community entails. Moreover, representatives should serve as founders of their constituencies, constituting communities whose members value citizenship as an end in itself.
In her analysis, Schwartz canvasses the political experience of ancient, medieval, and Renaissance city-states to discover the communitarian meaning of citizenship, and she draws on classical political theory from Plato to Rousseau and Hegel, on the political sociology of Marx and Weber, and on such contemporary theorists as Arendt and Pitkin. Schwartz also enters the controversy over whether local, state, and national legislators should be selected by district or at-large elections. After examining a set of key Supreme Court cases on voting rights and district elections, she proposes that representatives come from single-member geographic districts.
[more]
Blue in Green
Chiyuma Elliott
University of Chicago Press, 2021
Poems that address interpersonal connections while navigating life and care amid disease and disaster.
Collaboration runs through the heart of this collection. Human relationships—particularly in families—shape the poems in Blue in Green, as they consider how the question of what we expect from one another evolves into a question of what we owe. When cancer overshadows the ordinary—engrossing the labor of love, work, and friendship—disease becomes a collaborator and proposes new rules of exchange.
The forms of Elliott’s works highlight reciprocity. Here you’ll find ekphrastic poems that describe modern jazz songs, letters and letter fragments, and free verse poems in wildly variable line lengths. “When I was a wave,” the speaker repeats, each time telling a different story about intimacy and risk. Blue in Green moves through the struggle of processing the damaging interpersonal reverberations of racism, sexism, and environmental damage, while navigating intertwined personal and political incarnations of care. While a slow-growing disease burns its way through the speaker’s body, these poems reveal the feeling of perpetually existing in the shadow of catastrophe and document the slow and strange process of coming to terms with that way of living.
Collaboration runs through the heart of this collection. Human relationships—particularly in families—shape the poems in Blue in Green, as they consider how the question of what we expect from one another evolves into a question of what we owe. When cancer overshadows the ordinary—engrossing the labor of love, work, and friendship—disease becomes a collaborator and proposes new rules of exchange.
The forms of Elliott’s works highlight reciprocity. Here you’ll find ekphrastic poems that describe modern jazz songs, letters and letter fragments, and free verse poems in wildly variable line lengths. “When I was a wave,” the speaker repeats, each time telling a different story about intimacy and risk. Blue in Green moves through the struggle of processing the damaging interpersonal reverberations of racism, sexism, and environmental damage, while navigating intertwined personal and political incarnations of care. While a slow-growing disease burns its way through the speaker’s body, these poems reveal the feeling of perpetually existing in the shadow of catastrophe and document the slow and strange process of coming to terms with that way of living.
[more]
Blue Notes in Black and White
Photography and Jazz
Benjamin Cawthra
University of Chicago Press, 2011
Miles Davis, supremely cool behind his shades. Billie Holiday, eyes closed and head tilted back in full cry. John Coltrane, one hand behind his neck and a finger held pensively to his lips. These iconic images have captivated jazz fans nearly as much as the music has. Jazz photographs are visual landmarks in American history, acting as both a reflection and a vital part of African American culture in a time of immense upheaval, conflict, and celebration. Charting the development of jazz photography from the swing era of the 1930s to the rise of black nationalism in the ’60s, Blue Notes in Black and White is the first of its kind: a fascinating account of the partnership between two of the twentieth century’s most innovative art forms.
Benjamin Cawthra introduces us to the great jazz photographers—including Gjon Mili, William Gottlieb, Herman Leonard, Francis Wolff, Roy DeCarava, and William Claxton—and their struggles, hustles, styles, and creative visions. We also meet their legendary subjects, such as Duke Ellington, sweating through a late-night jam session for the troops during World War II, and Dizzy Gillespie, stylish in beret, glasses, and goatee. Cawthra shows us the connections between the photographers, art directors, editors, and record producers who crafted a look for jazz that would sell magazines and albums. And on the other side of the lens, he explores how the musicians shaped their public images to further their own financial and political goals.
This mixture of art, commerce, and racial politics resulted in a rich visual legacy that is vividly on display in Blue Notes in Black and White. Beyond illuminating the aesthetic power of these images, Cawthra ultimately shows how jazz and its imagery served a crucial function in the struggle for civil rights, making African Americans proudly, powerfully visible.
[more]
The Blue Period
Black Writing in the Early Cold War
Jesse McCarthy
University of Chicago Press, 2024
Addresses the political and aesthetic evolution of African American literature and its authors during the Cold War, an era McCarthy calls “the Blue Period.”
In the years after World War II, to be a black writer was to face a stark predicament. The contest between the Soviet Union and the United States was a global one—an ideological battle that dominated almost every aspect of the cultural agenda. On the one hand was the Soviet Union, espousing revolutionary communism that promised egalitarianism while being hostile to conceptions of personal freedom. On the other hand was the United States, a country steeped in racial prejudice and the policies of Jim Crow.
Black writers of this time were equally alienated from the left and the right, Jesse McCarthy argues, and they channeled that alienation into remarkable experiments in literary form. Embracing racial affect and interiority, they forged an aesthetic resistance premised on fierce dissent from both US racial liberalism and Soviet communism. From the end of World War II to the rise of the Black Power movement in the 1960s, authors such as Richard Wright, James Baldwin, Gwendolyn Brooks, and Paule Marshall defined a distinctive moment in American literary culture that McCarthy terms the Blue Period.
In McCarthy’s hands, this notion of the Blue Period provides a fresh critical framework that challenges long-held disciplinary and archival assumptions. Black writers in the early Cold War went underground, McCarthy argues, not to depoliticize or liberalize their work, but to make it more radical—keeping alive affective commitments for a future time.
In the years after World War II, to be a black writer was to face a stark predicament. The contest between the Soviet Union and the United States was a global one—an ideological battle that dominated almost every aspect of the cultural agenda. On the one hand was the Soviet Union, espousing revolutionary communism that promised egalitarianism while being hostile to conceptions of personal freedom. On the other hand was the United States, a country steeped in racial prejudice and the policies of Jim Crow.
Black writers of this time were equally alienated from the left and the right, Jesse McCarthy argues, and they channeled that alienation into remarkable experiments in literary form. Embracing racial affect and interiority, they forged an aesthetic resistance premised on fierce dissent from both US racial liberalism and Soviet communism. From the end of World War II to the rise of the Black Power movement in the 1960s, authors such as Richard Wright, James Baldwin, Gwendolyn Brooks, and Paule Marshall defined a distinctive moment in American literary culture that McCarthy terms the Blue Period.
In McCarthy’s hands, this notion of the Blue Period provides a fresh critical framework that challenges long-held disciplinary and archival assumptions. Black writers in the early Cold War went underground, McCarthy argues, not to depoliticize or liberalize their work, but to make it more radical—keeping alive affective commitments for a future time.
[more]
A Blue Tale and Other Stories
Marguerite Yourcenar
University of Chicago Press, 1995
This story collection is a welcome port of entry for any reader not yet familiar with Marguerite Yourcenar’s works.
Published to great acclaim in France in 1993, this collection is not only a delight for Marguerite Yourcenar fans but a welcome port of entry for any reader not yet familiar with the author's lengthier, more demanding works. This collection includes three stories written between 1927 and 1930 when the author was in her mid-twenties. These stories cover a range of themes, from an allegory on greed and a scene from the war of the sexes to a witch hunt that obsessively creates its own quarry.
For the devoted readers of Yourcenar, this collection allows a rare glimpse at the beginnings of a writer's craft. In these accomplished but forgotten pieces, edited and introduced by her biographer, Josyane Savigneau, readers will find the blend of fable and fairy tale of Oriental Tales, the psychological chronicle of Dear Departed, and the ironic realism of A Coin in Nine Hands. Read as an introduction to Yourcenar's work, the stories take us into the writer's workshop, as it were, to the early days of creation. A Blue Tale and Other Stories carries the unmistakable voice of a formidable and vastly talented writer.
Marguerite Yourcenar (her pseudonym was an anagram of her family name, Crayencour) was born in Brussels in 1903 and died in Maine in 1987. One of the most respected writers in the French language, she is best known as the author of the best-selling Memoirs of Hadrian and The Abyss. She was awarded many literary honors, most notably election to the Académie Francaise in 1980, the first woman to be so honored.
Published to great acclaim in France in 1993, this collection is not only a delight for Marguerite Yourcenar fans but a welcome port of entry for any reader not yet familiar with the author's lengthier, more demanding works. This collection includes three stories written between 1927 and 1930 when the author was in her mid-twenties. These stories cover a range of themes, from an allegory on greed and a scene from the war of the sexes to a witch hunt that obsessively creates its own quarry.
For the devoted readers of Yourcenar, this collection allows a rare glimpse at the beginnings of a writer's craft. In these accomplished but forgotten pieces, edited and introduced by her biographer, Josyane Savigneau, readers will find the blend of fable and fairy tale of Oriental Tales, the psychological chronicle of Dear Departed, and the ironic realism of A Coin in Nine Hands. Read as an introduction to Yourcenar's work, the stories take us into the writer's workshop, as it were, to the early days of creation. A Blue Tale and Other Stories carries the unmistakable voice of a formidable and vastly talented writer.
Marguerite Yourcenar (her pseudonym was an anagram of her family name, Crayencour) was born in Brussels in 1903 and died in Maine in 1987. One of the most respected writers in the French language, she is best known as the author of the best-selling Memoirs of Hadrian and The Abyss. She was awarded many literary honors, most notably election to the Académie Francaise in 1980, the first woman to be so honored.
[more]
Blueprint for Disaster
The Unraveling of Chicago Public Housing
D. Bradford Hunt
University of Chicago Press, 2009
Now considered a dysfunctional mess, Chicago’s public housing projects once had long waiting lists of would-be residents hoping to leave the slums behind. So what went wrong? To answer this complicated question, D. Bradford Hunt traces public housing’s history in Chicago from its New Deal roots through current mayor Richard M. Daley’s Plan for Transformation. In the process, he chronicles the Chicago Housing Authority’s own transformation from the city’s most progressive government agency to its largest slumlord.
Challenging explanations that attribute the projects’ decline primarily to racial discrimination and real estate interests, Hunt argues that well-intentioned but misguided policy decisions—ranging from design choices to maintenance contracts—also paved the road to failure. Moreover, administrators who fully understood the potential drawbacks did not try to halt such deeply flawed projects as Cabrini-Green and the Robert Taylor Homes. These massive high-rise complexes housed unprecedented numbers of children but relatively few adults, engendering disorder that pushed out the working class and, consequently, the rents needed to maintain the buildings. The resulting combination of fiscal crisis, managerial incompetence, and social unrest plunged the CHA into a quagmire from which it is still struggling to emerge.
Blueprint for Disaster, then,is an urgent reminder of the havoc poorly conceived policy can wreak on our most vulnerable citizens.
[more]
The Blues Dream of Billy Boy Arnold
Billy Boy Arnold with Kim Field
University of Chicago Press, 2021
The frank, funny, and unforgettable autobiography of a living legend of Chicago blues.
Simply put, Billy Boy Arnold is one of the last men standing from the Chicago blues scene’s raucous heyday. What’s more, unlike most artists in this electrifying melting pot, who were Southern transplants, Arnold—a harmonica master who shared stages with Bo Diddley, Muddy Waters, and Howlin’ Wolf, plus a singer and hitmaker in his own right who first recorded the standards “I Wish You Would” and “I Ain’t Got You”—was born right here and has lived nowhere else. This makes his perspective on Chicago blues, its players, and its locales all the rarer and all the more valuable. Arnold has witnessed musical generations come and go, from the decline of prewar country blues to the birth of the electric blues and the worldwide spread of rock and roll. Working here in collaboration with writer and fellow musician Kim Field, he gets it all down. The Blues Dream of Billy Boy Arnold is a remarkably clear-eyed testament to more than eighty years of musical love and creation, from Arnold’s adolescent quest to locate the legendary Sonny Boy Williamson, the story of how he named Bo Diddley Bo Diddley, and the ups and downs of his seven-decade recording career. Arnold’s tale—candidly told with humor, insight, and grit—is one that no fan of modern American music can afford to miss.
Simply put, Billy Boy Arnold is one of the last men standing from the Chicago blues scene’s raucous heyday. What’s more, unlike most artists in this electrifying melting pot, who were Southern transplants, Arnold—a harmonica master who shared stages with Bo Diddley, Muddy Waters, and Howlin’ Wolf, plus a singer and hitmaker in his own right who first recorded the standards “I Wish You Would” and “I Ain’t Got You”—was born right here and has lived nowhere else. This makes his perspective on Chicago blues, its players, and its locales all the rarer and all the more valuable. Arnold has witnessed musical generations come and go, from the decline of prewar country blues to the birth of the electric blues and the worldwide spread of rock and roll. Working here in collaboration with writer and fellow musician Kim Field, he gets it all down. The Blues Dream of Billy Boy Arnold is a remarkably clear-eyed testament to more than eighty years of musical love and creation, from Arnold’s adolescent quest to locate the legendary Sonny Boy Williamson, the story of how he named Bo Diddley Bo Diddley, and the ups and downs of his seven-decade recording career. Arnold’s tale—candidly told with humor, insight, and grit—is one that no fan of modern American music can afford to miss.
[more]
Blues, Ideology, and Afro-American Literature
A Vernacular Theory
Houston A. Baker Jr.
University of Chicago Press, 1985
Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.
[more]
Boccaccio
A Critical Guide to the Complete Works
Edited by Victoria Kirkham, Michael Sherberg, and Janet Levarie Smarr
University of Chicago Press, 2013
Long celebrated as one of “the Three Crowns” of Florence, Giovanni Boccaccio (1313–75) experimented widely with the forms of literature. His prolific and innovative writings—which range beyond the novella, from lyric to epic, from biography to mythography and geography, from pastoral and romance to invective—became powerful models for authors in Italy and across the Continent.
This collection of essays presents Boccaccio’s life and creative output in its encyclopedic diversity. Exploring a variety of genres, Latin as well as Italian, it provides short descriptions of all his works, situates them in his oeuvre, and features critical expositions of their most salient features and innovations. Designed for readers at all levels, it will appeal to scholars of literature, medieval and Renaissance studies, humanism and the classical tradition; as well as European historians, art historians, and students of material culture and the history of the book. Anchored by an introduction and chronology, this volume contains contributions by prominent Boccaccio scholars in the United States, as well as essays by contributors from France, Italy, and the United Kingdom. The year 2013, Boccaccio’s seven-hundredth birthday, will be an important one for the study of his work and will see an increase in academic interest in reassessing his legacy.
[more]
Bodies in Flux
Scientific Methods for Negotiating Medical Uncertainty
Christa Teston
University of Chicago Press, 2017
Doctors, scientists, and patients have long grappled with the dubious nature of “certainty” in medical practice. To help navigate the chaos caused by ongoing bodily change we rely on scientific reductions and deductions. We take what we know now and make best guesses about what will be. But bodies in flux always outpace the human gaze. Particularly in cancer care, processes deep within our bodies are at work long before we even know where to look. In the face of constant biological and technological change, how do medical professionals ultimately make decisions about care?
Bodies in Flux explores the inventive ways humans and nonhumans work together to manufacture medical evidence. Each chapter draws on rhetorical theory to investigate a specific scientific method for negotiating medical uncertainty in cancer care, including evidential visualization, assessment, synthesis, and computation. Case studies unveil how doctors rely on visuals when deliberating about a patient’s treatment options, how members of the FDA use inferential statistics to predict a drug’s effectiveness, how researchers synthesize hundreds of clinical trials into a single evidence-based recommendation, and how genetic testing companies compute and commoditize human health. Teston concludes by advocating for an ethic of care that pushes back against the fetishization of certainty—an ethic of care that honors human fragility and bodily flux.
Bodies in Flux explores the inventive ways humans and nonhumans work together to manufacture medical evidence. Each chapter draws on rhetorical theory to investigate a specific scientific method for negotiating medical uncertainty in cancer care, including evidential visualization, assessment, synthesis, and computation. Case studies unveil how doctors rely on visuals when deliberating about a patient’s treatment options, how members of the FDA use inferential statistics to predict a drug’s effectiveness, how researchers synthesize hundreds of clinical trials into a single evidence-based recommendation, and how genetic testing companies compute and commoditize human health. Teston concludes by advocating for an ethic of care that pushes back against the fetishization of certainty—an ethic of care that honors human fragility and bodily flux.
[more]
Bodies in the Bog and the Archaeological Imagination
Karin Sanders
University of Chicago Press, 2009
Over the past few centuries, northern Europe’s bogs have yielded mummified men, women, and children who were deposited there as sacrifices in the early Iron Age and kept startlingly intact by the chemical properties of peat. In this remarkable account of their modern afterlives, Karin Sanders argues that the discovery of bog bodies began an extraordinary—and ongoing—cultural journey.
Throughout the nineteenth and twentieth centuries, Sanders shows, these eerily preserved remains came alive in art and science as material metaphors for such concepts as trauma, nostalgia, and identity. Sigmund Freud, Joseph Beuys, Seamus Heaney, and other major figures have used them to reconsider fundamental philosophical, literary, aesthetic, and scientific concerns. Exploring this intellectual spectrum, Sanders contends that the power of bog bodies to provoke such a wide range of responses is rooted in their unique status as both archeological artifacts and human beings. They emerge as corporeal time capsules that transcend archaeology to challenge our assumptions about what we can know about the past. By restoring them to the roster of cultural phenomena that force us to confront our ethical and aesthetic boundaries, Bodies in the Bog excavates anew the question of what it means to be human.
[more]
Bodies of Knowledge
Sexuality, Reproduction, and Women's Health in the Second Wave
Wendy Kline
University of Chicago Press, 2010
Throughout the 1970s and ’80s, women argued that unless they gained access to information about their own bodies, there would be no equality. In Bodies of Knowledge, Wendy Kline considers the ways in which ordinary women worked to position the female body at the center of women’s liberation.
As Kline shows, the struggle to attain this knowledge unified women but also divided them—according to race, class, sexuality, or level of professionalization. Each of the five chapters of Bodies of Knowledge examines a distinct moment or setting of the women’s movement in order to give life to the ideas, expectations, and pitfalls encountered by the advocates of women’s health: the making of Our Bodies, Ourselves (1973); the conflicts surrounding the training and practice of women’s pelvic exams; the emergence of abortion as a feminist issue; the battles over contraceptive regulation at the 1983 Depo-Provera FDA hearings; and the rise of the profession of midwifery. Including an epilogue that considers the experiences of the daughters of 1970s feminists, Bodies of Knowledge is an important contribution to the study of the bodies—that marked the lives—of feminism’s second wave.
[more]
Body by Darwin
How Evolution Shapes Our Health and Transforms Medicine
Jeremy Taylor
University of Chicago Press, 2015
We think of medical science and doctors as focused on treating conditions—whether it’s a cough or an aching back. But the sicknesses and complaints that cause us to seek medical attention actually have deeper origins than the superficial germs and behaviors we regularly fault. In fact, as Jeremy Taylor shows in Body by Darwin, we can trace the roots of many medical conditions through our evolutionary history, revealing what has made us susceptible to certain illnesses and ailments over time and how we can use that knowledge to help us treat or prevent problems in the future.
In Body by Darwin, Taylor examines the evolutionary origins of some of our most common and serious health issues. To begin, he looks at the hygiene hypothesis, which argues that our obsession with anti-bacterial cleanliness, particularly at a young age, may be making us more vulnerable to autoimmune and allergic diseases. He also discusses diseases of the eye, the medical consequences of bipedalism as they relate to all those aches and pains in our backs and knees, the rise of Alzheimer’s disease, and how cancers become so malignant that they kill us despite the toxic chemotherapy we throw at them. Taylor explains why it helps to think about heart disease in relation to the demands of an ever-growing, dense, muscular pump that requires increasing amounts of nutrients, and he discusses how walking upright and giving birth to ever larger babies led to a problematic compromise in the design of the female spine and pelvis. Throughout, he not only explores the impact of evolution on human form and function, but he integrates science with stories from actual patients and doctors, closely examining the implications for our health.
As Taylor shows, evolutionary medicine allows us think about the human body and its adaptations in a completely new and productive way. By exploring how our body’s performance is shaped by its past, Body by Darwin draws powerful connections between our ancient human history and the future of potential medical advances that can harness this knowledge.
In Body by Darwin, Taylor examines the evolutionary origins of some of our most common and serious health issues. To begin, he looks at the hygiene hypothesis, which argues that our obsession with anti-bacterial cleanliness, particularly at a young age, may be making us more vulnerable to autoimmune and allergic diseases. He also discusses diseases of the eye, the medical consequences of bipedalism as they relate to all those aches and pains in our backs and knees, the rise of Alzheimer’s disease, and how cancers become so malignant that they kill us despite the toxic chemotherapy we throw at them. Taylor explains why it helps to think about heart disease in relation to the demands of an ever-growing, dense, muscular pump that requires increasing amounts of nutrients, and he discusses how walking upright and giving birth to ever larger babies led to a problematic compromise in the design of the female spine and pelvis. Throughout, he not only explores the impact of evolution on human form and function, but he integrates science with stories from actual patients and doctors, closely examining the implications for our health.
As Taylor shows, evolutionary medicine allows us think about the human body and its adaptations in a completely new and productive way. By exploring how our body’s performance is shaped by its past, Body by Darwin draws powerful connections between our ancient human history and the future of potential medical advances that can harness this knowledge.
[more]
The Body Impolitic
Artisans and Artifice in the Global Hierarchy of Value
Michael Herzfeld
University of Chicago Press, 2003
The Body Impolitic is a critical study of tradition, not merely as an ornament of local and national heritage, but also as a millstone around the necks of those who are condemned to produce it.
Michael Herzfeld takes us inside a rich variety of small-town Cretan artisans' workshops to show how apprentices are systematically thwarted into learning by stealth and guile. This harsh training reinforces a stereotype of artisans as rude and uncultured. Moreover, the same stereotypes that marginalize artisans locally also operate to marginalize Cretans within the Greek nation and Greece itself within the international community. What Herzfeld identifies as "the global hierarchy of value" thus frames the nation's ancient monuments and traditional handicrafts as evidence of incurable "backwardness."
Herzfeld's sensitive observations offer an intimately grounded way of understanding the effects of globalization and of one of its most visible offshoots, the heritage industry, on the lives of ordinary people in many parts of the world today.
Michael Herzfeld takes us inside a rich variety of small-town Cretan artisans' workshops to show how apprentices are systematically thwarted into learning by stealth and guile. This harsh training reinforces a stereotype of artisans as rude and uncultured. Moreover, the same stereotypes that marginalize artisans locally also operate to marginalize Cretans within the Greek nation and Greece itself within the international community. What Herzfeld identifies as "the global hierarchy of value" thus frames the nation's ancient monuments and traditional handicrafts as evidence of incurable "backwardness."
Herzfeld's sensitive observations offer an intimately grounded way of understanding the effects of globalization and of one of its most visible offshoots, the heritage industry, on the lives of ordinary people in many parts of the world today.
[more]
The Body in the Mind
The Bodily Basis of Meaning, Imagination, and Reason
Mark Johnson
University of Chicago Press, 1990
"There are books—few and far between—which carefully, delightfully, and genuinely turn your head inside out. This is one of them. It ranges over some central issues in Western philosophy and begins the long overdue job of giving us a radically new account of meaning, rationality, and objectivity."—Yaakov Garb, San Francisco Chronicle
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The Body of Faith
A Biological History of Religion in America
Robert C. Fuller
University of Chicago Press, 2013
The postmodern view that human experience is constructed by language and culture has informed historical narratives for decades. Yet newly emerging information about the biological body now makes it possible to supplement traditional scholarly models with insights about the bodily sources of human thought and experience.
The Body of Faith is the first account of American religious history to highlight the biological body. Robert C. Fuller brings a crucial new perspective to the study of American religion, showing that knowledge about the biological body deeply enriches how we explain dramatic episodes in American religious life. Fuller shows that the body’s genetically evolved systems—pain responses, sexual passion, and emotions like shame and fear—have persistently shaped the ways that Americans forge relationships with nature, to society, and to God.
The Body of Faith is the first account of American religious history to highlight the biological body. Robert C. Fuller brings a crucial new perspective to the study of American religion, showing that knowledge about the biological body deeply enriches how we explain dramatic episodes in American religious life. Fuller shows that the body’s genetically evolved systems—pain responses, sexual passion, and emotions like shame and fear—have persistently shaped the ways that Americans forge relationships with nature, to society, and to God.
The first new work to appear in the Chicago History of American Religion series in decades, The Body of Faith offers a truly interdisciplinary framework for explaining the richness, diversity, and endless creativity of American religious life.
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Body of Power, Spirit of Resistance
The Culture and History of a South African People
Jean Comaroff
University of Chicago Press, 1985
In this sophisticated study of power and resistance, Jean Comaroff analyzes the changing predicament of the Barolong boo Ratshidi, a people on the margins of the South African state. Like others on the fringes of the modern world system, the Tshidi struggle to construct a viable order of signs and practices through which they act upon the forces that engulf them. Their dissenting Churches of Zion have provided an effective medium for reconstructing a sense of history and identity, one that protests the terms of colonial and post-colonial society and culture.
[more]
The Body of the Artisan
Art and Experience in the Scientific Revolution
Pamela H. Smith
University of Chicago Press, 2004
Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a "new" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans.
From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
[more]
Body, Subject, and Power in China
Edited by Angela Zito and Tani E. Barlow
University of Chicago Press, 1994
For the first time, this volume brings to the study of China the theoretical concerns and methods of contemporary critical cultural studies. Written by historians, art historians, anthropologists, and literary critics who came of age after the People's Republic resumed scholarly ties with the United States, these essays yield valuable new insights not only for China studies but also, by extension, for non-Asian cultural criticism.
Contributors investigate problems of bodiliness, engendered subjectivities, and discourses of power through a variety of sources that include written texts, paintings, buildings, interviews, and observations. Taken together, the essays show that bodies in China have been classified, represented, discussed, ritualized, gendered, and eroticized in ways as rich and multiple as those described in critical histories of the West. Silk robes, rocks, winds, gestures of bowing, yin yang hierarchies, and cross-dressing have helped create experiences of the body specific to Chinese historical life. By pointing to multiple examples of reimagining subjectivity and renegotiating power, the essays encourage scholars to avoid making broad generalizations about China and to rethink traditional notions of power, subject, and bodiliness in light of actual Chinese practices. Body, Subject, and Power in China is at once an example of the changing face of China studies and a work of importance to the entire discipline of cultural studies.
Contributors investigate problems of bodiliness, engendered subjectivities, and discourses of power through a variety of sources that include written texts, paintings, buildings, interviews, and observations. Taken together, the essays show that bodies in China have been classified, represented, discussed, ritualized, gendered, and eroticized in ways as rich and multiple as those described in critical histories of the West. Silk robes, rocks, winds, gestures of bowing, yin yang hierarchies, and cross-dressing have helped create experiences of the body specific to Chinese historical life. By pointing to multiple examples of reimagining subjectivity and renegotiating power, the essays encourage scholars to avoid making broad generalizations about China and to rethink traditional notions of power, subject, and bodiliness in light of actual Chinese practices. Body, Subject, and Power in China is at once an example of the changing face of China studies and a work of importance to the entire discipline of cultural studies.
[more]
Boggs
A Comedy of Values
Lawrence Weschler
University of Chicago Press, 1999
In this highly entertaining book, Lawrence Weschler chronicles the antics of J. S. G. Boggs, an artist whose consuming passion is money, or perhaps more precisely, value. Boggs draws money-paper notes in standard currencies from all over the world-and tries to spend his drawings. It is a practice that regularly lands him in trouble with treasury police around the globe and provokes fundamental questions regarding the value of art and the value of money.
"Lawrence Weschler, who evidently admires [Boggs]-something not difficult to do-has written what may be the most extraordinary biography imaginable: "weird," to use a favourite Boggs word. It does something towards changing our entire outlook on money and its uses. And the reader is left with an uneasy feeling that anything in this world can be created by drawing it." —Ruth Rendell, Daily Telegraph
"As ideal a subject matter as money is for Boggs' genius, Boggs is as ideal a topic for Weschler's considerable talents. . . . A writer any less lucid than Weschler would smudge the lines, making of Boggs a counterculture caricature or a high-art huckster. And a writer any less confident would knock the balance, making academic mud pies of Boggs' enlightened chaos." —Jonathon Keats, San Francisco Chronicle Book Review
"[A] witty and engaging chronicle. . . . Weschler's fascinating account of the artist as agent provocateur demonstrates both the significance of Boggs's art and his determination to continue his unusual critique of the idea of money." —Henry Wessells, Washington Post Book World
"[A] witty, excellently written account of a bizarre and fascinating snippet of modern life." —Paul Ormerod, Times Higher Education Supplement
"The book, like the artist, challenges people to pause and consider the extent to which the economic bedrock of everyday life is in part a confusing welter of artistic abstractions. It's a work that is at once informative, entertaining, and provocative-a reading experience, one might say, of rather good value." —Toby Lester, Atlantic Monthly
"[A] fascinating tale, especially in these days of fluctuating currency rates, the euro, and inexplicable Net-stock valuations." —Paul Lukas, Fortune
Lawrence Weschler, a recipient of the prestigious Lannan Literary Award for 1998, is the author of numerous books, including Calamities of Exile: Three Nonfiction Novellas, and Mr. Wilson's Cabinet of Wonder, which was a finalist for both the Pulitzer Prize and the National Book Critics Circle Award.
"Lawrence Weschler, who evidently admires [Boggs]-something not difficult to do-has written what may be the most extraordinary biography imaginable: "weird," to use a favourite Boggs word. It does something towards changing our entire outlook on money and its uses. And the reader is left with an uneasy feeling that anything in this world can be created by drawing it." —Ruth Rendell, Daily Telegraph
"As ideal a subject matter as money is for Boggs' genius, Boggs is as ideal a topic for Weschler's considerable talents. . . . A writer any less lucid than Weschler would smudge the lines, making of Boggs a counterculture caricature or a high-art huckster. And a writer any less confident would knock the balance, making academic mud pies of Boggs' enlightened chaos." —Jonathon Keats, San Francisco Chronicle Book Review
"[A] witty and engaging chronicle. . . . Weschler's fascinating account of the artist as agent provocateur demonstrates both the significance of Boggs's art and his determination to continue his unusual critique of the idea of money." —Henry Wessells, Washington Post Book World
"[A] witty, excellently written account of a bizarre and fascinating snippet of modern life." —Paul Ormerod, Times Higher Education Supplement
"The book, like the artist, challenges people to pause and consider the extent to which the economic bedrock of everyday life is in part a confusing welter of artistic abstractions. It's a work that is at once informative, entertaining, and provocative-a reading experience, one might say, of rather good value." —Toby Lester, Atlantic Monthly
"[A] fascinating tale, especially in these days of fluctuating currency rates, the euro, and inexplicable Net-stock valuations." —Paul Lukas, Fortune
Lawrence Weschler, a recipient of the prestigious Lannan Literary Award for 1998, is the author of numerous books, including Calamities of Exile: Three Nonfiction Novellas, and Mr. Wilson's Cabinet of Wonder, which was a finalist for both the Pulitzer Prize and the National Book Critics Circle Award.
[more]
Boll Weevil Blues
Cotton, Myth, and Power in the American South
James C. Giesen
University of Chicago Press, 2011
Between the 1890s and the early 1920s, the boll weevil slowly ate its way across the Cotton South from Texas to the Atlantic Ocean. At the turn of the century, some Texas counties were reporting crop losses of over 70 percent, as were areas of Louisiana, Arkansas, and Mississippi. By the time the boll weevil reached the limits of the cotton belt, it had destroyed much of the region’s chief cash crop—tens of billions of pounds of cotton, worth nearly a trillion dollars.
As staggering as these numbers may seem, James C. Giesen demonstrates that it was the very idea of the boll weevil and the struggle over its meanings that most profoundly changed the South—as different groups, from policymakers to blues singers, projected onto this natural disaster the consequences they feared and the outcomes they sought. Giesen asks how the myth of the boll weevil’s lasting impact helped obscure the real problems of the region—those caused not by insects, but by landowning patterns, antiquated credit systems, white supremacist ideology, and declining soil fertility. Boll Weevil Blues brings together these cultural, environmental, and agricultural narratives in a novel and important way that allows us to reconsider the making of the modern American South.
[more]
Bombs Away
Militarization, Conservation, and Ecological Restoration
David G. Havlick
University of Chicago Press, 2018
When viewed from space, the Korean Peninsula is crossed by a thin green ribbon. On the ground, its mix of dense vegetation and cleared borderlands serves as home to dozens of species that are extinct or endangered elsewhere on the peninsula. This is Korea’s demilitarized zone—one of the most dangerous places on earth for humans, and paradoxically one of the safest for wildlife. Although this zone was not intentionally created for conservation, across the globe hundreds of millions of acres of former military zones and bases are being converted to restoration areas, refuges, and conservation lands. David G. Havlick has traveled the world visiting these spaces of military-to-wildlife transition, and in Bombs Away he explores both the challenges—physical, historical, and cultural—and fascinating ecological possibilities of military site conversions.
Looking at particular international sites of transition—from Indiana’s Big Oaks National Wildlife Refuge to Cold War remnants along the former Iron Curtain—Havlick argues that these new frontiers of conservation must accomplish seemingly antithetical aims: rebuilding and protecting ecosystems, or restoring life, while also commemorating the historical and cultural legacies of warfare and militarization. Developing these ideas further, he shows that despite the ecological devastation often wrought by military testing and training, these activities need not be inconsistent with environmental goals, and in some cases can even complement them—a concept he calls ecological militarization. A profound, clear explication of landscapes both fraught and fecund, marked by death but also reservoirs of life, Bombs Away shows us how “military activities, conservation goals, and ecological restoration efforts are made to work together to create new kinds of places and new conceptions of place.”
Looking at particular international sites of transition—from Indiana’s Big Oaks National Wildlife Refuge to Cold War remnants along the former Iron Curtain—Havlick argues that these new frontiers of conservation must accomplish seemingly antithetical aims: rebuilding and protecting ecosystems, or restoring life, while also commemorating the historical and cultural legacies of warfare and militarization. Developing these ideas further, he shows that despite the ecological devastation often wrought by military testing and training, these activities need not be inconsistent with environmental goals, and in some cases can even complement them—a concept he calls ecological militarization. A profound, clear explication of landscapes both fraught and fecund, marked by death but also reservoirs of life, Bombs Away shows us how “military activities, conservation goals, and ecological restoration efforts are made to work together to create new kinds of places and new conceptions of place.”
[more]
The Bond of the Furthest Apart
Essays on Tolstoy, Dostoevsky, Bresson, and Kafka
Sharon Cameron
University of Chicago Press, 2017
In the French filmmaker Robert Bresson’s cinematography, the linkage of fragmented, dissimilar images challenges our assumption that we know either what things are in themselves or the infinite ways in which they are entangled. The “bond” of Sharon Cameron’s title refers to the astonishing connections found both within Bresson’s films and across literary works by Tolstoy, Dostoevsky, and Kafka, whose visionary rethinkings of experience are akin to Bresson’s in their resistance to all forms of abstraction and classification that segregate aspects of reality.
Whether exploring Bresson’s efforts to reassess the limits of human reason and will, Dostoevsky’s subversions of Christian conventions, Tolstoy’s incompatible beliefs about death, or Kafka’s focus on creatures neither human nor animal, Cameron illuminates how the repeated juxtaposition of disparate, even antithetical, phenomena carves out new approaches to defining the essence of being, one where the very nature of fixed categories is brought into question. An innovative look at a classic French auteur and three giants of European literature, The Bond of the Furthest Apart will interest scholars of literature, film, ethics, aesthetics, and anyone drawn to an experimental venture in critical thought.
Whether exploring Bresson’s efforts to reassess the limits of human reason and will, Dostoevsky’s subversions of Christian conventions, Tolstoy’s incompatible beliefs about death, or Kafka’s focus on creatures neither human nor animal, Cameron illuminates how the repeated juxtaposition of disparate, even antithetical, phenomena carves out new approaches to defining the essence of being, one where the very nature of fixed categories is brought into question. An innovative look at a classic French auteur and three giants of European literature, The Bond of the Furthest Apart will interest scholars of literature, film, ethics, aesthetics, and anyone drawn to an experimental venture in critical thought.
[more]
The Bonds of Inequality
Debt and the Making of the American City
Destin Jenkins
University of Chicago Press, 2021
Indebtedness, like inequality, has become a ubiquitous condition in the United States. Yet few have probed American cities’ dependence on municipal debt or how the terms of municipal finance structure racial privileges, entrench spatial neglect, elide democratic input, and distribute wealth and power.
In this passionate and deeply researched book, Destin Jenkins shows in vivid detail how, beyond the borrowing decisions of American cities and beneath their quotidian infrastructure, there lurks a world of politics and finance that is rarely seen, let alone understood. Focusing on San Francisco, The Bonds of Inequality offers a singular view of the postwar city, one where the dynamics that drove its creation encompassed not only local politicians but also banks, credit rating firms, insurance companies, and the national municipal bond market. Moving between the local and the national, The Bonds of Inequality uncovers how racial inequalities in San Francisco were intrinsically tied to municipal finance arrangements and how these arrangements were central in determining the distribution of resources in the city. By homing in on financing and its imperatives, Jenkins boldly rewrites the history of modern American cities, revealing the hidden strings that bind debt and power, race and inequity, democracy and capitalism.
In this passionate and deeply researched book, Destin Jenkins shows in vivid detail how, beyond the borrowing decisions of American cities and beneath their quotidian infrastructure, there lurks a world of politics and finance that is rarely seen, let alone understood. Focusing on San Francisco, The Bonds of Inequality offers a singular view of the postwar city, one where the dynamics that drove its creation encompassed not only local politicians but also banks, credit rating firms, insurance companies, and the national municipal bond market. Moving between the local and the national, The Bonds of Inequality uncovers how racial inequalities in San Francisco were intrinsically tied to municipal finance arrangements and how these arrangements were central in determining the distribution of resources in the city. By homing in on financing and its imperatives, Jenkins boldly rewrites the history of modern American cities, revealing the hidden strings that bind debt and power, race and inequity, democracy and capitalism.
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Bonds of the Dead
Temples, Burial, and the Transformation of Contemporary Japanese Buddhism
Mark Michael Rowe
University of Chicago Press, 2011
Despite popular images of priests seeking enlightenment in snow-covered mountain temples, the central concern of Japanese Buddhism is death. For that reason, Japanese Buddhism’s social and economic base has long been in mortuary services—a base now threatened by public debate over the status, treatment, and location of the dead. Bonds of the Dead explores the crisis brought on by this debate and investigates what changing burial forms reveal about the ways temple Buddhism is perceived and propagated in contemporary Japan.
Mark Rowe offers a crucial account of how religious, political, social, and economic forces in the twentieth century led to the emergence of new funerary practices in Japan and how, as a result, the care of the dead has become the most fundamental challenge to the continued existence of Japanese temple Buddhism. Far from marking the death of Buddhism in Japan, Rowe argues, funerary Buddhism reveals the tradition at its most vibrant. Combining ethnographic research with doctrinal considerations, this is a fascinating book for anyone interested in Japanese society and religion.
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Bonebeds
Genesis, Analysis, and Paleobiological Significance
Edited by Raymond R. Rogers, David A. Eberth, and Anthony R. Fiorillo
University of Chicago Press, 2007
The vertebrate fossil record extends back more than 500 million years, and bonebeds—localized concentrations of the skeletal remains of vertebrate animals—help unlock the secrets of this long history. Often spectacularly preserved, bonebeds—both modern and ancient—can reveal more about life histories, ecological associations, and preservation patterns than any single skeleton or bone. For this reason, bonebeds are frequently studied by paleobiologists, geologists, and archeologists seeking to piece together the vertebrate record.
Thirteen respected researchers combine their experiences in Bonebeds, providing readers with workable definitions, theoretical frameworks, and a compendium of modern techniques in bonebed data collection and analysis. By addressing the historical, theoretical, and practical aspects of bonebed research, this edited volume—the first of its kind—provides the background and methods that students and professionals need to explore and understand these fantastic records of ancient life and death.
Thirteen respected researchers combine their experiences in Bonebeds, providing readers with workable definitions, theoretical frameworks, and a compendium of modern techniques in bonebed data collection and analysis. By addressing the historical, theoretical, and practical aspects of bonebed research, this edited volume—the first of its kind—provides the background and methods that students and professionals need to explore and understand these fantastic records of ancient life and death.
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Bones, Clones, and Biomes
The History and Geography of Recent Neotropical Mammals
Edited by Bruce D. Patterson and Leonora P. Costa
University of Chicago Press, 2012
As explorers and scientists have known for decades, the Neotropics harbor a fantastic array of our planet’s mammalian diversity, from capybaras and capuchins to maned wolves and mouse opossums to sloths and sakis. This biological bounty can be attributed partly to the striking diversity of Neotropical landscapes and climates and partly to a series of continental connections that permitted intermittent faunal exchanges with Africa, Antarctica, Australia, and North America. Thus, to comprehend the development of modern Neotropical mammal faunas requires not only mastery of the Neotropics’ substantial diversity, but also knowledge of mammalian lineages and landscapes dating back to the Mesozoic.
Bones, Clones, and Biomes offers just that—an exploration of the development and relationships of the modern mammal fauna through a series of studies that encompass the last 100 million years and both Central and South America. This work serves as a complement to more taxonomically driven works, providing for readers the long geologic and biogeographic contexts that undergird the abundance and diversity of Neotropical mammals. Rather than documenting diversity or distribution, this collection traverses the patterns that the distributions and relationships across mammal species convey, bringing together for the first time geology, paleobiology, systematics, mammalogy, and biogeography. Of critical importance is the book’s utility for current conservation and management programs, part of a rapidly rising conservation paleobiology initiative.
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Bones of Contention
Controversies in the Search for Human Origins
Roger Lewin
University of Chicago Press, 1997
Bones of Contention is a behind-the-scenes look at the search for human origins. Analyzing how the biases and preconceptions of paleoanthropologists shaped their work, Roger Lewin's detective stories about the discovery of Neanderthal Man, the Taung Child, Lucy, and other major fossils provide insight into this most subjective of scientific endeavors. The new afterword looks at ways in which paleoanthropology, while becoming more scientific
in many ways, remains contentious.
"[An] un-put-downable book."—John Gribbon, Times Educational Supplement
"Not just another 'stones and bones' account of human evolution. It is Lewin's thesis, amply demonstrated, that paleoanthropology is the most subjective of sciences because it engages the emotions of virtually everyone; and since the evidence is scrappy, interpretation is everything. . . . A splendid, stirring, and eye-opening account, to be devoured."—Kirkus Reviews, starred review
"[Lewin shows] 'how very unscientific the process of scientific inquiry can be.'. . . Bones of Contention is . . . serious intellectual history."—Edward Dolnick, Wall Street Journal
"[Lewin] documents his thesis in persuasive detail. . . . The reader is carried along by the power of Mr. Lewin's reporting."—Robert Wright, New York Times Book Review
in many ways, remains contentious.
"[An] un-put-downable book."—John Gribbon, Times Educational Supplement
"Not just another 'stones and bones' account of human evolution. It is Lewin's thesis, amply demonstrated, that paleoanthropology is the most subjective of sciences because it engages the emotions of virtually everyone; and since the evidence is scrappy, interpretation is everything. . . . A splendid, stirring, and eye-opening account, to be devoured."—Kirkus Reviews, starred review
"[Lewin shows] 'how very unscientific the process of scientific inquiry can be.'. . . Bones of Contention is . . . serious intellectual history."—Edward Dolnick, Wall Street Journal
"[Lewin] documents his thesis in persuasive detail. . . . The reader is carried along by the power of Mr. Lewin's reporting."—Robert Wright, New York Times Book Review
[more]
The Book as Instrument
Stéphane Mallarmé, the Artist's Book, and the Transformation of Print Culture
Anna Sigrídur Arnar
University of Chicago Press, 2011
Stéphane Mallarmé (1842–98) was a French Symbolist poet, theorist, and teacher whose ideas and legendary salons set the stage for twentieth-century experimentation in poetry, music, theater and art. A canonical figure in the legacy of modernism, Mallarmé was also a lifelong champion of the book as both a literary endeavor and a carefully crafted material object.
In The Book as Instrument, Anna Sigrídur Arnar explores how this object functioned for Mallarmé and his artistic circle, arguing that the book became a strategic site for encouraging a modern public to actively partake in the creative act, an idea that informed later twentieth-century developments such as conceptual and performance art. Arnar demonstrates that Mallarmé was invested in creating radically empowering reading experiences, and the diverse modalities he proposed for both reading and looking anticipate interactive media prevalent in today’s culture. In describing the world of books, visual culture, and mass media of the late nineteenth century, Arnar touches upon an array of themes that continues to preoccupy us in our own moment, including speculations on the future of the book. Enhanced by gorgeous illustrations, The Book as Instrument is sure to fascinate anyone interested in the ever-vibrant experiment between word and image that makes the page and the multi-sensory pleasures of reading.
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The Book by Design
The Remarkable Story of the World's Greatest Invention
Edited by P.J.M. Marks and Stephen Parkin
University of Chicago Press, 2023
A richly illustrated look at some of the British Library’s most beautiful books from around the world.
For centuries across the world, books have been created as objects of beauty, with bookmakers lavishing great care on their paper, binding materials, illustrations, and lettering.
The Book by Design, featuring an array of books from the British Library's collection, focuses on the sensory experience of holding and reading these objects. Each selection represents a specific moment in the development of what we know today as the book—from scrolls and bound illuminated manuscripts to paperbacks and formatted digital information. These range from the seventh century to the present and include examples from China, Japan, Southeast Asia, the Middle East, Europe, and North America, in addition to a look at book traditions in Africa and Oceania. John James Audubon’s Birds of America, the works of Chaucer, Russian Futurist books, limited editions, historic copies of the Qur’an and the Bible, mass-market paperbacks, and more come together to tell the visual, tactile, artistic, and cultural history of books.
Expert curators and specialists explore these books from the perspective of design and manufacturing, original art photographs offer vivid representations of their textures and materials, and graphics detail the size and specifications of each book. Offering a wide-ranging look at the creation and use of books, illustrated with hundreds of color images, this volume is itself an object of beauty.
For centuries across the world, books have been created as objects of beauty, with bookmakers lavishing great care on their paper, binding materials, illustrations, and lettering.
The Book by Design, featuring an array of books from the British Library's collection, focuses on the sensory experience of holding and reading these objects. Each selection represents a specific moment in the development of what we know today as the book—from scrolls and bound illuminated manuscripts to paperbacks and formatted digital information. These range from the seventh century to the present and include examples from China, Japan, Southeast Asia, the Middle East, Europe, and North America, in addition to a look at book traditions in Africa and Oceania. John James Audubon’s Birds of America, the works of Chaucer, Russian Futurist books, limited editions, historic copies of the Qur’an and the Bible, mass-market paperbacks, and more come together to tell the visual, tactile, artistic, and cultural history of books.
Expert curators and specialists explore these books from the perspective of design and manufacturing, original art photographs offer vivid representations of their textures and materials, and graphics detail the size and specifications of each book. Offering a wide-ranging look at the creation and use of books, illustrated with hundreds of color images, this volume is itself an object of beauty.
[more]
Book Clubs
Women and the Uses of Reading in Everyday Life
Elizabeth Long
University of Chicago Press, 2003
Book clubs are everywhere these days. And women talk about the clubs they belong to with surprising emotion. But why are the clubs so important to them? And what do the women discuss when they meet? To answer questions like these, Elizabeth Long spent years observing and participating in women's book clubs and interviewing members from different discussion groups. Far from being an isolated activity, she finds reading for club members to be an active and social pursuit, a crucial way for women to reflect creatively on the meaning of their lives and their place in the social order.
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Book for the Hour of Recreation
María de San José Salazar
University of Chicago Press, 2002
María de San José Salazar (1548-1603) took the veil as a Discalced ("barefoot") Carmelite nun in 1571, becoming one of Teresa of Avila's most important collaborators in religious reform and serving as prioress of the Seville and Lisbon convents. Within the parameters of the strict Catholic Reformation in Spain, María fiercely defended women's rights to define their own spiritual experience and to teach, inspire, and lead other women in reforming their church.
María wrote this book as a defense of the Discalced practice of setting aside two hours each day for conversation, music, and staging of religious plays. Casting the book in the form of a dialogue, María demonstrates through fictional conversations among a group of nuns during their hours of recreation how women could serve as very effective spiritual teachers for each other. The book includes one of the first biographical portraits of Teresa and Maria's personal account of the troubled founding of the Discalced convent at Seville, as well as her tribulations as an Inquisitional suspect. Rich in allusions to women's affective relationships in the early modern convent, Book for the Hour of Recreation also serves as an example of how a woman might write when relatively free of clerical censorship and expectations.
A detailed introduction and notes by Alison Weber provide historical and biographical context for Amanda Powell's fluid translation.
María wrote this book as a defense of the Discalced practice of setting aside two hours each day for conversation, music, and staging of religious plays. Casting the book in the form of a dialogue, María demonstrates through fictional conversations among a group of nuns during their hours of recreation how women could serve as very effective spiritual teachers for each other. The book includes one of the first biographical portraits of Teresa and Maria's personal account of the troubled founding of the Discalced convent at Seville, as well as her tribulations as an Inquisitional suspect. Rich in allusions to women's affective relationships in the early modern convent, Book for the Hour of Recreation also serves as an example of how a woman might write when relatively free of clerical censorship and expectations.
A detailed introduction and notes by Alison Weber provide historical and biographical context for Amanda Powell's fluid translation.
[more]
The Book of Barely Imagined Beings
A 21st Century Bestiary
Caspar Henderson
University of Chicago Press, 2013
From medieval bestiaries to Borges’s Book of Imaginary Beings, we’ve long been enchanted by extraordinary animals, be they terrifying three-headed dogs or asps impervious to a snake charmer’s song. But bestiaries are more than just zany zoology—they are artful attempts to convey broader beliefs about human beings and the natural order. Today, we no longer fear sea monsters or banshees. But from the infamous honey badger to the giant squid, animals continue to captivate us with the things they can do and the things they cannot, what we know about them and what we don’t.
With The Book of Barely Imagined Beings, Caspar Henderson offers readers a fascinating, beautifully produced modern-day menagerie. But whereas medieval bestiaries were often based on folklore and myth, the creatures that abound in Henderson’s book—from the axolotl to the zebrafish—are, with one exception, very much with us, albeit sometimes in depleted numbers. The Book of Barely Imagined Beings transports readers to a world of real creatures that seem as if they should be made up—that are somehow more astonishing than anything we might have imagined. The yeti crab, for example, uses its furry claws to farm the bacteria on which it feeds. The waterbear, meanwhile, is among nature’s “extreme survivors,” able to withstand a week unprotected in outer space. These and other strange and surprising species invite readers to reflect on what we value—or fail to value—and what we might change.
A powerful combination of wit, cutting-edge natural history, and philosophical meditation, The Book of Barely Imagined Beings is an infectious and inspiring celebration of the sheer ingenuity and variety of life in a time of crisis and change.
With The Book of Barely Imagined Beings, Caspar Henderson offers readers a fascinating, beautifully produced modern-day menagerie. But whereas medieval bestiaries were often based on folklore and myth, the creatures that abound in Henderson’s book—from the axolotl to the zebrafish—are, with one exception, very much with us, albeit sometimes in depleted numbers. The Book of Barely Imagined Beings transports readers to a world of real creatures that seem as if they should be made up—that are somehow more astonishing than anything we might have imagined. The yeti crab, for example, uses its furry claws to farm the bacteria on which it feeds. The waterbear, meanwhile, is among nature’s “extreme survivors,” able to withstand a week unprotected in outer space. These and other strange and surprising species invite readers to reflect on what we value—or fail to value—and what we might change.
A powerful combination of wit, cutting-edge natural history, and philosophical meditation, The Book of Barely Imagined Beings is an infectious and inspiring celebration of the sheer ingenuity and variety of life in a time of crisis and change.
[more]
The Book of Beetles
A Life-Size Guide to Six Hundred of Nature's Gems
Patrice Bouchard
University of Chicago Press, 2014
When renowned British geneticist J. B. S. Haldane was asked what could be inferred about God from a study of his works, Haldane replied, “An inordinate fondness for beetles.” With 350,000 known species, and scientific estimates that millions more have yet to be identified, their abundance is indisputable as is their variety. They range from the delightful summer firefly to the one-hundred-gram Goliath beetle. Beetles offer a dazzling array of shapes, sizes, and colors that entice scientists and collectors across the globe.
The Book of Beetles celebrates the beauty and diversity of this marvelous insect. Six hundred significant beetle species are covered, with each entry featuring a distribution map, basic biology, conservation status, and information on cultural and economic significance. Full-color photos show the beetles both at their actual size and enlarged to show details, such as the sextet of spots that distinguish the six-spotted tiger beetle or the jagged ridges of the giant-jawed sawyer beetle. Based in the most up-to-date science and accessibly written, the descriptive text will appeal to researchers and armchair coleopterists alike.
The humble beetle continues to grow in popularity, taking center stage in biodiversity studies, sustainable agriculture programs, and even the dining rooms of adventurous and eco-conscious chefs. The Book of Beetles is certain to become the authoritative reference on these remarkably adaptable and beautiful creatures.
The Book of Beetles celebrates the beauty and diversity of this marvelous insect. Six hundred significant beetle species are covered, with each entry featuring a distribution map, basic biology, conservation status, and information on cultural and economic significance. Full-color photos show the beetles both at their actual size and enlarged to show details, such as the sextet of spots that distinguish the six-spotted tiger beetle or the jagged ridges of the giant-jawed sawyer beetle. Based in the most up-to-date science and accessibly written, the descriptive text will appeal to researchers and armchair coleopterists alike.
The humble beetle continues to grow in popularity, taking center stage in biodiversity studies, sustainable agriculture programs, and even the dining rooms of adventurous and eco-conscious chefs. The Book of Beetles is certain to become the authoritative reference on these remarkably adaptable and beautiful creatures.
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The Book of Caterpillars
A Life-Size Guide to Six Hundred Species from around the World
Edited by David G. James
University of Chicago Press, 2017
The weird and wonderful world of insects boasts some of the strangest creatures found in nature, and caterpillars are perhaps the most bizarre of all. While most of us picture caterpillars as cute fuzzballs munching on leaves, there is much more to them than we imagine. A caterpillar’s survival hinges on finding enough food and defending itself from the array of natural enemies lined up to pounce and consume. And the astounding adaptations and strategies they have developed to maximize their chances of becoming a butterfly or moth are only just beginning to be understood, from the Spicebush Swallowtail caterpillar that resembles a small snake to the Eastern Carpenter Bee Hawkmoth caterpillar that attempts to dissuade potential predators by looking like a diseased leaf.
The Book of Caterpillars unveils the mysteries of six hundred species from around the world, introducing readers to the complexity and beauty of these underappreciated insects. With the advent of high-quality digital macrophotography, the world of caterpillars is finally opening up. The book presents a wealth of stunning imagery that showcases the astonishing diversity of caterpillar design, structure, coloration, and patterning. Each entry also features a two-tone engraving of the adult specimen, emphasizing the wing patterns and shades, as well as a population distribution map and table of essential information that includes their habitat, typical host plants, and conservation status. Throughout the book are fascinating facts that will enthrall expert entomologists and curious collectors alike.
A visually rich and scientifically accurate guide to six hundred of the world’s most peculiar caterpillars, this volume presents readers with a rare, detailed look at these intriguing forms of insect life.
The Book of Caterpillars unveils the mysteries of six hundred species from around the world, introducing readers to the complexity and beauty of these underappreciated insects. With the advent of high-quality digital macrophotography, the world of caterpillars is finally opening up. The book presents a wealth of stunning imagery that showcases the astonishing diversity of caterpillar design, structure, coloration, and patterning. Each entry also features a two-tone engraving of the adult specimen, emphasizing the wing patterns and shades, as well as a population distribution map and table of essential information that includes their habitat, typical host plants, and conservation status. Throughout the book are fascinating facts that will enthrall expert entomologists and curious collectors alike.
A visually rich and scientifically accurate guide to six hundred of the world’s most peculiar caterpillars, this volume presents readers with a rare, detailed look at these intriguing forms of insect life.
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The Book of Eggs
A Life-Size Guide to the Eggs of Six Hundred of the World's Bird Species
Mark E. Hauber
University of Chicago Press, 2014
From the brilliantly green and glossy eggs of the Elegant Crested Tinamou—said to be among the most beautiful in the world—to the small brown eggs of the house sparrow that makes its nest in a lamppost and the uniformly brown or white chickens’ eggs found by the dozen in any corner grocery, birds’ eggs have inspired countless biologists, ecologists, and ornithologists, as well as artists, from John James Audubon to the contemporary photographer Rosamond Purcell. For scientists, these vibrant vessels are the source of an array of interesting topics, from the factors responsible for egg coloration to the curious practice of “brood parasitism,” in which the eggs of cuckoos mimic those of other bird species in order to be cunningly concealed among the clutches of unsuspecting foster parents.
The Book of Eggs introduces readers to eggs from six hundred species—some endangered or extinct—from around the world and housed mostly at Chicago’s Field Museum of Natural History. Organized by habitat and taxonomy, the entries include newly commissioned photographs that reproduce each egg in full color and at actual size, as well as distribution maps and drawings and descriptions of the birds and their nests where the eggs are kept warm. Birds’ eggs are some of the most colorful and variable natural products in the wild, and each entry is also accompanied by a brief description that includes evolutionary explanations for the wide variety of colors and patterns, from camouflage designed to protect against predation, to thermoregulatory adaptations, to adjustments for the circumstances of a particular habitat or season. Throughout the book are fascinating facts to pique the curiosity of binocular-toting birdwatchers and budding amateurs alike. Female mallards, for instance, invest more energy to produce larger eggs when faced with the genetic windfall of an attractive mate. Some seabirds, like the cliff-dwelling guillemot, have adapted to produce long, pointed eggs, whose uneven weight distribution prevents them from rolling off rocky ledges into the sea.
A visually stunning and scientifically engaging guide to six hundred of the most intriguing eggs, from the pea-sized progeny of the smallest of hummingbirds to the eggs of the largest living bird, the ostrich, which can weigh up to five pounds, The Book of Eggs offers readers a rare, up-close look at these remarkable forms of animal life.
The Book of Eggs introduces readers to eggs from six hundred species—some endangered or extinct—from around the world and housed mostly at Chicago’s Field Museum of Natural History. Organized by habitat and taxonomy, the entries include newly commissioned photographs that reproduce each egg in full color and at actual size, as well as distribution maps and drawings and descriptions of the birds and their nests where the eggs are kept warm. Birds’ eggs are some of the most colorful and variable natural products in the wild, and each entry is also accompanied by a brief description that includes evolutionary explanations for the wide variety of colors and patterns, from camouflage designed to protect against predation, to thermoregulatory adaptations, to adjustments for the circumstances of a particular habitat or season. Throughout the book are fascinating facts to pique the curiosity of binocular-toting birdwatchers and budding amateurs alike. Female mallards, for instance, invest more energy to produce larger eggs when faced with the genetic windfall of an attractive mate. Some seabirds, like the cliff-dwelling guillemot, have adapted to produce long, pointed eggs, whose uneven weight distribution prevents them from rolling off rocky ledges into the sea.
A visually stunning and scientifically engaging guide to six hundred of the most intriguing eggs, from the pea-sized progeny of the smallest of hummingbirds to the eggs of the largest living bird, the ostrich, which can weigh up to five pounds, The Book of Eggs offers readers a rare, up-close look at these remarkable forms of animal life.
[more]
The Book of Frogs
A Life-Size Guide to Six Hundred Species from around the World
Tim Halliday
University of Chicago Press, 2015
With over 7,000 known species, frogs display a stunning array of forms and behaviors. A single gram of the toxin produced by the skin of the Golden Poison Frog can kill 100,000 people. Male Darwin’s Frogs carry their tadpoles in their vocal sacs for sixty days before coughing them out into the world. The Wood Frogs of North America freeze every winter, reanimating in the spring from the glucose and urea that prevent cell collapse.
The Book of Frogs commemorates the diversity and magnificence of all of these creatures, and many more. Six hundred of nature’s most fascinating frog species are displayed, with each entry including a distribution map, sketches of the frogs, species identification, natural history, and conservation status. Life-size color photos show the frogs at their actual size—including the colossal seven-pound Goliath Frog. Accessibly written by expert Tim Halliday and containing the most up-to-date information, The Book of Frogs will captivate both veteran researchers and amateur herpetologists.
As frogs increasingly make headlines for their troubling worldwide decline, the importance of these fascinating creatures to their ecosystems remains underappreciated. The Book of Frogs brings readers face to face with six hundred astonishingly unique and irreplaceable species that display a diverse array of adaptations to habitats that are under threat of destruction throughout the world.
The Book of Frogs commemorates the diversity and magnificence of all of these creatures, and many more. Six hundred of nature’s most fascinating frog species are displayed, with each entry including a distribution map, sketches of the frogs, species identification, natural history, and conservation status. Life-size color photos show the frogs at their actual size—including the colossal seven-pound Goliath Frog. Accessibly written by expert Tim Halliday and containing the most up-to-date information, The Book of Frogs will captivate both veteran researchers and amateur herpetologists.
As frogs increasingly make headlines for their troubling worldwide decline, the importance of these fascinating creatures to their ecosystems remains underappreciated. The Book of Frogs brings readers face to face with six hundred astonishingly unique and irreplaceable species that display a diverse array of adaptations to habitats that are under threat of destruction throughout the world.
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The Book of Fungi
A Life-Size Guide to Six Hundred Species from around the World
Peter Roberts and Shelley Evans
University of Chicago Press, 2011
Colorful, mysterious, and often fantastically shaped, fungi have been a source of wonder and fascination since the earliest hunter-gatherers first foraged for them. Today there are few, if any, places on Earth where fungi have not found themselves a home. And these highly specialized organisms are an indispensable part of the great chain of life. They not only partner in symbiotic relationships with over ninety percent of the world’s trees and flowering plant species, they also recycle and create humus, the fertile soil from which such flora receive their nutrition. Some fungi are parasites or saprotrophs; many are poisonous and, yes, hallucinogenic; others possess life-enhancing properties that can be tapped for pharmaceutical products; while a delicious few are prized by epicureans and gourmands worldwide.
In this lavishly illustrated volume, six hundred fungi from around the globe get their full due. Each species here is reproduced at its actual size, in full color, and is accompanied by a scientific explanation of its distribution, habitat, association, abundance, growth form, spore color, and edibility. Location maps give at-a-glance indications of each species’ known global distribution, and specially commissioned engravings show different fruitbody forms and provide the vital statistics of height and diameter. With information on the characteristics, distinguishing features, and occasionally bizarre habits of these fungi, readers will find in this book the common and the conspicuous, the unfamiliar and the odd. There is a fungal predator, for instance, that hunts its prey with lassos, and several that set traps, including one that entices sows by releasing the pheromones of a wild boar.
Mushrooms, morels, puffballs, toadstools, truffles, chanterelles—fungi from habitats spanning the poles and the tropics, from the highest mountains to our own backyards—are all on display in this definitive work.
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The Book of Leaves
A Leaf-by-Leaf Guide to Six Hundred of the World's Great Trees
Allen J. Coombes
University of Chicago Press, 2010
Of all our childhood memories, few are quite as thrilling, or as tactile, as those of climbing trees. Scampering up the rough trunk, spying on the world from the cool green shelter of the canopy, lying on a limb and looking up through the leaves at the summer sun almost made it seem as if we were made for trees, and trees for us.Even in adulthood, trees retain their power, from the refreshing way their waves of green break the monotony of a cityscape to the way their autumn transformations take our breath away.
In this lavishly illustrated volume, the trees that have enriched our lives finally get their full due, through a focus on the humble leaves that serve, in a sense, as their public face. The Book of Leaves offers a visually stunning and scientifically engaging guide to six hundred of the most impressive and beautiful leaves from around the world. Each leaf is reproduced here at its actual size, in full color, and is accompanied by an explanation of the range, distribution, abundance, and habitat of the tree on which it’s found. Brief scientific and historical accounts of each tree and related species include fun-filled facts and anecdotes that broaden its portrait.
The Henry’s Maple, for instance, found in China and named for an Irish doctor who collected leaves there, bears little initial resemblance to the statuesque maples of North America, from its diminutive stature to its unusual trifoliolate leaves. Or the Mediterranean Olive, which has been known to live for more than 1,500 years and whose short, narrow leaves only fall after two or three years, pushed out in stages by the emergence of younger leaves.
From the familiar friends of our backyards to the giants of deep woods, The Book of Leaves brings the forest to life—and to our living rooms—as never before.
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The Book of Margins
Edmond Jabès
University of Chicago Press, 1993
The death of Edmond Jabès in January 1991 silenced one of the most compelling voices of the postmodern, post-Holocaust era. Jabès's importance as a thinker, philosopher, and Jewish theologian cannot be overestimated, and his enigmatic style—combining aphorism, fictional dialogue, prose meditation, poetry, and other forms—holds special appeal for postmodern sensibilities.
In The Book of Margins, his most critical as well as most accessible book, Jabès is again concerned with the questions that inform all of his work: the nature of writing, of silence, of God and the Book. Jabès considers the work of several of his contemporaries, including Georges Bataille, Maurice Blanchot, Roger Caillois, Paul Celan, Jacques Derrida, Michel Leiris, Emmanuel Lévinas, Pier Paolo Pasolini, and his translator, Rosmarie Waldrop. This book will be important reading for students of Jewish literature, French literature, and literature of the modern and postmodern ages.
Born in Cairo in 1912, Edmond Jabès lived in France from 1956 until his death in 1991. His extensively translated and widely honored works include The Book of Questions and The Book of Shares. Both of these were translated into English by Rosmarie Waldrop, who is also a poet.
Religion and Postmodernism series
In The Book of Margins, his most critical as well as most accessible book, Jabès is again concerned with the questions that inform all of his work: the nature of writing, of silence, of God and the Book. Jabès considers the work of several of his contemporaries, including Georges Bataille, Maurice Blanchot, Roger Caillois, Paul Celan, Jacques Derrida, Michel Leiris, Emmanuel Lévinas, Pier Paolo Pasolini, and his translator, Rosmarie Waldrop. This book will be important reading for students of Jewish literature, French literature, and literature of the modern and postmodern ages.
Born in Cairo in 1912, Edmond Jabès lived in France from 1956 until his death in 1991. His extensively translated and widely honored works include The Book of Questions and The Book of Shares. Both of these were translated into English by Rosmarie Waldrop, who is also a poet.
Religion and Postmodernism series
[more]
The Book of Minds
How to Understand Ourselves and Other Beings, from Animals to AI to Aliens
Philip Ball
University of Chicago Press, 2022
Popular science writer Philip Ball explores a range of sciences to map our answers to a huge, philosophically rich question: How do we even begin to think about minds that are not human?
Sciences from zoology to astrobiology, computer science to neuroscience, are seeking to understand minds in their own distinct disciplinary realms. Taking a uniquely broad view of minds and where to find them—including in plants, aliens, and God—Philip Ball pulls the pieces together to explore what sorts of minds we might expect to find in the universe. In so doing, he offers for the first time a unified way of thinking about what minds are and what they can do, by locating them in what he calls the “space of possible minds.” By identifying and mapping out properties of mind without prioritizing the human, Ball sheds new light on a host of fascinating questions: What moral rights should we afford animals, and can we understand their thoughts? Should we worry that AI is going to take over society? If there are intelligent aliens out there, how could we communicate with them? Should we? Understanding the space of possible minds also reveals ways of making advances in understanding some of the most challenging questions in contemporary science: What is thought? What is consciousness? And what (if anything) is free will?
Informed by conversations with leading researchers, Ball’s brilliant survey of current views about the nature and existence of minds is more mind-expanding than we could imagine. In this fascinating panorama of other minds, we come to better know our own.
Sciences from zoology to astrobiology, computer science to neuroscience, are seeking to understand minds in their own distinct disciplinary realms. Taking a uniquely broad view of minds and where to find them—including in plants, aliens, and God—Philip Ball pulls the pieces together to explore what sorts of minds we might expect to find in the universe. In so doing, he offers for the first time a unified way of thinking about what minds are and what they can do, by locating them in what he calls the “space of possible minds.” By identifying and mapping out properties of mind without prioritizing the human, Ball sheds new light on a host of fascinating questions: What moral rights should we afford animals, and can we understand their thoughts? Should we worry that AI is going to take over society? If there are intelligent aliens out there, how could we communicate with them? Should we? Understanding the space of possible minds also reveals ways of making advances in understanding some of the most challenging questions in contemporary science: What is thought? What is consciousness? And what (if anything) is free will?
Informed by conversations with leading researchers, Ball’s brilliant survey of current views about the nature and existence of minds is more mind-expanding than we could imagine. In this fascinating panorama of other minds, we come to better know our own.
[more]
The Book of Minor Perverts
Sexology, Etiology, and the Emergences of Sexuality
Benjamin Kahan
University of Chicago Press, 2019
Shortlisted for the Modernist Studies Assocation Book Prize
Statue-fondlers, wanderlusters, sex magicians, and nymphomaniacs: the story of these forgotten sexualities—what Michel Foucault deemed “minor perverts”—has never before been told. In The Book of Minor Perverts, Benjamin Kahan sets out to chart the proliferation of sexual classification that arose with the advent of nineteenth-century sexology. The book narrates the shift from Foucault’s “thousand aberrant sexualities” to one: homosexuality. The focus here is less on the effects of queer identity and more on the lines of causation behind a surprising array of minor perverts who refuse to fit neatly into our familiar sexual frameworks. The result stands at the intersection of history, queer studies, and the medical humanities to offer us a new way of feeling our way into the past.
Statue-fondlers, wanderlusters, sex magicians, and nymphomaniacs: the story of these forgotten sexualities—what Michel Foucault deemed “minor perverts”—has never before been told. In The Book of Minor Perverts, Benjamin Kahan sets out to chart the proliferation of sexual classification that arose with the advent of nineteenth-century sexology. The book narrates the shift from Foucault’s “thousand aberrant sexualities” to one: homosexuality. The focus here is less on the effects of queer identity and more on the lines of causation behind a surprising array of minor perverts who refuse to fit neatly into our familiar sexual frameworks. The result stands at the intersection of history, queer studies, and the medical humanities to offer us a new way of feeling our way into the past.
[more]
A Book of Noises
Notes on the Auraculous
Caspar Henderson
University of Chicago Press, 2023
A wide-ranging exploration of the sounds that shape our world in invisible yet significant ways.
The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In A Book of Noises, Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness.
Describing sounds from around the natural and human world, the forty-eight essays that make up A Book of Noises are a celebration of all things “auraculous.” Henderson calls on his characteristic curiosity to explore sounds related to humans (anthropophony), other life (biophony), the planet (geophony), and space (cosmophony). Henderson finds the beauty in everyday sounds, like the ringing of a bell, the buzz of a bee, or the “earworm” songs that get stuck in our heads. A Book of Noises also explores the marvelous, miraculous sounds we may never get the chance to hear, like the deep boom of a volcano or the quiet, rustling sound of the Northern Lights.
A Book of Noises will teach readers to really listen to the sounds of the world around them, to broaden and deepen their appreciation of the humans, animals, rocks, and trees simultaneously broadcasting across the whole spectrum of sentience.
The crackling of a campfire. The scratch, hiss, and pop of a vinyl record. The first glug of wine as it is poured from a bottle. These are just a few of writer Caspar Henderson’s favorite sounds. In A Book of Noises, Henderson invites readers to use their ears a little better—to tune in to the world in all its surprising noisiness.
Describing sounds from around the natural and human world, the forty-eight essays that make up A Book of Noises are a celebration of all things “auraculous.” Henderson calls on his characteristic curiosity to explore sounds related to humans (anthropophony), other life (biophony), the planet (geophony), and space (cosmophony). Henderson finds the beauty in everyday sounds, like the ringing of a bell, the buzz of a bee, or the “earworm” songs that get stuck in our heads. A Book of Noises also explores the marvelous, miraculous sounds we may never get the chance to hear, like the deep boom of a volcano or the quiet, rustling sound of the Northern Lights.
A Book of Noises will teach readers to really listen to the sounds of the world around them, to broaden and deepen their appreciation of the humans, animals, rocks, and trees simultaneously broadcasting across the whole spectrum of sentience.
[more]
The Book of Orchids
A Life-Size Guide to Six Hundred Species from around the World
Mark W. Chase, Maarten J. M. Christenhusz, and Tom Mirenda
University of Chicago Press, 2017
One in every seven flowering plants on earth is an orchid. Yet orchids retain an air of exotic mystery—and they remain remarkably misunderstood and underappreciated. The orchid family contains an astonishing array of colors, forms, and smells that captivate growers from all walks of life across the globe. Though undeniably elegant, the popular moth orchid—a grocery store standard—is a bland stand-in when compared with its thousands of more complex and fascinating brethren, such as the Demon Queller, which grows in dark forests where its lovely blooms are believed to chase evil forces away. There is the Fetid Sun-God, an orchid that lures female flies to lay their eggs on its flowers by emitting a scent of rancid cheese. Or the rare, delicate Lizard Orchid, which mimics the appearance of lizards but smells distinctly of goat.
The Book of Orchids revels in the diversity and oddity of these beguiling plants. Six hundred of the world’s most intriguing orchids are displayed, along with life-size photographs that capture botanical detail, as well as information about distribution, peak flowering period, and each species’ unique attributes, both natural and cultural. With over 28,000 known species—and more being discovered each year—the orchid family is arguably the largest and most geographically widespread of the flowering plant families. Including the most up-to-date science and accessibly written by botanists Mark Chase, Maarten Christenhusz, and Tom Mirenda, each entry in The Book of Orchids will entice researchers and orchid enthusiasts alike.
With stunning full-color images, The Book of Orchids is sure to become the go-to reference for these complex, alluring, and extraordinarily adaptable plants.
The Book of Orchids revels in the diversity and oddity of these beguiling plants. Six hundred of the world’s most intriguing orchids are displayed, along with life-size photographs that capture botanical detail, as well as information about distribution, peak flowering period, and each species’ unique attributes, both natural and cultural. With over 28,000 known species—and more being discovered each year—the orchid family is arguably the largest and most geographically widespread of the flowering plant families. Including the most up-to-date science and accessibly written by botanists Mark Chase, Maarten Christenhusz, and Tom Mirenda, each entry in The Book of Orchids will entice researchers and orchid enthusiasts alike.
With stunning full-color images, The Book of Orchids is sure to become the go-to reference for these complex, alluring, and extraordinarily adaptable plants.
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The Book of Seeds
A Life-Size Guide to Six Hundred Species from around the World
Edited by Paul Smith
University of Chicago Press, 2018
Seeds are nature’s consummate survivors. The next time you admire a field of waving green grassland or a stunning grove of acacia, stop to consider how it got that way—often against incredible odds. Seeds can survive freezing temperatures and drought. They can pass through our digestive systems without damage and weather a trip across the ocean, hitching a ride on marine debris. They can even endure complete desiccation, a feat taken to extraordinary lengths by the date palm, a seed from which was recovered from the palace of Herod the Great was germinated after some two thousand years.
The Book of Seeds takes readers through six hundred of the world’s seed species, revealing their extraordinary beauty and rich diversity. Each page pairs a beautifully composed photo of a seed—life-size, and, in some cases, enlarged to display fine detail—with a short description, a map showing distribution, and information on conservation status. The whole spectrum of seeds is covered here. There are prolific species like corn and less widely distributed species, like the brilliant blue seeds of the traveler’s palm or the bird of paradise flower, aptly named for its distinctive orange coiffure. There are tiny seeds and seeds weighing up to forty pounds. And while seeds in all their shapes, sizes, and colors grant us sustenance, there are even some we would be wise to treat with caution, such as the rosary pea, whose seeds are considered more toxic than ricin.
The essential guide to these complex plant creations, The Book of Seeds offers readers a rare, up-close look that will inspire scientists and nature lovers alike.
The Book of Seeds takes readers through six hundred of the world’s seed species, revealing their extraordinary beauty and rich diversity. Each page pairs a beautifully composed photo of a seed—life-size, and, in some cases, enlarged to display fine detail—with a short description, a map showing distribution, and information on conservation status. The whole spectrum of seeds is covered here. There are prolific species like corn and less widely distributed species, like the brilliant blue seeds of the traveler’s palm or the bird of paradise flower, aptly named for its distinctive orange coiffure. There are tiny seeds and seeds weighing up to forty pounds. And while seeds in all their shapes, sizes, and colors grant us sustenance, there are even some we would be wise to treat with caution, such as the rosary pea, whose seeds are considered more toxic than ricin.
The essential guide to these complex plant creations, The Book of Seeds offers readers a rare, up-close look that will inspire scientists and nature lovers alike.
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The Book of Shares
Edmond Jabès
University of Chicago Press, 1989
As we approach sharing let us ask: "What belongs to me?"
Balance sheet of a life ratified by death.
Whatever exists has no existence unless shared.
Possessions under seal are lost possessions.
At first sight, giving, offering yourself in order to receive an equivalent gift in return, would seem to be ideal sharing.
But can All be divided?
Can a feeling, a book, a life be shared entirely?
On the other hand, if we cannot share all, what remains and will always remain outside sharing? What has never, at the heart of our possessions, been ours?
And what if we can share the vital desire to share, our only means of escape from solitude, from nothingness?
Balance sheet of a life ratified by death.
Whatever exists has no existence unless shared.
Possessions under seal are lost possessions.
At first sight, giving, offering yourself in order to receive an equivalent gift in return, would seem to be ideal sharing.
But can All be divided?
Can a feeling, a book, a life be shared entirely?
On the other hand, if we cannot share all, what remains and will always remain outside sharing? What has never, at the heart of our possessions, been ours?
And what if we can share the vital desire to share, our only means of escape from solitude, from nothingness?
[more]
The Book of Shells
A Life-Size Guide to Identifying and Classifying Six Hundred Seashells
M. G. Harasewych and Fabio Moretzsohn
University of Chicago Press, 2010
Who among us hasn’t marveled at the diversity and beauty of shells? Or picked one up, held it to our ear, and then gazed in wonder at its shape and hue? Many a lifelong shell collector has cut teeth (and toes) on the beaches of the Jersey Shore, the Outer Banks, or the coasts of Sanibel Island. Some have even dived to the depths of the ocean. But most of us are not familiar with the biological origin of shells, their role in explaining evolutionary history, and the incredible variety of forms in which they come.
Shells are the external skeletons of mollusks, an ancient and diverse phylum of invertebrates that are in the earliest fossil record of multicellular life over 500 million years ago. There are over 100,000 kinds of recorded mollusks, and some estimate that there are over amillion more that have yet to be discovered. Some breathe air, others live in fresh water, but most live in the ocean. They range in size from a grain of sand to a beach ball and in weight from a few grams to several hundred pounds. And in this lavishly illustrated volume, they finally get their full due.
The Book of Shells offers a visually stunning and scientifically engaging guide to six hundred of the most intriguing mollusk shells, each chosen to convey the range of shapes and sizes that occur across a range of species. Each shell is reproduced here at its actual size, in full color, and is accompanied by an explanation of the shell’s range, distribution, abundance, habitat, and operculum—the piece that protects the mollusk when it’s in the shell. Brief scientific and historical accounts of each shell and related species include fun-filled facts and anecdotes that broaden its portrait.
The Matchless Cone, for instance, or Conus cedonulli, was one of the rarest shells collected during the eighteenth century. So much so, in fact, that a specimen in 1796 was sold for more than six times as much as a painting by Vermeer at the same auction. But since the advent of scuba diving, this shell has become far more accessible to collectors—though not without certain risks. Some species of Conus produce venom that has caused more than thirty known human deaths.
The Zebra Nerite, the Heart Cockle, the Indian Babylon, the Junonia, the Atlantic Thorny Oyster—shells from habitats spanning the poles and the tropics, from the highest mountains to the ocean’s deepest recesses, are all on display in this definitive work.
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The Book of Snakes
A Life-Size Guide to Six Hundred Species from around the World
Mark O'Shea
University of Chicago Press, 2023
Updated to reflect the most recent species classifications, a second edition of the beautifully illustrated and beloved guide to 600 members of the suborder Serpentes.
For millennia, humans have regarded snakes with an exceptional combination of fascination and revulsion. Some people recoil in fear at the very suggestion of these creatures, while others happily keep them as pets. Snakes can convey both beauty and menace in a single tongue flick, and so these creatures have held a special place in our cultures. Yet, for as many meanings as we attribute to snakes—from fertility and birth to sin and death—the real-life species represent an even wider array of wonders.
Now in a new edition, reflecting the most recent species classifications, The Book of Snakes presents 600 species of snakes from around the world, covering roughly one in seven of all snake species. It will bring greater understanding of a group of reptiles that have existed for more than 160 million years and that now inhabit every continent except Antarctica, as well as two of the great oceans.
This volume pairs spectacular photos with easy-to-digest text. It is the first book on these creatures that combines a broad, worldwide sample with full-color, life-size accounts. Entries include close-ups of the snake’s head and a section of the snake at actual size. The detailed images allow readers to examine the intricate scale patterns and rainbow of colors as well as special features like a cobra’s hood or a rattlesnake’s rattle. The text is written for laypeople and includes a glossary of frequently used terms. Herpetologists and herpetoculturists alike will delight in this collection, and even those with a more cautious stance on snakes will find themselves drawn in by the wild diversity of the suborder Serpentes.
For millennia, humans have regarded snakes with an exceptional combination of fascination and revulsion. Some people recoil in fear at the very suggestion of these creatures, while others happily keep them as pets. Snakes can convey both beauty and menace in a single tongue flick, and so these creatures have held a special place in our cultures. Yet, for as many meanings as we attribute to snakes—from fertility and birth to sin and death—the real-life species represent an even wider array of wonders.
Now in a new edition, reflecting the most recent species classifications, The Book of Snakes presents 600 species of snakes from around the world, covering roughly one in seven of all snake species. It will bring greater understanding of a group of reptiles that have existed for more than 160 million years and that now inhabit every continent except Antarctica, as well as two of the great oceans.
This volume pairs spectacular photos with easy-to-digest text. It is the first book on these creatures that combines a broad, worldwide sample with full-color, life-size accounts. Entries include close-ups of the snake’s head and a section of the snake at actual size. The detailed images allow readers to examine the intricate scale patterns and rainbow of colors as well as special features like a cobra’s hood or a rattlesnake’s rattle. The text is written for laypeople and includes a glossary of frequently used terms. Herpetologists and herpetoculturists alike will delight in this collection, and even those with a more cautious stance on snakes will find themselves drawn in by the wild diversity of the suborder Serpentes.
[more]
The Book of Snakes
A Life-Size Guide to Six Hundred Species from around the World
Mark O'Shea
University of Chicago Press, 2018
For millennia, humans have regarded snakes with an exceptional combination of fascination and revulsion. Some people recoil in fear at the very suggestion of these creatures, while others happily keep them as pets. Snakes can convey both beauty and menace in a single tongue flick and so these creatures have held a special place in our cultures. Yet, for as many meanings that we attribute to snakes—from fertility and birth to sin and death—the real-life species represent an even wider array of wonders.
The Book of Snakes presents 600 species of snakes from around the world, covering nearly one in six of all snake species. It will bring greater understanding of a group of reptiles that have existed for more than 160 million years, and that now inhabit every continent except Antarctica, as well as two of the great oceans.
This volume pairs spectacular photos with easy-to-digest text. It is the first book on these creatures that combines a broad, worldwide sample with full-color, life-size accounts. Entries include close-ups of the snake’s head and a section of the snake at actual size. The detailed images allow readers to examine the intricate scale patterns and rainbow of colors as well as special features like a cobra’s hood or a rattlesnake’s rattle. The text is written for laypeople and includes a glossary of frequently used terms. Herpetologists and herpetoculturists alike will delight in this collection, and even those with a more cautious stance on snakes will find themselves drawn in by the wild diversity of the suborder Serpentes.
The Book of Snakes presents 600 species of snakes from around the world, covering nearly one in six of all snake species. It will bring greater understanding of a group of reptiles that have existed for more than 160 million years, and that now inhabit every continent except Antarctica, as well as two of the great oceans.
This volume pairs spectacular photos with easy-to-digest text. It is the first book on these creatures that combines a broad, worldwide sample with full-color, life-size accounts. Entries include close-ups of the snake’s head and a section of the snake at actual size. The detailed images allow readers to examine the intricate scale patterns and rainbow of colors as well as special features like a cobra’s hood or a rattlesnake’s rattle. The text is written for laypeople and includes a glossary of frequently used terms. Herpetologists and herpetoculturists alike will delight in this collection, and even those with a more cautious stance on snakes will find themselves drawn in by the wild diversity of the suborder Serpentes.
[more]
The Book of the Heart
Eric Jager
University of Chicago Press, 2000
In today's increasingly electronic world, we say our personality traits are "hard-wired" and we "replay" our memories. But we use a different metaphor when we speak of someone "reading" another's mind or a desire to "turn over a new leaf"—these phrases refer to the "book of the self," an idea that dates from the beginnings of Western culture.
Eric Jager traces the history and psychology of the self-as-text concept from antiquity to the modern day. He focuses especially on the Middle Ages, when the metaphor of a "book of the heart" modeled on the manuscript codex attained its most vivid expressions in literature and art. For instance, medieval saints' legends tell of martyrs whose hearts recorded divine inscriptions; lyrics and romances feature lovers whose hearts are inscribed with their passion; paintings depict hearts as books; and medieval scribes even produced manuscript codices shaped like hearts.
"The Book of the Heart provides a fresh perspective on the influence of the book as artifact on our language and culture. Reading this book broadens our appreciation of the relationship between things and ideas."—Henry Petroski, author of The Book on the Bookshelf
Eric Jager traces the history and psychology of the self-as-text concept from antiquity to the modern day. He focuses especially on the Middle Ages, when the metaphor of a "book of the heart" modeled on the manuscript codex attained its most vivid expressions in literature and art. For instance, medieval saints' legends tell of martyrs whose hearts recorded divine inscriptions; lyrics and romances feature lovers whose hearts are inscribed with their passion; paintings depict hearts as books; and medieval scribes even produced manuscript codices shaped like hearts.
"The Book of the Heart provides a fresh perspective on the influence of the book as artifact on our language and culture. Reading this book broadens our appreciation of the relationship between things and ideas."—Henry Petroski, author of The Book on the Bookshelf
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Book Was There
Reading in Electronic Times
Andrew Piper
University of Chicago Press, 2012
Andrew Piper grew up liking books and loving computers. While occasionally burying his nose in books, he was going to computer camp, programming his Radio Shack TRS-80, and playing Pong. His eventual love of reading made him a historian of the book and a connoisseur of print, but as a card-carrying member of the first digital generation—and the father of two digital natives—he understands that we live in electronic times. Book Was There is Piper’s surprising and always entertaining essay on reading in an e-reader world.
Much ink has been spilled lamenting or championing the decline of printed books, but Piper shows that the rich history of reading itself offers unexpected clues to what lies in store for books, print or digital. From medieval manuscript books to today’s playable media and interactive urban fictions, Piper explores the manifold ways that physical media have shaped how we read, while also observing his own children as they face the struggles and triumphs of learning to read. In doing so, he uncovers the intimate connections we develop with our reading materials—how we hold them, look at them, share them, play with them, and even where we read them—and shows how reading is interwoven with our experiences in life. Piper reveals that reading’s many identities, past and present, on page and on screen, are the key to helping us understand the kind of reading we care about and how new technologies will—and will not—change old habits.
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Books Do Furnish a Room
Book 10 of A Dance to the Music of Time
Anthony Powell
University of Chicago Press, 1995
Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books.
The tenth volume, Books Do Furnish a Room (1971), finds Nick Jenkins and his circle beginning to re-establish their lives and careers in the wake of the war. Nick dives into work on a study of Robert Burton; Widmerpool grapples with the increasingly difficult and cruel Pamela Flitton—now his wife; and we are introduced to the series’ next great character, the dissolute Bohemian novelist X. Trapnel, a man who exudes in equal measure mystery, talent, and an air of self-destruction.
"Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."--Chicago Tribune
"A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."--Elizabeth Janeway, New York Times
"One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."--Naomi Bliven, New Yorker
“The most brilliant and penetrating novelist we have.”--Kingsley Amis
[more]
Books of the Body
Anatomical Ritual and Renaissance Learning
Andrea Carlino
University of Chicago Press, 1999
We usually see the Renaissance as a marked departure from older traditions, but Renaissance scholars often continued to cling to the teachings of the past. For instance, despite the evidence of their own dissections, which contradicted ancient and medieval texts, Renaissance anatomists continued to teach those outdated views for nearly two centuries.
In Books of the Body, Andrea Carlino explores the nature and causes of this intellectual inertia. On the one hand, anatomical practice was constrained by a reverence for classical texts and the belief that the study of anatomy was more properly part of natural philosophy than of medicine. On the other hand, cultural resistance to dissection and dismemberment of the human body, as well as moral and social norms that governed access to cadavers and the ritual of their public display in the anatomy theater, also delayed anatomy's development.
A fascinating history of both Renaissance anatomists and the bodies they dissected, this book will interest anyone studying Renaissance science, medicine, art, religion, and society.
In Books of the Body, Andrea Carlino explores the nature and causes of this intellectual inertia. On the one hand, anatomical practice was constrained by a reverence for classical texts and the belief that the study of anatomy was more properly part of natural philosophy than of medicine. On the other hand, cultural resistance to dissection and dismemberment of the human body, as well as moral and social norms that governed access to cadavers and the ritual of their public display in the anatomy theater, also delayed anatomy's development.
A fascinating history of both Renaissance anatomists and the bodies they dissected, this book will interest anyone studying Renaissance science, medicine, art, religion, and society.
[more]
Bookwork
Medium to Object to Concept to Art
Garrett Stewart
University of Chicago Press, 2011
“There they rest, inert, impertinent, in gallery space—those book forms either imitated or mutilated, replicas of reading matter or its vestiges. Strange, after its long and robust career, for the book to take early retirement in a museum, not as rare manuscript but as functionless sculpture. Readymade or constructed, such book shapes are canceled as text when deposited as gallery objects, shut off from their normal reading when not, in some yet more drastic way, dismembered or reassembled.” So begins Bookwork, which follows our passion for books to its logical extreme in artists who employ found or simulated books as a sculptural medium. Investigating the conceptual labor behind this proliferating international art practice, Garrett Stewart looks at hundreds of book-like objects, alone or as part of gallery installations, in this original account of works that force attention upon a book’s material identity and cultural resonance.
Less an inquiry into the artist’s book than an exploration of the book form’s contemporary objecthood, Stewart’s interdisciplinary approach traces the lineage of these aggressive artifacts from the 1919 Unhappy Readymade of Marcel Duchamp down to the current crisis of paper-based media in the digital era. Bookwork surveys and illustrates a stunning variety of appropriated and fabricated books alike, ranging from hacksawed discards to the giant lead folios of Anselm Kiefer. The unreadable books Stewart engages with in this timely study are found, again and again, to generate graphic metaphors for the textual experience they preclude, becoming in this sense legible after all.
[more]
The Border Within
The Economics of Immigration in an Age of Fear
Tara Watson and Kalee Thompson
University of Chicago Press, 2021
An eye-opening analysis of the costs and effects of immigration and immigration policy, both on American life and on new Americans.
For decades, immigration has been one of the most divisive, contentious topics in American politics. And for decades, urgent calls for its policy reform have gone mostly unanswered. As the discord surrounding the modern immigration debate has intensified, border enforcement has tightened. Crossing harsher, less porous borders makes unauthorized entry to the United States a permanent, costly undertaking. And the challenges don’t end on the other side.
At once enlightening and devastating, The Border Within examines the costs and ends of America’s interior enforcement—the policies and agencies, including ICE, aimed at removing immigrants already living in the country. Economist Tara Watson and journalist Kalee Thompson pair rigorous analysis with deeply personal stories from immigrants and their families to assess immigration’s effects on every aspect of American life, from the labor force to social welfare programs to tax revenue. What emerges is a critical, utterly complete examination of what non-native Americans bring to the country, including immigration’s tendency to elevate the wages and skills of those who are native-born.
News coverage has prompted many to question the humanity of American immigration policies; The Border Within opens a conversation of whether it is effective. The United States spends billions each year on detention and deportation, all without economic gain and at a great human cost. With depth and discipline, the authors dissect the shock-and-awe policies that make up a broken, often cruel system, while illuminating the lives caught in the chaos. It is an essential work with far-reaching implications for immigrants and non-immigrants alike.
For decades, immigration has been one of the most divisive, contentious topics in American politics. And for decades, urgent calls for its policy reform have gone mostly unanswered. As the discord surrounding the modern immigration debate has intensified, border enforcement has tightened. Crossing harsher, less porous borders makes unauthorized entry to the United States a permanent, costly undertaking. And the challenges don’t end on the other side.
At once enlightening and devastating, The Border Within examines the costs and ends of America’s interior enforcement—the policies and agencies, including ICE, aimed at removing immigrants already living in the country. Economist Tara Watson and journalist Kalee Thompson pair rigorous analysis with deeply personal stories from immigrants and their families to assess immigration’s effects on every aspect of American life, from the labor force to social welfare programs to tax revenue. What emerges is a critical, utterly complete examination of what non-native Americans bring to the country, including immigration’s tendency to elevate the wages and skills of those who are native-born.
News coverage has prompted many to question the humanity of American immigration policies; The Border Within opens a conversation of whether it is effective. The United States spends billions each year on detention and deportation, all without economic gain and at a great human cost. With depth and discipline, the authors dissect the shock-and-awe policies that make up a broken, often cruel system, while illuminating the lives caught in the chaos. It is an essential work with far-reaching implications for immigrants and non-immigrants alike.
[more]
Borders of Care
Immigrants, Migrants, and the Fight for Health Care in the United States
Beatrix Hoffman
University of Chicago Press, 2025
Boredom
The Literary History of a State of Mind
Patricia Meyer Spacks
University of Chicago Press, 1994
This book offers a witty explanation of why boredom both haunts and motivates the literary imagination. Moving from Samuel Johnson to Donald Barthelme, from Jane Austen to Anita Brookner, Spacks shows us at last how we arrived in a postmodern world where boredom is the all-encompassing name we give our discontent. Her book, anything but boring, gives us new insight into the cultural usefulness—and deep interest—of boredom as a state of mind.
[more]
Born This Way
Science, Citizenship, and Inequality in the American LGBTQ+ Movement
Joanna Wuest
University of Chicago Press, 2023
The story of how a biologically driven understanding of gender and sexuality became central to US LGBTQ+ political and legal advocacy.
Across protests and courtrooms, LGBTQ+ advocates argue that sexual and gender identities are innate. Oppositely, conservatives incite panic over “groomers” and a contagious “gender ideology” that corrupts susceptible children. Yet, as this debate rages on, the history of what first compelled the hunt for homosexuality’s biological origin story may hold answers for the queer rights movement’s future.
Born This Way tells the story of how a biologically based understanding of gender and sexuality became central to LGBTQ+ advocacy. Starting in the 1950s, activists sought out mental health experts to combat the pathologizing of homosexuality. As Joanna Wuest shows, these relationships were forged in subsequent decades alongside two broader, concurrent developments: the rise of an interest-group model of rights advocacy and an explosion of biogenetic and bio-based psychological research. The result is essential reading to fully understand LGBTQ+ activism today and how clashes over science remain crucial to equal rights struggles.
[more]
Born This Way
Science, Citizenship, and Inequality in the American LGBTQ+ Movement
Joanna Wuest
University of Chicago Press, 2023
This is an auto-narrated audiobook version of this book.
The story of how a biologically driven understanding of gender and sexuality became central to US LGBTQ+ political and legal advocacy.
Across protests and courtrooms, LGBTQ+ advocates argue that sexual and gender identities are innate. Oppositely, conservatives incite panic over “groomers” and a contagious “gender ideology” that corrupts susceptible children. Yet, as this debate rages on, the history of what first compelled the hunt for homosexuality’s biological origin story may hold answers for the queer rights movement’s future.
Born This Way tells the story of how a biologically based understanding of gender and sexuality became central to LGBTQ+ advocacy. Starting in the 1950s, activists sought out mental health experts to combat the pathologizing of homosexuality. As Joanna Wuest shows, these relationships were forged in subsequent decades alongside two broader, concurrent developments: the rise of an interest-group model of rights advocacy and an explosion of biogenetic and bio-based psychological research. The result is essential reading to fully understand LGBTQ+ activism today and how clashes over science remain crucial to equal rights struggles.
[more]
Borrowed Knowledge
Chaos Theory and the Challenge of Learning across Disciplines
Stephen H. Kellert
University of Chicago Press, 2008
What happens to scientific knowledge when researchers outside the natural sciences bring elements of the latest trend across disciplinary boundaries for their own purposes? Researchers in fields from anthropology to family therapy and traffic planning employ the concepts, methods, and results of chaos theory to harness the disciplinary prestige of the natural sciences, to motivate methodological change or conceptual reorganization within their home discipline, and to justify public policies and aesthetic judgments.
Using the recent explosion in the use (and abuse) of chaos theory, Borrowed Knowledge and the Challenge of Learning across Disciplines examines the relationship between science and other disciplines as well as the place of scientific knowledge within our broader culture. Stephen H. Kellert’s detailed investigation of the myriad uses of chaos theory reveals serious problems that can arise in the interchange between science and other knowledge-making pursuits, as well as opportunities for constructive interchange. By engaging with recent debates about interdisciplinary research, Kellert contributes a theoretical vocabulary and a set of critical frameworks for the rigorous examination of borrowing.
Using the recent explosion in the use (and abuse) of chaos theory, Borrowed Knowledge and the Challenge of Learning across Disciplines examines the relationship between science and other disciplines as well as the place of scientific knowledge within our broader culture. Stephen H. Kellert’s detailed investigation of the myriad uses of chaos theory reveals serious problems that can arise in the interchange between science and other knowledge-making pursuits, as well as opportunities for constructive interchange. By engaging with recent debates about interdisciplinary research, Kellert contributes a theoretical vocabulary and a set of critical frameworks for the rigorous examination of borrowing.
[more]
The Boswell Thesis
Essays on Christianity, Social Tolerance, and Homosexuality
Edited by Mathew Kuefler
University of Chicago Press, 2005
Few books have had the social, cultural, and scholarly impact of John Boswell's Christianity, Social Tolerance, and Homosexuality. Arguing that neither the Bible nor the Christian tradition was nearly as hostile to homoeroticism as was generally thought, its initial publication sent shock waves through university classrooms, gay communities, and religious congregations. Twenty-five years later, the aftershocks still reverberate. The Boswell Thesis brings together fifteen leading scholars at the intersection of religious and sexuality studies to comment on this book's immense impact, the endless debates it generated, and the many contributions it has made to our culture.
The essays in this magnificent volume examine a variety of aspects of Boswell's interpretation of events in the development of sexuality from Classical Antiquity through the Middle Ages, including a Roman emperor's love letters to another man; suspicions of sodomy among medieval monks, knights, and crusaders; and the gender-bending visions of Christian saints and mystics. Also included are discussions of Boswell's career, including his influence among gay and lesbian Christians and his role in academic debates between essentialists and social constructionists.
Elegant and thought-provoking, this collection provides a fitting twenty-fifth anniversary tribute to the incalculable influence of Christianity, Social Tolerance, and Homosexuality and its author.
The essays in this magnificent volume examine a variety of aspects of Boswell's interpretation of events in the development of sexuality from Classical Antiquity through the Middle Ages, including a Roman emperor's love letters to another man; suspicions of sodomy among medieval monks, knights, and crusaders; and the gender-bending visions of Christian saints and mystics. Also included are discussions of Boswell's career, including his influence among gay and lesbian Christians and his role in academic debates between essentialists and social constructionists.
Elegant and thought-provoking, this collection provides a fitting twenty-fifth anniversary tribute to the incalculable influence of Christianity, Social Tolerance, and Homosexuality and its author.
[more]
Botanical Art from the Golden Age of Scientific Discovery
Anna Laurent
University of Chicago Press, 2016
Throughout the nineteenth and twentieth centuries, wall charts were a familiar classroom component, displaying scientific images at a large scale, in full color. But it's only now that they've been superseded as a teaching tool that we have begun to realize something their ubiquity hid: they are stunning examples of botanical art at its finest.
This beautifully illustrated oversized book gives the humble wall chart its due, reproducing more than two hundred of them in dazzling full color. Each wall chart is accompanied by captions that offer accessible information about the species featured, the scientists and botanical illustrators who created it, and any particularly interesting or innovative features the chart displays. And gardeners will be pleased to discover useful information about plant anatomy and morphology and species differences. We see lilies and tulips, gourds, aquatic plants, legumes, poisonous plants, and carnivorous plants, all presented in exquisite, larger-than-life detail.
A unique fusion of art, science, and education, the wall charts gathered here offer a glimpse into a wonderful scientific heritage and are sure to thrill naturalists, gardeners, and artists alike.
This beautifully illustrated oversized book gives the humble wall chart its due, reproducing more than two hundred of them in dazzling full color. Each wall chart is accompanied by captions that offer accessible information about the species featured, the scientists and botanical illustrators who created it, and any particularly interesting or innovative features the chart displays. And gardeners will be pleased to discover useful information about plant anatomy and morphology and species differences. We see lilies and tulips, gourds, aquatic plants, legumes, poisonous plants, and carnivorous plants, all presented in exquisite, larger-than-life detail.
A unique fusion of art, science, and education, the wall charts gathered here offer a glimpse into a wonderful scientific heritage and are sure to thrill naturalists, gardeners, and artists alike.
[more]
Botanical Icons
Critical Practices of Illustration in the Premodern Mediterranean
Andrew Griebeler
University of Chicago Press, 2024
A richly illustrated account of how premodern botanical illustrations document evolving knowledge about plants and the ways they were studied in the past.
This book traces the history of botanical illustration in the Mediterranean from antiquity to the early modern period. By examining Greek, Latin, and Arabic botanical inquiry in this early era, Andrew Griebeler shows how diverse and sophisticated modes of plant depiction emerged and ultimately gave rise to practices now recognized as central to modern botanical illustration. The author draws on centuries of remarkable and varied documentation from across Europe and the Mediterranean.
Lavishly illustrated, Botanical Icons marshals ample evidence for a dynamic and critical tradition of botanical inquiry and nature observation in the late antique and medieval Mediterranean. The author reveals that many of the critical practices characteristic of modern botanical illustrations began in premodern manuscript culture. Consequently, he demonstrates that the distinctions between pre- and early modern botanical illustration center more on the advent of print, the expansion of collections and documentation, and the narrowing of the range of accepted forms of illustration than on the invention of critical and observational practices exclusive to modernity.
Griebeler’s emphasis on continuity, intercultural collaboration, and the gradual transformation of Mediterranean traditions of critical botanical illustration persuasively counters previously prevalent narratives of rupture and Western European exceptionalism in the histories of art and science.
This book traces the history of botanical illustration in the Mediterranean from antiquity to the early modern period. By examining Greek, Latin, and Arabic botanical inquiry in this early era, Andrew Griebeler shows how diverse and sophisticated modes of plant depiction emerged and ultimately gave rise to practices now recognized as central to modern botanical illustration. The author draws on centuries of remarkable and varied documentation from across Europe and the Mediterranean.
Lavishly illustrated, Botanical Icons marshals ample evidence for a dynamic and critical tradition of botanical inquiry and nature observation in the late antique and medieval Mediterranean. The author reveals that many of the critical practices characteristic of modern botanical illustrations began in premodern manuscript culture. Consequently, he demonstrates that the distinctions between pre- and early modern botanical illustration center more on the advent of print, the expansion of collections and documentation, and the narrowing of the range of accepted forms of illustration than on the invention of critical and observational practices exclusive to modernity.
Griebeler’s emphasis on continuity, intercultural collaboration, and the gradual transformation of Mediterranean traditions of critical botanical illustration persuasively counters previously prevalent narratives of rupture and Western European exceptionalism in the histories of art and science.
[more]
The Botanical Treasury
Celebrating 40 of the World’s Most Fascinating Plants through Historical Art and Manuscripts
Edited by Christopher Mills
University of Chicago Press, 2016
For centuries, an eclectic group of plants have captivated the world and propelled explorers to extraordinary lengths to collect them. Now, The Botanical Treasury brings together centuries of botanical adventures and discoveries in one sumptuous collection.
This treasury features a full-color exploration of our most important and interesting plants; facsimiles of rarely seen letters, maps, and journals from the Royal Botanic Gardens, Kew; and forty beautifully reproduced, frameable prints. Together they offer a fascinating look at the world of plant hunting and the cultivation of our knowledge about the plant world.
Every one of the featured plants is extraordinary in some way, be it for its appearance, biology, medicinal properties, or importance to economics, politics, or the arts. Equally extraordinary are the stories associated with the discovery of these plants, revealing the lengths to which collectors and growers would go to find them. The entries build a history of botany and paint a larger picture of the age of exploration.
The Botanical Treasury is a rare treat. Looking through its pages and relishing its prints allows us to fully understand why we are so driven to learn all we can about the natural world. It is an exceptional gift that will wow gardeners, and anyone else fascinated by the greenery that sustains and inspires us.
This treasury features a full-color exploration of our most important and interesting plants; facsimiles of rarely seen letters, maps, and journals from the Royal Botanic Gardens, Kew; and forty beautifully reproduced, frameable prints. Together they offer a fascinating look at the world of plant hunting and the cultivation of our knowledge about the plant world.
Every one of the featured plants is extraordinary in some way, be it for its appearance, biology, medicinal properties, or importance to economics, politics, or the arts. Equally extraordinary are the stories associated with the discovery of these plants, revealing the lengths to which collectors and growers would go to find them. The entries build a history of botany and paint a larger picture of the age of exploration.
The Botanical Treasury is a rare treat. Looking through its pages and relishing its prints allows us to fully understand why we are so driven to learn all we can about the natural world. It is an exceptional gift that will wow gardeners, and anyone else fascinated by the greenery that sustains and inspires us.
[more]
Both from the Ears and Mind
Thinking about Music in Early Modern England
Linda Phyllis Austern
University of Chicago Press, 2020
Both from the Ears and Mind offers a bold new understanding of the intellectual and cultural position of music in Tudor and Stuart England. Linda Phyllis Austern brings to life the kinds of educated writings and debates that surrounded musical performance, and the remarkable ways in which English people understood music to inform other endeavors, from astrology and self-care to divinity and poetics. Music was considered both art and science, and discussions of music and musical terminology provided points of contact between otherwise discrete fields of human learning. This book demonstrates how knowledge of music permitted individuals to both reveal and conceal membership in specific social, intellectual, and ideological communities. Attending to materials that go beyond music’s conventional limits, these chapters probe the role of music in commonplace books, health-maintenance and marriage manuals, rhetorical and theological treatises, and mathematical dictionaries. Ultimately, Austern illustrates how music was an indispensable frame of reference that became central to the fabric of life during a time of tremendous intellectual, social, and technological change.
[more]
Both Hands Tied
Welfare Reform and the Race to the Bottom in the Low-Wage Labor Market
Jane L. Collins and Victoria Mayer
University of Chicago Press, 2010
Both Hands Tied studies the working poor in the United States, focusing in particular on the relation between welfare and low-wage earnings among working mothers. Grounded in the experience of thirty-three women living in Milwaukee and Racine, Wisconsin, it tells the story of their struggle to balance child care and wage-earning in poorly paying and often state-funded jobs with inflexible schedules—and the moments when these jobs failed them and they turned to the state for additional aid.
Jane L. Collins and Victoria Mayer here examine the situations of these women in light of the 1996 national Personal Responsibility and Work Opportunity Reconciliation Act and other like-minded reforms—laws that ended the entitlement to welfare for those in need and provided an incentive for them to return to work. Arguing that this reform came at a time of gendered change in the labor force and profound shifts in the responsibilities of family, firms, and the state, Both Hands Tied provides a stark but poignant portrait of how welfare reform afflicted poor, single-parent families, ultimately eroding the participants’ economic rights and affecting their ability to care for themselves and their children.
[more]
Bottleneck
Moving, Building, and Belonging in an African City
Caroline Melly
University of Chicago Press, 2017
In Bottleneck, anthropologist Caroline Melly uses the problem of traffic bottlenecks to launch a wide-ranging study of mobility in contemporary urban Senegal—a concept that she argues is central to both citizens' and the state's visions of a successful future.
Melly opens with an account of the generation of urban men who came of age on the heels of the era of structural adjustment, a diverse cohort with great dreams of building, moving, and belonging, but frustratingly few opportunities to do so. From there, she moves to a close study of taxi drivers and state workers, and shows how bottlenecks—physical and institutional—affect both. The third section of the book covers a seemingly stalled state effort to solve housing problems by building large numbers of concrete houses, while the fourth takes up the thousands of migrants who attempt, sometimes with tragic results, to cross the Mediterranean on rickety boats in search of new opportunities. The resulting book offers a remarkable portrait of contemporary Senegal and a means of theorizing mobility and its impossibilities far beyond the African continent.
Melly opens with an account of the generation of urban men who came of age on the heels of the era of structural adjustment, a diverse cohort with great dreams of building, moving, and belonging, but frustratingly few opportunities to do so. From there, she moves to a close study of taxi drivers and state workers, and shows how bottlenecks—physical and institutional—affect both. The third section of the book covers a seemingly stalled state effort to solve housing problems by building large numbers of concrete houses, while the fourth takes up the thousands of migrants who attempt, sometimes with tragic results, to cross the Mediterranean on rickety boats in search of new opportunities. The resulting book offers a remarkable portrait of contemporary Senegal and a means of theorizing mobility and its impossibilities far beyond the African continent.
[more]
Bound and Determined
Captivity, Culture-Crossing, and White Womanhood from Mary Rowlandson to Patty Hearst
Christopher Castiglia
University of Chicago Press, 1996
In Bound and Determined, Christopher Castiglia gives shape for the first time to a tradition of American women's captivity narrative that ranges across three centuries, from Puritan colonist Mary Rowlandson's abduction by Narragansett Indians to Patty Hearst's kidnapping by the Symbionese Liberation Army.
Examining more than sixty accounts by women captives, as well as novels ranging from Susanna Rowson's eighteenth-century classic Rueben and Rachel to today's mass-market romances, Castiglia investigates paradoxes central to the genre. In captivity, women often find freedom from stereotypical roles as helpless, dependent, sexually vulnerable, and xenophobic. In their condemnations of their non-white captors, they defy assumptions about race that undergird their own societies. Castiglia questions critical conceptions of captivity stories as primarily an appeal to racism and misogyny, and instead finds in them an appeal of a much different nature: as all-too-rare stories of imaginative challenges to rigid gender roles and racial ideologies.
Whether the women of these stories resist or escape captivity, endure until they are released, or eventually choose to live among their captors, they end up with the power to be critical of both cultures. Castiglia shows that these compelling narratives, with their boundary crossings and persistent explorations of cultural divisions and differences, have significant implications for current critical investigations into the construction of gender, race, and nation.
Examining more than sixty accounts by women captives, as well as novels ranging from Susanna Rowson's eighteenth-century classic Rueben and Rachel to today's mass-market romances, Castiglia investigates paradoxes central to the genre. In captivity, women often find freedom from stereotypical roles as helpless, dependent, sexually vulnerable, and xenophobic. In their condemnations of their non-white captors, they defy assumptions about race that undergird their own societies. Castiglia questions critical conceptions of captivity stories as primarily an appeal to racism and misogyny, and instead finds in them an appeal of a much different nature: as all-too-rare stories of imaginative challenges to rigid gender roles and racial ideologies.
Whether the women of these stories resist or escape captivity, endure until they are released, or eventually choose to live among their captors, they end up with the power to be critical of both cultures. Castiglia shows that these compelling narratives, with their boundary crossings and persistent explorations of cultural divisions and differences, have significant implications for current critical investigations into the construction of gender, race, and nation.
[more]
Bound by Creativity
How Contemporary Art Is Created and Judged
Hannah Wohl
University of Chicago Press, 2021
What is creativity? While our traditional view of creative work might lead us to think of artists as solitary visionaries, the creative process is profoundly influenced by social interactions even when artists work alone. Sociologist Hannah Wohl draws on more than one hundred interviews and two years of ethnographic research in the New York contemporary art market to develop a rich sociological perspective of creativity. From inside the studio, we see how artists experiment with new ideas and decide which works to abandon, destroy, put into storage, or exhibit. Wohl then transports readers into the art world, where we discover how artists’ understandings of their work are shaped through interactions in studio visits, galleries, international art fairs, and collectors’ homes.
Bound by Creativity reveals how artists develop conceptions of their distinctive creative visions through experimentation and social interactions. Ultimately, we come to appreciate how judgment is integral to the creative process, both resulting in the creation of original works while also limiting an artist’s ability to break new ground. Exploring creativity through the lens of judgment sheds new light on the production of cultural objects, markets, and prestige.
Bound by Creativity reveals how artists develop conceptions of their distinctive creative visions through experimentation and social interactions. Ultimately, we come to appreciate how judgment is integral to the creative process, both resulting in the creation of original works while also limiting an artist’s ability to break new ground. Exploring creativity through the lens of judgment sheds new light on the production of cultural objects, markets, and prestige.
[more]
Bound to Appear
Art, Slavery, and the Site of Blackness in Multicultural America
Huey Copeland
University of Chicago Press, 2013
At the close of the twentieth century, black artists began to figure prominently in the mainstream American art world for the first time. Thanks to the social advances of the civil rights movement and the rise of multiculturalism, African American artists in the late 1980s and early ’90s enjoyed unprecedented access to established institutions of publicity and display. Yet in this moment of ostensible freedom, black cultural practitioners found themselves turning to the history of slavery.
Bound to Appear focuses on four of these artists—Renée Green, Glenn Ligon, Lorna Simpson, and Fred Wilson—who have dominated and shaped the field of American art over the past two decades through large-scale installations that radically departed from prior conventions for representing the enslaved. Huey Copeland shows that their projects draw on strategies associated with minimalism, conceptualism, and institutional critique to position the slave as a vexed figure—both subject and object, property and person. They also engage the visual logic of race in modernity and the challenges negotiated by black subjects in the present. As such, Copeland argues, their work reframes strategies of representation and rethinks how blackness might be imagined and felt long after the end of the “peculiar institution.” The first book to examine in depth these artists’ engagements with slavery, Bound to Appear will leave an indelible mark on modern and contemporary art.
[more]
The Boundaries of Blackness
AIDS and the Breakdown of Black Politics
Cathy Cohen
University of Chicago Press, 1999
Last year, more African Americans were reported with AIDS than any other racial or ethnic group. And while African Americans make up only 13 percent of the U.S. population, they account for more than 55 percent of all newly diagnosed HIV infections. These alarming developments have caused reactions ranging from profound grief to extreme anger in African-American communities, yet the organized political reaction has remained remarkably restrained.
The Boundaries of Blackness is the first full-scale exploration of the social, political, and cultural impact of AIDS on the African-American community. Informed by interviews with activists, ministers, public officials, and people with AIDS, Cathy Cohen unflinchingly brings to light how the epidemic fractured, rather than united, the black community. She traces how the disease separated blacks along different fault lines and analyzes the ensuing struggles and debates.
More broadly, Cohen analyzes how other cross-cutting issues—of class, gender, and sexuality—challenge accepted ideas of who belongs in the community. Such issues, she predicts, will increasingly occupy the political agendas of black organizations and institutions and can lead to either greater inclusiveness or further divisiveness.
The Boundaries of Blackness, by examining the response of a changing community to an issue laced with stigma, has much to teach us about oppression, resistance, and marginalization. It also offers valuable insight into how the politics of the African-American community—and other marginal groups—will evolve in the twenty-first century.
The Boundaries of Blackness is the first full-scale exploration of the social, political, and cultural impact of AIDS on the African-American community. Informed by interviews with activists, ministers, public officials, and people with AIDS, Cathy Cohen unflinchingly brings to light how the epidemic fractured, rather than united, the black community. She traces how the disease separated blacks along different fault lines and analyzes the ensuing struggles and debates.
More broadly, Cohen analyzes how other cross-cutting issues—of class, gender, and sexuality—challenge accepted ideas of who belongs in the community. Such issues, she predicts, will increasingly occupy the political agendas of black organizations and institutions and can lead to either greater inclusiveness or further divisiveness.
The Boundaries of Blackness, by examining the response of a changing community to an issue laced with stigma, has much to teach us about oppression, resistance, and marginalization. It also offers valuable insight into how the politics of the African-American community—and other marginal groups—will evolve in the twenty-first century.
[more]
Boundaries of the State in US History
Edited by James T. Sparrow, William J. Novak, and Stephen W. Sawyer
University of Chicago Press, 2015
The question of how the American state defines its power has become central to a range of historical topics, from the founding of the Republic and the role of the educational system to the functions of agencies and America’s place in the world. Yet conventional histories of the state have not reckoned adequately with the roots of an ever-expanding governmental power, assuming instead that the American state was historically and exceptionally weak relative to its European peers.
Here, James T. Sparrow, William J. Novak, and Stephen W. Sawyer assemble definitional essays that search for explanations to account for the extraordinary growth of US power without resorting to exceptionalist narratives. Turning away from abstract, metaphysical questions about what the state is, or schematic models of how it must work, these essays focus instead on the more pragmatic, historical question of what it does. By historicizing the construction of the boundaries dividing America and the world, civil society and the state, they are able to explain the dynamism and flexibility of a government whose powers appear so natural as to be given, invisible, inevitable, and exceptional.
Here, James T. Sparrow, William J. Novak, and Stephen W. Sawyer assemble definitional essays that search for explanations to account for the extraordinary growth of US power without resorting to exceptionalist narratives. Turning away from abstract, metaphysical questions about what the state is, or schematic models of how it must work, these essays focus instead on the more pragmatic, historical question of what it does. By historicizing the construction of the boundaries dividing America and the world, civil society and the state, they are able to explain the dynamism and flexibility of a government whose powers appear so natural as to be given, invisible, inevitable, and exceptional.
[more]
Bounding Biomedicine
Evidence and Rhetoric in the New Science of Alternative Medicine
Colleen Derkatch
University of Chicago Press, 2016
During the 1990s, an unprecedented number of Americans turned to complementary and alternative medicine (CAM), an umbrella term encompassing chiropractic, energy healing, herbal medicine, homeopathy, meditation, naturopathy, and traditional Chinese medicine. By 1997, nearly half the US population was seeking CAM, spending at least $27 billion out of pocket.
Bounding Biomedicine centers on this boundary-changing era, looking at how consumer demand shook the health care hierarchy. Drawing on scholarship in rhetoric and science and technology studies, the book examines how the medical profession scrambled to maintain its position of privilege and prestige, even as its foothold appeared to be crumbling. Colleen Derkatch analyzes CAM-themed medical journals and related discourse to illustrate how members of the medical establishment applied Western standards of evaluation and peer review to test health practices that did not fit easily (or at all) within standard frameworks of medical research. And she shows that, despite many practitioners’ efforts to eliminate the boundaries between “regular” and “alternative,” this research on CAM and the forms of communication that surrounded it ultimately ended up creating an even greater division between what counts as safe, effective health care and what does not.
At a time when debates over treatment choices have flared up again, Bounding Biomedicine gives us a possible blueprint for understanding how the medical establishment will react to this new era of therapeutic change.
Bounding Biomedicine centers on this boundary-changing era, looking at how consumer demand shook the health care hierarchy. Drawing on scholarship in rhetoric and science and technology studies, the book examines how the medical profession scrambled to maintain its position of privilege and prestige, even as its foothold appeared to be crumbling. Colleen Derkatch analyzes CAM-themed medical journals and related discourse to illustrate how members of the medical establishment applied Western standards of evaluation and peer review to test health practices that did not fit easily (or at all) within standard frameworks of medical research. And she shows that, despite many practitioners’ efforts to eliminate the boundaries between “regular” and “alternative,” this research on CAM and the forms of communication that surrounded it ultimately ended up creating an even greater division between what counts as safe, effective health care and what does not.
At a time when debates over treatment choices have flared up again, Bounding Biomedicine gives us a possible blueprint for understanding how the medical establishment will react to this new era of therapeutic change.
[more]
Bourdieu
Critical Perspectives
Edited by Craig Calhoun, Edward LiPuma, and Moishe Postone
University of Chicago Press, 1993
Long a dominant figure in the French human sciences, Pierre Bourdieu has become internationally influential in the fields of sociology, anthropology, and cultural studies. A major figure in the development of "practice" as an organizing concept in social research, Bourdieu has emerged as the foremost advocate of reflexive social science; his work combines an astonishing range of empirical work with highly sophisticated theory.
American reception of his works, however, has lacked a full understanding of their place within the broad context of French human science. His individual works separated by distinct boundaries between social science fields in American academia, Bourdieu's cohesive thought has come to this country in fragments.
Bourdieu: Critical Perspectives provides a unified and balanced appraisal of Bourdieu's varied works by both proponents and skeptics. The essays are written from the varied viewpoints of cultural anthropology, ethnomethodology and other varieties of sociology, existential and Wittgensteinian philosophies, linguistics, media studies, and feminism. They work around three main themes: Bourdieu's effort to transcend gaps between practical knowledge and universal structures, his central concept of "reflexivity," and the relations between social structure, systems of classification, and language.
Ultimately, the contributors raise a variety of crucial theoretical questions and address problems that are important not only to understanding Bourdieu but to advancing empirical work of the kind he has pioneered. In an essay written especially for this volume, Bourdieu describes his own "mode of intellectual production" and the reasons he sees for its common misunderstanding.
The contributors are Hubert Dreyfus, Paul Rabinow, Charles Taylor, Aaron Cicourel, James Collins, William Hanks, Beate Krais, Nicholas Garnham, Scott Lash, Roger Brubaker, and Loic Wacquant, and the editors.
American reception of his works, however, has lacked a full understanding of their place within the broad context of French human science. His individual works separated by distinct boundaries between social science fields in American academia, Bourdieu's cohesive thought has come to this country in fragments.
Bourdieu: Critical Perspectives provides a unified and balanced appraisal of Bourdieu's varied works by both proponents and skeptics. The essays are written from the varied viewpoints of cultural anthropology, ethnomethodology and other varieties of sociology, existential and Wittgensteinian philosophies, linguistics, media studies, and feminism. They work around three main themes: Bourdieu's effort to transcend gaps between practical knowledge and universal structures, his central concept of "reflexivity," and the relations between social structure, systems of classification, and language.
Ultimately, the contributors raise a variety of crucial theoretical questions and address problems that are important not only to understanding Bourdieu but to advancing empirical work of the kind he has pioneered. In an essay written especially for this volume, Bourdieu describes his own "mode of intellectual production" and the reasons he sees for its common misunderstanding.
The contributors are Hubert Dreyfus, Paul Rabinow, Charles Taylor, Aaron Cicourel, James Collins, William Hanks, Beate Krais, Nicholas Garnham, Scott Lash, Roger Brubaker, and Loic Wacquant, and the editors.
[more]
Bourdieu's Secret Admirer in the Caucasus
A World-System Biography
Georgi M. Derluguian
University of Chicago Press, 2005
Bourdieu's Secret Admirer in the Caucasus is a gripping account of the developmental dynamics involved in the collapse of Soviet socialism. Fusing a narrative of human agency to his critical discussion of structural forces, Georgi M. Derluguian reconstructs from firsthand accounts the life story of Musa Shanib—who from a small town in the Caucasus grew to be a prominent leader in the Chechen revolution. In his examination of Shanib and his keen interest in the sociology of Pierre Bourdieu, Derluguian discerns how and why this dissident intellectual became a nationalist warlord.
Exploring globalization, democratization, ethnic identity, and international terrorism, Derluguian contextualizes Shanib's personal trajectory from de-Stalinization through the nationalist rebellions of the 1990s, to the recent rise in Islamic militancy. He masterfully reveals not only how external economic and political forces affect the former Soviet republics but how those forces are in turn shaped by the individuals, institutions, ethnicities, and social networks that make up those societies. Drawing on the work of Charles Tilly, Immanuel Wallerstein, and, of course, Bourdieu, Derluguian's explanation of the recent ethnic wars and terrorist acts in Russia succeeds in illuminating the role of human agency in shaping history.
Exploring globalization, democratization, ethnic identity, and international terrorism, Derluguian contextualizes Shanib's personal trajectory from de-Stalinization through the nationalist rebellions of the 1990s, to the recent rise in Islamic militancy. He masterfully reveals not only how external economic and political forces affect the former Soviet republics but how those forces are in turn shaped by the individuals, institutions, ethnicities, and social networks that make up those societies. Drawing on the work of Charles Tilly, Immanuel Wallerstein, and, of course, Bourdieu, Derluguian's explanation of the recent ethnic wars and terrorist acts in Russia succeeds in illuminating the role of human agency in shaping history.
[more]
Bourgeois Dignity
Why Economics Can't Explain the Modern World
Deirdre Nansen McCloskey
University of Chicago Press, 2010
The big economic story of our times is not the Great Recession. It is how China and India began to embrace neoliberal ideas of economics and attributed a sense of dignity and liberty to the bourgeoisie they had denied for so long. The result was an explosion in economic growth and proof that economic change depends less on foreign trade, investment, or material causes, and a whole lot more on ideas and what people believe.
Or so says Deirdre N. McCloskey in Bourgeois Dignity, a fiercely contrarian history that wages a similar argument about economics in the West. Here she turns her attention to seventeenth- and eighteenth-century Europe to reconsider the birth of the industrial revolution and the rise of capitalism. According to McCloskey, our modern world was not the product of new markets and innovations, but rather the result of shifting opinions about them. During this time, talk of private property, commerce, and even the bourgeoisie itself radically altered, becoming far more approving and flying in the face of prejudices several millennia old. The wealth of nations, then, didn’t grow so dramatically because of economic factors: it grew because rhetoric about markets and free enterprise finally became enthusiastic and encouraging of their inherent dignity.
An utterly fascinating sequel to her critically acclaimed book The Bourgeois Virtues, Bourgeois Dignity is a feast of intellectual riches from one of our most spirited and ambitious historians—a work that will forever change our understanding of how the power of persuasion shapes our economic lives.
[more]
Bourgeois Equality
How Ideas, Not Capital or Institutions, Enriched the World
Deirdre Nansen McCloskey
University of Chicago Press, 2016
There’s little doubt that most humans today are better off than their forebears. Stunningly so, the economist and historian Deirdre McCloskey argues in the concluding volume of her trilogy celebrating the oft-derided virtues of the bourgeoisie. The poorest of humanity, McCloskey shows, will soon be joining the comparative riches of Japan and Sweden and Botswana.
Why? Most economists—from Adam Smith and Karl Marx to Thomas Piketty—say the Great Enrichment since 1800 came from accumulated capital. McCloskey disagrees, fiercely. “Our riches,” she argues, “were made not by piling brick on brick, bank balance on bank balance, but by piling idea on idea.” Capital was necessary, but so was the presence of oxygen. It was ideas, not matter, that drove “trade-tested betterment.” Nor were institutions the drivers. The World Bank orthodoxy of “add institutions and stir” doesn’t work, and didn’t. McCloskey builds a powerful case for the initiating role of ideas—ideas for electric motors and free elections, of course, but more deeply the bizarre and liberal ideas of equal liberty and dignity for ordinary folk. Liberalism arose from theological and political revolutions in northwest Europe, yielding a unique respect for betterment and its practitioners, and upending ancient hierarchies. Commoners were encouraged to have a go, and the bourgeoisie took up the Bourgeois Deal, and we were all enriched.
Few economists or historians write like McCloskey—her ability to invest the facts of economic history with the urgency of a novel, or of a leading case at law, is unmatched. She summarizes modern economics and modern economic history with verve and lucidity, yet sees through to the really big scientific conclusion. Not matter, but ideas. Big books don’t come any more ambitious, or captivating, than Bourgeois Equality.
Why? Most economists—from Adam Smith and Karl Marx to Thomas Piketty—say the Great Enrichment since 1800 came from accumulated capital. McCloskey disagrees, fiercely. “Our riches,” she argues, “were made not by piling brick on brick, bank balance on bank balance, but by piling idea on idea.” Capital was necessary, but so was the presence of oxygen. It was ideas, not matter, that drove “trade-tested betterment.” Nor were institutions the drivers. The World Bank orthodoxy of “add institutions and stir” doesn’t work, and didn’t. McCloskey builds a powerful case for the initiating role of ideas—ideas for electric motors and free elections, of course, but more deeply the bizarre and liberal ideas of equal liberty and dignity for ordinary folk. Liberalism arose from theological and political revolutions in northwest Europe, yielding a unique respect for betterment and its practitioners, and upending ancient hierarchies. Commoners were encouraged to have a go, and the bourgeoisie took up the Bourgeois Deal, and we were all enriched.
Few economists or historians write like McCloskey—her ability to invest the facts of economic history with the urgency of a novel, or of a leading case at law, is unmatched. She summarizes modern economics and modern economic history with verve and lucidity, yet sees through to the really big scientific conclusion. Not matter, but ideas. Big books don’t come any more ambitious, or captivating, than Bourgeois Equality.
[more]
The Bourgeois Virtues
Ethics for an Age of Commerce
Deirdre Nansen McCloskey
University of Chicago Press, 2006
For a century and a half, the artists and intellectuals of Europe have scorned the bourgeoisie. And for a millennium and a half, the philosophers and theologians of Europe have scorned the marketplace. The bourgeois life, capitalism, Mencken’s “booboisie” and David Brooks’s “bobos”—all have been, and still are, framed as being responsible for everything from financial to moral poverty, world wars, and spiritual desuetude. Countering these centuries of assumptions and unexamined thinking is Deirdre McCloskey’s The Bourgeois Virtues, a magnum opus that offers a radical view: capitalism is good for us.
McCloskey’s sweeping, charming, and even humorous survey of ethical thought and economic realities—from Plato to Barbara Ehrenreich—overturns every assumption we have about being bourgeois. Can you be virtuous and bourgeois? Do markets improve ethics? Has capitalism made us better as well as richer? Yes, yes, and yes, argues McCloskey, who takes on centuries of capitalism’s critics with her erudition and sheer scope of knowledge. Applying a new tradition of “virtue ethics” to our lives in modern economies, she affirms American capitalism without ignoring its faults and celebrates the bourgeois lives we actually live, without supposing that they must be lives without ethical foundations.
High Noon, Kant, Bill Murray, the modern novel, van Gogh, and of course economics and the economy all come into play in a book that can only be described as a monumental project and a life’s work. The Bourgeois Virtues is nothing less than a dazzling reinterpretation of Western intellectual history, a dead-serious reply to the critics of capitalism—and a surprising page-turner.
McCloskey’s sweeping, charming, and even humorous survey of ethical thought and economic realities—from Plato to Barbara Ehrenreich—overturns every assumption we have about being bourgeois. Can you be virtuous and bourgeois? Do markets improve ethics? Has capitalism made us better as well as richer? Yes, yes, and yes, argues McCloskey, who takes on centuries of capitalism’s critics with her erudition and sheer scope of knowledge. Applying a new tradition of “virtue ethics” to our lives in modern economies, she affirms American capitalism without ignoring its faults and celebrates the bourgeois lives we actually live, without supposing that they must be lives without ethical foundations.
High Noon, Kant, Bill Murray, the modern novel, van Gogh, and of course economics and the economy all come into play in a book that can only be described as a monumental project and a life’s work. The Bourgeois Virtues is nothing less than a dazzling reinterpretation of Western intellectual history, a dead-serious reply to the critics of capitalism—and a surprising page-turner.
[more]
The Bower
Connie Voisine
University of Chicago Press, 2019
How can a person come to understand wars and hatreds well enough to explain them truthfully to a child? The Bower engages this timeless and thorny question through a recounting of the poet-speaker’s year in Belfast, Northern Ireland, with her young daughter. The speaker immerses herself in the history of Irish politics—including the sectarian conflict known as The Troubles—and gathers stories of a painful, divisive past from museum exhibits, newspapers, neighbors, friends, local musicians, and cabbies. Quietly meditative, brooding, and heart-wrenching, these poems place intimate moments between mother and daughter alongside images of nationalistic violence and the angers that underlie our daily interactions. A deep dive into sectarianism and forgiveness, this timely and nuanced book examines the many ways we are all implicated in the impulse to “protect our own” and asks how we manage the histories that divide us.
[more]
A Box of Photographs
Roger Grenier
University of Chicago Press, 2013
Most attempts to generalize about photography as a medium run up against our experience of the photographs themselves. We live with photos and cameras every day, and philosophies of the photographic image do little to shake our intimate sense of how we produce photographs and what they mean to us. In this book that is equal parts memoir and intellectual and cultural history, French writer Roger Grenier contemplates the ways that photography can change the course of a life, reflecting along the way on the history of photography and its practitioners.
Unfolding in brief, charming vignettes, A Box of Photographs evokes Grenier’s childhood in Pau, his war years, and his working life at the Gallimard publishing house in Paris. Throughout these personal stories, Grenier subtly weaves the story of a lifetime of practicing and thinking about photography and its heroes—Henri Cartier-Bresson, Weegee, Alfred Eisenstaedt, George Brassaï, Inge Morath, and others. Adding their own insights about photography to the narrative are a striking range of writers, thinkers, and artists, from Lewis Carroll, Albert Camus, and Arthur Schopenhauer to Susan Sontag, Edgar Degas, and Eugène Delacroix. Even cameras themselves come to life and take on personalities: an Agfa accompanies Grenier on grueling military duty in Algeria, a Voigtlander almost gets him killed by German soldiers during the liberation of Paris, and an ill-fated Olympus drowns in a boating accident. Throughout, Grenier draws us into the private life of photographs, seeking the secrets they hold for him and for us.
A valedictory salute to a lost world of darkrooms, proofs, and the gummed paper corners of old photo albums, A Box of Photographs is a warm look at the most honest of life’s mirrors.
[more]
The Boy on the Beach
Building Community through Play
Vivian Gussin Paley
University of Chicago Press, 2010
Four-year-old Eli plays alone at the shore, inventing dramas out of sand and water. He is Builder, Fireman, Protector, and Scout, overcoming waves and conquering monsters. Enter Marianne and doll, Mother and Baby, eager to redefine Eli as a good father and homesteader. Their separate visions intertwine in a search for a common ground on which howling wolves and butterfly sisters can learn to understand and need one another.
What can the richly imagined, impressively adaptable fantasy world of these children tell us about childhood, development, education, and even life itself? For fifty years, teacher and writer Vivian Gussin Paley has been exploring the imagery, language, and lore of young children, asking the questions they ask of themselves.
In The Boy on the Beach she continues to do so, going deeper into the mystery of play as she follows Eli and Marianne through the kindergarten year, finding more answers and more questions. How does their teacher, Mrs. Olson, manage to honor and utilize the genius of play to create an all-inclusive community in which boys and girls like each other and listen to each other’s stories? Why is Paley’s fellow teacher Yu-ching in Taiwan certain that her children pretend to be kittens in order to become necessary to the group? And why do teachers in London see their childrens’ role-playing as the natural end to loneliness in the school community?
Rich with the words of children and teachers themselves, The Boy on the Beach is vintage Paley, a wise and provocative appreciation of the importance of play and enduring curiosity about the nature of childhood and the imagination.
[more]
Boys and Girls
Superheroes in the Doll Corner
Vivian Gussin Paley
University of Chicago Press, 2014
With the publication of Boys and Girls in 1984, Vivian Gussin Paley took readers inside a kindergarten classroom to show them how boys and girls play—and how, by playing and fantasizing in different ways, they work through complicated notions of gender roles and identity. The children’s own conversations, stories, playacting, and scuffles are interwoven with Paley’s observations and accounts of her vain attempts to alter their stereotyped play. Thirty years later, the superheroes and princesses are still here, but their doll corners and block areas are fast disappearing from our kindergartens. This new edition of Paley’s classic book reignites issues that are more important than ever for a new generation of students, parents, and teachers.
[more]
Boys and Girls
Superheroes in the Doll Corner
Vivian Gussin Paley
University of Chicago Press, 1984
"Paley has a sharp ear for the rhythm and inflections of childhood. Her vignettes give us a revealing glimpse into children's inner lives, and her discussion of her own discomfort with boy's play and approval of that of girls raises and important issue."—Carole Wade, Psychology Today
"I will admit my biases up front: having a three-year old daughter of my own made it impossible for this book to be anything but fun to read. I dare anyone who enjoys children not to enjoy this story about stories, this narrative about narratives."—Jerry Powell, Winterthur Portfolio
"I will admit my biases up front: having a three-year old daughter of my own made it impossible for this book to be anything but fun to read. I dare anyone who enjoys children not to enjoy this story about stories, this narrative about narratives."—Jerry Powell, Winterthur Portfolio
[more]
Boys Will Be Boys
A Daughter's Elegy
Sara Suleri Goodyear
University of Chicago Press, 2003
Sara Suleri Goodyear's Meatless Days, recognized now as a classic of postcolonial literature, is a finely wrought memoir of her girlhood in Pakistan after the 1947 partition. Set around the women of her family, Meatless Days intertwines the violent history of Pakistan's independence with Suleri Goodyear's most intimate memories of her grandmother, mother, and sisters. In Boys Will Be Boys, she returns—with the same treasury of language, humor, and passion—to her childhood and early adulthood to pay tribute to her father, the political journalist Z. A. Suleri (known as Pip, for his "patriotic and preposterous" disposition).
Taking its title from that jokingly chosen by her father for his unwritten autobiography, Boys Will Be Boys dips in and out of Suleri Goodyear's upbringing in Pakistan and her life in the United States, moving between public and private history and addressing questions of loss and cultural displacement through a resolutely comic lens. In this rich portrait, Pip emerges as a prodigious figure: an ardent agitator against British rule in the 1930s and 1940s, a founder of the Times of Karachi and the Evening Times, on-and-off editor of the Pakistan Times, for a brief time director of the Pakistan military intelligence service, and a frequently jailed antagonist of successive Pakistani leaders. To the author, though, he was also "preposterous . . . counting himself king of infinite space," a man who imposed outrageously on his children. As Suleri Goodyear chronicles, Pip demanded their loyalty yet banished them easily from his favor; contrary and absurdly unfair, he read their diaries, interfered in their relationships, and believed in a father's inalienable right to oppress his children.
Suleri Goodyear invites the reader into an intimacy shaped equally by history and intensely personal detail, creating an elegant elegy for a man of force and contradiction. And perhaps Pip was not so preposterous after all: "On Judgment Day," he told his daughter, "I will say to God, 'Be merciful, for I have already been judged by my child.'"
Taking its title from that jokingly chosen by her father for his unwritten autobiography, Boys Will Be Boys dips in and out of Suleri Goodyear's upbringing in Pakistan and her life in the United States, moving between public and private history and addressing questions of loss and cultural displacement through a resolutely comic lens. In this rich portrait, Pip emerges as a prodigious figure: an ardent agitator against British rule in the 1930s and 1940s, a founder of the Times of Karachi and the Evening Times, on-and-off editor of the Pakistan Times, for a brief time director of the Pakistan military intelligence service, and a frequently jailed antagonist of successive Pakistani leaders. To the author, though, he was also "preposterous . . . counting himself king of infinite space," a man who imposed outrageously on his children. As Suleri Goodyear chronicles, Pip demanded their loyalty yet banished them easily from his favor; contrary and absurdly unfair, he read their diaries, interfered in their relationships, and believed in a father's inalienable right to oppress his children.
Suleri Goodyear invites the reader into an intimacy shaped equally by history and intensely personal detail, creating an elegant elegy for a man of force and contradiction. And perhaps Pip was not so preposterous after all: "On Judgment Day," he told his daughter, "I will say to God, 'Be merciful, for I have already been judged by my child.'"
[more]
Boystown
Sex and Community in Chicago
Jason Orne
University of Chicago Press, 2017
From neighborhoods as large as Chelsea or the Castro, to locales limited to a single club, like The Shamrock in Madison or Sidewinders in Albuquerque, gay areas are becoming normal. Straight people flood in. Gay people flee out. Scholars call this transformation assimilation, and some argue that we—gay and straight alike—are becoming “post-gay.” Jason Orne argues that rather than post-gay, America is becoming “post-queer,” losing the radical lessons of sex.
In Boystown, Orne takes readers on a detailed, lively journey through Chicago’s Boystown, which serves as a model for gayborhoods around the country. The neighborhood, he argues, has become an entertainment district—a gay Disneyland—where people get lost in the magic of the night and where straight white women can “go on safari.” In their original form, though, gayborhoods like this one don’t celebrate differences; they create them. By fostering a space outside the mainstream, gay spaces allow people to develop an alternative culture—a queer culture that celebrates sex.
Orne spent three years doing fieldwork in Boystown, searching for ways to ask new questions about the connective power of sex and about what it means to be not just gay, but queer. The result is the striking Boystown, illustrated throughout with street photography by Dylan Stuckey. In the dark backrooms of raunchy clubs where bachelorettes wouldn’t dare tread, people are hooking up and forging “naked intimacy.” Orne is your tour guide to the real Boystown, then, where sex functions as a vital center and an antidote to assimilation.
In Boystown, Orne takes readers on a detailed, lively journey through Chicago’s Boystown, which serves as a model for gayborhoods around the country. The neighborhood, he argues, has become an entertainment district—a gay Disneyland—where people get lost in the magic of the night and where straight white women can “go on safari.” In their original form, though, gayborhoods like this one don’t celebrate differences; they create them. By fostering a space outside the mainstream, gay spaces allow people to develop an alternative culture—a queer culture that celebrates sex.
Orne spent three years doing fieldwork in Boystown, searching for ways to ask new questions about the connective power of sex and about what it means to be not just gay, but queer. The result is the striking Boystown, illustrated throughout with street photography by Dylan Stuckey. In the dark backrooms of raunchy clubs where bachelorettes wouldn’t dare tread, people are hooking up and forging “naked intimacy.” Orne is your tour guide to the real Boystown, then, where sex functions as a vital center and an antidote to assimilation.
[more]
Braided Worlds
Alma Gottlieb and Philip Graham
University of Chicago Press, 2012
In a compelling mix of literary narrative and ethnography, anthropologist Alma Gottlieb and writer Philip Graham continue the long journey of cultural engagement with the Beng people of Côte d’Ivoire that they first recounted in their award-winning memoir Parallel Worlds. Their commitment over the span of several decades has lent them a rare insight. Braiding their own stories with those of the villagers of Asagbé and Kosangbé, Gottlieb and Graham take turns recounting a host of unexpected dramas with these West African villages, prompting serious questions about the fraught nature of cultural contact.
Through events such as a religious leader’s declaration that the authors’ six-year-old son, Nathaniel, is the reincarnation of a revered ancestor, or Graham’s late father being accepted into the Beng afterlife, or the increasing, sometimes dangerous madness of a villager, the authors are forced to reconcile their anthropological and literary gaze with the deepest parts of their personal lives. Along with these intimate dramas, they follow the Beng from times of peace through the times of tragedy that led to Côte d’Ivoire’s recent civil conflicts. From these and many other interweaving narratives—and with the combined strengths of an anthropologist and a literary writer—Braided Worlds examines the impact of postcolonialism, race, and global inequity at the same time that it chronicles a living, breathing village community where two very different worlds meet.
[more]
A Brain for All Seasons
Human Evolution and Abrupt Climate Change
William H. Calvin
University of Chicago Press, 2002
One of the most shocking realizations of all time has slowly been dawning on us: the earth's climate does great flip-flops every few thousand years, and with breathtaking speed. In just a few years, the climate suddenly cools worldwide. With only half the rainfall, severe dust storms whirl across vast areas. Lightning strikes ignite giant forest fires. For most mammals, including our ancestors, populations crash.
Our ancestors lived through hundreds of such abrupt episodes since the more gradual Ice Ages began two and a half million years ago—but abrupt cooling produced a population bottleneck each time, one that eliminated most of their relatives. We are the improbable descendants of those who survived—and later thrived.
William H. Calvin's marvelous A Brain for All Seasons argues that such cycles of cool, crash, and burn powered the pump for the enormous increase in brain size and complexity in human beings. Driven by the imperative to adapt within a generation to "whiplash" climate changes where only grass did well for a while, our ancestors learned to cooperate and innovate in hunting large grazing animals.
Calvin's book is structured as a travelogue that takes us around the globe and back in time. Beginning at Darwin's home in England, Calvin sits under an oak tree and muses on what controls the speed of evolutionary "progress." The Kalahari desert and the Sterkfontein caves in South Africa serve as the backdrop for a discussion of our ancestors' changing diets. A drought-shrunken lake in Kenya shows how grassy mudflats become great magnets for grazing animals. And in Copenhagen, we learn what ice cores have told us about abrupt jumps in past climates.
Perhaps the most dramatic discovery of all, though, awaits us as we fly with Calvin over the Gulf Stream and Greenland: global warming caused by human-made pollution could paradoxically trigger another sudden episode of global cooling. Because of the accumulation of greenhouse gases in the atmosphere, the oceanic "conveyor belt" that sends warmer waters into the North Atlantic could abruptly shut down. If that happens again, much of the Earth could be plunged into a deep chill within a few years. Europe would become as cold and dry as Siberia. Agriculture could not adapt quickly enough to avoid worldwide famines and wars over the dwindling food supplies—a crash from which it would take us many centuries to recover.
With this warning, Calvin connects us directly to evolution and the surprises it holds. Highly illustrated, conversational, and learned, A Brain for All Seasons is a fascinating view of where we came from, and where we're going.
Our ancestors lived through hundreds of such abrupt episodes since the more gradual Ice Ages began two and a half million years ago—but abrupt cooling produced a population bottleneck each time, one that eliminated most of their relatives. We are the improbable descendants of those who survived—and later thrived.
William H. Calvin's marvelous A Brain for All Seasons argues that such cycles of cool, crash, and burn powered the pump for the enormous increase in brain size and complexity in human beings. Driven by the imperative to adapt within a generation to "whiplash" climate changes where only grass did well for a while, our ancestors learned to cooperate and innovate in hunting large grazing animals.
Calvin's book is structured as a travelogue that takes us around the globe and back in time. Beginning at Darwin's home in England, Calvin sits under an oak tree and muses on what controls the speed of evolutionary "progress." The Kalahari desert and the Sterkfontein caves in South Africa serve as the backdrop for a discussion of our ancestors' changing diets. A drought-shrunken lake in Kenya shows how grassy mudflats become great magnets for grazing animals. And in Copenhagen, we learn what ice cores have told us about abrupt jumps in past climates.
Perhaps the most dramatic discovery of all, though, awaits us as we fly with Calvin over the Gulf Stream and Greenland: global warming caused by human-made pollution could paradoxically trigger another sudden episode of global cooling. Because of the accumulation of greenhouse gases in the atmosphere, the oceanic "conveyor belt" that sends warmer waters into the North Atlantic could abruptly shut down. If that happens again, much of the Earth could be plunged into a deep chill within a few years. Europe would become as cold and dry as Siberia. Agriculture could not adapt quickly enough to avoid worldwide famines and wars over the dwindling food supplies—a crash from which it would take us many centuries to recover.
With this warning, Calvin connects us directly to evolution and the surprises it holds. Highly illustrated, conversational, and learned, A Brain for All Seasons is a fascinating view of where we came from, and where we're going.
[more]
Brains/Practices/Relativism
Social Theory after Cognitive Science
Stephen Turner
University of Chicago Press, 2002
Brains/Practices/Relativism presents the first major rethinking of social theory in light of cognitive science. Stephen P. Turner focuses especially on connectionism, which views learning as a process of adaptation to input that, in turn, leads to patterns of response distinct to each individual. This means that there is no common "server" from which people download shared frameworks that enable them to cooperate or communicate. Therefore, argues Turner, "practices"—in the sense that the term is widely used in the social sciences and humanities—is a myth, and so are the "cultures" that are central to anthropological and sociological thought.
In a series of tightly argued essays, Turner traces out the implications that discarding the notion of shared frameworks has for relativism, social constructionism, normativity, and a number of other concepts. He suggests ways in which these ideas might be reformulated more productively, in part through extended critiques of the work of scholars such as Ian Hacking, Andrew Pickering, Pierre Bourdieu, Quentin Skinner, Robert Brandom, Clifford Geertz, and Edward Shils.
In a series of tightly argued essays, Turner traces out the implications that discarding the notion of shared frameworks has for relativism, social constructionism, normativity, and a number of other concepts. He suggests ways in which these ideas might be reformulated more productively, in part through extended critiques of the work of scholars such as Ian Hacking, Andrew Pickering, Pierre Bourdieu, Quentin Skinner, Robert Brandom, Clifford Geertz, and Edward Shils.
[more]
Braking the Special Interests
Trucking Deregulation and the Politics of Policy Reform
Dorothy Robyn
University of Chicago Press, 1987
In 1980 Congress voted to eliminate the federal system of protective regulation over the powerful trucking industry, despite fierce opposition. This upset marked a rare example in American politics of diffuse public interests winning out over powerful economic lobbies. In Braking the Special Interests Dorothy Robyn draws upon firsthand observations of formal proceedings and behind-the-scenes maneuverings to illuminate the role of political strategy in the landmark trucking battle.
Robyn focuses her analysis on four elements of strategy responsible for the deregulator's victory—elements that are essential, she argues, to any successful policy battle against entrenched special interests: the effective use of economic data and analysis to make a strong case for the merits of reform; the formation and management of a diverse lobbying coalition of firms and interest groups; presidential bargaining to gain political leverage; and transition schemes to reduce uncertainty and cushion the blow to losers.
Drawing on political and economic theory, Braking the Special Interests is an immensely rich and readable study of political strategy and skill, with general insights relevant to current political battles surrounding trade, agriculture, and tax policies. Robyn's interdisciplinary work will be of great value to scholars and practitioners of politics, economics, and public policy.
Robyn focuses her analysis on four elements of strategy responsible for the deregulator's victory—elements that are essential, she argues, to any successful policy battle against entrenched special interests: the effective use of economic data and analysis to make a strong case for the merits of reform; the formation and management of a diverse lobbying coalition of firms and interest groups; presidential bargaining to gain political leverage; and transition schemes to reduce uncertainty and cushion the blow to losers.
Drawing on political and economic theory, Braking the Special Interests is an immensely rich and readable study of political strategy and skill, with general insights relevant to current political battles surrounding trade, agriculture, and tax policies. Robyn's interdisciplinary work will be of great value to scholars and practitioners of politics, economics, and public policy.
[more]
Brassai
Letters to My Parents
Brassaï
University of Chicago Press, 1997
Nicknamed the "Eye of Paris" by Henry Miller, Brassaï was one of the great European photographers of the twentieth century. This volume of letters and photographs, many published for the first time, chronicles the fascinating early years of Brassaï's life and artistic development in Paris and Berlin during the 1920s and 1930s.
"[Brassaï] is probably the only photographer—at least in France—to have acquired such a vast audience and mastered his material to such a degree that he can express himself with a flexibility and apparent ease that is almost literary in its nature."—Jean Gallien, Photo-Monde
"The letters that Brassaï wrote to his parents between 1920 and 1940 chronicle the sometimes painful stages by which this gifted man hauled himself from penury to celebrity."—Peter Hamilton, Times Literary Supplement
"In these proud, protective, occasionally conscience-stricken missives, the young man full of eager dreams emerges as one of the century's pioneering photographers, revered for his lushly atmospheric portraits of Paris after dark."—Elle
"A fascinating insight into how a bright individual slowly found his calling."—Christine Schwartz Hartley, New York Times Book Review
"[Brassaï] is probably the only photographer—at least in France—to have acquired such a vast audience and mastered his material to such a degree that he can express himself with a flexibility and apparent ease that is almost literary in its nature."—Jean Gallien, Photo-Monde
"The letters that Brassaï wrote to his parents between 1920 and 1940 chronicle the sometimes painful stages by which this gifted man hauled himself from penury to celebrity."—Peter Hamilton, Times Literary Supplement
"In these proud, protective, occasionally conscience-stricken missives, the young man full of eager dreams emerges as one of the century's pioneering photographers, revered for his lushly atmospheric portraits of Paris after dark."—Elle
"A fascinating insight into how a bright individual slowly found his calling."—Christine Schwartz Hartley, New York Times Book Review
[more]
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