front cover of Convergence
Convergence
Jack Fuller
University of Chicago Press, 1990
"A brilliant achievement. . . .Like the best work of Greene and Le Carré, it is more than genre fiction; it is literature. . . .[Convergence] is the most plausible, and perhaps the best spy novel ever written by an American." —Arthur Maling, Chicago Tribune

"An intelligent, readable novel about two kinds of intrigue—international and bureaucratic. He succeeds admirably at both tasks."—Ross Thomas, Washington Post

"A solid, provocative first novel about the 'deadly game of espionage' . . . Thoughtfulness and human frailty take precedence over action and suspense. Irony is the prevailing mode. . . . Fuller depicts intelligence work—its technical minutiae and its vaunted goals—convincingly. And he subtly weaves various parallels into complementary layers of potential convergence."—Jeffrey Burke, Wall Street Journal

"A fast-moving, dramatic, thinking person's spy novel."—Nelson DeMille, Newsday
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Fragments
Jack Fuller
University of Chicago Press, 1997
Fragments is a story about how war can make everything explosive—even love—and how two friends try to put the pieces of their lives together again.

"[Fragments] makes the usual semi-autobiographical account [of the Vietnam War] . . . seem flimsy and discursive in comparison. . . . The shapeliness and sense of larger design [is] so elegantly executed in Fragments."—Michiko Kakutani, New York Times

"The plot is believable, the characters sharply drawn, the prose clean and distinctive. . . . Stand[s] with Tim O'Brien's Going After Cacciato, James Webb's Fields of Fire, Josiah Bunting's The Lionheads and John Del Vecchio's The 13th Valley. . . . A strong, compelling novel."—Marc Leepson, Washington Post

"There have been many books on Vietnam, and there will be many others. This is more a novel than the rest. . . . Fuller has reassembled the exploded grenade."—Bob MacDonald, Boston Sunday Globe

"Should our children ask about Vietnam, we would not go wrong to place this book in their hands. . . . [Fragments] purveys more than information—it gives the war a literary form."—David Myers, New York Times

"The best novel yet about the Vietnam War. . . . It ranks with Norman Mailer's The Naked and the Dead and James Jones's From Here to Eternity."—Daniel Kornstein, Wall Street Journal
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News Values
Ideas for an Information Age
Jack Fuller
University of Chicago Press, 1996
News Values is a concise, powerful statement of the fundamental issues, ethical and practical, confronting newspapers today. Jack Fuller not only makes those issues clear, but offers a provocative new perspective on questions journalists should be asking themselves now in order to prepare for tomorrow.

"Every talk show host should read this book. So should every newsroom cynic. . . . 'Pursuit of truth is not a license to be a jerk.' In all too many newsrooms, that statement would resound like a three-bell bulletin."—Martin F. Nolan, New York Times Book Review

"[News Values] ought to be required reading not just for those who work for newspapers, but for all those who read and care about them. . . . [This book] seems destined to become one of those slim but important volumes people read for a long time to come."—Richard J. Tofel, Wall Street Journal

"Fuller stays above the fray [of the many books on the media]: His is a deeply intellectual approach, one that provides serious context to the highly complicated issue of how the news 'works.'"—Duncan McDonald, Chicago Tribune Books

"News Values has the touch and feel of knowledgeable, authentic caring about the kind of journalism than can help make society more cohesive, even human." —"Monitor's Pick," Christian Science Monitor
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What Is Happening to News
The Information Explosion and the Crisis in Journalism
Jack Fuller
University of Chicago Press, 2010

Across America, newspapers that have defined their cities for over a century are rapidly failing, their circulations plummeting even as opinion-soaked web outlets like the Huffington Post thrive. Meanwhile, nightly news programs shock viewers with stories of horrific crime and celebrity scandal, while the smug sarcasm and shouting of pundits like Glenn Beck and Keith Olbermann dominate cable television. Is it any wonder that young people are turning away from the news entirely, trusting comedians like Jon Stewart as their primary source of information on current events?

In the face of all the problems plaguing serious news, What Is Happening to News explores the crucial question of how journalism lost its way—and who is responsible for the ragged retreat from its great traditions. Veteran editor and newspaperman Jack Fuller locates the surprising sources of change where no one has thought to look before: in the collision between a revolutionary new information age and a human brain that is still wired for the threats faced by our prehistoric ancestors. Drawing on the dramatic recent discoveries of neuroscience, Fuller explains why the information overload of contemporary life makes us dramatically more receptive to sensational news, while rendering the staid, objective voice of standard journalism ineffective. Throw in a growing distrust of experts and authority, ably capitalized on by blogs and other interactive media, and the result is a toxic mix that threatens to prove fatal to journalism as we know it.

For every reader troubled by what has become of news—and worried about what the future may hold—What Is Happening to News not only offers unprecedented insight into the causes of change but also clear guidance, strongly rooted in the precepts of ethical journalism, on how journalists can adapt to this new environment while still providing the information necessary to a functioning democracy.

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The Body of Faith
A Biological History of Religion in America
Robert C. Fuller
University of Chicago Press, 2013
The postmodern view that human experience is constructed by language and culture has informed historical narratives for decades. Yet newly emerging information about the biological body now makes it possible to supplement traditional scholarly models with insights about the bodily sources of human thought and experience.

The Body of Faith is the first account of American religious history to highlight the biological body. Robert C. Fuller brings a crucial new perspective to the study of American religion, showing that knowledge about the biological body deeply enriches how we explain dramatic episodes in American religious life. Fuller shows that the body’s genetically evolved systems—pain responses, sexual passion, and emotions like shame and fear—have persistently shaped the ways that Americans forge relationships with nature, to society, and to God.

The first new work to appear in the Chicago History of American Religion series in decades, The Body of Faith offers a truly interdisciplinary framework for explaining the richness, diversity, and endless creativity of American religious life.

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Thomas Kuhn
A Philosophical History for Our Times
Steve Fuller
University of Chicago Press, 2000
Thomas Kuhn's The Structure of Scientific Revolutions is one of the best known and most influential books of the twentieth century. Whether they adore or revile him, critics and fans alike have tended to agree on one thing: Kuhn's ideas were revolutionary. But were they?

Steve Fuller argues that Kuhn actually held a profoundly conservative view of science and how one ought to study its history. Early on, Kuhn came under the influence of Harvard President James Bryant Conant (to whom Structure is dedicated), who had developed an educational program intended to help deflect Cold War unease over science's uncertain future by focusing on its illustrious past. Fuller argues that this rhetoric made its way into Structure, which Fuller sees as preserving and reinforcing the old view that science really is just a steady accumulation of truths about the world (once "paradigm shifts" are resolved).

Fuller suggests that Kuhn, deliberately or not, shared the tendency in Western culture to conceal possible negative effects of new knowledge from the general public. Because it insists on a difference between a history of science for scientists and one suited to historians, Fuller charges that Structure created the awkward divide that has led directly to the "Science Wars" and has stifled much innovative research. In conclusion, Fuller offers a way forward that rejects Kuhn's fixation on paradigms in favor of a conception of science as a social movement designed to empower society's traditionally disenfranchised elements.

Certain to be controversial, Thomas Kuhn must be read by anyone who has adopted, challenged, or otherwise engaged with The Structure of Scientific Revolutions.

"Structure will never look quite the same again after Fuller. In that sense, he has achieved one of the main aims of his ambitious and impressively executed project."—Jon Turney, Times Higher Education Supplement

"Philosophies like Kuhn's narrow the possible futures of inquiry by politically methodizing and taming them. More republican philosophies will leave the future open. Mr. Fuller has amply succeeded in his program of distinguishing the one from the other."—William R. Everdell, Washington Times
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The American Mail
Enlarger of the Common Life
Wayne E. Fuller
University of Chicago Press, 1972

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The Design and Implementation of US Climate Policy
Don Fullerton
University of Chicago Press, 2012
Economic research on climate change has been crucial in advancing our understanding of the consequences associated with global warming as well as the costs and benefits of the various policies that might reduce emissions of greenhouse gases. As nations work to develop climate policies, economic insights into their design and implementation are ever more important.
 
With a balance between theoretical and empirical approaches, The Design and Implementation of US Climate Policy looks at the possible effects of various climate policies on a range of economic outcomes. The studies that comprise the volume examine topics that include the coordination—or lack thereof—between the federal and state governments, implications of monitoring and enforcing climate policy, and the specific consequences of various climate policies for the agricultural, automotive, and buildings sectors.
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The Profit of the Earth
The Global Seeds of American Agriculture
Courtney Fullilove
University of Chicago Press, 2017
While there is enormous public interest in biodiversity, food sourcing, and sustainable agriculture, romantic attachments to heirloom seeds and family farms have provoked misleading fantasies of an unrecoverable agrarian past. The reality, as Courtney Fullilove shows, is that seeds are inherently political objects transformed by the ways they are gathered, preserved, distributed, regenerated, and improved. In The Profit of the Earth, Fullilove unearths the history of American agricultural development and of seeds as tools and talismans put in its service.
 
Organized into three thematic parts, The Profit of the Earth is a narrative history of the collection, circulation, and preservation of seeds. Fullilove begins with the political economy of agricultural improvement, recovering the efforts of the US Patent Office and the nascent US Department of Agriculture to import seeds and cuttings for free distribution to American farmers. She then turns to immigrant agricultural knowledge, exploring how public and private institutions attempting to boost midwestern wheat yields drew on the resources of willing and unwilling settlers. Last, she explores the impact of these cereal monocultures on biocultural diversity, chronicling a fin-de-siècle Ohio pharmacist’s attempt to source Purple Coneflower from the diminishing prairie. Through these captivating narratives of improvisation, appropriation, and loss, Fullilove explores contradictions between ideologies of property rights and common use that persist in national and international development—ultimately challenging readers to rethink fantasies of global agriculture’s past and future.
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Cultural Aesthetics
Renaissance Literature and the Practice of Social Ornament
Patricia Fumerton
University of Chicago Press, 1991
A brilliant postmodern critique of Renaissance subjectivity, Cultural Aesthetics explores the simultaneous formation and fragmentation of aristocratic "selfhood" in the late sixteenth and early seventeenth centuries. Patricia Fumerton situates the self within its sumptuous array of "trivial" arts—including the court literatures of chivalric romance, sonnet, and masque and the arts of architecture, miniature painting, stage design, and cuisine. Her integration of historicist and aesthetic perspectives makes this a provocative contribution to the vigorous field of Renaissance cultural studies.
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Unsettled
The Culture of Mobility and the Working Poor in Early Modern England
Patricia Fumerton
University of Chicago Press, 2006

Migrants made up a growing class of workers in late sixteenth- and seventeenth- century England. In fact, by 1650, half of England’s rural population consisted of homeless and itinerant laborers. Unsettled is an ambitious attempt to reconstruct the everyday lives of these dispossessed people. Patricia Fumerton offers an expansive portrait of unsettledness in early modern England that includes the homeless and housed alike.

            Fumerton begins by building on recent studies of vagrancy, poverty, and servants, placing all in the light of a new domestic economy of mobility. She then looks at representations of the vagrant in a variety of pamphlets and literature of the period. Since seamen were a particularly large and prominent class of mobile wage-laborers in the seventeenth century, Fumerton turns to seamen generally and to an individual poor seaman as a case study of the unsettled subject: Edward Barlow (b. 1642) provides a rare opportunity to see how the laboring poor fashioned themselves, for he authored a journal of over 225,000 words and 147 pages of drawings. Barlow’s journal, studied extensively here for the first time, vividly charts what he himself termed his “unsettled mind” and the perpetual anxieties of England’s working and wayfaring poor. Ultimately, Fumerton explores representations of seamen as unsettled in the broadside ballads of Barlow’s time.

[more]

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Greek Grammar of the New Testament and Other Early Christian Literature
Robert W. Funk
University of Chicago Press, 1961
This work was created by Friedrich Blass, professor of classical philology at the University of Halle-Wittenberg, and was continued after his death by Albert Debrunner, professor of Indo-European and classical philology at the University of Bern until his retirement in 1954. The grammar has passed through ten editions from 1896 to 1960.

Robert W. Funk, in translating this long-established classic, has also revised it and, in doing so, has incorporated the notes which Professor Debrunner had prepared for a new German edition on which he was working at the time of his death in 1958. Dr. Funk has also had the co-operation of leading British, Continental, and American scholars. The translation places in the hands of English-speaking students a book that belongs in their libraries and in the libraries of every theologian, philologist and pastor alongside the Gingrich-Danker Greek-English Lexicon.

This grammar sets the Greek of the New Testament in the context of Hellenistic Greek and compares and contrasts it with the classical norms. It relates to the New Testament language to its Semitic background, to Greek dialects, and to Latin and has been kept fully abreast of latest developments and manuscript discoveries. It is at no point exclusively dependent on modern editions of the Greek New Testament text but considers variant readings wherever they are significant. It is designed to compress the greatest amount of information into the smallest amount of space consistent with clarity. There are subsections discussing difficult or disputed points and copious citations of primary texts in addition to generous bibliographies for those who wish to pursue specific items further.
[more]

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Marx and the French Revolution
François Furet
University of Chicago Press, 1988
Throughout his life Karl Marx commented on the French Revolution, but never was able to realize his project of a systematic work on this immense event. This book assembles for the first time all that Marx wrote on this subject. François Furet provides an extended discussion of Marx's thinking on the revolution, and Lucien Calvié situates each of the selections, drawn from existing translations as well as previously untranslated material, in its larger historical context.

With his early critique of Hegel, Marx started moving toward his fundamental thesis: that the state is a product of civil society and that the French Revolution was the triumph of bourgeois society. Furet's interpretation follows the evolution of this idea and examines the dilemmas it created for Marx as he considered all the faces the new state assumed over the course of the Revolution: the Jacobin Terror following the constitutional monarchy, Bonaparte's dictatorship following the parliamentary republic.

The problem of reconciling his theory with the reality of the Revolution's various manifestations is one of the major difficulties Marx contended with throughout his work. The hesitation, the remorse, and the contradictions of the resulting analyses offer a glimpse of a great thinker struggling with the constraints of his own system. Marx never did elaborate a theory of an autonomous state, but he never stopped wrestling with the challenge to his doctrine posed by late eighteenth-century France, whose changing conditions and successive regimes prompted some of his most intriguing and, until now, unexplored thought.
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The Passing of an Illusion
The Idea of Communism in the Twentieth Century
François Furet
University of Chicago Press, 1999
François Furet was acknowledged as the twentieth century's preeminent historian of the French Revolution. But years before his death, he turned his attention to the consequences and aftermath of another critical revolution—the Communist revolution. The result, Le passé d'une illusion, is a penetrating history of the ideological passions that have fueled and characterized the modern era.

"This may well be the most illuminating study ever devoted to the question of appeal exerted not only by Communism but also by the Nazi and other fascist varieties of totalitarianism in this century."—Hilton Kramer, New Criterion

"A subtle, nuanced but gripping study of the most pervasive and destructive illusion in the 20th century." —Kirkus Reviews, starred review

"The Passing of an Illusion . . . is both a profound work of intellectual history that takes its place alongside other great studies of the leftist heresy . . . and a relentless diagnosis of the self-subversive risks that are inherent in democratic regimes. "—Roger Kaplan, Washington Times

" A remarkable book. . . . Stimulating and challenging. . . . A man widely read in several languages, Furet clearly knew his way around 20th-century Europe, even unto the dark alleys that figure on no existing map. "—Mark Falcoff, Commentary

"A history of ideas, this work is not for the faint of heart, yet those who challenge it will discover a signal contribution to the literature of Communism."—Booklist

"Imperious and stunningly confident, grand in conception and expansive in manner, packed with fascinating detail and often incisive judgements."—John Dunn, Times Higher Education Supplement

"The Passing of an Illusion is brilliant, and one would be hard pressed to find better writing of history than the first chapter, which traces the roots of modern political thinking back to the nineteenth century."—J. Arch Getty, Atlantic Monthly

"A brilliant and important book. . . . The publication of the American edition makes accessible to the general reader the most thought-provoking historical assessment of communism in Europe to appear since its collapse."—Jeffrey Herf, Wall Street Journal

François Furet (1927-1997), educator and author, was a Chevalier of the Legion of Honor and was elected, in 1997, to become one of the "Forty Immortals" of the Académie Française, the highest intellectual honor in France. His many books include Interpreting the French Revolution, Marx and the French Revolution, and Revolutionary France. Deborah Furet, his widow, collaborated with him on many projects.
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Lies, Passions, and Illusions
The Democratic Imagination in the Twentieth Century
François Furet
University of Chicago Press, 2014
François Furet needs little introduction. Widely considered one of the leading historians of the French Revolution, he was a maverick for his time, shining a critical light on the entrenched Marxist interpretations that prevailed during the mid-twentieth century. Shortly after his death in 1997, the New York Review of Books called him “one of the most influential men in contemporary France.” Lies, Passions, and Illusions is a fitting capstone to this celebrated author’s oeuvre: a late-career conversation with philosopher Paul Ricoeur on the twentieth century writ large, a century of violence and turmoil, of unprecedented wealth and progress, in which history advanced, for better or worse, in quantum leaps.
           
This conversation would be, sadly, Furet’s last—he died while Ricoeur was completing his edits. Ricoeur did not want to publish his half without Furet’s approval, so what remains is Furet’s alone, an astonishingly cohesive meditation on the political passions of the twentieth century. With strokes at once broad and incisive, he examines the many different trajectories that nations of the West have followed over the past hundred years. It is a dialogue with history as it happened but also as a form of thought. It is a dialogue with his critics, with himself, and with those major thinkers—from Tocqueville to Hannah Arendt—whose ideas have shaped our understanding of the tragic dramas and upheavals of the modern era. It is a testament to the crucial role of the historian, a reflection on how history is made and lived, and how the imagination is a catalyst for political change. Whether new to Furet or deeply familiar with his work, readers will find thought-provoking assessments on every page, a deeply moving look back at one of the most tumultuous periods of history and how we might learn and look forward from it. 
 
 
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In the Workshop of History
François Furet
University of Chicago Press, 1985
Those concerned with the practice of history as a discipline and as an intellectual activity will be intrigued by the view of history that François Furet offers in this collection of essays. After twenty-five years as a professional historian at the Ecole des Hautes Etudes and in the ranks of the Annales school, Furet sets out to reexamine the methodological and intellectual cleavages that exist today among historians.

Furet views history as a field bounded at each end by two ideal types. One end is concerned with the history of periods and with the empiricism of "facts" rather than received ideas. At the other end is problem-oriented history, which substitutes for the supposed coherence of a "period" the analytical examination of a question. Furet's own work leans toward the second, more conceptually oriented kind of historiography. The essays in this volume, most of them never before published in English, illustrate the breadth of his approach. Furet's discussion ranges through Tocqueville's conceptual system to present-day America, from the origins of history in France to the Jewish experience in the late twentieth century. Among Furet's recurrent themes is the contention that the historian constructs the object or field of his research rather than receiving it from the past.
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Poetic Relations
Intimacy and Faith in the English Reformation
Constance M. Furey
University of Chicago Press, 2017
What is the relationship between our isolated and our social selves, between aloneness and interconnection? Constance M. Furey probes this question through a suggestive literary tradition: early Protestant poems in which a single speaker describes a solitary search for God.

As Furey demonstrates, John Donne, George Herbert, Anne Bradstreet, and others describe inner lives that are surprisingly crowded, teeming with human as well as divine companions. The same early modern writers who bequeathed to us the modern distinction between self and society reveal here a different way of thinking about selfhood altogether. For them, she argues, the self is neither alone nor universally connected, but is forever interactive and dynamically constituted by specific relationships. By means of an analysis equally attentive to theological ideas, social conventions, and poetic form, Furey reveals how poets who understand introspection as a relational act, and poetry itself as a form ideally suited to crafting a relational self, offer us new ways of thinking about selfhood today—and a resource for reimagining both secular and religious ways of being in the world.
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Devotion
Three Inquiries in Religion, Literature, and Political Imagination
Constance M. Furey
University of Chicago Press, 2021
Three scholars of religion explore literature and the literary as sites of critical transformation.

We are living in a time of radical uncertainty, faced with serious political, ecological, economic, epidemiological, and social problems. Scholars of religion Constance M. Furey, Sarah Hammerschlag, and Amy Hollywood come together in this volume with a shared conviction that what and how we read opens new ways of imagining our political futures and our lives.

Each essay in this book suggests different ways to characterize the object of devotion and the stance of the devout subject before it. Furey writes about devotion in terms of vivification, energy, and artifice; Hammerschlag in terms of commentary, mimicry, and fetishism; and Hollywood in terms of anarchy, antinomianism, and atopia. They are interested in literature not as providing models for ethical, political, or religious life, but as creating the site in which the possible—and the impossible—transport the reader, enabling new forms of thought, habits of mind, and ways of life. Ranging from German theologian Martin Luther to French-Jewish philosopher Sarah Kofman to American poet Susan Howe, this volume is not just a reflection on forms of devotion and their critical and creative import but also a powerful enactment of devotion itself.
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Behind the Academic Curtain
How to Find Success and Happiness with a PhD
Frank F. Furstenberg
University of Chicago Press, 2013
More people than ever are going to graduate school to seek a PhD these days. When they get there, they discover a bewildering environment: a rapid immersion in their discipline, a keen competition for resources, and uncertain options for their future, whether inside or outside of academia. Life with a PhD can begin to resemble an unsolvable maze. In Behind the Academic Curtain, Frank F. Furstenberg offers a clear and user-friendly map to this maze. Drawing on decades of experience in academia, he provides a comprehensive, empirically grounded, and, most important of all, practical guide to academic life.

While the greatest anxieties for PhD candidates and postgrads are often centered on getting that tenure-track dream job, each stage of an academic career poses a series of distinctive problems. Furstenberg divides these stages into five chapters that cover the entire trajectory of an academic life, including how to make use of a PhD outside of academia. From finding the right job to earning tenure, from managing teaching loads to conducting research, from working on committees to easing into retirement, he illuminates all the challenges and opportunities an academic can expect to encounter. Each chapter is designed for easy consultation, with copious signposts, helpful suggestions, and a bevy of questions that all academics should ask themselves throughout their career, whether at a major university, junior college, or a nonacademic organization. An honest and up-to-date portrayal of how this life really works, Behind the Academic Curtain is an essential companion for any scholar, at any stage of his or her career.
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Managing to Make It
Urban Families and Adolescent Success
Frank F. Furstenberg
University of Chicago Press, 1999
One of the myths about families in inner-city neighborhoods is that they are characterized by poor parenting. Sociologist Frank Furstenberg and his colleagues explode this and other misconceptions about success, parenting, and socioeconomic advantage in Managing to Make It. This unique study—the first in the MacArthur Foundation Studies on Successful Adolescent Development series—focuses on how and why youth are able to overcome social disadvantages.
Based on nearly 500 interviews and case studies of families in inner-city Philadelphia, Managing to Make It lays out in detail the creative means parents use to manage risks and opportunities in their communities. More importantly, it also depicts the strategies parents develop to steer their children away from risk and toward resources that foster positive development and lead to success.

"Indispensible to anyone concerned about breaking the cycle of poverty and helplessness among at-risk adolescents, this book has a readable, graphic style easily grasped by those unfamiliar with statistical techniques." —Library Journal
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Science and Salvation
Evangelical Popular Science Publishing in Victorian Britain
Aileen Fyfe
University of Chicago Press, 2004
Threatened by the proliferation of cheap, mass-produced publications, the Religious Tract Society issued a series of publications on popular science during the 1840s. The books were intended to counter the developing notion that science and faith were mutually exclusive, and the Society's authors employed a full repertoire of evangelical techniques—low prices, simple language, carefully structured narratives—to convert their readers. The application of such techniques to popular science resulted in one of the most widely available sources of information on the sciences in the Victorian era.

A fascinating study of the tenuous relationship between science and religion in evangelical publishing, Science and Salvation examines questions of practice and faith from a fresh perspective. Rather than highlighting works by expert men of science, Aileen Fyfe instead considers a group of relatively undistinguished authors who used thinly veiled Christian rhetoric to educate first, but to convert as well. This important volume is destined to become essential reading for historians of science, religion, and publishing alike.
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Steam-Powered Knowledge
William Chambers and the Business of Publishing, 1820-1860
Aileen Fyfe
University of Chicago Press, 2012

With the overwhelming amount of new information that bombards us each day, it is perhaps difficult to imagine a time when the widespread availability of the printed word was a novelty. In early nineteenth-century Britain, print was not novel—Gutenberg’s printing press had been around for nearly four centuries—but printed matter was still a rare and relatively expensive luxury. All this changed, however, as publishers began employing new technologies to astounding effect, mass-producing instructive and educational books and magazines and revolutionizing how knowledge was disseminated to the general public.

In Steam-Powered Knowledge, Aileen Fyfe explores the activities of William Chambers and the W. & R. Chambers publishing firm during its formative years, documenting for the first time how new technologies were integrated into existing business systems. Chambers was one of the first publishers to abandon traditional skills associated with hand printing, instead favoring the latest innovations in printing processes and machinery: machine-made paper, stereotyping, and, especially, printing machines driven by steam power. The mid-nineteenth century also witnessed dramatic advances in transportation, and Chambers used proliferating railway networks and steamship routes to speed up communication and distribution. As a result, his high-tech publishing firm became an exemplar of commercial success by 1850 and outlived all of its rivals in the business of cheap instructive print. Fyfe follows Chambers’s journey from small-time bookseller and self-trained hand-press printer to wealthy and successful publisher of popular educational books on both sides of the Atlantic, demonstrating along the way the profound effects of his and his fellow publishers’ willingness, or unwillingness, to incorporate these technological innovations into their businesses.
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Science in the Marketplace
Nineteenth-Century Sites and Experiences
Aileen Fyfe
University of Chicago Press, 2007
The nineteenth century was an age of transformation in science, when scientists were rewarded for their startling new discoveries with increased social status and authority.  But it was also a time when ordinary people from across the social spectrum were given the opportunity to participate in science, for education, entertainment, or both. In Victorian Britain science could be encountered in myriad forms and in countless locations: in panoramic shows, exhibitions, and galleries; in city museums and country houses; in popular lectures; and even in domestic conversations that revolved around the latest books and periodicals.

Science in the Marketplace
reveals this other side of Victorian scientific life by placing the sciences in the wider cultural marketplace, ultimately showing that the creation of new sites and audiences was just as crucial to the growing public interest in science as were the scientists themselves. By focusing attention on the scientific audience, as opposed to the scientific community or self-styled popularizers, Science in the Marketplace ably links larger societal changes—in literacy, in industrial technologies, and in leisure—to the evolution of “popular science.”
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