When she was in fifth grade, Monica Abbott declared that she would one day become an Olympic athlete. In the decades that would follow, her prediction would prove stunningly true, as she would not only compete in the Games but go on to claim two Silver Medals as pitcher for Team USA softball.
In her twenty-plus years as a professional athlete, Abbott has set a high standard of firsts and achievements—but her talents and tenacity have not only shattered records but have also created new possibilities for female athletes everywhere. In Rise and Shine, Abbott chronicles significant lessons and experiences from her childhood, her University of Tennessee and professional softball years, her time in the Olympics, and beyond. Throughout the book, she shares insights cultivated on her journey, offering them to readers of all ages and skill sets to consider as they endeavor to bring their lives into contact with their dreams.
How do we set goals yet unseen? How do we thrive even while overcoming obstacles? And perhaps most importantly, how do we turn our successes into advantages for others? With a foreword by world-renowned tennis icon Billie Jean King, Rise and Shine is more than a record of medals and firsts; it is the story of making dreams come true and of lifting others with you as you rise.
Featuring a variety of disciplinary perspectives and analytical approaches, Celluloid Chains is the most comprehensive volume to date on films about slavery. This collection examines works from not only the United States but elsewhere in the Americas, and it attests to slavery’s continuing importance as a source of immense fascination for filmmakers and their audiences.
Each of the book’s fifteen original essays focuses on a particular film that directly treats the enslavement of Africans and their descendants in the New World. Beginning with an essay on the Cuban film El otro Francisco (1975), Sergio Giral’s reworking of a nineteenth-century abolitionist novel, the book proceeds to examine such works as the landmark miniseries Roots (1977), which sparked intense controversy over its authenticity; Werner Herzog’s Cobra Verde (1987), which raises questions about what constitutes a slavery film; Guy Deslauriers’s Passage du milieu (1999), a documentary-style reconstruction of what Africans experienced during the Middle Passage; and Steve McQueen’s Oscar-winning 12 Years a Slave (2013), which embodies the tensions between faithfully adapting a nineteenth-century slave narrative and bending it for modern purposes.
Films about slavery have shown a special power to portray the worst and best of humanity, and Celluloid Chains is an essential guide to this important genre.
In this thought-provoking study, Jonathan M. Atkins provides a fresh look at the partisan ideological battles that marked the political culture of antebellum Tennessee. He argues that the legacy of party politics was a key factor in shaping Tennessee's hesitant course during the crisis of Union in 1860–61.
Between the Jacksonian era and the outbreak of the Civil War, Atkins demonstrates, the competition between Democrats and Whigs in Tennessee was as heated as any in the country. The conflict centered largely on differing conceptions of republican liberty and each party's contention that the other posed a serious threat to that liberty. As the slavery question pushed to the forefront of national politics, Tennessee's parties absorbed the issue into the partisan tumult that already existed. Both parties pledged to defend southern interests while preserving the integrity of the Union. Appeals for the defense of liberty and Union interests proved effective with voters and profoundly influenced the state's actions during the secession crisis. The belief that a new national Union party could preserve the Union while checking the Lincoln administration encouraged voters initially to reject secession. With the outbreak of war, however, West and Middle Tennesseans chose to accept disunion to avoid what they saw as coercion and military despotism by the North. East Tennesseans, meanwhile, preferred loyalty to the Union over membership in a Southern confederacy dominated by a slaveholding aristocracy.
No previous book has so clearly detailed the role of party politics and ideology in Tennessee's early history. As Atkins shows, the ideological debate helps to explain not only the character and survival of Tennessee's party system but also the peristent strength of unionism in a state that ultimately joined the Southern cause.
The Author: Jonathan M. Atkins is assistant professor of history at Berry College in Mt. Berry, Georgia.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press