2024 Spiro Kostof Book Award, Society of Architectural Historians
2022 PROSE Award in Architecture and Urban Planning
2022 Summerlee Book Prize in Nonfiction, Center for History and Culture of Southeast Texas and the Upper Gulf Coast
2022 Best Book Prize, Southeast Chapter of the Society of Architectural Historians
2022 On the Brinck Book Award, University of New Mexico School of Architecture + Planning

A significant and deeply researched examination of the free nineteenth-century Black developers who transformed the cultural and architectural legacy of New Orleans.

The Creole architecture of New Orleans is one of the city’s most-recognized features, but studies of it largely have focused on architectural typology. In Building Antebellum New Orleans, Tara A. Dudley examines the architectural activities and influence of gens de couleur libres—free people of color—in a city where the mixed-race descendants of whites and other free Blacks could own property.

Between 1820 and 1850 New Orleans became an urban metropolis and industrialized shipping center with a growing population. Amidst dramatic economic and cultural change in the mid-antebellum period, the gens de couleur libres thrived as property owners, developers, building artisans, and patrons. Dudley writes an intimate microhistory of two prominent families of Black developers, the Dollioles and Souliés, to explore how gens de couleur libres used ownership, engagement, and entrepreneurship to construct individual and group identity and stability. With deep archival research, Dudley re-creates in fine detail the material culture, business and social history, and politics of the built environment for free people of color and adds new, revelatory information to the canon on New Orleans architecture.

The fabulous XIT Ranch has been celebrated in song, story, and serious history. This book of reminiscences of old XIT cowmen puts on record the everyday life of the individuals who made the ranch run. Their forthright, yet picturesque, discussion of ranching hardships and dangers dissipates Hollywood and TV glamorizing. They relate in honest cowboy language what actually happened inside the XIT's 6,000 miles of fence.

Cordia Sloan Duke, wife of an XIT division manager, Robert L. Duke, many years ago realized that only those who had experienced ranch life could depict it with deep understanding. As the young wife of a rising young ranch hand, she kept in her apron pocket a notebook and pencil, recording all manner of interesting details as they caught her attention. This diary was the nucleus for the present book. Conceiving of an account of life on the XIT as presented by XIT cowboys, Mrs. Duke set about drawing from reticent, sometimes reluctant, ranch hands the impressions of the XIT (occasionally written down by their more literate wives or daughters) which they had retained through the years. Cordia Sloan Duke and Joe B. Frantz have organized the reminiscences around key aspects of ranch life, retaining the language of the cow hands.

In providing a detailed account of the leftist opposition and its bloody repression in Brazil during the Old Republic and the early years of the Vargas regime, John W. F. Dulles gives considerable attention to the labor movement, generally neglected by historians. This study focuses on the formation and activities of anarchists and Communists, the two most important radical groups working within Brazilian labor. Relying on a wide variety of sources, including interviews and personal papers, Dulles supplies information that for the most part is unavailable in English and not easily accessible in Portuguese.

The struggles of Brazilian workers—usually against an alliance of company owners, state and federal troops, and state and federal governments—suffered reverses in 1920 and 1921. These setbacks were cited by Astrogildo Pereira and other admirers of Bolshevism as reasons for the proletariat to forsake anarchism and adhere to the Communist Party, Brazilian Section of the Communist International.

Anarchists and Communists, struggling against each other in the labor unions in the mid 1920’s, joined opposition journalists and politicians in supporting military rebels in a romantic uprising marked by adventure and suffering, jailbreaks and long marches, and death in the backlands.

Slowly, Brazilian Communism gained strength during the latter part of the 1920’s, but 1930 brought the beginnings of failure. Worse for the Party than the government crackdown and the Trotskyite dissidence was the growing attraction of the Aliança Liberal, the oppositionist political movement that brought Getúlio Vargas to power. While workers and Party members flocked to the Aliança in defiance of Party orders, sectarian edicts from Moscow resulted in the expulsion or demotion of the Party’s former leaders and in the condemnation of intellectuals.

Luís Carlos Prestes, “the Cavalier of Hope” who had led the military rebels in the mid-1920’s, turned to Communism—only to find himself not welcome in the Party. Taken to Russia by the Communist International in 1931, he was finally accepted into the Brazilian Party in absentia in 1934. Later that year, misled in Moscow by optimistic reports brought by Brazilian Communists, he agreed to lead a rebellion in Brazil. That decision and its consequences in 1935 were disastrous to Brazilian Communism.

The struggles among anarchists, Stalinists, and Trotskyites in Brazil were reflections of a worldwide struggle. This study discloses and assesses the effects of Moscow policy changes on Communism in Brazil and contributes to an understanding of Moscow’s policies throughout Latin America during this period.

The Brazilian Communist Party was one of the largest Communist parties in Latin America until its split and dissolution in the 1990s. Although not granted legal status as a political party of Brazil until 1985, the Partido Comunista Brasileiro (PCB) has been tolerated by that country's regime.

Such governmental tolerance of the PCB was not always the case. In the past, the regime of Getúlio Vargas practiced savage forms of repression against Brazilian leftists, whose "Red extremism" was cited by both government leaders and the press as sufficient cause for Vargas' adoption of the most extreme measures.

Brazilian Communism, 1935–1945 is an objective and remarkably comprehensive account of the Brazilian Communist Party's struggle to survive those days of repression.

From his prison cell, PCB leader Luís Carlos Prestes guided the Party's quarreling factions. All who were associated with the Left shared a common enemy: the police, who used the most brutal forms of torture to extract information about leftist activities. Young Elza Fernandes, companion of the PCB's secretary general, was one whom the police interrogated. Suspecting that she had betrayed them, the Party itself arranged her murder.

Dulles' vivid account of this violent chapter in Latin American history is based on exclusive interviews with leading activists of the period and exhaustive research in the archives of both the PCB and the Brazilian police. The results make fascinating reading for Latin Americanists, historians of World War II, and students of international Communism alike.

Playwright, journalist, and spectacularly successful governor, Carlos Lacerda was Brazil's foremost orator in the 20th century and its most controversial politician. He might have become president in the 1960s had not the military taken over. In the words of eminent historian José Honório Rodrigues, "No one person influenced the Brazilian historical process as much as Carlos Lacerda from 1945 to 1968."

In this volume, the first of a two-volume biography, Professor Dulles paints a portrait of a rebellious youth, who had the willfulness of his prominent father and who crusaded for Communism before becoming its most outspoken foe. Recalling Lacerda's rallying cry, "Brazil must be shaken up," Dulles traces the career of the journalist whose unsparing attacks on the men in power led authorities to imprison him and employ thugs who pummeled him physically. The story covers events in which Lacerda helped alter Brazil, such as the redemocratization in 1945 and his revelation of scandals in high places in the early 1950s. An unsuccessful attempt by government men to murder him in 1954 led to the suicide of President Getulio Vargas in 1954.

Lacerda's spirited oratory helped him become Brazil's most popular congressman, but it scared the rulers of Brazil and they prohibited the broadcast of his speeches after he returned from exile in 1956. Their effort to deprive him of his mandate stirred the entire nation and culminated in one of the most dramatic sessions ever held in the Chamber of Deputies.

Dulles, who knew Lacerda well and had access to his papers, sheds light on Lacerda the man, ardent in courtship and in all his undertakings, intellectually restless, and scornful of routine and mediocrity. Lacerda had a vitriolic pen that made bitter enemies, but, as disclosed in these pages, his courage and incorruptibility attracted an enthusiastic following, evident in the landslide election victories that brought him seats on Rio de Janeiro's city council and in the federal Congress.

From reviews of Volume I:

"Brazilian Crusader is no doubt the best biography yet produced on Lacerda and the second volume . . . is certainly worth waiting for."

—Luso-Brazilian Review

Journalist and spectacularly successful governor, Carlos Lacerda was Brazil's foremost orator in the 20th century and its most controversial politician. He might have become president in the 1960s had not the military taken over.

In the first volume, John F. W. Dulles paints a portrait of a rebellious youth, who had the willfulness of his prominent father and who crusaded for Communism before becoming its most outspoken foe. Recalling Lacerda's rallying cry, "Brazil must be shaken up," Dulles traces the career of the journalist whose unsparing attacks on the men in power led authorities to imprison him and employ thugs who pummeled him physically. Lacerda's spirited oratory helped him become Brazil's most popular congressman, but it scared the rulers of Brazil, who prohibited the broadcast of his speeches after he returned from exile in 1956. Their effort to deprive him of his mandate stirred the entire nation and culminated in one of the most dramatic sessions ever held in the Chamber of Deputies.

In the second and final volume, Dulles explores the political and private life of Lacerda from 1960, when he became governor of Brazil's Guanabara state, until his death in 1977. Dulles focuses particularly on the years 1960 to 1968, in which Lacerda played a central role in some of the most drastic political changes that Brazil has experienced in this century.

Lacerda's story ranges from the headlines constantly generated by his political attacks and journalistic sensationalism to private moments of personal tragedy. In telling his story, Dulles draws on hundreds of interviews, as well as extensive research in press archives, Lacerda's public papers, and the private collections of Lacerda's family and associates. This material paints a compelling portrait of an honest administrator who alienated top figures in politics, the press, and the military.

Praised by his admirers as "one of those rare heroic figures out of Plutarch" and as "an intrepid Don Quixote," Brazilian lawyer Heráclito Fontoura Sobral Pinto (1893-1991) was the most consistently forceful opponent of dictator Getúlio Vargas. Through legal cases, activism in Catholic and lawyers' associations, newspaper polemics, and a voluminous correspondence, Sobral Pinto fought for democracy, morality, and justice, particularly for the downtrodden.

This book is the first of a projected two-volume biography of Sobral Pinto. Drawing on Sobral's vast correspondence, which was not previously available to researchers, John W. F. Dulles confirms that Sobral Pinto was a true reformer, who had no equal in demonstrating courage and vehemence when facing judges, tribunals, and men in power. He traces the leading role that Sobral played in opposing the Vargas regime from 1930 to 1945 and sheds light on the personalities and activities of powerful figures in the National Security Tribunal, the police, the censorship bureau, and the Catholic Church.

In addition to the many details that this volume adds to Brazilian history, it illuminates the character of a man who sacrificed professional advancement and emolument in the interest of fighting for justice and charity. Thus, it will be important reading not only for students of Brazilian history, but also for a wider audience dedicated to the crusade for human rights and political freedom and the reformers who carry on that struggle.

The São Paulo Law School, the oldest institution of higher learning in Brazil, has long been the chief training center for that country’s leadership. For the members of the school’s secret Burschenschaft society, the training consisted principally in leading demonstrations for liberal causes, such as the abolition of slavery and the overthrow of the monarchy. During the Old Republic (1889–1930), the Brazilian presidency and other high posts in Rio de Janeiro were usually occupied by alumni of the powerful society, while its members in São Paulo continued to agitate for political reform. But in the 1920s, when they formed the Nationalist League and the Democratic Party, schisms resulted. Thus the Burschenschaft was weakened before the long rule of Brazil by Getúlio Vargas, starting in 1930, brought an end to the society’s influence.

The role of the school in these and other historical events is carefully reviewed by Dulles before he turns to the school’s well-known resistance to the dictatorship of Vargas. That resistance, the most persistent confronting the dictator, appeared to be unified—especially when it provoked the police into shooting the students. But, as Dulles discovered when interviewing participants and consulting documents and scrapbooks of the early 1940s, the movement was characterized by heated internal strife. In the end, however, the idealism and courage of the participants and the ultimate effectiveness of the movement contributed mightily to the fall of Vargas.

This book is another in Dulles’s series of narrative histories in which he gives flesh and blood to the names and breathes life into the events of twentieth-century Brazilian politics.

… I offer my life in a holocaust … This people whose slave I was will no longer be slave to anyone. My sacrifice will remain forever in their souls and my blood will be the price of their ransom.

President Getulio Vargas' testament—written shortly before his suicide on August 24, 1954—was prophetic, for the Vargas legacy was to cast a shadow on political-military events of the next decade.

With news of Vargas' suicide, opponents of the late President, who were usually out of power, tried to organize. The military itself was split, but those favoring Kubitschek, apparent winner of the 1955 presidential election on a ticket of Vargas-created parties, gained control. To assure Kubitschek's inauguration Army leaders deposed two acting Presidents in 1955.

During Kubitschek's presidency (1956–1961 ) there were manifestations of discontent by military and political groups who ascribed numerous evils to Vargas and his followers.

In 1961, when Kubitschek's successor, Jânio Quadros, resigned after six months in office, the unrest intensified. Vice President Jango Goulart assumed the presidency and sought unsuccessfully to conciliate contending forces; his battle for reform seemed to make him an ally of "far leftists." Feeling that discipline was being undermined by men close to the President and that only military action could save Brazil from following the path favored by influential Communist labor leaders, a majority of the Army officers agreed to overthrow Goulart's administration in 1964.

Unrest in Brazil describes in exciting detail the government crises and resulting military interventions that punctuated the power struggle between supporters and opponents of Vargas in the decade following his death.

The dominant public figure in Brazil from 1930 until 1954 was a highly contradictory and controversial personality. Getúlio Vargas, from the pampas of the southern frontier state of Rio Grande do Sul, became the dictator who ruled without ever forgetting the lower classes.

Vargas was a consummate artist at politics. He climbed the political ladder through seats in the state and national legislatures to the post of federal Finance Minister and to the governorship of Rio Grande do Sul. His career then took him to the National Palace as Provisional President and as Constitutional President, and later as the dictator of his "New State." After his deposition in 1945 and a period of semiretirement, his continuing widespread popularity resulted in his successful come-back campaign in 1950 for the Presidency on the Labor Party ticket.

Vargas' contributions to Brazilian political and economic life were many and important. Taking advantage of the power which his political magic provided him, he brought Brazil from a loose confederacy of semifeudal states to a strongly centralized nation. He was a great eclectic, welding into his social, political, and economic policies what he found good in various programs. He was also a great opportunist in the sense that he adroitly took advantage of conditions and circumstances to effect his ends. He was intimately related to the revolutionary changes in Brazilian life after 1930.

Vargas, "Father of the Brazilians," attributed achievements such as these to power in his own hands. His foes, however, still feared the political wizard, and they cheered the military when it deposed him. After his return, "on the arms of the people," Vargas saw that the armed forces were determined to repeat history, and in 1954 he chose another path—suicide.

All of these exciting events are related in John W. F. Dulles's Vargas of Brazil: A Political Biography. Despite its emphasis on Vargas the politician and statesman, the reader comes to know Vargas the man.

For this portrait of Vargas and of Brazil the author has drawn much material from State Department papers in the National Archives and from other public sources, and from interviews with numerous persons who were participants in the events he describes or observers of them. The result is an interesting, revealing, valid account of an important people. Many illustrations supplement the text.

Early in a sixteen-year sojourn in Mexico as an engineer for an American mining company, John W. F. Dulles became fascinated by the story of Mexico’s emergence as a modern nation, and was imbued with the urge to tell that story as it had not yet been told—by letting events speak for themselves, without any interpretations or appraisal.

The resultant book offers an interesting paradox: it is “chronicle” in the medieval sense—a straightforward record of events in chronological order, recounted with no effort at evaluation or interpretation; yet in one aspect it is a highly personal narrative, since much of its significant new material came to Dulles as a result of personal interviews with principals of the Revolution. From them he obtained firsthand versions of events and other reminiscences, and he has distilled these accounts into a work of history characterized by thorough research and objective narration.

These fascinating interviews were no more important, however, than were the author’s many hours of laborious search in libraries for accounts of the events from Carranza’s last year to Calles’ final retirement from the Mexican scene. The author read scores of impassioned versions of what transpired during these fateful years, accounts written from every point of view, virtually all of them unpublished in English and many of them documents which had never been published in any language.

Combining this material with the personal reminiscences, Dulles has provided a narrative rich in its new detail, dispassionate in its presentation of facts, dramatic in its description of the clash of armies and the turbulence of rough-and-tumble politics, and absorbing in its panoramic view of a people’s struggle.

In it come to life the colorful men of the Revolution —Obregón, De la Huerta, Carranza, Villa, Pani, Carillo Puerto, Morones, Calles, Portes Gil, Vasconcelos, Ortiz Rubio, Garrido Canabal, Rodríguez, Cárdenas. (Dulles’ narrative of their public actions is illumined occasionally by humorous anecdotes and by intimate glimpses.) From it emerges also, as the main character, Mexico herself, struggling for self-discipline, for economic stability, for justice among her citizens, for international recognition, for democracy.

This account will be prized for its encyclopedic collection of facts and for its important clarification of many notable events, among them the assassination of Carranza, the De La Huerta revolt, the assassination of Obregón, the trial of Toral, the resignation of President Ortiz Rubio, and the break between Cárdenas and Calles. More than sixty photographs supplement the text.

A crack shot, expert skinner and tanner, seamstress, sculptor, and later writer—a list that only hints at her intelligence and abilities—Ella Elgar Bird Dumont was one of those remarkable women who helped tame the Texas frontier. First married at sixteen to a Texas Ranger, she followed her husband to Comanche Indian country in King County, where they lived in a tepee while participating in the final slaughter of the buffalo. Living off the land until the frontier was opened for ranching, Ella and Tom Bird typified the Old West ideals of self-sufficiency and generosity, with a hesitancy to complain about the hard life in the late 1800s.

Yet, in one important way, Ella Dumont was unsuited for life on the frontier. Endowed with an instinctive desire and ability to carve and sculpt, she was largely prevented from pursuing her talents by the responsibilities of marriage and frontier life and later, widowhood with two small children. Even though her second marriage, to Auguste Dumont, made life more comfortable, the realities of her existence still prevented the fulfillment of her artistic longings.

Ella Bird Dumont’s memoir is rich with details of the frontier era in Texas, when Indian depredations were still a danger for isolated settlers, where animals ranged close enough to provide dinner and a new pair of gloves, and where sheer existence depended on skill, luck, and the kindness of strangers. The vividness and poignancy of her life, coupled with the wealth of historical material in the editor’s exhaustive notes, make this Texas pioneer’s autobiography a very special book.

This ethnographic study of the Panare Indians of Venezuela is the first extensive look at a tribe of this region of the Amazonia. It is an important book not only because it delves into the myth-filled Panare culture, but also because the author has used a modified version of the structural analysis of Claude Lévi-Strauss in examining the Panare.

Lévi-Strauss applied his method of structural analysis to the mythology of many societies in Amazonia, but never to any single society. Jean-Paul Dumont has filled that gap and has shown how the approach works in practice when applied to the intensive study of a single, small-scale culture. His book significantly expands the discussion of the strengths and weaknesses of the method.

The work deals specifically with the implicit mythology of the Panare and is concerned with the symbolic activities manifested in the daily behavior of this group. The analysis of the symbolism, explains Dumont, allows for the discovery of the conceptual system through which the Panare conceive of themselves.

The study is organized into two parts: a presentation of the data and an analysis. The presentation includes a geographical and historical account of the Panare and a general ethnological profile. The analysis is organized into the conceptual categories of inhabited space, time, astrosexuality, hearing, and taste. A concluding chapter summarizes the analysis.

Under the Rainbow will be of interest and of value not only to anthropologists but also to linguists, philosophers, psychologists, and others interested in the general intellectual movement represented by French structuralism. The fieldwork for Under the Rainbow was conducted in Venezuelan Guiana from September 1967 to July 1969.

Even before there was a road, there was a route. Buffalo trails, Indian paths, the old Santa Fe trace—all led across the Great Plains and the western mountains to the golden oasis of California. America’s insatiable westering urge culminated in Route 66, the highway that ran from Chicago to Los Angeles. Opened in 1926, Route 66 became the quintessential American road. It offered the chance for freedom and a better life, whether you were down-and-out Okies fleeing the Dust Bowl in the 1930s or cool guys cruising in a Corvette in the 1960s. Even though the interstates long ago turned Route 66 into a bylane, it still draws travelers from around the world who long to experience the freedom of the open road.

A Route 66 Companion gathers fiction, poetry, memoir, and oral history to present a literary historical portrait of America’s most storied highway. From accounts of pioneering trips across the western plains to a sci-fi fantasy of traveling Route 66 in a rocket, here are stories that explore the mystique of the open road, told by master storytellers ranging from Washington Irving to Raymond Chandler, Joan Didion, Sylvia Plath, Leslie Marmon Silko, and John Steinbeck. Interspersed among them are reminiscences that, for the first time, honor the varied cultures—Native American, Mexican American, and African American, as well as Anglo—whose experiences run through the Route 66 story like the stripe down the highway. So put the top down, set the cruise control, and “make that California trip” with A Route 66 Companion.

To understand border enforcement and the shape it has taken, it is imperative to examine a groundbreaking Border Patrol operation begun in 1993 in El Paso, Texas, "Operation Blockade." The El Paso Border Patrol designed and implemented this radical new strategy, posting 400 agents directly on the banks of the Rio Grande in highly visible positions to deter unauthorized border crossings into the urban areas of El Paso from neighboring Ciudad Juárez—a marked departure from the traditional strategy of apprehending unauthorized crossers after entry. This approach, of "prevention through deterrence," became the foundation of the 1994 and 2004 National Border Patrol Strategies for the Southern Border. Politically popular overall, it has rendered unauthorized border crossing far less visible in many key urban areas. However, the real effectiveness of the strategy is debatable, at best. Its implementation has also led to a sharp rise in the number of deaths of unauthorized border crossers.

Here, Dunn examines the paradigm-changing Operation Blockade and related border enforcement efforts in the El Paso region in great detail, as well as the local social and political situation that spawned the approach and has shaped it since. Dunn particularly spotlights the human rights abuses and enforcement excesses inflicted on local Mexican Americans and Mexican immigrants as well as the challenges to those abuses. Throughout the book, Dunn filters his research and fieldwork through two competing lenses, human rights versus the rights of national sovereignty and citizenship.

Dubbed the "Bard of America's Bird-Watchers" by the Wall Street Journal, Pete Dunne knows birders and birding—instinctively and completely. He understands the compulsion that drives other birders to go out at first light, whatever the weather, for a chance to maybe, just maybe, glimpse that rare migrant that someone might have spotted in a patch of woods the day before yesterday. And yet, he also knows how . . . well . . . strange the birding obsession becomes when viewed through the eyes of a nonbirder. His dual perspective—totally engrossed in birding, yet still aware of the "odd birdness" of some birders—makes reading his essays a pure pleasure whether you pursue "the feather quest" or not.

This book collects forty-one of Dunne's recent essays, drawn from his columns in Living Bird, Wild Bird News, the New Jersey Sunday section of the New York Times, Birder's World, and other publications. Written with his signature wit and insight, they cover everything from a moment of awed communion with a Wandering Albatross ("the most beautiful thing I'd ever seen") to Dunne's imagined "perfect bird" ("The Perfect Bird is the size of a turkey, has the wingspan of an eagle, the legs of a crane, the feet of a moorhen, and the talons of a great horned owl. It eats kudzu, surplus zucchini, feral cats, and has been known to predate upon homeowners who fire up their lawn mowers before 7:00 A.M. on the weekend."). The title essay pays whimsical, yet heartfelt tribute to Dunne's mentor, the late birding legend Roger Tory Peterson.

More Tales of a Low-Rent Birder brings together twenty-five essays that originally appeared in major birding publications. In these pieces, Pete Dunne ranges from wildly humorous to sadly elegiac, as he describes everything from the "field plumage" of the dedicated birder to the lingering death of an accidentally injured golden plover. Running like a thread through all the essays is Dunne's love and respect for the birds he watches, his concern over human threats to their survival, and his tolerance, even affection, for the human "odd birds" that birding attracts. Truly, these essays offer something for everyone interested in birds and the natural habitats our species share.

"The natural world is a lot like a game of musical chairs," observes Pete Dunne. "Everywhere you turn, everywhere you go, there are places where living things sit down, niches that support their specific needs. But just as in musical chairs, there aren't enough places to go around. Our species keeps removing them—forcing other creatures to leave the game."

In these twenty-nine essays, one of America's top nature writers trains his sights on the beauties and the vulnerabilities of the natural world. Writing to infuse others with a sense of the richness and diversity that nature holds, Pete Dunne ranges over topics from the wonder of the year's first snowfall to the lost art of stargazing to the mysterious forces that impel people to hunt—and not to hunt. Running like a thread through all the essays is Dunne's desire to preserve all that is "natural" in nature, to stop our unthinking destruction of wild places and wild creatures before we humans find ourselves with "the last chair, in an empty room" on an impoverished earth.

Pete Dunne has been watching birds since he was seven years old. But not just watching-deeply absorbing every nuance of color, markings, shape, flight, and song; all the subtle clues that can identify a bird barely glimpsed among the highest branches in fading twilight. With the same skill, he has been observing and writing about birding and birders for over twenty years, using humor, sentiment, occasional sarcasm, and unashamed passion for his chosen profession to explore why birdwatching is so irresistibly compelling to so many people.

This book brings together thirty-two vintage essays that Dunne originally wrote for publications such as American Birds, Bird Watcher's Digest, Birder's World, Birding, Living Bird, the New Jersey edition of the Sunday New York Times, WildBird, and Wild Bird News. Encounters with birds rare and common is their shared theme, through which Dunne weaves stories of his family and friends, reflections on the cycles of nature, and portraits of unforgettable birders whose paths have crossed his, ranging from Roger Tory Peterson to a life-battered friend who finds solace in birding. A cliff-hanger story of the bird that got away gives this book its title.

In 1834, a German immigrant to Texas, D. T. F. (Detlef Thomas Friedrich) Jordt, aka Detlef Dunt, published Reise nach Texas, a delightful little book that praised Texas as “a land which puts riches in [the immigrant’s] lap, which can bring happiness to thousands and to their descendants.” Dunt’s volume was the first one written by an on-the-ground observer to encourage German immigration to Texas, and it provides an unparalleled portrait of Austin’s Colony from the lower Brazos region and San Felipe to the Industry and Frelsburg areas, where Dunt resided with Friedrich Ernst and his family.

Journey to Texas, 1833 offers the first English translation of Reise nach Texas. It brings to vivid life the personalities, scenic landscapes, and customs that Dunt encountered in colonial Texas on the eve of revolution, along with his many practical suggestions for Germans who intended to emigrate. The editors’ introduction describes the social, political, and economic conditions that prompted Europeans to emigrate to Texas and provides biographical background on Dunt and his connection with Friedrich Ernst. Also included in the volume are a bibliography of German works about Texas and an interpretive essay discussing all of the early German literature about Texas and Dunt’s place within it. Expanding our knowledge of German immigration to Texas beyond the more fully documented Hill Country communities, Journey to Texas, 1833 also adds an important chapter to the story of pre-Revolutionary Texas by a sophisticated commentator.

A study of Cuban culture and media in the twenty-first century as both a global phenomenon and a local reality, at a time when the declared death of socialism coexists in tension with emerging anticapitalist movements worldwide.

Why does Cuban socialism endure as an object of international political desire, while images of capitalist markets consume Cuba’s national imagination? This bold new study argues that Cuba’s changing media cultures are key to our understanding of the global postsocialist condition and its competing political imaginaries.

Portable Postsocialisms calls on a vast multimedia archive to offer a groundbreaking cultural interpretation of Cuban postsocialism. Paloma Duong examines songs, artworks, advertisements, memes, literature, jokes, and networks that refuse exceptionalist and exoticizing visions of Cuba. Expanding postsocialist critical theory to read this complex mediascape, Duong argues that a materialist critique of Cuba’s revolutionary legacy must account for Cubans’ everyday demands for agency and self-representation. This long overdue reassessment of Cuba’s place in Latin American and post-Marxist studies shows Cuban postsocialism to be an urgent and indispensable referent for core debates on the politics of participatory cultures in new media studies. Portable Postsocialisms performs the crucial task of redefining how we envision imaginaries of social change in Latin America and the Caribbean.

Only an extraordinary Texas Ranger could have cleaned up bandit-plagued Southwest Texas, between the Nueces River and the Rio Grande, in the years following the Civil War. Thousands of raiders on horseback, some of them Anglo-Americans, regularly crossed the river from Mexico to pillage, murder, and rape. Their main objective? To steal cattle, which they herded back across the Rio Grande to sell. Honest citizens found it almost impossible to live in the Nueces Strip.

In desperation, the governor of Texas called on an extraordinary man, Captain Leander M. McNelly, to take command of a Ranger company and stop these border bandits. One of McNelly's recruits for this task was George Durham, a Georgia farmboy in his teens when he joined the "Little McNellys," as the Captain's band called themselves. More than half a century later, it was George Durham, the last surviving "McNelly Ranger," who recounted the exciting tale of taming the Nueces Strip to San Antonio writer Clyde Wantland.

In Durham's account, those long-ago days are brought vividly back to life. Once again the daring McNelly leads his courageous band across Southwest Texas to victories against incredible odds. With a boldness that overcame their dismayingly small number, the McNellys succeeded in bringing law and order to the untamed Nueces Strip—succeeded so well that they antagonized certain "upright" citizens who had been pocketing surreptitious dollars from the bandits' operations.

Is William Faulkner’s fiction built on a fundamental dichotomy of outcast individual versus the healthy agrarian community? The New Critics of the 1930s advanced this view, and it has shaped much Faulkner criticism. However, in Faulkner’s Marginal Couple, John Duvall posits the existence of another possibility, alternative communities formed by “deviant” couples. These couples, who violate “normal” gender roles and behaviors, challenge the either/or view of Faulkner’s world.

The study treats in detail the novels Light in August, The Wild Palms, Sanctuary, Pylon, and Absalom, Absalom!, as well as several of Faulkner’s short stories. In discussing each work, Duvall challenges the traditional view that Faulkner created active men who follow a code of honor and passive women who are close to nature. Instead, he charts the many instances of men who are nurturing and passive and women who are strong and sexually active. These alternative couples undermine a common view of Faulkner as an upholder of Southern patriarchal values, thus countering the argument that Faulkner’s fiction is essentially misogynist.

This new approach, drawing on semiotics, feminism, and Marxism, makes Faulkner more accessible to readers interested in ideological analysis. It also stresses the intertextual connections between Faulkner’s Yoknapatawpha and non-Yoknapatawpha fiction. Perhaps most importantly, it uncovers what the New Criticism concealed, namely, that Faulkner’s fiction traces the full androgynous spectrum of the human condition.

The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian.

After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer.

Every year, more than twenty species of terns, gulls, and colonial wading birds raise their young on rookery islands all along the Gulf Coast. Their breeding and nesting activities go on in the wake of passing oil tankers, commercial fishing vessels, and pleasure boats of all kinds—human traffic that threatens their already circumscribed habitats.

John C. Dyes has spent more than ten years photographing and observing the birds in their rookeries on the Texas Coast, and, in Nesting Birds of the Coastal Islands, he presents a year in the birds' life through fine photographs and an evocative and informative text. In a month-by-month account, he follows the annual rituals and daily dramas of courtship, mating, and chick rearing among herons, egrets, spoonbills, cormorants, ibises, and other birds that migrate and gather in colonies ranging from half a dozen birds to tens of thousands.

This richly orchestrated novel, which won a national literary prize in the author's native land, Venezuela, also earned international recognition when the William Faulkner Foundation gave it an award as the most notable novel published in Ibero America between 1945 and 1962.

Cumboto's disturbing story unfolds during the early decades of the twentieth century on a Venezuelan coconut plantation, in a turbulent Faulknerian double world of black and white. It records the lives of Don Federico, the effete survivor of a once vigorous family of landowners, and his Black servant Natividad, who since the days of their mutual childhood has been his only friend.

Young Federico, psychologically impotent and lost to human contact, lives on as a lonely recluse in the century-old main house of "Cumboto," surrounded by descendants of African slaves who still manage, despite his apathy, to keep the plantation on its feet. Natividad's heroic and selfless struggle to redeem his friend by awakening him to the stirrings of the earth and life about him sets in motion a series of events that are to shatter Federico's childlike world: a headlong love affair with a voluptuous black girl, her terrified flight in the face of the bitter condemnation of her own people, and the unexpected appearance, twenty years later, of their extraordinary son.

Throughout the novel runs a recurring theme: neither race can survive without the other. Black and white, Díaz Sánchez suggests, embody contrasting aspects of human nature, which are not inimical but complementary: the languid intellectualism of European culture must be tempered with the indestructible vitality and intuition of the African soul if humanity is ever fully to comprehend the living essence of the world.

While Fidel Castro maintained his longtime grip on Cuba, revolutionary scholars and policy analysts  turned their attention from how Castro succeeded (and failed), to how Castro himself would be succeeded—by a new government. Among the many questions to be answered was how the new government would deal with the corruption that has become endemic in Cuba. Even though combating corruption cannot be the central aim of post-Castro policy, Sergio Díaz-Briquets and Jorge Pérez-López suggest that, without a strong plan to thwart it, corruption will undermine the new economy, erode support for the new government, and encourage organized crime. In short, unless measures are taken to stem corruption, the new Cuba could be as messy as the old Cuba.

Fidel Castro did not bring corruption to Cuba; he merely institutionalized it. Official corruption has crippled Cuba since the colonial period, but Castro's state-run monopolies, cronyism, and lack of accountability have made Cuba one of the world's most corrupt states. The former communist countries in Eastern Europe were also extremely corrupt, and analyses of their transitional periods suggest that those who have taken measures to control corruption have had more successful transitions, regardless of whether the leadership tilted toward socialism or democracy. To that end, Díaz-Briquets and Pérez-López, both Cuban Americans, do not advocate any particular system for Cuba's next government, but instead prescribe uniquely Cuban policies to minimize corruption whatever direction the country takes after Castro. As their work makes clear, averting corruption may be the most critical obstacle in creating a healthy new Cuba.

This first comprehensive study of Chicanas encountering the U.S. criminal justice system is set within the context of the international war on drugs as witnessed at street level in Chicana/o barrios. Chicana Lives and Criminal Justice uses oral history to chronicle the lives of twenty-four Chicana pintas (prisoners/former prisoners) repeatedly arrested and incarcerated for non-violent, low-level economic and drug-related crimes. It also provides the first documentation of the thirty-four-year history of Sybil Brand Institute, Los Angeles' former women's jail.

In a time and place where drug war policies target people of color and their communities, drug-addicted Chicanas are caught up in an endless cycle of police abuse, arrest, and incarceration. They feel the impact of mandatory sentencing laws, failing social services and endemic poverty, violence, racism, and gender discrimination. The women in this book frankly discuss not only their jail experiences, but also their family histories, involvement with gangs, addiction to drugs, encounters with the juvenile and adult criminal justice systems, and their successful and unsuccessful attempts to recover from addiction and reconstitute fractured families. The Chicanas' stories underscore the amazing resilience and determination that have allowed many of the women to break the cycle of abuse. Díaz-Cotto also makes policy recommendations for those who come in contact with Chicanas/Latinas caught in the criminal justice system.

In his quest to understand and describe the behavior of the Mexican, the distinguished Mexican psychologist R. Díaz-Guerrero combines a strong theoretical interest in the relationship of culture to personality with a pragmatic concern for methodology. This collection of essays is rooted both in studies of Mexican psychology as an independent phenomenon and in cross-cultural comparisons of Mexicans, Mexican-Americans, and Anglo-Americans.

Dr. Díaz-Guerrero discusses Mexican attitudes toward sex roles and the family, motivations of the Mexican worker, and other topics. He compares Mexican and American concepts of respect and analyzes the relation between neurosis and the Mexican family structure. He attempts to determine the degree of mental, personal, and social health of urban Mexicans. The importance of basic sociocultural premises, such as "The mother is the dearest person in existence," and "The stricter the parents are, the better the children turn out," is explored. In one essay, Díaz-Guerrero notes the differences in typical reactions to stress in Mexico and the United States, concluding that the American pattern involves active response to stress, whereas the Mexican response tends to be more passive.

Psychology of the Mexican deals with a variety of historical, psychological, biological, social, economic, and anthropological variables, attempting to treat them in a scientific way through the use of carefully constructed questionnaires, with detailed statistical analyses of the results. On the basis of data obtained in this way, the author formulates broad conceptual schemes with immediate application to the understanding of human behavior in real situations. He is particularly intrigued by the way the individual relates to the significant people in his environment. For the Mexican, he says, such interpersonal relationships are the most important part of life; in contrast to the American insistence on liberty and equality, Mexican culture emphasizes affiliation and love.

The astonishing talent of Argentine women writers belies the struggles they have faced—not merely as overlooked authors, but as women of conviction facing oppression. The patriarchal pressures of the Perón years, the terror of the Dirty War, and, more recently, the economic collapse that gripped the nation in 2001 created such repressive conditions that some writers, such as Luisa Valenzuela, left the country for long periods. Not surprisingly, power has become an inescapable theme in Argentine women's fiction, and this collection shows how the dynamics of power capture not only the political world but also the personal one. Whether their characters are politicians and peasants, torturers and victims, parents and children, or lovers male and female, each writer explores the effects of power as it is exercised by or against women.

The fifteen writers chosen for Women and Power in Argentine Literature include famous names such as Valenzuela, as well as authors anthologized for the first time, most notably María Kodama, widow of Jorge Luis Borges. Each chapter begins with a "verbal portrait," editor Gwendolyn Díaz's personal impression of the author at ease, formed through hours of conversation and interviews. A biographical essay and critical commentary follow, with emphasis on the work included in this anthology. Díaz's interviews, translated from Spanish, and finally the stories themselves—only three of which have been previously published in English—complete the chapters. The extraordinary depth of these chapters reflects the nuanced, often controversial portrayals of power observed by Argentine women writers. Inspiring as well as insightful, Women and Power in Argentine Literature is ultimately about women who, in Díaz's words, "choose to speak their truth regardless of the consequences."