“This bewitching debut delivers everything the title promises and more.” —Electric Literature

In SEX DEPRESSION ANIMALS, Mag Gabbert redefines the bestiary in fiery, insistent, and resistant terms. These poems recast the traumas of her adolescence while charting new paths toward linguistic and bodily autonomy as an adult. Using dreamlike, shimmering imagery, she pieces together a fractured portrait of femininity—one that electrifies the confessional mode with its formal play and rich curiosity. Gabbert examines the origin of shame, the role of inheritance, and what counts as a myth, asking, “What’s the opposite of a man? / A woman? A wound? The devil’s image?”

“In its generous scope, Galbraith’s book honors the depth and mystery of all human lives, whether we grew up with birth parents or not.” —Mary Gaitskill

Shortly before Roe v. Wade legalized abortion, adoptee Megan Culhane Galbraith was born in a Catholic charity hospital in New York City to a teenaged resident of the Guild of the Infant Saviour, a home for unwed mothers. Decades later, on the eve of becoming a mother herself, she would travel to the former guild site; to her birth mother’s home in Scotland; and to Cornell University, where she discovered the startling history of its Domestic Economics program. There, from 1919 to 1969, coeds applied scientific principles to domesticity as they collectively mothered a rotating cast of babies awaiting adoption. The babies shared the last name Domecon and provided the inspiration for Galbraith’s art project, The Dollhouse.
 
The Guild of the Infant Saviour is a dizzyingly inventive hybrid memoir of one adoptee’s quest for her past. Galbraith pairs narrative with images from The Dollhouse as she weaves a personal and cultural history of adoption as it relates to guilt, shame, grief, identity, and memory itself.  Ultimately, she connects her experiences to those of generations of adoptees, to the larger stories America tells about sex and motherhood, and to the shadows those stories cast on us all.
 

Taking its cues from Richard Walsh’s influential 2007 book, The Rhetoric of Fictionality, Fictionality and Literature sets out to examine the implications of a rhetorical understanding of fictionality. A rhetorical approach understands fictionality and nonfictionality not as binary opposites but as different means to the same end: influencing an audience’s understanding of the world. Arguing that fiction is not just a feature of particular works, such as novels, but an adaptable instrument used to achieve an author’s specific rhetorical goals, the contributors theorize how to reconceive of core literary features and influences such as author, narrator, plot, character, consciousness, metaphor, metafiction/metalepsis, intertextuality, paratext, ethics, and social justice. Combining analyses of a wide range of texts by Colson Whitehead, Charles Dickens, Kazuo Ishiguro, Toni Morrison, Geoffrey Chaucer, and others with historical events such as the Nat Tate biography hoax and the Anders Breivik murders, contributors discuss not only a rhetorical definition of fictionality but also the wider consequences of such a conception. In addition, some chapters within Fictionality and Literature offer alternatives to a rhetorical paradigm, thus expanding the volume’s representation of the current state of the conversation about fictionality in literature.

Contributors:
H. Porter Abbott, Catherine Gallagher, Lasse R. Gammelgaard, Stefan Iversen, Louise Brix Jacobsen, Rikke Andersen Kraglund, Susan S. Lanser, Jakob Lothe, Maria Mäkelä, Greta Olson, Sylvie Patron, James Phelan, Richard Walsh, Wendy Veronica Xin, Henrik Zetterberg-Nielsen, Simona Zetterberg-Nielsen
 

“A fascinating search for personal and cultural identity.” —Kirkus

Thomas C. Gannon’s Birding While Indian spans more than fifty years of childhood walks and adult road trips to deliver, via a compendium of birds recorded and revered, the author’s life as a part-Lakota inhabitant of the Great Plains. Great Horned Owl, Sandhill Crane, Dickcissel: such species form a kind of rosary, a corrective to the rosaries that evoke Gannon’s traumatic time in an Indian boarding school in South Dakota, his mother’s devastation at racist bullying from coworkers, and the violent erasure colonialism demanded of the people and other animals indigenous to the United States.

Birding has always been Gannon’s escape and solace. He later found similar solace in literature, particularly by Native authors. He draws on both throughout this expansive, hilarious, and humane memoir. An acerbic observer—of birds, the environment, the aftershocks of history, and human nature—Gannon navigates his obsession with the ostensibly objective avocation of birding and his own mixed-blood subjectivity, searching for that elusive Snowy Owl and his own identity. The result is a rich reflection not only on one man’s life but on the transformative power of building a deeper relationship with the natural world.

 

On her first day of middle school Spanish class, Marcela thought she’d excel—after all, she’d grown up speaking Spanish at home and on visits to family in Colombia. Instead, she quickly felt like a confused imposter, unsure how a language that was part of her heritage and identity could so elude her. And so, at age thirteen, with the help of her Spanish teacher Doña Maribel, Marcela began her formal journey studying Spanish. She never anticipated how much she’d discover about learning a language and what it means to be a heritage speaker—someone who grows up using a language at home but often lacks more formal knowledge of it.

In this charming graphic memoir that captures a little-discussed aspect of growing up multicultural, Marcela recounts her earliest Spanish teachers: Colombian street vendors, family members who shouted or whispered words, and her beloved Doña Maribel, who helped her connect the Spanish of her youth with what she was learning in the classroom. Childhood memories from trips to Colombia intertwine with her adolescence, when Marcela resolves to study the language for herself, not because people correct her or expect her to speak it well but because she wants to learn. This comic, drawn by Marcela’s brother Andrés, shows the complicated path of language and identity that Marcela travels as a heritage speaker.
 

Over the past 150 years, land-grant universities—America’s first public institutions of higher learning—have had a profound impact on the well-being of our nation. Founded by the 1862 Morrill Land Grant Act and signed into law by President Abraham Lincoln, land-grant universities were given a three-part mission: to teach, to conduct research, and to engage communities across each state in order to meet their localized needs.
Gathered in honor of The Ohio State University’s sesquicentennial celebration, this collection of essays highlights the significant contributions that Ohio State continues to make as part of its twenty-first-century land-grant mission. Authors from across the university—representing fields as various as agriculture, dance, English, engineering, family science, geography, medicine, social work, and veterinary science—provide contributions that highlight the preeminent status of The Ohio State University. In addition, the perspectives of alumni, staff members, and senior administrators (both present and former) round out the picture of Ohio State as the first among equals regarding its land-grant peers. Overall, contributors draw on rich and varied institutional backgrounds to offer invaluable insights for higher education administrators and scholars across the US.
 

What is the relationship between aesthetic presentation of thought and scientific conceptions of cognition? Torsa Ghosal’s Out of Mind: Mode, Mediation, and Cognition in Twenty-First-Century Narrative answers this question by offering incisive commentary on a range of contemporary fictions that combine language, maps, photographs, and other images to portray thought. Situating literature within groundbreaking debates on memory, perception, abstraction, and computation, Ghosal shows how stories not only reflect historical beliefs about how minds work but also participate in their reappraisal. 

Out of Mind makes a compelling case for understanding narrative forms and cognitive-scientific frameworks as co-emergent and cross-pollinating. To this end, Ghosal harnesses narrative theory, multimodality studies, cognitive sciences, and disability studies to track competing perspectives on remembering, reading, and sense of place and self. Through new readings of the works of Kamila Shamsie, Aleksandar Hemon, Mark Haddon, Lance Olsen, Steve Tomasula, Jonathan Safran Foer, and others, Out of Mind generates unique insights into literary imagination’s influence on how we think and perceive amid twenty-first-century social, technological, and environmental changes.

The Death of Contract is a masterful commentary on the common law, especially the law of promissory obligation known as contracts. In this slim and lively book, the late Yale law professor Grant Gilmore examines the birth, development, death, and even the resurrection of a body of American law. It is both a modern-day reply to and a funeral oration for an American legal classic—Oliver Wendell Holmes’s The Common Law.

This new edition, with an instructive and timely foreword by Ronald K. L. Collins, challenges anyone interested in the life of the law to think about where it has come from and where it is tending. As such, The Death of Contract still retains its vitality in the brave new world of the law known as contracts. A new bibliography of early reviews and new responses reveals how considerable the interest was, and continues to be, in this modern anti-classic.
 

During the pre-Civil War period, Cincinnati was the fastest growing and, according to many contemporary observers, most interesting city in America. This classic study, completed in the early 1970s, focuses on the community in 1840 to explain its success but also to suggest some broader patterns in the city’s development and American urbanization.

Using local census records, city directories, tax lists, newspapers, and other contemporary sources, Walter Stix Glazer describes the demographic, social, economic, and political structure of the adult white male population in 1840 and then develops a unified model of its social and functional organizations. This analysis (based on computerized records of thousands of Cincinnatians) also documents some broader trends between 1820 and 1860: the volatility of Cincinnati’s labor force, the career patterns of its homeowners, and the leadership of a small group of successful citizens active in a broad range of voluntary associations.

This statistical analysis is complemented with sections of traditional historical narrative and biographical profiles that illustrate the general themes of the book. Glazer argues that Cincinnati’s success up to 1840 was due to a unified booster vision and a cohesive community elite that gradually broke down, as a result of ethnic and economic division, over the next twenty years. This story has broader implications in terms of the character of Jacksonian democracy and American urbanization.

Albert Goldbarth "just may be the American poet of his generation for the ages," says Judith Kitchen in a recent feature on him in the Georgia Review. "Often humorous but always serious, Goldbarth combines erudite research, pop-culture fanaticism, and personal anecdote in ways that make his writings among the most stylisti­cally recognizable in the literary world." This new volume, Saving Lives, both consolidates and extends his passions and their presentations.

The poems range from a few tight, resonant lines to works of long story­telling drive, from sequences that encompass the most flexible of free verse to an homage to the sestina. Some center on familiar cultural icons (Rembrandt, Houdini, Barnum, the Hardy Boys), others on little-known fringe players in subculture's oddest unlit corners, and yet others on family histories. But always they examine an essential subject: the ways we try to
"save lives"—whether through a trans­planted lung, the archeological rem­nant, the conserved book.

As ever, Goldbarth dazzles, displaying an energetic mind eager to share his arcane learning, oddball musings, and observations of intimate moments, joys, and despairs. A zany wit and a generous sense of humanity reign equally. Saving Lives only enhances this writer's grand signature tradition.

Troubled Lovers in History demonstrates an exhilarating range: from the briefest of lyrics to rich and multipartite narrative adventures in exotic realms; from a comic monologue spoken in immigrant “Yinglish” to a soulful elegy set in San Antonio’s Pearl Beer brewery plant; from Martian invaders, through polar explorers, to all of us busy inflicting “words with edges” on those we love.

Goldbarth sets his unflinching study of individual hope and grief against the backdrop of history: the travels of Marco Polo; Bertha and Wilhelm Rontgen’s discovery of X-rays; an 1800 battle “twixt Dragon Sam, the great Exhaler of Gouts of Amazing Flame . . . and Liquid Dan, the Living Geyser.”

From the night stars to the little starring parts we all play every day, Troubled Lovers in History takes us into the text of our dreams and despairs, as witnessed by the writer whom Joyce Carol Oates called “a poet of remarkable gifts—a dazzling virtuoso who can break your heart.”

Why do some parties coordinate their electoral strategies as part of a pre-electoral coalition, while others choose to compete independently at election time? Scholars have long ignored pre-electoral coalitions in favor of focusing on the government coalitions that form after parliamentary elections. Yet electoral coalitions are common, they affect electoral outcomes, and they have important implications for democratic policy-making itself.

The Logic of Pre-Electoral Coalition Formation by Sona Nadenichek Golder includes a combination of methodological approaches (game theoretic, statistical, and historical) to explain why pre-electoral coalitions form in some instances but not in others. The results indicate that pre-electoral coalitions are more likely to form between ideologically compatible parties. They are also more likely to form when the expected coalition size is large (but not too large) and when the potential coalition partners are similar in size. Ideologically polarized party systems and disproportional electoral rules in combination also increase the likelihood of electoral coalition formation.

Golder links the analysis of pre-electoral coalition formation to the larger government coalition literature by showing that pre-electoral agreements increase (a) the likelihood that a party will enter government, (b) the ideological compatibility of governments, and (c) the speed with which governments take office. In addition, pre-electoral coalitions provide an opportunity for combining the best elements of the majoritarian vision of democracy with the best elements of the proportional vision of democracy.

This book is a case study that shows how interest groups use the litigation process to further their policy agendas. The case detailed here revolves around issues of reproductive health. It is a good illustration of the commonly held view among judicial scholars that the judicial process is essentially the same as the political process, that in both cases there is room for influence from a variety of sources.

Howard E. Good was born on a farm in an area of the Maumee Valley in northwestern Ohio known as the Black Swamp, a remnant of the violence of the Ice Age and its glaciers, from which farmland had to be wrested by long and arduous labor and where only the stouthearted had any hope of success. In Black Swamp Farm, a stirring memoir of his early days, Good recounts a now vanished way of life.

Good remembers playing shinny with clamp-on skates and a tin can that had been stomped until it could whiz across the ice given just the right combination of speed and accuracy. He tells of the boom of the steam engine as it pulled the threshing machine to a neighboring farm on a hot summer day, and of the excitement of riding high on a wagonload of hay, gazing down on the horses’ broad, shining backs. He describes the springtime task of making soap, the ritual of the shivaree, and the pleasure of the church ice-cream social. He remembers well—and chronicles for the reader—the unproclaimed achievements of men and women whose courage and grueling toil brought them rich rewards.

First published in 1967, this reprint makes available once again a faithful portrayal of Black Swamp—a place that no longer exists—and provides a treasure trove of history for Ohioans.
 

It has been half a century since a few now-canonical Latin American writers introduced magical realism to the world. In that time, new generations of Latinx writers and artists have used that watershed moment as a springboard into new and bold explorations of speculative and fantasy forms. Collectively, they have found exciting new ways to delve into Latinx identities and cultures across genres. Latinx Rising, the first anthology of science fiction and fantasy by Latinxs living in the United States, exuberantly displays the full range of their art. 
 
The new and established voices assembled here (including Kathleen Alcalá, Carmen Maria Machado, Ernest Hogan, and other luminaries) invite us to imagine a Latinx past, present, and future that have not been whitewashed by mainstream perspectives. As in the best mixtapes, this anthology moves satisfyingly through the loud and brash, the quiet and thoughtful. There are ghosts, space aliens, robots—and a grandmother who unwittingly saves the universe through her cooking. The result is a deeply pleasurable read that pushes beyond magical realism and social realism to demonstrate all the thrilling possibilities of what Latinx literature can be. 
 

Working at the intersection of Latina/o/x cultural studies, sociocultural linguistics, and Chicana feminist studies, Lillian Gorman’s Zones of Encuentro takes an in-depth look at the cultural and linguistic interactions between two distinct Latina/o/x communities in the region: Nuevomexicanos (Hispanic people who trace their presence in the region to colonial times and whose families have historically spoken Traditional New Mexican Spanish, or TNMS) and first-generation Mexicano immigrants (who tend to speak Mexican Spanish). Gorman examines the everyday lived language experiences and ethnolinguistic identities of Mexicanos and Nuevomexicanos together, specifically through the case of mixed Mexicano-Nuevomexicano families. Through an interdisciplinary critical reading of ethnographic data, pláticas (informal conversations that gather family and community knowledge), interviews, articles, and historical memoirs, Gorman analyzes language ideologies, identity formations, and language practices by exploring complex spaces of encounter within Mexicano-Nuevomexicano families. Zones of Encuentro complicates homogeneous notions of language and identity and contemplates what a shared cultural and linguistic homeplace looks like for Mexicanos and Nuevomexicanos in northern New Mexico.

The emergence of rhetorical new materialisms and computational rhetorics has provoked something of an existential crisis within rhetorical studies. In Where’s the Rhetoric?, S. Scott Graham tackles this titular question by arguing first that scholarly efforts in rhetorical new materialisms and computational rhetoric be understood as coextensive with longstanding disciplinary commitments in rhetoric. In making this argument, Graham excavates the shared intellectual history of traditional rhetorical inquiry, rhetorical new materialisms, and computational rhetoric with particular emphasis on the works of Carolyn Miller, Kenneth Burke, and Henri Bergson.
 
Building on this foundation, Graham then argues for a more unified approach to contemporary rhetorical inquiry—one that eschews disciplinary demarcations between rhetoric’s various subareas. Specifically, Graham uses his unified field theory to explore 1) the rise of the “tweetorial” as a parascientific genre, 2) inventional practices in new media design, 3) statistical approaches to understanding biomedical discourse, and 4) American electioneering rhetorics. The book overall demonstrates how seemingly disparate intellectual approaches within rhetoric can be made to speak productively to one another in the pursuit of shared scholarly goals around questions of genre, media, and political discourse—thereby providing a foundation for imagining a more unified field.
 

"Journalist Mike Greenberg is appalled by what had happened to his home town, San Antonio, Texas. In response, he has written a readable and useful book . . . . which is full of practical suggestions for improving his own and other communities. . . . Planners, architects, and city officials should read this practical and hopeful book." --Planning In this lively and insightful book, Mike Greenberg argues that the purpose of cities and neighborhoods is to foster economic, social, and intellectual exchange, the process that underlies the creation of value. He seeks to show how the detailed geography of the city can either inhibit or encourage such exchanges and thus profoundly affect the lives of the people who live there. Cities filled an important evolutionary niche, historically, because they were the places--in contrast to rural areas or villages--where exchange occurred with greatest efficiency, where value was created most spectacularly, and thus where the wealth was. But it wasn't just the fact of concentration, but the how of it, that made cities efficient producers of value and circulators of wealth. The Poetics of Cities is concerned with the context of contemporary cities and suburban rings, where development dynamics--guided by the needs of the automobile and by reformist planning concepts that went awry--create environments that are increasingly hostile to exchange and thus threaten to inhibit the economic development that made them possible in the first place. The city of late nineteenth- and early twentieth-century America was in some ways a remarkably sophisticated technology for fostering exchange and cementing community. Taking examples mostly from his hometown, San Antonio, Texas, Greenberg examines certain features of those cities--their sidewalk systems, their scale and setbacks, the rhythms of their streetscapes, the structure of their neighborhoods--and shows why they worked so well, and why they cannot be arbitrarily tossed aside without doing damage to the urban economy. He then offers some practical planning strategies and regulatory ideas to help cities retain what is useful from their traditional forms while at the same time accommodating modernity. Engagingly written, The Poetics of Cities will make fascinating reading for architects, urban planner, neighborhood activists, city officials, real estate developers, and anyone interested in the quality of urban life in America. Mike Greenberg is Senior Critic of the San Antonio Express-News. He is the author of Synthesis: Craftsmanship, Architecture, Design and was a John S. Knight Fellow at Stanford University.

In Improbability, Chance, and the Nineteenth-Century Realist Novel, Adam Grener advances a new approach to evaluating realism in fiction by arguing that nineteenth-century literary realism shifted attention to the historical and social dimensions of probability in the period’s literature. In an era in which probability was increasingly defined by statistical concepts of aggregation and abstraction, the realist writers discussed here turned to chance and improbability to address representational problems of contingency, difference, and scale.
 
Contemporary thinking about probability came to recognize the variability and even randomness of the world while also discovering how patterns and order reemerge at scale. Reading chance as a tension between randomness and order, Grener shows how novels by Jane Austen, Sir Walter Scott, Charles Dickens, Anthony Trollope, and Thomas Hardy resist the demands of probabilistic representation and develop strategies for capturing cultural particularity and historical transformation. These authors served their visions of realism by tactically embracing improbability in the form of coincidences, fatalism, supernaturalism, and luck. Understanding this strategy helps us to appreciate how realist novels work to historicize the social worlds and experiences they represent and asks us to rethink the very foundation of realism.
 

A CHOICE Outstanding Academic Title for 2020

In Unstable Masks: Whiteness and American Superhero Comics, Sean Guynes and Martin Lund bring together a series of essays that contextualize the histories and stakes of whiteness studies, superhero comics, and superhero studies for academics, fans, and media-makers alike. The volume illustrates how the American comic book superhero is fundamentally a figure of white power and white supremacy and ultimately calls for diversity in superhero comics as well as a democratized media culture.
Contributors not only examine superhero narratives but also delve into the production, distribution, audience, and reception of those narratives, highlighting the imbrication of forces that have helped to create, normalize, question, and sometimes even subvert American beliefs about whiteness and race. Unstable Masks considers the co-constitutive nature of identity, representation, narrative, production and consumption, and historical and cultural contexts in forging the stereotypes that decide who gets to be a superhero and who gets to be American on the four-color pages of comic books.
 

Spot in the Dark is a collection of poetry exploring the nuances of human relationships. From new love to extramarital affairs to dating to solitude, the book’s four sections read as a journey by a series of narrators who wrestle through the beginning and middle stages of love, the complications of an affair, and the challenges of single life, and finally come to focus on the external world: the beauty and starkness of a winter landscape, the ebullience of spring, the breathtaking loveliness of a sunset. The book’s arc moves from examining the human wish and will to connect to another to presenting the self as part of a larger, richer, and more complicated set of external relationships. Written predominantly in free verse, these sometimes meditative, sometimes cynical, sometimes playful poems sift through the difficulties and pleasures of living in the world.