front cover of PERSPECTIVES ON THE OLD SAXON HELIAND
PERSPECTIVES ON THE OLD SAXON HELIAND
INTRODUCTORY AND CRITICAL ESSAYS, WITH AN EDITION OF THE LEIPZIG FRAGMENT
VALENTINE A. PAKIS
West Virginia University Press, 2010

Heliand, the Old Saxon poem based on the life of Christ in the Gospels, has become more available to students of Anglo-Saxon culture as its influence has reached into a wider range of fields from history to linguistics, literature, and religion. In Perspectives on the Old Saxon Heliand, Valentine Pakis brings together recent scholarship that both addresses new turns in the field and engages with the relevant arguments of the past three decades. Furthering the ongoing critical discussion of both text and culture, this volume also reflects on the current state of the field and demonstrates how it has evolved since the 1970s.

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They'll Cut Off Your Project
A Mingo County Chronicle
Huey Perry
West Virginia University Press, 2010

In old England, if a king didn’t like you, he would cut off your head. Now, if they don’t like you, they’ll cut off your project!

As the Johnson Administration initiated its war on poverty in the 1960s, the Mingo County Economic Opportunity Commission project was established in southern West Virginia. Huey Perry, a young, local history teacher was named the director of this program and soon he began to promote self-sufficiency among low-income and vulnerable populations. As the poor of Mingo County worked together to improve conditions, the local political infrastructure felt threatened by a shift in power. Bloody Mingo County, known for its violent labor movements, corrupt government, and the infamous Hatfield-McCoy rivalry, met Perry’s revolution with opposition and resistance. 

In They’ll Cut Off Your Project, Huey Perry reveals his efforts to help the poor of an Appalachian community challenge a local regime. He describes this community’s attempts to improve school programs and conditions, establish cooperative grocery stores to bypass inflated prices, and expose electoral fraud. Along the way, Perry unfolds the local authority’s hostile backlash to such change and the extreme measures that led to an eventual investigation by the FBI. They’ll Cut Off Your Project chronicles the triumphs and failures of the war on poverty, illustrating why and how a local government that purports to work for the public’s welfare cuts off a project for social reform.

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The Secret Lives of Church Ladies
Deesha Philyaw
West Virginia University Press, 2020

*FINALIST for the 2020 National Book Award for Fiction*
*WINNER of the 2021 PEN/Faulkner Award*
*WINNER of the 2020 Story Prize
*
*WINNER of the 2020 L.A. Times Book Prize, Art Seidenbaum Award for First Fiction*

“Beguiling.” —The New Yorker
“Tender, fierce, proudly black and beautiful, these stories will sneak inside you and take root.” —Kirkus Reviews (starred review)
“Triumphant.”
—Publishers Weekly
“Cheeky, insightful, and irresistible.” —​​​​​​​Ms. Magazine
“This collection marks the emergence of a bona fide literary treasure.” —Minneapolis Star Tribune
“Full of lived-in humanity, warmth, and compassion.” —Pittsburgh Current


The Secret Lives of Church Ladies explores the raw and tender places where Black women and girls dare to follow their desires and pursue a momentary reprieve from being good. The nine stories in this collection feature four generations of characters grappling with who they want to be in the world, caught as they are between the church’s double standards and their own needs and passions.

There is fourteen-year-old Jael, who has a crush on the preacher’s wife. At forty-two, Lyra realizes that her discomfort with her own body stands between her and a new love. As Y2K looms, Caroletta’s “same time next year” arrangement with her childhood best friend is tenuous. A serial mistress lays down the ground rules for her married lovers. In the dark shadows of a hospice parking lot, grieving strangers find comfort in each other.

With their secret longings, new love, and forbidden affairs, these church ladies are as seductive as they want to be, as vulnerable as they need to be, as unfaithful and unrepentant as they care to be, and as free as they deserve to be.

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Community Effects of Leadership Development Education
Citizen Empowerment for Civic Engagement
Kenneth Pigg
West Virginia University Press, 2015

Community leadership development programs are designed to increase the capacity of citizens for civic engagement. These programs fill gaps in what people know about governance and the processes of governance, especially at the local level. The work of many in this field is a response to the recognition that in smaller, rural communities, disadvantaged neighborhoods, or disaster areas, the skills and aptitudes needed for citizens to be successful leaders are often missing or underdeveloped.

Community Effects of Leadership Development Education presents the results of a five-year study tracking community-level effects of community leadership development programs drawn from research conducted in Illinois, Minnesota, Missouri, South Carolina, Ohio, and West Virginia. 

As the first book of its kind to seek answers to the question of whether or not the millions of dollars invested each year in community leadership development programs are valuable in the real world, this book challenges researchers, community organizers, and citizens to identify improved ways of demonstrating the link from program to implementation, as well as the way in which programs are conceived and designed.

This text also explores how leadership development programs relate to civic engagement, power and empowerment, and community change, and it demonstrates that community leadership development programs really do produce community change. At the same time, the findings of this study strongly support a relational view of community leadership, as opposed to other traditional leadership models used for program design.

To complement their findings, the authors have developed CENCE, a new model for community leadership development programs, which links leadership development efforts to community development by understanding how Civic Engagement, Networks, Commitment, and Empowerment work together to produce community viability.

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front cover of Riding on Comets
Riding on Comets
A Memoir
Cat Pleska
West Virginia University Press, 2015

Riding on Comets is the true story of an only child growing up in a working-class family during the 1950s and ‘60s. 

As the family storyteller, Cat Pleska whispers and shouts about her life growing up around savvy, strong women and hard-working, hard-drinking men. Unlike many family stories set within Appalachia, this story provides an uncommon glimpse into this region: not coal, but an aluminum plant; not hollers, but small-town America; not hillbillies, but a hard-working family with traditional values. 

From the dinner table, to the back porch, to the sprawling countryside, Cat Pleska reveals the sometimes tender, sometimes frightening education of a child who listens at the knees of these giants. She mimics and learns every nuance, every rhythm—how they laugh, smoke, cuss, fight, love, and tell stories—as she unwittingly prepares to carry their tales forward, their words and actions forever etched in her mind. And finally, she discovers a life story of her own. 

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front cover of THE SAFETY OF DEEPER WATER
THE SAFETY OF DEEPER WATER
TIM POLAND
West Virginia University Press, 2009

When Sandy Holston is on dry land, she’s nothing special: a nurse who wears her hair in a ponytail and prefers a fishing lure as an earring. But once she dons waders, picks up a fly rod, and steps into a river, she becomes a remarkable, elegant fisherwoman who’s at peace with the world.

After surviving her marriage to Vernon - her violent, incarcerated ex-husband - peace is just what Sandy needs. So she moves to Damascus, a small town on the Ripshin River, where she plans to enjoy the fishing and the solitude. Finally she is on the brink of a life she desires in a place she loves. But as the Ripshin’s trout mysteriously die off, and as Sandy grows closer to a reclusive neighbor who has a propensity for fishing naked, her plans are put in jeopardy. Will Sandy be able to find peace - in the river or out - once Vernon is released from prison and fulfills his promise to hunt her down?

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Uncle Abner
Master of Mysteries
Melville Davisson Post
West Virginia University Press, 2015

First published in 1918, Uncle Abner: Master of Mysteries is an anthology of detective stories written by Melville Davisson Post. The popular stories within this collection were serialized in national magazines such as the Saturday Evening Post in the early 20th century.

Uncle Abner is an amateur detective in present-day Harrison County, West Virginia. Throughout his journeys around this antebellum wilderness, long before the nation had a proper police system, the honest Uncle Abner is confronted by murders and mysteries that cannot be ignored. With uncanny intuition, impressive logic, and keen observation of human actions, Uncle Abner is Melville Davisson Post’s most celebrated literary creation and is considered to be one of the most important texts in American detective and crime fiction.

This new edition contains an introduction by Craig Johnson, author of the Walt Longmire novels. 

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Lioness
A Novel
Mark Powell
West Virginia University Press, 2022

“Emotionally wrenching. . . . Haunting (and haunted) in the best possible way.” —Kirkus Reviews (starred review)
“Darkly compelling.” —Tom Perrotta

In the fall of 2018, a bomb goes off at a water-bottling plant in the mountains of southwest Virginia, an incident the FBI declares an act of ecoterrorism. Arrested at the scene is Chris Bright, a mountain hermit with a long history of activism. Unaccounted for—and presumed dead—is Mara Wood, an installation artist who in the last two years has lost her son and left her husband.

But Mara’s estranged husband David cannot quite believe she is dead, and as he goes about reconstructing the story of what happened, he begins to imagine an alternate narrative—one in which their son doesn’t die and his wife doesn’t leave him, one in which his wife doesn’t carry on a secret relationship with Chris Bright, a man bent on fighting back against the environmental despoliation of his Appalachian home. Lioness is a page-turning, heart-wrenching examination of extremism: What pushes people to act violently, and is that violence ever justified?

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The Whole World at Once
Stories
Erin Pringle
West Virginia University Press, 2017
The Whole World at Once is a collection of intense stories about the experience of loss. A soldier returns home from multiple tours only to begin planting landmines in the field behind his house; kids chase a ghost story up country roads only to become one themselves; one girl copes with the anniversary of her sister’s disappearance during the agricultural fair, while another girl searches for understanding after seeing the picture of a small boy washed onto a beach.
 
Dark, strange beauties, all of the stories in The Whole World at Once follow the lives of people grappling with what it means to live in a world with death.
 
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front cover of Transportation and the Culture of Climate Change
Transportation and the Culture of Climate Change
Accelerating Ride to Global Crisis
Tatiana Prorokova-Konrad
West Virginia University Press, 2020
This interdisciplinary collection of eleven original essays focuses on the environmental impact of transportation, which is, as Tatiana Prorokova-Konrad and Brian C. Black note in their introduction, responsible for 26 percent of global energy use. Approaching mobility not solely as a material, logistical question but as a phenomenon mediated by culture, the book interrogates popular assumptions deeply entangled with energy choices. Rethinking transportation, the contributors argue, necessarily involves fundamental understandings of consumption, freedom, and self.

The essays in Transportation and the Culture of Climate Change cover an eclectic range of subject matter, from the association of bicycles with childhood to the songs of Bruce Springsteen, but are united in a central conviction: “Transport is a considerable part of our culture that is as hard to transform as it is for us to stop using fossil fuels—but we do not have an alternative.”
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