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Fables of Power
Aesopian Writing and Political History
Annabel Patterson
Duke University Press, 1991
In this imaginative and illuminating work, Annabel Patterson traces the origins and meanings of the Aesopian fable, as well as its function in Renaissance culture and subsequently. She shows how the fable worked as a medium of political analysis and communication, especially from or on behalf of the politically powerless.
Patterson begins with an analysis of the legendary Life of Aesop, its cultural history and philosophical implications, a topic that involves such widely separated figures as La Fontaine, Hegel, and Vygotsky. The myth’s origin is recovered here in the saving myth of Aesop the Ethiopian, black, ugly, who began as a slave but become both free and influential, a source of political wisdom. She then traces the early modern history of the fable from Caxton, Lydgate, and Henryson through the eighteenth century, focusing on such figures as Spenser, Sidney, Lyly, Shakespeare, and Milton, as well as the lesser-known John Ogilby, Sir Roger L’Estrange, and Samuel Croxall.
Patterson discusses the famous fable of The Belly and the Members, which, because it articulated in symbolic terms some of the most intransigent problems in political philosophy and practice, was still going strong as a symbolic text in the mid-nineteenth century, where it was focused on industrial relations by Karl Marx and by George Eliot against electoral reform.
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Fabricating Transnational Capitalism
A Collaborative Ethnography of Italian-Chinese Global Fashion
Lisa Rofel and Sylvia J. Yanagisako
Duke University Press, 2018
In this innovative collaborative ethnography of Italian-Chinese ventures in the fashion industry, Lisa Rofel and Sylvia J. Yanagisako offer a new methodology for studying transnational capitalism. Drawing on their respective linguistic and regional areas of expertise, Rofel and Yanagisako show how different historical legacies of capital, labor, nation, and kinship are crucial in the formation of global capitalism. Focusing on how Italian fashion is manufactured, distributed, and marketed by Italian-Chinese ventures and how their relationships have been complicated by China's emergence as a market for luxury goods, the authors illuminate the often-overlooked processes that produce transnational capitalism—including privatization, negotiation of labor value, rearrangement of accumulation, reconfiguration of kinship, and outsourcing of inequality. In so doing, Fabricating Transnational Capitalism reveals the crucial role of the state and the shifting power relations between nations in shaping the ideas and practices of the Italian and Chinese partners.
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Fabricating Women
The Seamstresses of Old Regime France, 1675–1791
Clare Haru Crowston
Duke University Press, 2001
Winner of the 2002 Berkshire Prize, presented by the Berkshire Conference of Women Historians

Fabricating Women examines the social institution of the seamstresses’ guild in France from the time of Louis XIV to the Revolution. In contrast with previous scholarship on women and gender in the early modern period, Clare Haru Crowston asserts that the rise of the absolute state, with its centralizing and unifying tendencies, could actually increase women’s economic, social, and legal opportunities and allow them to thrive in corporate organizations such as the guild. Yet Crowston also reveals paradoxical consequences of the guild’s success, such as how its growing membership and visibility ultimately fostered an essentialized femininity that was tied to fashion and appearances.
Situating the seamstresses’ guild as both an economic and political institution, Crowston explores in particular its relationship with the all-male tailors’ guild, which had dominated the clothing fabrication trade in France until women challenged this monopoly during the seventeenth century. Combining archival evidence with visual images, technical literature, philosophical treatises, and fashion journals, she also investigates the techniques the seamstresses used to make and sell clothing, how the garments reflected and shaped modern conceptions of femininity, and guild officials’ interactions with royal and municipal authorities. Finally, by offering a revealing portrait of these women’s private lives—explaining, for instance, how many seamstresses went beyond traditional female boundaries by choosing to remain single and establish their own households—Crowston challenges existing ideas about women’s work and family in early modern Europe.
Although clothing lay at the heart of French economic production, social distinction, and cultural identity, Fabricating Women is the first book to investigate this immense and archetypal female guild in depth. It will be welcomed by students and scholars of French and European history, women’s and labor history, fashion and technology, and early modern political economy.

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Fabrications, Volume 11
Tina Mai Chen and Paola Zamperini, eds.
Duke University Press
This special issue of positions deals at once with the concrete and abstract meaning of the word fabrication itself. In the concrete, fabrication refers to actual garments created and worn in a society. In the abstract, it alludes to the social characterizations of class, ethnicity, nationality, and gender attributed to fashion. This special issue explores the self-conscious efforts in cultural China and Japan to exert social position, using body and cloth as the crucial points in the construction of identity, modernity, and imagination.

By focusing on clothing and body practices in East Asia, this collection delves into the dynamic interplay between global trade, images, products, and standards as mediated through and on individual bodies. It investigates what fashion means in the Asian context, past and present, and enters into the debate on fashion as a modern phenomenon predicated upon capitalism and consumerism. One contributor critically assesses ideas about the proper proportions and display of breasts—including implants and other nonsurgical practices for enhancement—in Japan and how such norms may be affected and altered by the spread of a global Euro-American beauty ideology. Another essay debates the influence of globalization and cultural localization on the emergence and popularity of exposed short stockings in China. Fabrications also features a translation of Eileen Chang’s classic article "Chronicle of Changing Clothes," which has defined thinking on Chinese fashion since the 1920s.

Contributors. Peter Carroll, Tina Mai Chen, Matthew Chew, Antonia Finnane, Henrietta Harrison, Andrew Jones, Laura Miller, Henrietta Harrison, Paola Zamperini

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Fabulous! Divas, Part 1, Volume 22
Alexander Doty , ed.
Duke University Press
From Josephine Baker to Judy Garland to Elton John, the figure of the diva occupies a fascinating place in American culture. This special issue of Camera Obscura explores the impact of divas (and divos) in film and popular culture and considers their fraught psychic and social positioning. Contributors examine how divas are frequently portrayed as both victims and villains and how they can be figures of worship as well as of ridicule for their attempts to confront, transcend, or carve a new space within the patriarchal dominant culture. This collection looks at how divas cause “category trouble” by refusing to stay in their proper culturally assigned roles—gender, race, and class—in order to live life on their own terms, making them important figures for other groups at the margins of the dominant culture.

The contributors to Fabulous! Divas I (the first in a two-part series) address how Baker’s dual image as sexualized black woman and multicultural mother has been used to question and invert stereotypes, how the diva witches in the Broadway musical Wicked have developed a cult following among adolescent girls, and how fans mix irony and sincerity in their admiration of daytime soap divas. One contributor explores the cultural work of camp, while another considers hair as a fetish item for diva devotees. Among the diva appreciations are a look at the life of the cross-dressing black disco diva Sylvester, a reading of Garland as a lesbian diva par excellence, an examination of Courtney Love as a martyr diva, and a consideration of how loving Julie Andrews can make people queer.

Contributors. Alexander Doty, Brett Farmer, Joshua Gamson, Chuck Jackson, Ramon Lobato, Edward R. O’Neill, Ann Pellegrini, Julie Levine Russo, Nick Salvato, Jeanne Scheper, Edward Baron Turk, Stacy Wolf

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Faces of Internationalism
Public Opinion and American Foreign Policy
Eugene R. Wittkopf
Duke University Press, 1990
In Faces of Internationalism, Eugene R. Wittkopf examines the changing nature of public attitudes toward American foreign policy in the post-Vietnam era and the role that public opinion plays in the American foreign policymaking process. Drawing on new data—four mass and four elite opinion surveys undertaken by the Chicago Council of Foreign Relations from 1974 to 1986—combined with sophisticated analysis techniques, Wittkopf offers a pathbreaking study that addresses the central question of the relationship of a democracy to its foreign policy.
The breakdown of the “consensus” approach to American foreign policy after the Cold War years has become the subject of much analysis. This study contributes to revisionist scholarship by describing the beliefs and preferences that have emerged in the wake of this breakdown. Wittkopf counters traditional views by demonstrating the persistence of U.S. public opinion defined by two dominant and distinct attitudes in the post-Vietnam war years—cooperative and militant internationalism.
The author explores the nature of these two “faces” of internationalism, focusing on the extent to which elites and masses share similar opinions and the political and sociodemographic correlates of belief systems. Wittkopf also offers an original examination of the relationship between beliefs and preferences.
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Facing Texts
Encounters Between Contemporary Writers and Critics
Heide Ziegler, ed.
Duke University Press, 1988
This selection of fiction by many of America's best writers, each coupled with a distinguished critic's response, is designed to defy the chronological secondariness of critical interpretation. During the creation of this book the majority of the contributions, chosen by the writers themselves, were as yet unpublished, providing an unmediated encounter between author and critic. Every reader extends what editors, authors, and critics have begun by adding to the imaginary space in which all texts may be woven together. This process serves as metaphor for the changing nature of any latter-day encounter with one's own literary tradition. The interfacing of texts not only illuminates the fiction, and the relationship of fiction to critics, but also informs our conceptions of text, criticism, and fiction itself.
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Facing the Planetary
Entangled Humanism and the Politics of Swarming
William E. Connolly
Duke University Press, 2017
In Facing the Planetary William E. Connolly expands his influential work on the politics of pluralization, capitalism, fragility, and secularism to address the complexities of climate change and to complicate notions of the Anthropocene. Focusing on planetary processes—including the ocean conveyor, glacier flows, tectonic plates, and species evolution—he combines a critical understanding of capitalism with an appreciation of how such nonhuman systems periodically change on their own. Drawing upon scientists and intellectuals such as Lynn Margulis, Michael Benton, Alfred North Whitehead, Anna Tsing, Mahatma Gandhi, Wangari Maathai, Pope Francis, Bruno Latour, and Naomi Klein, Connolly focuses on the gap between those regions creating the most climate change and those suffering most from it. He addresses the creative potential of a "politics of swarming" by which people in different regions and social positions coalesce to reshape dominant priorities. He also explores how those displaying spiritual affinities across differences in creed can energize a militant assemblage that is already underway.
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Fado Resounding
Affective Politics and Urban Life
Lila Ellen Gray
Duke University Press, 2013
Fado, Portugal's most celebrated genre of popular music, can be heard in Lisbon clubs, concert halls, tourist sites, and neighborhood bars. Fado sounds traverse the globe, on internationally marketed recordings, as the "soul" of Lisbon. A fadista might sing until her throat hurts, the voice hovering on the break of a sob; in moments of sung beauty listeners sometimes cry. Providing an ethnographic account of Lisbon's fado scene, Lila Ellen Gray draws on research conducted with amateur fado musicians, fadistas, communities of listeners, poets, fans, and cultural brokers during the first decade of the twenty-first century. She demonstrates the power of music to transform history and place into feeling in a rapidly modernizing nation on Europe's periphery, a country no longer a dictatorship or an imperial power. Gray emphasizes the power of the genre to absorb sounds, memories, histories, and styles and transform them into new narratives of meaning and "soul."
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Failing the Future
A Dean Looks at Higher Education in the Twenty-first Century
Annette Kolodny
Duke University Press, 1998
Both revealing and compelling, Annette Kolodny’s Failing the Future: A Dean Looks at Higher Education in the Twenty-first Century is drawn from the author’s experience as a distinguished teacher, a prize-winning scholar of American literature, a feminist thinker, and an innovative administrator at a major public university. In chapters that range from the changing structure of the American family and its impact on both curriculum and university benefits policies to recommendations for overhauling the culture of decision making on campus, this former Dean of the College of Humanities at the University of Arizona explores the present state of higher education and offers a sobering view of what lies ahead.
In this volume Kolodny explains the reasons for the financial crisis in higher education today and boldly addresses the challenges that remain ignored, including rising birthrates, changing demographics both on campus and across the country, the accelerating globalization of higher education and advanced research, and the necessity for greater interdisciplinarity in undergraduate education. Moreover, while sensitive to the complex burdens placed on faculty today, Kolodny nonetheless reveals how the professoriate has allowed itself to become vulnerable to public misperceptions and to lampooning by the media.
Not simply a book about current problems and future challenges, Failing the Future is rich with practical solutions and workable programs for change. Among her many insights, Kolodny offers a thorough defense of the role of tenure and outlines a new set of procedures to ensure its effective implementation; she proposes a structure for an “Antifeminist Intellectual Harassment Policy”; and she provides a checklist of family-sensitive policies universities can offer their staff, faculty, and administrators. Kolodny calls on union leaders, campus communities, policymakers, and the general public to work together in unprecedented partnerships. Her goal, as she states in a closing coda, is to initiate a revitalized conversation about public education.
This book should be required reading for all those concerned with the future of higher education in this country—from college trustees to graduate students entering the professoriate, from faculty to university administrators, from officers of campus-based unions to education policymakers.
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Fair Sex, Savage Dreams
Race, Psychoanalysis, Sexual Difference
Jean Walton
Duke University Press, 2001
In Fair Sex, Savage Dreams Jean Walton examines the work of early feminist psychoanalytic writing to decipher in it the unacknowledged yet foundational role of race. Focusing on the 1920s and 1930s, a time when white women were actively refashioning Freud’s problematic accounts of sexual subjectivity, Walton rereads in particular the writing of British analysts Joan Riviere and Melanie Klein, modernist poet H.D., the eccentric French analyst Marie Bonaparte, and anthropologist Margaret Mead.
Charting the fantasies of racial difference in these women’s writings, Walton establishes that race—particularly during this period—was inseparable from accounts of gender and sexuality. While arguing that these women remained notably oblivious to the racial meanings embedded in their own attempts to rearticulate feminine sexuality, Walton uses these very blindspots to understand how race and sex are deeply imbricated in the constitution of subjectivity. Challenging the notion that subjects acquire gender identities in isolation from racial ones, she thus demonstrates how white-centered psychoanalytic theories have formed the basis for more contemporary feminist and queer explorations of fantasy, desire, power, and subjectivity.
Fair Sex, Savage Dreams will appeal to scholars of psychoanalysis, literary and cinematic modernism, race studies, queer theory, feminist theory, and anthropology.
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The Fall and Rise of Freedom of Contract
F. H. Buckley, ed.
Duke University Press, 1999
Declared dead some twenty-five years ago, the idea of freedom of contract has enjoyed a remarkable intellectual revival. In The Fall and Rise of Freedom of Contract leading scholars in the fields of contract law and law-and-economics analyze the new interest in bargaining freedom.
The 1970s was a decade of regulatory triumphalism in North America, marked by a surge in consumer, securities, and environmental regulation. Legal scholars predicted the “death of contract” and its replacement by regulation and reliance-based theories of liability. Instead, we have witnessed the reemergence of free bargaining norms. This revival can be attributed to the rise of law-and-economics, which laid bare the intellectual failure of anticontractarian theories. Scholars in this school note that consumers are not as helpless as they have been made out to be, and that intrusive legal rules meant ostensibly to help them often leave them worse off. Contract law principles have also been very robust in areas far afield from traditional contract law, and the essays in this volume consider how free bargaining rights might reasonably be extended in tort, property, land-use planning, bankruptcy, and divorce and family law.
This book will be of particular interest to legal scholars and specialists in contract law. Economics and public policy planners will also be challenged by its novel arguments.

Contributors. Gregory S. Alexander, Margaret F. Brinig, F. H. Buckley, Robert Cooter, Steven J. Eagle, Robert C. Ellickson, Richard A. Epstein, William A. Fischel, Michael Klausner, Bruce H. Kobayashi, Geoffrey P. Miller, Timothy J. Muris, Robert H. Nelson, Eric A. Posner, Robert K. Rasmussen, Larry E. Ribstein, Roberta Romano, Paul H. Rubin, Alan Schwartz, Elizabeth S. Scott, Robert E. Scott, Michael J. Trebilcock

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False Promises
The Shaping of American Working Class Consciousness
Stanley Aronowitz
Duke University Press, 1992
This classic study of the American working class, originally published in 1973, is now back in print with a new introduction and epilogue by the author. An innovative blend of first-person experience and original scholarship, Aronowitz traces the historical development of the American working class from post-Civil War times and shows why radical movements have failed to overcome the forces that tend to divde groups of workers from one another. The rise of labor unions is analyzed, as well as their decline as a force for social change. Aronowitz’s new introduction situates the book in the context of developments in current scholarship and the epilogue discusses the effects of recent economic and political changes in the American labor movement.
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The Fame of Gawa
A Symbolic Study of Value Transformation in a Massim Society
Nancy D. Munn
Duke University Press, 1992
This new edition of the critically acclaimed The Fame of Gawa—originally published in 1986—makes available for the first time this important work in paperback. The Fame of Gawa is concerned with fundamental practices of value creation on Gawa, a small island off the southeast coast of mainland Papua New Guinea, the inhabitants of which participate in the long-distance kula shell exchange ring. Integrating various aspects of the study of society and culture--including the sociocultural construction of space and time, self-other relations and the body, and moral and political problems of hierarchy and equality—Nancy D. Munn shows that it is through achieving fame in the wider inter-island world that the Gawan community asserts its own internal viablity.
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Familial Undercurrents
Untold Stories of Love and Marriage in Modern Iran
Afsaneh Najmabadi
Duke University Press, 2022
Not long after her father died, Afsaneh Najmabadi discovered that her father had a secret second family and that she had a sister she never knew about. In Familial Undercurrents, Najmabadi uncovers her family’s complex experiences of polygamous marriage to tell a larger story of the transformations of notions of love, marriage, and family life in mid-twentieth-century Iran. She traces how the idea of “marrying for love” and the desire for companionate, monogamous marriage acquired dominance in Tehran’s emerging urban middle class. Considering the role played in that process by late nineteenth- and early twentieth-century romance novels, reformist newspapers, plays, and other literature, Najmabadi outlines the rituals and objects---such as wedding outfits, letter writing, and family portraits---that came to characterize the ideal companionate marriage. She reveals how in the course of one generation men’s polygamy had evolved from an acceptable open practice to a taboo best kept secret. At the same time, she chronicles the urban transformations of Tehran and how its architecture and neighborhood social networks both influenced and became emblematic of the myriad forms of modern Iranian family life.
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Familiar Stranger
A Life Between Two Islands
Stuart Hall
Duke University Press, 2017
"Sometimes I feel myself to have been the last colonial." This, in his own words, is the extraordinary story of the life and career of Stuart Hall—how his experiences shaped his intellectual, political, and theoretical work and how he became one of his age's brightest intellectual lights.

Growing up in a middle-class family in 1930s Kingston, Jamaica, still then a British colony, the young Stuart Hall found himself uncomfortable in his own home. He lived among Kingston's stiflingly respectable brown middle class, who, in their habits and ambitions, measured themselves against the white elite. As colonial rule was challenged, things began to change in Kingston and across the world. In 1951 a Rhodes scholarship took Hall across the Atlantic to Oxford University, where he met young Jamaicans from all walks of life, as well as writers and thinkers from across the Caribbean, including V. S. Naipaul and George Lamming. While at Oxford he met Raymond Williams, Charles Taylor, and other leading intellectuals, with whom he helped found the intellectual and political movement known as the New Left. With the emotional aftershock of colonialism still pulsing through him, Hall faced a new struggle: that of building a home, a life, and an identity in a postwar England so rife with racism that it could barely recognize his humanity.

With great insight, compassion, and wit, Hall tells the story of his early life, taking readers on a journey through the sights, smells, and streets of 1930s Kingston while reflecting on the thorny politics of 1950s and 1960s Britain. Full of passion and wisdom, Familiar Stranger is the intellectual memoir of one of our greatest minds.
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Families in War and Peace
Chile from Colony to Nation
Sarah C. Chambers
Duke University Press, 2015
In Families in War and Peace Sarah C. Chambers places gender analysis and family politics at the center of Chile's struggle for independence and its subsequent state building. Linking the experiences of both prominent and more humble families to Chile's political and legal history, Chambers argues that matters such as marriage, custody, bloodlines, and inheritance were crucial to Chile's transition from colony to nation. She shows how men and women extended their familial roles to mobilize kin networks for political ends, both during and after the Chilean revolution. From the conflict's end in 1823 until the 1850s, the state adopted the rhetoric of paternal responsibility along with patriarchal authority, which became central to the state building process. Chilean authorities, Chambers argues, garnered legitimacy by enacting or enforcing paternalist laws on property restitution, military pensions, and family maintenance allowances, all of which provided for diverse groups of Chileans. By acting as the fathers of the nation, they aimed to reconcile the "greater Chilean family" and form a stable government and society.
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Fantasies of Nina Simone
Jordan Alexander Stein
Duke University Press, 2024
Since her death in 2003, Nina Simone has been the subject of an astonishing number of rereleased, remastered, and remixed albums and compilations as well as biographies, films, viral memes, samples, and soundtracks. In Fantasies of Nina Simone, Jordan Alexander Stein uses an archive of Simone’s performances, images, and writings to examine the space between our collective and individual fantasies about Simone the performer, Civil Rights activist, and icon, and her own fantasies about herself. Stein outlines how Simone gave voice to personal fantasies through the dozens of cover songs that she released of her white male contemporaries such as George Harrison, the Bee Gees, and Bob Dylan. With these covers, Simone explored and claimed the power and perspective that comes with race and gender privilege. Looking at examples from Simone’s four-decade, genre-bending, career—from songbook standards, jazz, and pop to folk, junkanoo, and reggae—and at her work’s many uptakes and afterlives, Stein mobilizes the psychoanalytic concept of fantasy to build a black feminist history with and for this multifaceted performing artist.
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Fantasizing the Feminine in Indonesia
Laurie J. Sears, ed.
Duke University Press, 1996
The stories of Indonesian women have often been told by Indonesian men and Dutch men and women. This volume asks how these representations—reproduced, transformed, and circulated in history, ethnography, and literature—have circumscribed feminine behavior in colonial and postcolonial Indonesia. Presenting dialogues between prominent scholars of and from Indonesia and Indonesian women working in professional, activist, religious, and literary domains, the book dissolves essentialist notions of “women” and “Indonesia” that have arisen out of the tensions of empire.
The contributors examine the ways in which Indonesian women and men are enmeshed in networks of power and then pursue the stories of those who, sometimes at great political risk, challenge these powers. In this juxtaposition of voices and stories, we see how indigenous patriarchal fantasies of feminine behavior merged with Dutch colonial notions of proper wives and mothers to produce the Indonesian government’s present approach to controlling the images and actions of women. Facing the theoretical challenge of building a truly cross-cultural feminist analysis, Fantasizing the Feminine takes us into an ongoing conversation that reveals the contradictions of postcolonial positionings and the fragility of postmodern identities.
This book will be welcomed by readers with interests in contemporary Indonesian politics and society as well as historians, anthropologists, and other scholars concerned with literature, gender, and cultural studies.

Contributors. Benedict R. O’G. Anderson, Sita Aripurnami, Jane Monnig Atkinson, Nancy K. Florida, Daniel S. Lev, Dédé Oetomo, Laurie J. Sears, Ann Laura Stoler, Saraswati Sunindyo, Julia I. Suryakusuma, Jean Gelman Taylor, Sylvia Tiwon, Anna Lowenhaupt Tsing, Diane L. Wolf

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The Fantasy of Feminist History
Joan Wallach Scott
Duke University Press, 2012
In The Fantasy of Feminist History, Joan Wallach Scott argues that feminist perspectives on history are enriched by psychoanalytic concepts, particularly fantasy. Tracing the evolution of her thinking about gender over the course of her career, the pioneering historian explains how her search for ways to more forcefully insist on gender as mutable rather than fixed or stable led her to psychoanalytic theory, which posits sexual difference as an insoluble dilemma. Scott suggests that it is the futile struggle to hold meaning in place that makes gender such an interesting historical object, an object that includes not only regimes of truth about sex and sexuality but also fantasies and transgressions that refuse to be regulated or categorized. Fantasy undermines any notion of psychic immutability or fixed identity, infuses rational motives with desire, and contributes to the actions and events that come to be narrated as history. Questioning the standard parameters of historiography and feminist politics, Scott advocates fantasy as a useful, even necessary, concept for feminist historical analysis.
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Farm, Shop, Landing
The Rise of a Market Society in the Hudson Valley, 1780–1860
Martin Bruegel
Duke University Press, 2002
At the turn of the nineteenth century, when the word “capital” first found its way into the vocabulary of mid-Hudson Valley residents, the term irrevocably marked the profound change that had transformed the region from an inward-looking, rural community into a participant in an emerging market economy. In Farm, Shop, Landing Martin Bruegel turns his attention to the daily lives of merchants, artisans, and farmers who lived and worked along the Hudson River in the decades following the American Revolution to explain how the seeds of capitalism were spread on rural U.S. soil.
Combining theoretical rigor with extensive archival research, Bruegel’s account diverges from other historiographies of nineteenth-century economic development. It challenges the assumption that the coexistence of long-distance trade, private property, and entrepreneurial activity lead to one inescapable outcome: a market economy either wholeheartedly embraced or entirely rejected by its members. When Bruegel tells the story of farmer William Coventry struggling in the face of bad harvests, widow Mary Livingston battling her tenants, blacksmith Samuel Fowks perfecting the cast-iron plough, and Hannah Bushnell sending her butter to market, Bruegel shows that the social conventions of a particular community, and the real struggles and hopes of individuals, actively mold the evolving economic order. Ultimately, then, Farm, Shop, Landing suggests that the process of modernization must be understood as the result of the simultaneous and often contentious interplay of social and economic spheres.
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Fascism and Antifascism since 1945
Mark Bray, Jessica Namakkal, Giulia Riccò, and Eric Roubinek, special issue editors
Duke University Press, 2020
Contributors to this special issue of Radical History Review study histories of fascism and antifascism after 1945 to show how fascist ideology continues to circulate and be opposed transnationally despite its supposed death at the end of World War II. The essays cover the use of fascism in the 1970s construction of the Latinx Left, the connection of antifascism and anti-imperialism in 1960s Italian Communist internationalism, post-dictatorship Argentina and the transhistorical alliance between Las Madres and travestí activism, cultures of antifascism in contemporary Japan, and global fascism as portrayed through the British radical right's attempted alliance with Qathafi's Libya. The issue also includes a discussion about teaching fascism through fiction in the age of Trump, a reflection on the practices of archiving and displaying antifascist objects to various publics, and reviews of recent works on antifascism, punk music, and the Rock Against Racism movement.

Contributors. Benjamin Bland, Mark Bray, Rosa Hamilton, Jessica Namakkal, Giulia Riccò, Cole Rizki, Eric Roubinek, Antonino Scalia, Stuart Schrader, Vivian Shaw, Michael Staudenmaier
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Fat Art, Thin Art
Eve Kosofsky Sedgwick
Duke University Press, 1994
Eve Kosofsky Sedgwick is best known as a cultural and literary critic, as one of the primary forces behind the development of queer and gay/lesbian studies, and as author of several influential books: Tendencies, Epistemology of the Closet, and Between Men: English Literature and Male Homosocial Desire. The publication of Fat Art, Thin Art, Sedgwick’s first volume of poetry, opens up another dimension of her continuing project of crossing and re-crossing the electrified boundaries between theory, lyric, and narrative.
Embodying a decades-long adventure, the poems collected here offer the most accessible and definitive formulations to appear anywhere in Sedgwick’s writing on some characteristic subjects and some new ones: passionate attachments within and across genders; queer childhoods of many kinds; the performativity of a long, unconventional marriage; depressiveness, hilarity, and bliss; grave illness; despised and magnetic bodies and bodily parts. In two long fictional poems, a rich narrative momentum engages readers in the mysterious places—including Victorian novels—where characters, sexualities, and fates are unmade and made. Sedgwick’s poetry opens an unfamiliar, intimate, daring space that steadily refigures not only what a critic may be, but what a poem can do.
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Fatal Advice
How Safe-Sex Education Went Wrong
Cindy Patton
Duke University Press, 1996
The American public responded to the first cases of AIDS with fear and panic. Both policymakers and activists were concerned not only with stopping the spread of the disease, but also with guiding the public’s response toward those already infected. Fatal Advice is an examination of how the nation attempted, with mixed results, to negotiate the fears and concerns brought on by the epidemic. A leading writer on the cultural politics of AIDS, Cindy Patton guides us through the thicket of mass-media productions, policy and public health enterprises, and activist projects as they sprang up to meet the challenge of the epidemic, shaping the nation’s notion of what safe-sex is and who ought to know what about it.
There is the official story, and then there is another, involving local groups and AIDS activists. Going back to early government and activist attempts to spread information, Patton traces a slow separation between official advice and that provided by those on the front lines in the battle against AIDS. She shows how American anxieties about teen sex played into the nation’s inadequate education and protection of its young people, and chronicles the media’s attempts to encourage compassion without broaching the touchy subject of sex or disrupting the notion that AIDS was a disease of social and sexual outcasts. Her overview of the relationship between shifting medical perceptions and safe-sex advice reveals why radical safe-sex educators eventually turned to sexually explicit, including pornographic, representations to spread their message—and why even these extreme tactics could not overcome the misguided national teaching on AIDS.
Patton closes with a stirring manifesto, an urgent call to action for all those who do not want to see the hard lessons of AIDS education and activism wasted, or, with these lessons, the loss of so many more lives.
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The Fate of the Self
German Writers and French Theory
Stanley Corngold
Duke University Press, 1994
Much recent critical theory has dismissed or failed to take seriously the question of the self. French theorists—such as Derrida, Barthes, Benveniste, Foucault, Lacan, and Lévi-Strauss—have in various ways proclaimed the death of the subject, often turning to German intellectual tradition to authorize their views. Stanley Corngold’s heralded book, The Fate of the Self, published for the first time in paperback with a spirited new preface, appears at a time when the relationship between the self and literature is a matter of renewed concern. Originally published in 1986 (Columbia University Press), the book examines the poetic self of German intellectual tradition in light of recent French and American critical theory. Focusing on seven major German writers—Hölderlin, Dilthey, Nietzsche, Mann, Kafka, Freud, and Heidegger—Corngold shows that their work does not support the desire to discredit the self as an origin of meaning and value but reconstructs the allegedly fragmented poetic self through effects of position and style. Offering new and subtle models of selfhood, The Fate of the Self is a source of rich insight into the work of these authors, refracted through poststructuralist critical perspectives.
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Favored Flowers
Culture and Economy in a Global System
Catherine Ziegler
Duke University Press, 2007
Billions of fresh-cut flowers are flown into the United States every year, allowing Americans to choose from a broad array of blooms regardless of the season. Favored Flowers is a lively investigation of the worldwide production and distribution of fresh-cut flowers and their consumption in the New York metropolitan area. In an ethnography filled with roses, orchids, and gerberas, flower auctions, new hybrids, and new logistical systems, Catherine Ziegler unravels the economic and cultural strands of the global flower market. She provides an historical overview of the development of the cut flower industry in New York from the late nineteenth century to 1970, and on to its ultimate transformation from a domestic to a global industry. As she points out, cut flowers serve no utilitarian purpose; rather, they signal consumers’ social and cultural decisions about expressing love, mourning, status, and identity. Ziegler shows how consumer behavior and choices have changed over time and how they are shaped by the media, by the types of available flowers, and by flower retailing.

Ziegler interviewed more than 250 people as she followed flowers along the full length of the commodity chain, from cuttings in Europe and Latin America to vases in and around New York. She examines the daily experiences of flower growers in the Netherlands and Ecuador, two leading exporters of flowers to the United States. Primary focus, though, is on others in the commodity chain: exporters, importers, wholesalers, and retailers. She follows their activities as they respond to changing competition, supply, and consumer behavior in a market characterized by risk, volatility, and imperfect knowledge. By tracing changes in the wholesale and retail systems, she shows the recent development of two complementary commodity chains in New York and the United States generally. One leads to a high-end luxury market served by specialty florists and designers, and the other to a lower-priced mass market served by chain groceries, corner delis, and retail superstores.

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The FBI in Latin America
The Ecuador Files
Marc Becker
Duke University Press, 2017
During the Second World War, the FDR administration placed the FBI in charge of political surveillance in Latin America. Through a program called the Special Intelligence Service (SIS), 700 agents were assigned to combat Nazi influence in Mexico, Brazil, Chile, and Argentina. The SIS’s mission, however, extended beyond countries with significant German populations or Nazi spy rings. As evidence of the SIS’s overreach, forty-five agents were dispatched to Ecuador, a country without any German espionage networks. Furthermore, by 1943, FBI director J. Edgar Hoover shifted the SIS’s focus from Nazism to communism. Marc Becker interrogates a trove of FBI documents from its Ecuador mission to uncover the history and purpose of the SIS’s intervention in Latin America and for the light they shed on leftist organizing efforts in Latin America. Ultimately, the FBI’s activities reveal the sustained nature of US imperial ambitions in the Americas.
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FDR and the Spanish Civil War
Neutrality and Commitment in the Struggle that Divided America
Dominic Tierney
Duke University Press, 2007
What was the relationship between President Franklin D. Roosevelt, architect of America’s rise to global power, and the 1936–39 Spanish Civil War, which inspired passion and sacrifice, and shaped the road to world war? While many historians have portrayed the Spanish Civil War as one of Roosevelt’s most isolationist episodes, Dominic Tierney argues that it marked the president’s first attempt to challenge fascist aggression in Europe. Drawing on newly discovered archival documents, Tierney describes the evolution of Roosevelt’s thinking about the Spanish Civil War in relation to America’s broader geopolitical interests, as well as the fierce controversy in the United States over Spanish policy.

Between 1936 and 1939, Roosevelt’s perceptions of the Spanish Civil War were transformed. Initially indifferent toward which side won, FDR became an increasingly committed supporter of the leftist government. He believed that German and Italian intervention in Spain was part of a broader program of fascist aggression, and he worried that the Spanish Civil War would inspire fascist revolutions in Latin America. In response, Roosevelt tried to send food to Spain as well as illegal covert aid to the Spanish government, and to mediate a compromise solution to the civil war. However unsuccessful these initiatives proved in the end, they represented an important stage in Roosevelt’s emerging strategy to aid democracy in Europe.

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Fear of Small Numbers
An Essay on the Geography of Anger
Arjun Appadurai
Duke University Press, 2006
The period since 1989 has been marked by the global endorsement of open markets, the free flow of finance capital and liberal ideas of constitutional rule, and the active expansion of human rights. Why, then, in this era of intense globalization, has there been a proliferation of violence, of ethnic cleansing on the one hand and extreme forms of political violence against civilian populations on the other?

Fear of Small Numbers is Arjun Appadurai’s answer to that question. A leading theorist of globalization, Appadurai turns his attention to the complex dynamics fueling large-scale, culturally motivated violence, from the genocides that racked Eastern Europe, Rwanda, and India in the early 1990s to the contemporary “war on terror.” Providing a conceptually innovative framework for understanding sources of global violence, he describes how the nation-state has grown ambivalent about minorities at the same time that minorities, because of global communication technologies and migration flows, increasingly see themselves as parts of powerful global majorities. By exacerbating the inequalities produced by globalization, the volatile, slippery relationship between majorities and minorities foments the desire to eradicate cultural difference.

Appadurai analyzes the darker side of globalization: suicide bombings; anti-Americanism; the surplus of rage manifest in televised beheadings; the clash of global ideologies; and the difficulties that flexible, cellular organizations such as Al-Qaeda present to centralized, “vertebrate” structures such as national governments. Powerful, provocative, and timely, Fear of Small Numbers is a thoughtful invitation to rethink what violence is in an age of globalization.

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The Federal Appointments Process
A Constitutional and Historical Analysis
Michael J. Gerhardt
Duke University Press, 2003
Although the federal appointment of U.S. judges and executive branch officers has consistently engendered controversy, previous studies of the process have been limited to particular dramatic conflicts and have tended to view appointments in a vacuum without regard to other incidents in the process, other legislative matters, or broader social, political, and historical developments. The Federal Appointments Process fills this gap by providing the first comprehensive analysis of over two hundred years of federal appointments in the United States, revealing crucial patterns of growth and change in one of the most central of our democratic processes.
Michael J. Gerhardt includes each U.S. president’s performance record regarding appointments, accounts of virtually all the major confirmation contests, as well as discussion of significant legal and constitutional questions raised throughout U.S. history. He also analyzes recess appointments, the Vacancies Act, the function of nominees in the appointment process, and the different treatment received by judicial and nonjudicial nominations. While discussing the important roles played by media and technology in federal appointments, Gerhardt not only puts particular controversies in perspective but also identifies important trends in the process, such as how leaders of different institutions attempt to protect—if not expand—their respective prerogatives by exercising their authority over federal appointments. Employing a newly emerging method of inquiry known as “historical institutionalism”—in which the ultimate goal is to examine the development of an institution in its entirety and not particular personalities or periods, this book concludes with suggestions for reforms in light of recent controversies springing from the longest delays in history that many judicial nominees face in the Senate.
Gerhardt’s intensive treatment of the subject will be of interest to students and scholars of political science, government, history, and legal studies.
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Federal Courts in the International Human Rights Paradigm
Kenneth C. Randall
Duke University Press, 1990

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Federal Criminal Law Doctrines
The Forgotten Influence of National Prohibition
Kenneth M. Murchison
Duke University Press, 1994
This book offers a close look at the development of legal thought during the era of prohibition and documents the impact of prohibition on law as an intellectual discipline. Kenneth M. Murchison examines changes in federal criminal law doctrines from 1918 to 1933 in light of recent historical scholarship on prohibition and its impact on American society. He identifies these federal doctrinal developments as an important but ignored legacy of prohibition and describes how these changes continue to effect contemporary law.
In this detailed examination, Murchison considers a portion of the Supreme Court’s work prior to the New Deal crisis, a period insufficiently considered until now. Among the developments he discusses are those relating to the defense of entrapment, the Fourth Amendment’s protection against unreasonable search and seizure, the Fifth Amendment’s prohibition against double jeopardy, property forfeitures, and the jury trial guarantees for criminal proceedings. His analysis reveals a court less rigid, less consistently divided along modern ideological lines, and more tolerant of governmental authority than traditional wisdom would suggest. Thus, Murchison offers a framework for a revisionist view of the Supreme Court’s activities during this period.
Exploring an important connection between the Eighteenth Amendment, the Volstead Act, and the development of federal criminal law, this book documents what was arguably the nation’s first criminal law revolution at the federal level. Explaining the modern origins of doctrines that still inform federal criminal law, Murchison also provides a case study of how legal doctrine responds to changing social conditions. Federal Criminal Law Doctrines will add immeasurably to the work of historians and legal scholars alike.
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Feeding Anorexia
Gender and Power at a Treatment Center
Helen Gremillion
Duke University Press, 2003
Feeding Anorexia challenges prevailing assumptions regarding the notorious difficulty of curing anorexia nervosa. Through a vivid chronicle of treatments at a state-of-the-art hospital program, Helen Gremillion reveals how the therapies participate unwittingly in culturally dominant ideals of gender, individualism, physical fitness, and family life that have contributed to the dramatic increase in the incidence of anorexia in the United States since the 1970s. She describes how strategies including the meticulous measurement of patients' progress in terms of body weight and calories consumed ultimately feed the problem, not only reinforcing ideas about the regulation of women's bodies, but also fostering in many girls and women greater expertise in the formidable constellation of skills anorexia requires. At the same time, Gremillion shows how contradictions and struggles in treatment can help open up spaces for change.

Feeding Anorexia is based on fourteen months of ethnographic research in a small inpatient unit located in a major teaching and research hospital in the western United States. Gremillion attended group, family, and individual therapy sessions and medical staff meetings; ate meals with patients; and took part in outings and recreational activities. She also conducted over one hundred interviews-with patients, parents, staff, and clinicians. Among the issues she explores are the relationship between calorie-counting and the management of consumer desire; why the "typical" anorexic patient is middle-class and white; the extent to which power differentials among clinicians, staff, and patients model "anorexic families"; and the potential of narrative therapy to constructively reframe some of the problematic assumptions underlying more mainstream treatments.

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Feeling Like a State
Desire, Denial, and the Recasting of Authority
Davina Cooper
Duke University Press, 2019
A transformative progressive politics requires the state's reimagining. But how should the state be reimagined, and what can invigorate this process? In Feeling Like a State, Davina Cooper explores the unexpected contribution a legal drama of withdrawal might make to conceptualizing a more socially just, participative state. In recent years, as gay rights have expanded, some conservative Christians—from charities to guesthouse owners and county clerks—have denied people inclusion, goods, and services because of their sexuality. In turn, liberal public bodies have withdrawn contracts, subsidies, and career progression from withholding conservative Christians. Cooper takes up the discourses and practices expressed in this legal conflict to animate and support an account of the state as heterogeneous, plural, and erotic. Arguing for the urgent need to put new imaginative forms into practice, Cooper examines how dissident and experimental institutional thinking materialize as people assert a democratic readiness to recraft the state.
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Feeling Media
Potentiality and the Afterlife of Art
Miryam Sas
Duke University Press, 2022
In Feeling Media Miryam Sas explores the potentialities and limitations of media theory and media art in Japan. Opening media studies and affect theory up to a deeper engagement with works and theorists outside Euro-America, Sas offers a framework of analysis she calls the affective scale—the space where artists and theorists work between the level of the individual and larger global and historical shifts. She examines intermedia, experimental animation, and Marxist theories of the culture industries of the 1960s and 1970s in the work of artists and thinkers ranging from filmmaker Matsumoto Toshio, photographer Nakahira Takuma, and the Three Animators' Group to art critic Hanada Kiyoteru and landscape theorist Matsuda Masao. She also outlines how twenty-first-century Japanese artists—especially those responding to the Fukushima disaster—adopt and adapt this earlier work to reframe ideas about collectivity, community, and connectivity in the space between the individual and the system.
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The Feeling of Kinship
Queer Liberalism and the Racialization of Intimacy
David L. Eng
Duke University Press, 2010
In The Feeling of Kinship, David L. Eng investigates the emergence of “queer liberalism”—the empowerment of certain gays and lesbians in the United States, economically through an increasingly visible and mass-mediated queer consumer lifestyle, and politically through the legal protection of rights to privacy and intimacy. Eng argues that in our “colorblind” age the emergence of queer liberalism is a particular incarnation of liberal freedom and progress, one constituted by both the racialization of intimacy and the forgetting of race. Through a startling reading of Lawrence v. Texas, the landmark legal decision overturning Texas’s antisodomy statute, Eng reveals how the ghosts of miscegenation haunt both Lawrence and the advent of queer liberalism.

Eng develops the concept of “queer diasporas” as a critical response to queer liberalism. A methodology drawing attention to new forms of family and kinship, accounts of subjects and subjectivities, and relations of affect and desire, the concept differs from the traditional notions of diaspora, theories of the nation-state, and principles of neoliberal capitalism upon which queer liberalism thrives. Eng analyzes films, documentaries, and literature by Asian and Asian American artists including Wong Kar-wai, Monique Truong, Deann Borshay Liem, and Rea Tajiri, as well as a psychoanalytic case history of a transnational adoptee from Korea. In so doing, he demonstrates how queer Asian migrant labor, transnational adoption from Asia, and the political and psychic legacies of Japanese internment underwrite narratives of racial forgetting and queer freedom in the present. A focus on queer diasporas also highlights the need for a poststructuralist account of family and kinship, one offering psychic alternatives to Oedipal paradigms. The Feeling of Kinship makes a major contribution to American studies, Asian American studies, diaspora studies, psychoanalysis, and queer theory.

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Feeling Photography
Elspeth H. Brown and Thy Phu, eds.
Duke University Press, 2014
This innovative collection demonstrates the profound effects of feeling on our experiences and understanding of photography. It includes essays on the tactile nature of photos, the relation of photography to sentiment and intimacy, and the ways that affect pervades the photographic archive. Concerns associated with the affective turn—intimacy, alterity, and ephemerality, as well as queerness, modernity, and loss—run through the essays. At the same time, the contributions are informed by developments in critical race theory, postcolonial studies, and feminist theory. As the contributors bring affect theory to bear on photography, some interpret the work of contemporary artists, such as Catherine Opie, Tammy Rae Carland, Christian Boltanski, Marcelo Brodsky, Zoe Leonard, and Rea Tajiri. Others look back, whether to the work of the American Pictorialist F. Holland Day or to the discontent masked by the smiles of black families posing for cartes de visite in a Kodak marketing campaign. With more than sixty photographs, including twenty in color, this collection changes how we see, think about, and feel photography, past and present.

Contributors. Elizabeth Abel, Elspeth H. Brown, Kimberly Juanita Brown, Lisa Cartwright, Lily Cho, Ann Cvetkovich, David L. Eng, Marianne Hirsch, Thy Phu, Christopher Pinney, Marlis Schweitzer, Dana Seitler, Tanya Sheehan, Shawn Michelle Smith, Leo Spitzer, Diana Taylor
 
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Feeling Religion
John Corrigan, editor
Duke University Press, 2018
The contributors to Feeling Religion analyze the historical and contemporary entwinement of emotion, religion, spirituality, and secularism. They show how attending to these entanglements transforms understandings of metaphysics, ethics, ritual, religious music and poetry, the environment, popular culture, and the secular while producing new angles from which to approach familiar subjects. At the same time, their engagement with race, ethnicity, gender, sexuality, and nation in studies of topics as divergent as documentary film, Islamic environmentalism, and Jewish music demonstrates the ways in which interrogating emotion's role in religious practice and interpretation is refiguring the field of religious studies and beyond.

Contributors. Diana Fritz Cates, John Corrigan, Anna M. Gade, M. Gail Hamner, Abby Kluchin, Jessica Johnson, June McDaniel, David Morgan, Sarah M. Ross, Donovan Schaefer, Mark Wynn
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Feeling Women's Liberation
Victoria Hesford
Duke University Press, 2013
The term women's liberation remains charged and divisive decades after it first entered political and cultural discourse around 1970. In Feeling Women's Liberation, Victoria Hesford mines the archive of that highly contested era to reassess how it has been represented and remembered. Hesford refocuses debates about the movement’s history and influence. Rather than interpreting women's liberation in terms of success or failure, she approaches the movement as a range of rhetorical strategies that were used to persuade and enact a new political constituency and, ultimately, to bring a new world into being. Hesford focuses on rhetoric, tracking the production and deployment of particular phrases and figures in both the mainstream press and movement writings, including the work of Kate Millett. She charts the emergence of the feminist-as-lesbian as a persistent "image-memory" of women's liberation, and she demonstrates how the trope has obscured the complexity of the women's movement and its lasting impact on feminism.
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Feels Right
Black Queer Women and the Politics of Partying in Chicago
Kemi Adeyemi
Duke University Press, 2022
In Feels Right Kemi Adeyemi presents an ethnography of how black queer women in Chicago use dance to assert their physical and affective rights to the city. Adeyemi stages the book in queer dance parties in gentrifying neighborhoods, where good feelings are good business. But feeling good is elusive for black queer women whose nightlives are undercut by white people, heterosexuality, neoliberal capitalism, burnout, and other buzzkills. Adeyemi documents how black queer women respond to these conditions: how they destroy DJ booths, argue with one another, dance slowly, and stop partying altogether. Their practices complicate our expectations that life at night, on the queer dance floor, or among black queer community simply feels good. Adeyemi’s framework of “feeling right” instead offers a closer, kinesthetic look at how black queer women adroitly manage feeling itself as a complex right they should be afforded in cities that violently structure their movements and energies. What emerges in Feels Right is a sensorial portrait of the critical, black queer geographies and collectivities that emerge in social dance settings and in the broader neoliberal city.

Duke University Press Scholars of Color First Book Award recipient
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Feenin
R&B Music and the Materiality of BlackFem Voices and Technology
Alexander Ghedi Weheliye
Duke University Press, 2023
In Feenin, Alexander Ghedi Weheliye traces R&B music’s continuing centrality in Black life since the late 1970s. Focusing on various musical production and reproduction technologies such as auto-tune and the materiality of the BlackFem singing voice, Weheliye counteracts the widespread popular and scholarly narratives of the genre’s decline and death. He shows how R&B remains a thriving venue for the expression of Black thought and life and a primary archive of the contemporary moment. Among other topics, Weheliye discusses the postdisco evolution of house music in Chicago and techno in Detroit, Prince and David Bowie in relation to appropriations of Blackness and Euro-whiteness in the 1980s, how the BlackFem voice functions as a repository of Black knowledge, the methods contemporary R&B musicians use to bring attention to Black Lives Matter, and the ways vocal distortion technologies such as the vocoder demonstrate Black music’s relevance to discussions of humanism and posthumanism. Ultimately, Feenin represents Weheliye’s capacious thinking about R&B as the site through which to consider questions of Blackness, technology, history, humanity, community, diaspora, and nationhood.
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Feltness
Research-Creation, Socially Engaged Art, and Affective Pedagogies
Stephanie Springgay
Duke University Press, 2022
Stephanie Springgay’s concept of feltness—which emerges from affect theory, queer and feminist theory, and feminist conceptions of more-than-human entanglements—is a set of intimate practices of creating art based on touch, affect, relationality, love, and responsibility. In this book, she explores how feltness is a radical pedagogy that can be practiced with diverse publics, including children, who are often left out of conversations about who can learn in radical ways. Springgay examines the results of a decade-long project in which researchers, artists, students, and teachers participated in events in North American elementary, secondary, and postsecondary institutions. In projects that ranged from children learning to be critics and artists to university students experimenting with building “a public” through art, participants blended participatory art creation with academic research to address social justice issues. Springgay shows how feltness can redefine who is imagined to be capable of complex feeling, experiential learning, embodied practice, social engagement, and intimate care. In this way, feltness fosters learning that disrupts and defamiliarizes schools and institutions, knowledge systems, values, and the legibility of art and research.
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The Female Complaint
The Unfinished Business of Sentimentality in American Culture
Lauren Berlant
Duke University Press, 2008
The Female Complaint is part of Lauren Berlant’s groundbreaking “national sentimentality” project charting the emergence of the U.S. political sphere as an affective space of attachment and identification. In this book, Berlant chronicles the origins and conventions of the first mass-cultural “intimate public” in the United States, a “women’s culture” distinguished by a view that women inevitably have something in common and are in need of a conversation that feels intimate and revelatory. As Berlant explains, “women’s” books, films, and television shows enact a fantasy that a woman’s life is not just her own, but an experience understood by other women, no matter how dissimilar they are. The commodified genres of intimacy, such as “chick lit,” circulate among strangers, enabling insider self-help talk to flourish in an intimate public. Sentimentality and complaint are central to this commercial convention of critique; their relation to the political realm is ambivalent, as politics seems both to threaten sentimental values and to provide certain opportunities for their extension.

Pairing literary criticism and historical analysis, Berlant explores the territory of this intimate public sphere through close readings of U.S. women’s literary works and their stage and film adaptations. Her interpretation of Uncle Tom’s Cabin and its literary descendants reaches from Harriet Beecher Stowe to Toni Morrison’s Beloved, touching on Shirley Temple, James Baldwin, and The Bridges of Madison County along the way. Berlant illuminates different permutations of the women’s intimate public through her readings of Edna Ferber’s Show Boat; Fannie Hurst’s Imitation of Life; Olive Higgins Prouty’s feminist melodrama Now, Voyager; Dorothy Parker’s poetry, prose, and Academy Award–winning screenplay for A Star Is Born; the Fay Weldon novel and Roseanne Barr film The Life and Loves of a She-Devil; and the queer, avant-garde film Showboat 1988–The Remake. The Female Complaint is a major contribution from a leading Americanist.

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Female Masculinity
Jack Halberstam
Duke University Press, 1998
Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.
Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister’s diaries and Radclyffe Hall’s The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among “transgender dykes”—lesbians who pass as men—and female-to-male transsexuals who may find the label of “lesbian” a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.
Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.


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Female Masculinity
Jack Halberstam
Duke University Press, 1998
In this quintessential work of queer theory, Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two centuries. Demonstrating how female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.

Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. He rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity; considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities; and explores issues of transsexuality among “transgender dykes”—lesbians who pass as men—and female-to-male transsexuals who may find the label of “lesbian” a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.

Featuring a new preface by the author, this twentieth anniversary edition of Female Masculinity remains as insightful, timely, and necessary as ever.
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Femininity in Flight
A History of Flight Attendants
Kathleen M. Barry
Duke University Press, 2007
“In her new chic outfit, she looks like anything but a stewardess working. But work she does. Hard, too. And you hardly know it.” So read the text of a 1969 newspaper advertisement for Delta Airlines featuring a picture of a brightly smiling blond stewardess striding confidently down the aisle of an airplane cabin to deliver a meal.

From the moment the first stewardesses took flight in 1930, flight attendants became glamorous icons of femininity. For decades, airlines hired only young, attractive, unmarried white women. They marketed passenger service aloft as an essentially feminine exercise in exuding charm, looking fabulous, and providing comfort. The actual work that flight attendants did—ensuring passenger safety, assuaging fears, serving food and drinks, all while conforming to airlines’ strict rules about appearance—was supposed to appear effortless; the better that stewardesses performed by airline standards, the more hidden were their skills and labor. Yet today flight attendants are acknowledged safety experts; they have their own unions. Gone are the no-marriage rules, the mandates to retire by thirty-two. In Femininity in Flight, Kathleen M. Barry tells the history of flight attendants, tracing the evolution of their glamorized image as ideal women and their activism as trade unionists and feminists.

Barry argues that largely because their glamour obscured their labor, flight attendants unionized in the late 1940s and 1950s to demand recognition and respect as workers and self-styled professionals. In the 1960s and 1970s, flight attendants were one of the first groups to take advantage of new laws prohibiting sex discrimination. Their challenges to airlines’ restrictive employment policies and exploitive marketing practices (involving skimpy uniforms and provocative slogans such as “fly me”) made them high-profile critics of the cultural mystification and economic devaluing of “women’s work.” Barry combines attention to the political economy and technology of the airline industry with perceptive readings of popular culture, newspapers, industry publications, and first-person accounts. In so doing, she provides a potent mix of social and cultural history and a major contribution to the history of women’s work and working women’s activism.

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Feminism against Cisness
Emma Heaney
Duke University Press, 2024
The contributors to Feminism against Cisness showcase the future of feminist historical, theoretical, and political thought freed from the conceptual strictures of cisness: the fallacy that assigned sex determines sexed experience. The essays demonstrate that this fallacy hinges on the enforcement of white and bourgeois standards of gender comportment that naturalize brutalizing race and class hierarchies. It is, therefore, no accident that the social processes making cisness compulsory are also implicated in anti-Blackness, misogyny, Indigenous erasure, xenophobia, and bourgeois antipathy for working-class life. Working from trans historical archives and materialist trans feminist theories, this volume demonstrates the violent work that cis ideology has done and thinks toward a future for feminism beyond this ideology's counterrevolutionary pull.

Contributors. Cameron Awkward-Rich, Marquis Bey, Kay Gabriel, Jules Gill-Peterson, Emma Heaney, Margaux L. Kristjansson, Greta LaFleur, Grace Lavery, Durba Mitra, Beans Velocci, Joanna Wuest
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Feminism and Postmodernism
Margaret Ferguson and Jennifer Wicke, eds.
Duke University Press, 1994
This collection of essays explores the significant agreements and tensions between contemporary feminist and postmodern theories and practices. Having brought enormous changes to conceptions of the body, identity, and the media, postmodernity compels the rethinking of many feminist categories, including female experience, the self, and the notion that "the personal is political." Feminist analysis has been equally important, though not always equally acknowledged, as a force within postmodernism. Feminist writings on subjectivity, master narratives, and the socioeconomic underpinnings of the master narrative of theory itself have been particularly influential. This volume traces the crossings and mutual interrogations of these two traditions into the arenas of cultural production, legal discourse, and philosophical thought.
Multidisciplinary and international in their collective focus, the essays range from a study of Madonna as an Italian American woman who is revising the cultural meanings of an ethnic feminism to a unique interview with Mairead Keane, the national head of the Women’s Department of the Irish political party Sinn Fein. Turning the prism of postmodern feminism onto such diverse cultural objects as literary and literary critical texts, contemporary film, and music, these essays intervene in debates regarding technology, sexuality, and politics. Challenging modern feminisms to articulate their inescapable relation to postmodern society, this expanded edition of a special issue of boundary 2 also explores ways in which feminism can work as the cutting edge of a global postmodernism.

Contributors. Salwa Bakr, Claire Detels, Margaret Ferguson, Carla Freccero, Marjorie Garber, Barbara Harlow, Laura E. Lyons, Anne McClintock, Toril Moi, Linda Nicholson, Mary Poovey, Andrew Ross, David Simpson, Kathyrn Bond Stockton, Jennifer Wicke

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Feminism and the Cinema of Experience
Lori Jo Marso
Duke University Press, 2025

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Feminism in Coalition
Thinking with US Women of Color Feminism
Liza Taylor
Duke University Press, 2022
In Feminism in Coalition Liza Taylor examines how US women of color feminists’ coalitional politics provides an indispensable resource to contemporary political theory, feminist studies, and intersectional social justice activism. Taylor charts the theorization of coalition in the work of Bernice Johnson Reagon, Audre Lorde, Barbara Smith, the Combahee River Collective, Gloria Anzaldúa, Cherríe Moraga, and others. For these activist-scholars, coalition is a dangerous struggle that emerges from a shared political commitment to undermining oppression and an emphasis on self-transformation. Taylor shows how their coalitional understandings of group politics, identity, consciousness, and scholarship have transformed how activists and theorists build alliances across race, class, gender, sexuality, faith, and ethnicity to tackle systems of domination. Their coalitional politics enrich current discussions surrounding the impetus and longevity of effective activism, present robust theoretical accounts of political subject formation and political consciousness, and demonstrate the promise of collective modes of scholarship. In this way, women of color feminists have been formulating solutions to long-standing problems in political theory. By illustrating coalition’s vitality to a variety of practical and philosophical interdisciplinary discussions, Taylor encourages us to rethink feminist and political theory.
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Feminism in Time, Volume 65
Margaret Ferguson and Marshall Brown, eds.
Duke University Press
The essays in this special issue of Modern Language Quarterly reflect intensively on feminism during various periods and build conceptual bridges linking early modern female writers, such as Marguerite de Navarre and Mary Wollstonecraft, with theorists, poets, and fiction writers of the postmodern era.

Contributors. Jonathan Culler, Joan DeJean, Rachel Blau DuPlessis, Carla Freccero, Angela Leighton, Laura Mandell, Jeffrey Masten, Robyn Wiegman

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The Feminism of Uncertainty
A Gender Diary
Ann Snitow
Duke University Press, 2015
The Feminism of Uncertainty brings together Ann Snitow’s passionate, provocative dispatches from forty years on the front lines of feminist activism and thought. In such celebrated pieces as "A Gender Diary"—which confronts feminism’s need to embrace, while dismantling, the category of "woman"—Snitow is a virtuoso of paradox. Freely mixing genres in vibrant prose, she considers Angela Carter, Doris Lessing, and Dorothy Dinnerstein and offers self-reflexive accounts of her own organizing, writing, and teaching. Her pieces on international activism, sexuality, motherhood, and the waywardness of political memory all engage feminism’s impossible contradictions—and its utopian hopes. 
 
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Feminism without Borders
Decolonizing Theory, Practicing Solidarity
Chandra Talpade Mohanty
Duke University Press, 2003
Bringing together classic and new writings of the trailblazing feminist theorist Chandra Talpade Mohanty, Feminism without Borders addresses some of the most pressing and complex issues facing contemporary feminism. Forging vital links between daily life and collective action and between theory and pedagogy, Mohanty has been at the vanguard of Third World and international feminist thought and activism for nearly two decades. This collection highlights the concerns running throughout her pioneering work: the politics of difference and solidarity, decolonizing and democratizing feminist practice, the crossing of borders, and the relation of feminist knowledge and scholarship to organizing and social movements. Mohanty offers here a sustained critique of globalization and urges a reorientation of transnational feminist practice toward anticapitalist struggles.

Feminism without Borders opens with Mohanty's influential critique of western feminism ("Under Western Eyes") and closes with a reconsideration of that piece based on her latest thinking regarding the ways that gender matters in the racial, class, and national formations of globalization. In between these essays, Mohanty meditates on the lives of women workers at different ends of the global assembly line (in India, the United Kingdom, and the United States); feminist writing on experience, identity, and community; dominant conceptions of multiculturalism and citizenship; and the corporatization of the North American academy. She considers the evolution of interdisciplinary programs like Women's Studies and Race and Ethnic Studies; pedagogies of accommodation and dissent; and transnational women's movements for grassroots ecological solutions and consumer, health, and reproductive rights. Mohanty's probing and provocative analyses of key concepts in feminist thought—"home," "sisterhood," "experience," "community"—lead the way toward a feminism without borders, a feminism fully engaged with the realities of a transnational world.

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Feminist Accused of Sexual Harassment
Jane Gallop
Duke University Press, 1997
Sexual harassment is an issue in which feminists are usually thought to be on the plaintiff’s side. But in 1993—amid considerable attention from the national academic community—Jane Gallop, a prominent feminist professor of literature, was accused of sexual harassment by two of her women graduate students. In Feminist Accused of Sexual Harassment, Gallop tells the story of how and why she was charged with sexual harassment and what resulted from the accusations. Weaving together memoir and theoretical reflections, Gallop uses her dramatic personal experience to offer a vivid analysis of current trends in sexual harassment policy and to pose difficult questions regarding teaching and sex, feminism and knowledge.
Comparing “still new” feminism—as she first encountered it in the early 1970s—with the more established academic discipline that women’s studies has become, Gallop makes a case for the intertwining of learning and pleasure. Refusing to acquiesce to an imperative of silence that surrounds such issues, Gallop acknowledges—and describes—her experiences with the eroticism of learning and teaching. She argues that antiharassment activism has turned away from the feminism that created it and suggests that accusations of harassment are taking aim at the inherent sexuality of professional and pedagogic activity rather than indicting discrimination based on gender—that antiharassment has been transformed into a sensationalist campaign against sexuality itself.
Feminist Accused of Sexual Harassment offers a direct and challenging perspective on the complex and charged issues surrounding the intersection of politics, sexuality, feminism, and power. Gallop’s story and her characteristically bold way of telling it will be compelling reading for anyone interested in these issues and particularly to anyone interested in the ways they pertain to the university.
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Feminist Agendas and Democracy in Latin America
Jane S. Jaquette, ed.
Duke University Press, 2009
Latin American women’s movements played important roles in the democratic transitions in South America during the 1980s and in Central America during the 1990s. However, very little has been written on what has become of these movements and their agendas since the return to democracy. This timely collection examines how women’s movements have responded to the dramatic political, economic, and social changes of the last twenty years. In these essays, leading scholar-activists focus on the various strategies women’s movements have adopted and assess their successes and failures.

The book is organized around three broad topics. The first, women’s access to political power at the national level, is addressed by essays on the election of Michelle Bachelet in Chile, gender quotas in Argentina and Brazil, and the responses of the women’s movement to the “Bolivarian revolution” in Venezuela. The second topic, the use of legal strategies, is taken up in essays on women’s rights across the board in Argentina, violence against women in Brazil, and gender in the work of the Truth and Reconciliation Commission in Peru. Finally, the international impact of Latin American feminists is explored through an account of their participation in the World Social Forum, an assessment of a Chilean-led project carried out by women’s organizations in several countries to hold governments to the promises they made at international conferences in Cairo and Beijing, and an account of cross-border organizing to address femicides and domestic abuse in the Juárez-El Paso border region. Jane S. Jaquette provides the historical and political context of women’s movement activism in her introduction, and concludes the volume by engaging contemporary debates about feminism, civil society, and democracy.

Contributors. Jutta Borner, Mariana Caminotti, Alina Donoso, Gioconda Espina, Jane S. Jaquette, Beatriz Kohen, Julissa Mantilla Falcón, Jutta Marx, Gabriela L. Montoya, Flávia Piovesan, Marcela Ríos Tobar, Kathleen Staudt, Teresa Valdés, Virginia Vargas

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The Feminist Bookstore Movement
Lesbian Antiracism and Feminist Accountability
Kristen Hogan
Duke University Press, 2016
From the 1970s through the 1990s more than one hundred feminist bookstores built a transnational network that helped shape some of feminism's most complex conversations. Kristen Hogan traces the feminist bookstore movement's rise and eventual fall, restoring its radical work to public feminist memory. The bookwomen at the heart of this story—mostly lesbians and including women of color—measured their success not by profit, but by developing theories and practices of lesbian antiracism and feminist accountability. At bookstores like BookWoman in Austin, the Toronto Women’s Bookstore, and Old Wives’ Tales in San Francisco, and in the essential Feminist Bookstore News, bookwomen changed people’s lives and the world. In retelling their stories, Hogan not only shares the movement's tools with contemporary queer antiracist feminist activists and theorists, she gives us a vocabulary, strategy, and legacy for thinking through today's feminisms.
 
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A Feminist Reader in Early Cinema
Jennifer M. Bean and Diane Negra, eds.
Duke University Press, 2002
A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies.

While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of "early cinema" itself raises about the relation of gender to modernism, representation, and technologies of the body. The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism.

Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics—from the dangerous sexuality of the urban flâneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films—looking along the way at birth-control sensation films, French crime serials, "war actualities," and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic.

Contributors. Constance Balides, Jennifer M. Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen

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Feminist Surveillance Studies
Rachel E. Dubrofsky and Soshana Amielle Magnet, eds.
Duke University Press, 2015
Questions of gender, race, class, and sexuality have largely been left unexamined in surveillance studies. The contributors to this field-defining collection take up these questions, and in so doing provide new directions for analyzing surveillance. They use feminist theory to expose the ways in which surveillance practices and technologies are tied to systemic forms of discrimination that serve to normalize whiteness, able-bodiedness, capitalism, and heterosexuality. The essays discuss the implications of, among others, patriarchal surveillance in colonial North America, surveillance aimed at curbing the trafficking of women and sex work, women presented as having agency in the creation of the images that display their bodies via social media, full-body airport scanners, and mainstream news media discussion of honor killings in Canada and the concomitant surveillance of Muslim bodies. Rather than rehashing arguments as to whether or not surveillance keeps the state safe, the contributors investigate what constitutes surveillance, who is scrutinized, why, and at what cost. The work fills a gap in feminist scholarship and shows that gender, race, class, and sexuality should be central to any study of surveillance.

Contributors. Seantel Anaïs, Mark Andrejevic, Paisley Currah, Sayantani DasGupta, Shamita Das Dasgupta, Rachel E. Dubrofsky, Rachel Hall, Lisa Jean Moore, Yasmin Jiwani, Ummni Khan, Shoshana Amielle Magnet, Kelli Moore, Lisa Nakamura, Dorothy Roberts, Andrea Smith, Kevin Walby, Megan M. Wood, Laura Hyun Yi Kang
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Feminist Theory and the Frankfurt School, Volume 17
Wendy Brown
Duke University Press
This special issue of differences explores what light Frankfurt School critical theory can shed on contemporary problematics in feminist theory. In contrast to the relatively extensive employment of the work of Jürgen Habermas for this purpose, this special issue focuses on other major thinkers of the Frankfurt School, especially Horkheimer, Adorno, and Benjamin.


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The Feminization of Famine
Expressions of the Inexpressible?
Margaret Kelleher
Duke University Press, 1997
Contemporary depictions of famine and disaster are dominated by female images. The Feminization of Famine examines these representations, exploring, in particular, the literature arising from the Irish "Great Famine" of the 1840s and the Bengali famine of the 1940s. Kelleher illuminates recurring motifs: the prevalence of mother and child images, the scrutiny of women’s starved bodies, and the reliance on the female figure to express the largely "inexpressible" reality of famine. Questioning what gives these particularly feminine images their affective power and analyzing the responses they generate, this historical critique reveals striking parallels between these two "great" famines and current representations of similar natural disasters and catastrophes.
Kelleher begins with a critical reading of the novels and short stories written about the Irish famine over the last 150 years, from the novels of William Carleton and Anthony Trollope to the writings of Liam O’Flaherty and John Banville. She then moves on to unveil a lesser-known body of literature—works written by women. This literature is read in the context of a rich variety of other sources, including eye-witness accounts, memoirs, journalistic accounts, and famine historiography. Concluding with a reading of the twentieth-century accounts of the famine in Bengal, this book reveals how gendered representations have played a crucial role in defining notions of famine.
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Fencing in Democracy
Border Walls, Necrocitizenship, and the Security State
Miguel Díaz-Barriga and Margaret Dorsey
Duke University Press, 2019
Border walls permeate our world, with more than thirty nation-states constructing them. Anthropologists Margaret E. Dorsey and Miguel Díaz-Barriga argue that border wall construction manifests transformations in citizenship practices that are aimed not only at keeping migrants out but also at enmeshing citizens into a wider politics of exclusion. For a decade, the authors studied the U.S.-Mexico border wall constructed by the Department of Homeland Security and observed the political protests and legal challenges that residents mounted in opposition to the wall. In Fencing in Democracy Dorsey and Díaz-Barriga take us to those border communities most affected by the wall and often ignored in national discussions about border security to highlight how the state diminishes citizens' rights. That dynamic speaks to the citizenship experiences of border residents that is indicative of how walls imprison the populations they are built to protect. Dorsey and Díaz-Barriga brilliantly expand conversations about citizenship, the operation of U.S. power, and the implications of border walls for the future of democracy.
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The Fernando Coronil Reader
The Struggle for Life Is the Matter
Fernando Coronil
Duke University Press, 2019
In The Fernando Coronil Reader Venezuelan anthropologist Fernando Coronil challenges us to rethink our approaches to key contemporary epistemological, political, and ethical questions. Consisting of work written between 1991 and 2011, this posthumously published collection includes Coronil's landmark essays “Beyond Occidentalism” and “The Future in Question” as well as two chapters from his unfinished book manuscript, "Crude Matters." Taken together, the essays highlight his deep concern with the Global South, Latin American state formation, theories of nature, empire, and postcolonialism, and anthrohistory as an intellectual and ethical approach. Presenting a cross section of Coronil's oeuvre, this volume cements his legacy as one of the most innovative critical social thinkers of his generation.
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The Fetish Revisited
Marx, Freud, and the Gods Black People Make
J. Lorand Matory
Duke University Press, 2018
Since the early-modern encounter between African and European merchants on the Guinea Coast, European social critics have invoked African gods as metaphors for misplaced value and agency, using the term “fetishism” chiefly to assert the irrationality of their fellow Europeans. Yet, as J. Lorand Matory demonstrates in The Fetish Revisited, Afro-Atlantic gods have a materially embodied social logic of their own, which is no less rational than the social theories of Marx and Freud. Drawing on thirty-six years of fieldwork in Africa, Europe, and the Americas, Matory casts an Afro-Atlantic eye on European theory to show how Marx’s and Freud’s conceptions of the fetish both illuminate and misrepresent Africa’s human-made gods. Through this analysis, the priests, practices, and spirited things of four major Afro-Atlantic religions simultaneously call attention to the culture-specific, materially conditioned, physically embodied, and indeed fetishistic nature of Marx’s and Freud’s theories themselves. Challenging long-held assumptions about the nature of gods and theories, Matory offers a novel perspective on the social roots of these tandem African and European understandings of collective action, while illuminating the relationship of European social theory to the racism suffered by Africans and assimilated Jews alike. 
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Fevered Measures
Public Health and Race at the Texas-Mexico Border, 1848–1942
John Mckiernan-González
Duke University Press, 2012
In Fevered Measures, John Mckiernan-González examines public health campaigns along the Texas-Mexico border between 1848 and 1942 and reveals the changing medical and political frameworks U.S. health authorities used when facing the threat of epidemic disease. The medical borders created by these officials changed with each contagion and sometimes varied from the existing national borders. Federal officers sought to distinguish Mexican citizens from U.S. citizens, a process troubled by the deeply interconnected nature of border communities. Mckiernan-González uncovers forgotten or ignored cases in which Mexicans, Mexican Americans, African Americans, and other groups were subject to—and sometimes agents of—quarantines, inspections, detentions, and forced-treatment regimens. These cases illustrate the ways that medical encounters shaped border identities before and after the Mexican Revolution. Mckiernan-González also maintains that the threat of disease provided a venue to destabilize identity at the border, enacted processes of racialization, and re-legitimized the power of U.S. policymakers. He demonstrates how this complex history continues to shape and frame contemporary perceptions of the Latino body today.
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A Fictional Commons
Natsume Soseki and the Properties of Modern Literature
Michael K. Bourdaghs
Duke University Press, 2021
Modernity arrived in Japan, as elsewhere, through new forms of ownership. In A Fictional Commons, Michael K. Bourdaghs explores how the literary and theoretical works of Natsume Sōseki (1867–1916), widely celebrated as Japan's greatest modern novelist, exploited the contradictions and ambiguities that haunted this new system. Many of his works feature narratives about inheritance, thievery, and the struggle to obtain or preserve material wealth while also imagining alternative ways of owning and sharing. For Sōseki, literature was a means for thinking through—and beyond—private property. Bourdaghs puts Sōseki into dialogue with thinkers from his own era (including William James and Mizuno Rentarō, author of Japan’s first copyright law) and discusses how his work anticipates such theorists as Karatani Kōjin and Franco Moretti. As Bourdaghs shows, Sōseki both appropriated and rejected concepts of ownership and subjectivity in ways that theorized literature as a critical response to the emergence of global capitalism.
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Fictions of Land and Flesh
Blackness, Indigeneity, Speculation
Mark Rifkin
Duke University Press, 2019
In Fictions of Land and Flesh Mark Rifkin explores the impasses that arise in seeking to connect Black and Indigenous movements, turning to speculative fiction to understand those difficulties and envision productive ways of addressing them. Against efforts to subsume varied forms of resistance into a single framework in the name of solidarity, Rifkin argues that Black and Indigenous political struggles are oriented in distinct ways, following their own lines of development and contestation. Rifkin suggests how movement between the two can be approached as something of a speculative leap in which the terms and dynamics of one are disoriented in the encounter with the other. Futurist fiction provides a compelling site for exploring such disjunctions. Through analyses of works by Octavia Butler, Walter Mosley, Nalo Hopkinson, Melissa Tantaquidgeon Zobel, and others, the book illustrates how ideas about fungibility, fugitivity, carcerality, marronage, sovereignty, placemaking, and governance shape the ways Black and Indigenous intellectuals narrate the past, present, and future. In turning to speculative fiction, Rifkin illustrates how speculation as a process provides conceptual and ethical resources for recognizing difference while engaging across it.
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Fidel between the Lines
Paranoia and Ambivalence in Late Socialist Cuban Cinema
Laura-Zoë Humphreys
Duke University Press, 2019
In Fidel between the Lines Laura-Zoë Humphreys traces the changing dynamics of criticism and censorship in late socialist Cuba through a focus on cinema. Following the collapse of the Soviet Union, the Cuban state strategically relaxed censorship, attempting to contain dissent by giving it an outlet in the arts. Along with this shift, foreign funding and digital technologies gave filmmakers more freedom to criticize the state than ever before, yet these openings also exacerbated the political paranoia that has long shaped the Cuban public sphere. Drawing on ethnographic fieldwork, textual analysis, and archival research, Humphreys shows how Cuban filmmakers have historically turned to allegory to communicate an ambivalent relationship to the Revolution, and how such efforts came up against new forms of suspicion in the 1990s and the twenty-first century. Offering insights that extend beyond Cuba, Humphreys reveals what happens to public debate when freedom of expression can no longer be distinguished from complicity while demonstrating the ways in which combining anthropology with film studies can shed light on cinema's broader social and political import.
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The Fierce Urgency of Now
Improvisation, Rights, and the Ethics of Cocreation
Daniel Fischlin, Ajay Heble, and George Lipsitz
Duke University Press, 2013
The Fierce Urgency of Now links musical improvisation to struggles for social change, focusing on the connections between the improvisation associated with jazz and the dynamics of human rights struggles and discourses. The authors acknowledge that at first glance improvisation and rights seem to belong to incommensurable areas of human endeavor. Improvisation connotes practices that are spontaneous, personal, local, immediate, expressive, ephemeral, and even accidental, while rights refer to formal standards of acceptable human conduct, rules that are permanent, impersonal, universal, abstract, and inflexible. Yet the authors not only suggest that improvisation and rights can be connected; they insist that they must be connected.

Improvisation is the creation and development of new, unexpected, and productive cocreative relations among people. It cultivates the capacity to discern elements of possibility, potential, hope, and promise where none are readily apparent. Improvisers work with the tools they have in the arenas that are open to them. Proceeding without a written score or script, they collaborate to envision and enact something new, to enrich their experience in the world by acting on it and changing it. By analyzing the dynamics of particular artistic improvisations, mostly by contemporary American jazz musicians, the authors reveal improvisation as a viable and urgently needed model for social change. In the process, they rethink politics, music, and the connections between them.

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Fighting and Writing
The Rhodesian Army at War and Postwar
Luise White
Duke University Press, 2021
In Fighting and Writing Luise White brings the force of her historical insight to bear on the many war memoirs published by white soldiers who fought for Rhodesia during the 1964–1979 Zimbabwean liberation struggle. In the memoirs of white soldiers fighting to defend white minority rule in Africa long after other countries were independent, White finds a robust and contentious conversation about race, difference, and the war itself. These are writings by men who were ambivalent conscripts, generally aware of the futility of their fight—not brutal pawns flawlessly executing the orders and parroting the rhetoric of a racist regime. Moreover, most of these men insisted that the most important aspects of fighting a guerrilla war—tracking and hunting, knowledge of the land and of the ways of African society—were learned from black playmates in idealized rural childhoods. In these memoirs, African guerrillas never lost their association with the wild, even as white soldiers boasted of bringing Africans into the intimate spaces of regiment and regime.
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Fighting for Recognition
Identity, Masculinity, and the Act of Violence in Professional Wrestling
R. Tyson Smith
Duke University Press, 2014
In Fighting for Recognition, R. Tyson Smith enters the world of independent professional wrestling, a community-based entertainment staged in community centers, high school gyms, and other modest venues. Like the big-name, televised pro wrestlers who originally inspired them, indie wrestlers engage in choreographed fights in character. Smith details the experiences, meanings, and motivations of the young men who wrestle as "Lethal" or "Southern Bad Boy," despite receiving little to no pay and risking the possibility of serious and sometimes permanent injury. Exploring intertwined issues of gender, class, violence, and the body, he sheds new light on the changing sources of identity in a postindustrial society that increasingly features low wages, insecure employment, and fragmented social support. Smith uncovers the tensions between strength and vulnerability, pain and solidarity, and homophobia and homoeroticism that play out both backstage and in the ring as the wrestlers seek recognition from fellow performers and devoted fans.
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Figurations
Child, Bodies, Worlds
Claudia Castañeda
Duke University Press, 2002
Always in the process of becoming, inherently incomplete, the child is a remarkably malleable figure. In Figurations, Claudia Castañeda shows how this malleability is itself generated—how the child is "made" by different constituencies and how the resulting historically, geographically, and culturally specific figures are put to widely divergent uses, often to very powerful effect. Situated at the intersection of feminist, postcolonial, cultural, and science and technology studies, this book provides a remarkable map of the child's meaning and movement across transnational circuits of exchange.
Castañeda investigates the construction of the child as both a natural and cultural body, the character of its embodiment, and its imaginative appeal in various settings. The sites through which she tracks the bodily production and deployment of the child include nineteenth-century developmental science; cognitive neuroscience in the late twentieth century; international adoption; rumors and media coverage of child-organ stealing; and poststructuralist theory. Her work reveals the extent to which the child's cultural significance and value lie in its status as a body whose incompleteness makes it "available" for such varied uses. Figurations establishes the child as a key figure for understanding and rethinking the politics of nature, culture, bodies, and subjects in changing "global" worlds.
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Figures of Conversion
“The Jewish Question” and English National Identity
Michael Ragussis
Duke University Press, 1995
"I knew a Man, who having nothing but a summary Notion of Religion himself, and being wicked and profligate to the last Degree in his Life, made a thorough Reformation in himself, by labouring to convert a Jew."
—Daniel Defoe, The Farther Adventures of Robinson Crusoe (1719)

When the hero of Defoe’s novel listens skeptically to this anecdote related by a French Roman Catholic priest, he little suspects that in less than a century the conversion of the Jews would become nothing short of a national project—not in France but in England. In this book, Michael Ragussis explores the phenomenon of Jewish conversion—the subject of popular enthusiasm, public scandal, national debate, and dubbed "the English madness" by its critics—in Protestant England from the 1790s through the 1870s.
Moving beyond the familiar catalog of anti-Semitic stereotypes, Ragussis analyzes the rhetoric of conversion as it was reinvented by the English in sermons, stories for the young, histories of the Jews, memoirs by Jewish converts, and popular novels. Alongside these texts and the countertexts produced by English Jews, he situates such writers as Edgeworth, Scott, Disraeli, Arnold, Trollope, and Eliot within the debate over conversion and related issues of race, gender, and nation-formation. His work reveals how a powerful group of emergent cultural projects—including a revisionist tradition of the novel, the new science of ethnology, and the rewriting of European history—redefined English national identity in response to the ideology of conversion, the history of the Jews, and "the Jewish question."
Figures of Conversion offers an entirely new way of regarding Jewish identity in nineteenth-century British culture and will be of importance not only to literary scholars but also to scholars of Judaic and religious studies, history, and cultural studies.

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Figures of Ill Repute
Representing Prostitution in Nineteenth-Century France
Charles Bernheimer
Duke University Press
Ubiquitous in the streets and brothels of nineteenth-century Paris, the prostitute was even more so in the novels and paintings of the time. Charles Bernheimer discusses how these representations of the sexually available woman express male ambivalence about desire, money, class, and the body. Interweaving close textual analysis with historical anecdote and theoretical speculation, Bernheimer demonstrates how the formal properties of art can serve strategically to control anxious fantasies about female sexual power. Drawing on methods derived from cultural studies, psychoanalysis, social history, feminist theory, and narrative analysis, this interdisciplinary classic (available now for the first time in paperback) was awarded Honorable Mention in 1990 for the James Russell Lowell prize awarded by the Modern Language Association for the best book of criticism.
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Figures of Resistance
Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts
H. Richard Okada
Duke University Press, 1991
In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature.
Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author’s reading stratgey is based on the texts’ own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts.
Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture.
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Figures of Time
Affect and the Television of Preemption
Toni Pape
Duke University Press, 2019
Many contemporary television series from Modern Family to How to Get Away with Murder open an episode or season with a conflict and then go back in time to show how that conflict came to be. In Figures of Time Toni Pape examines these narratives, showing how these leaps in time create aesthetic experiences of time that attune their audiences to the political doctrine of preemption—a logic that justifies preemptive action to nullify a perceived future threat. Examining questions of temporality in Life on Mars, the political ramifications of living under the auspices of a catastrophic future in FlashForward, and how Damages disrupts the logic of preemption, Pape shows how television helps shift political culture away from a model of rational deliberation and representation toward a politics of preemption and conformity. Exposing the mechanisms through which television supports a fear-based politics, Pape contends, will allow for the rechanneling of television's affective force into building a more productive and positive politics.
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Film Blackness
American Cinema and the Idea of Black Film
Michael Boyce Gillespie
Duke University Press, 2016
In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.
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Financial Derivatives and the Globalization of Risk
Edward LiPuma and Benjamin Lee
Duke University Press, 2005
The market for financial derivatives is far and away the largest and most powerful market in the world, and it is growing exponentially. In 1970 the yearly valuation of financial derivatives was only a few million dollars. By 1980 the sum had swollen to nearly one hundred million dollars. By 1990 it had climbed to almost one hundred billion dollars, and in 2000 it approached one hundred trillion. Created and sustained by a small number of European and American banks, corporations, and hedge funds, the derivatives market has an enormous impact on the economies of nations—particularly poorer nations—because it controls the price of money. Derivatives bought and sold by means of computer keystrokes in London and New York affect the price of food, clothing, and housing in Johannesburg, Kuala Lumpur, and Buenos Aires. Arguing that social theorists concerned with globalization must familiarize themselves with the mechanisms of a world economy based on the rapid circulation of capital, Edward LiPuma and Benjamin Lee offer a concise introduction to financial derivatives.

LiPuma and Lee explain how derivatives are essentially wagers—often on the fluctuations of national currencies—based on models that aggregate and price risk. They describe how these financial instruments are changing the face of capitalism, undermining the power of nations and perpetrating a new and less visible form of domination on postcolonial societies. As they ask: How does one know about, let alone demonstrate against, an unlisted, virtual, offshore corporation that operates in an unregulated electronic space using a secret proprietary trading strategy to buy and sell arcane financial instruments? LiPuma and Lee provide a necessary look at the obscure but consequential role of financial derivatives in the global economy.

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Financial Missionaries to the World
The Politics and Culture of Dollar Diplomacy, 1900–1930
Emily S. Rosenberg
Duke University Press, 2003
Winner of the Society for Historians of American Foreign Relations Robert H. Ferrell Book Prize

Financial Missionaries to the World establishes the broad scope and significance of "dollar diplomacy"—the use of international lending and advising—to early-twentieth-century U.S. foreign policy. Combining diplomatic, economic, and cultural history, the distinguished historian Emily S. Rosenberg shows how private bank loans were extended to leverage the acceptance of American financial advisers by foreign governments. In an analysis striking in its relevance to contemporary debates over international loans, she reveals how a practice initially justified as a progressive means to extend “civilization” by promoting economic stability and progress became embroiled in controversy. Vocal critics at home and abroad charged that American loans and financial oversight constituted a new imperialism that fostered exploitation of less powerful nations. By the mid-1920s, Rosenberg explains, even early supporters of dollar diplomacy worried that by facilitating excessive borrowing, the practice might induce the very instability and default that it supposedly worked against.

"[A] major and superb contribution to the history of U.S. foreign relations. . . . [Emily S. Rosenberg] has opened up a whole new research field in international history."—Anders Stephanson, Journal of American History

"[A] landmark in the historiography of American foreign relations."—Melvyn P. Leffler, author of A Preponderence of Power: National Security, the Truman Administration, and the Cold War

"Fascinating."—Christopher Clark, Times Literary Supplement

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Financing State and Local Economic Development
Michael Barker, ed.
Duke University Press, 1983
The contributors discuss alternative methods of financing state and local economic development, including the role of venture capital in urban development, the role of banking institutions in encouraging the growth of small business, and the place of pension funds in economic growth.
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Finding the Movement
Sexuality, Contested Space, and Feminist Activism
Finn Enke
Duke University Press, 2007
In Finding the Movement, Anne Enke reveals that diverse women’s engagement with public spaces gave rise to and profoundly shaped second-wave feminism. Focusing on women’s activism in Detroit, Chicago, and Minneapolis-St. Paul during the 1960s and 1970s, Enke describes how women across race and class created a massive groundswell of feminist activism by directly intervening in the urban landscape. They secured illicit meeting spaces and gained access to public athletic fields. They fought to open bars to women and abolish gendered dress codes and prohibitions against lesbian congregation. They created alternative spaces, such as coffeehouses, where women could socialize and organize. They opened women-oriented bookstores, restaurants, cafes, and clubs, and they took it upon themselves to establish women’s shelters, health clinics, and credit unions in order to support women’s bodily autonomy.

By considering the development of feminism through an analysis of public space, Enke expands and revises the historiography of second-wave feminism. She suggests that the movement was so widespread because it was built by people who did not identify themselves as feminists as well as by those who did. Her focus on claims to public space helps to explain why sexuality, lesbianism, and gender expression were so central to feminist activism. Her spatial analysis also sheds light on hierarchies within the movement. As women turned commercial, civic, and institutional spaces into sites of activism, they produced, as well as resisted, exclusionary dynamics.

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The Fine Art of Persuasion
Corporate Advertising Design, Nation, and Empire in Modern Japan
Gennifer Weisenfeld
Duke University Press, 2025

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Finite Media
Environmental Implications of Digital Technologies
Sean Cubitt
Duke University Press, 2017
While digital media give us the ability to communicate with and know the world, their use comes at the expense of an immense ecological footprint and environmental degradation. In Finite Media Sean Cubitt offers a large-scale rethinking of theories of mediation by examining the environmental and human toll exacted by mining and the manufacture, use, and disposal of millions of phones, computers, and other devices. The way out is through an eco-political media aesthetics, in which people use media to shift their relationship to the environment and where public goods and spaces are available to all. Cubitt demonstrates this through case studies ranging from the 1906 film The Story of the Kelly Gang to an image of Saturn taken during NASA's Cassini-Huygens mission, suggesting that affective responses to images may generate a populist environmental politics that demands better ways of living and being. Only by reorienting our use of media, Cubitt contends, can we overcome the failures of political elites and the ravages of capital.
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Fire Dreams
Making Black Feminist Liberation in the South
Laura McTighe, with Women With A Vision
Duke University Press, 2024
For thirty-five years, the New Orleans-based Black feminist collective Women With A Vision (WWAV) has fought for the liberation of their communities through reproductive justice, harm reduction, abolition feminism, racial justice, and sex workers' rights. In 2012, shortly after one of WWAV's biggest organizing victories, arsonists firebombed and destroyed their headquarters. Fire Dreams is an innovative collaboration between WWAV and Laura McTighe, who work in community to build a social movement ethnography of the organization’s post-arson rebirth. Rooting WWAV in the geography of the South and the living history of generations of Black feminist thinkers, McTighe and WWAV weave together stories from their founders’ pioneering work during the Black HIV/AIDS crisis in the 1980s and their groundbreaking organizing to end criminalization in the aftermath of Hurricane Katrina---with other movements for liberation as accomplices. Together, the authors refuse the logics of racial capitalism and share WWAV’s own world-building knowledges, as well as their methods for living these Black feminist futures now. Fire Dreams is a vital toolkit for grassroots organizers, activist-scholars, and all those who dream to make the world otherwise.
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The First Anglo-Afghan Wars
A Reader
Antoinette Burton, ed.
Duke University Press, 2014
Designed for classroom use, The First Anglo-Afghan Wars gathers in one volume primary source materials related to the first two wars that Great Britain launched against native leaders of the Afghan region. From 1839 to 1842, and again from 1878 to 1880, Britain fought to expand its empire and prevent Russian expansion into the region's northwest frontier, which was considered the gateway to India, the jewel in Victorian Britain's imperial crown. Spanning from 1817 to 1919, the selections reflect the complex national, international, and anticolonial interests entangled in Central Asia at the time. The documents, each of which is preceded by a brief introduction, bring the nineteenth-century wars alive through the opinions of those who participated in or lived through the conflicts. They portray the struggle for control of the region from the perspectives of women and non-Westerners, as well as well-known figures including Kipling and Churchill. Filled with military and civilian voices, the collection clearly demonstrates the challenges that Central Asia posed to powers attempting to secure and claim the region. It is a cautionary tale, unheeded by Western powers in the post–9/11 era.
 
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The First Woman in the Republic
A Cultural Biography of Lydia Maria Child
Carolyn L. Karcher
Duke University Press, 1998
For half a century Lydia Maria Child was a household name in the United States. Hardly a sphere of nineteenth-century life can be found in which Lydia Maria Child did not figure prominently as a pathbreaker. Although best known today for having edited Harriet A. Jacobs’s Incidents in the Life of a Slave Girl, she pioneered almost every department of nineteenth-century American letters—the historical novel, the short story, children’s literature, the domestic advice book, women’s history, antislavery fiction, journalism, and the literature of aging. Offering a panoramic view of a nation and culture in flux, this innovative cultural biography (originally published by Duke University Press in 1994) recreates the world as well as the life of a major nineteenth-figure whose career as a writer and social reformer encompassed issues central to American history.
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Fitness Fiesta!
Selling Latinx Culture through Zumba
Petra R. Rivera-Rideau
Duke University Press, 2024
As a fitness brand, Zumba Fitness has cultivated a devoted fan base of fifteen million participants spread across 180 countries. In Fitness Fiesta! Petra R. Rivera-Rideau analyzes how Zumba uses Latin music and dance to create and sell a vision of Latinness that’s tropical, hypersexual, and party-loving. Rivera-Rideau focuses on the five tropes that the Zumba brand uses to create this Latinness: authenticity, fiesta, fun, dreams, and love. Closely examining videos, ads, memes, and press coverage as well as interviews she conducted with instructors, Rivera-Rideau traces how Zumba Fitness constructs its ideas of Latinx culture by carefully balancing a longing for apparent authenticity with a homogenization of a marketable “south of the border”-style vacation. She shows how Zumba Fitness claims to celebrate Latinx culture and diversity while it simultaneously traffics in the same racial and ethnic stereotypes that are used to justify racist and xenophobic policies targeting Latinx communities in the United States. In so doing, Rivera-Rideau demonstrates not only the complex relationship between Latinidad and neoliberal, postracial America, but what that means for the limits and possibilities of multicultural citizenship today.
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Five Banners
Inside the Duke Basketball Dynasty
John Feinstein
Duke University Press, 2024
On an early morning in 1983, after the worst loss of his career (109-66 against Virginia) amid the cries of powerful athletics boosters calling for him to be fired, Duke men’s basketball coach Mike Krzyzewski went to breakfast at 2:00 a.m. to vent with friends. Sports journalist and Duke alumnus John Feinstein was at the table. For Coach K, "the night at Denny’s” would mark a turning point in his career and for the team, and eight years later, the Blue Devils would win the first NCAA national championship in school history.

In Five Banners, Feinstein tells the inside history of Coach K’s forty-two-year career at Duke and the five NCAA championships, from the first against Kansas in 1991 to the most recent in 2015 against Wisconsin. With unparalleled access to Coach K, the team, and its staff, Feinstein takes readers on a mesmerizing ride into the locker room and onto the court. Full of intimate details, personal memories, and previously untold on- and off-court stories, it is a book that only Feinstein could write.

Feinstein explores a basketball legacy that begins with his days as an undergrad Duke Chronicle reporter covering coaches Bucky Waters and Neill McGeachy (who went 12-26 in one year as head coach), includes the “drought years” of the 1980s, the glory of the teams of the 1990’s, and moves into the present day with John Scheyer’s succession. Drawing on new interviews, Feinstein highlights the voices of Grant Hill, Nolan Smith, Christian Laettner, Tommy Amaker, and Bobby Hurley, who each bring new insights into the championship years. 

Throughout, Feinstein unveils the momentous force of college basketball as a game of intense relationships and intimate conversations. Candid, revelatory, and engrossing, Five Banners is an essential book for all Duke fans and anyone who loves the college game.
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Five Faces of Modernity
Modernism, Avant-garde, Decadence, Kitsch, Postmodernism
Matei Calinescu
Duke University Press, 1987
Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: modernity, avant-garde, decadence, kitsch, and postmodernism. The concept of modernity—the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours—is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise.
Five Faces of Modernity attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as classicism, baroque, romanticism, realism, or symbolism and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.
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The Fixer
Visa Lottery Chronicles
Charles Piot with Kodjo Nicolas Batema
Duke University Press, 2019
In the West African nation of Togo, applying for the U.S. Diversity Visa Lottery is a national obsession, with hundreds of thousands of Togolese entering each year. From the street frenzy of the lottery sign-up period and the scramble to raise money for the embassy interview to the gamesmanship of those adding spouses and dependents to their dossiers, the application process is complicated, expensive, and unpredictable. In The Fixer Charles Piot follows Kodjo Nicolas Batema, a Togolese visa broker—known as a “fixer”—as he shepherds his clients through the application and interview process. Relaying the experiences of the fixer, his clients, and embassy officials, Piot captures the ever-evolving cat-and-mouse game between the embassy and the hopeful Togolese as well as the disappointments and successes of lottery winners in the United States. These detailed and compelling stories uniquely illustrate the desire and savviness of migrants as they work to find what they hope will be a better life.
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Fixin to Git
One Fan's Love Affair with NASCAR's Winston Cup
Jim Wright
Duke University Press, 2002
In the past twenty years, big-time stock-car racing has become America’s fastest growing spectator sport. Winston Cup races draw larger audiences—at the tracks and on television—than any other sport, and drivers like Dale Jarrett, Jeff Gordon, and Mark Martin have become cultural icons whose endorsements command millions. What accounts for NASCAR’s surging popularity?
For years a “closeted” NASCAR fan, Professor Jim Wright took advantage of a sabbatical in 1999 to attend stock-car races at seven of the Winston Cup’s legendary venues: Daytona, Indianapolis, Darlington, Charlotte, Richmond, Atlanta, and Talladega. The “Fixin’ to Git Road Tour” resulted in this book—not just a travelogue of Wright’s year at the races, but a fan’s valentine to the spectacle, the pageantry, and the subculture of Winston Cup racing.
Wright busts the myth that NASCAR is a Southern sport and takes on critics who claim that there’s nothing to racing but “drive fast, turn left,” revealing the skill, mental acuity, and physical stamina required by drivers and their crews. Mostly, though, he captures the experience of loyal NASCAR fans like himself, describing the drama in the grandstands—and in the bars, restaurants, parking lots, juke joints, motels, and campgrounds where race fans congregate. He conveys the rich, erotic sensory overload—the sights, the sounds, the smells, the feel—of weekends at the Winston Cup race tracks.
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Fixing Sex
Intersex, Medical Authority, and Lived Experience
Katrina Karkazis
Duke University Press, 2008
What happens when a baby is born with “ambiguous” genitalia or a combination of “male” and “female” body parts? Clinicians and parents in these situations are confronted with complicated questions such as whether a girl can have XY chromosomes, or whether some penises are “too small” for a male sex assignment. Since the 1950s, standard treatment has involved determining a sex for these infants and performing surgery to normalize the infant’s genitalia. Over the past decade intersex advocates have mounted unprecedented challenges to treatment, offering alternative perspectives about the meaning and appropriate medical response to intersexuality and driving the field of those who treat intersex conditions into a deep crisis. Katrina Karkazis offers a nuanced, compassionate picture of these charged issues in Fixing Sex, the first book to examine contemporary controversies over the medical management of intersexuality in the United States from the multiple perspectives of those most intimately involved.

Drawing extensively on interviews with adults with intersex conditions, parents, and physicians, Karkazis moves beyond the heated rhetoric to reveal the complex reality of how intersexuality is understood, treated, and experienced today. As she unravels the historical, technological, social, and political forces that have culminated in debates surrounding intersexuality, Karkazis exposes the contentious disagreements among theorists, physicians, intersex adults, activists, and parents—and all that those debates imply about gender and the changing landscape of intersex management. She argues that by viewing intersexuality exclusively through a narrow medical lens we avoid much more difficult questions. Do gender atypical bodies require treatment? Should physicians intervene to control the “sex” of the body? As this illuminating book reveals, debates over treatment for intersexuality force reassessment of the seemingly natural connections between gender, biology, and the body.

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Flame Wars
The Discourse of Cyberculture
Mark Dery
Duke University Press, 1994
"Flame Wars," the verbal firefights that take place between disembodied combatants on electronic bulletin boards, remind us that our interaction with the world is increasingly mediated by computers. Bit by digital bit we are being "Borged," as devotees of Star Trek: The Next Generation would have it—transformed into cyborgian hybrids of technology and biology through our ever more frequent interaction with machines, or with one another through technological interfaces.
The subcultural practices of the "incurably informed," to borrow the cyberpunk novelist Pat Cadigan’s coinage, offer a precognitive glimpse of mainstream culture in the near future, when many of us will be part-time residents in virtual communities. Yet, as the essays in this expanded edition of a special issue of the South Atlantic Quarterly confirm, there is more to fringe computer culture than cyberspace. Within these pages, readers will encounter flame warriors; new age mutant ninja hackers; technopagans for whom the computer is an occult engine; and William Gibson’s "Agrippa," a short story on software that can only be read once because it gobbles itself up as soon as the last page is reached. Here, too, is Lady El, an African American cleaning woman reincarnated as an all-powerful cyborg; devotees of on-line swinging, or "compu-sex"; the teleoperated weaponry and amok robots of the mechanical performance art group, Survival Research Laboratories; an interview with Samuel Delany, and more.
Rallying around Fredric Jameson’s call for a cognitive cartography that "seeks to endow the individual subject with some new heightened sense of place in the global system," the contributors to Flame Wars have sketched a corner of that map, an outline for a wiring diagram of a terminally wired world.

Contributors. Anne Balsamo, Gareth Branwyn, Scott Bukatman, Pat Cadigan, Gary Chapman, Erik Davis, Manuel De Landa, Mark Dery, Julian Dibbell, Marc Laidlaw, Mark Pauline, Peter Schwenger, Vivian Sobchack, Claudia Springer

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The Flash of Capital
Film and Geopolitics in Japan
Eric Cazdyn
Duke University Press, 2002
The Flash of Capital analyzes the links between Japan’s capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where film and the nation transcend their customary borders—where culture and capital crisscross—and, in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.
Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical moment—tensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical.
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Flexible Citizenship
The Cultural Logics of Transnationality
Aihwa Ong
Duke University Press, 1999
Few recent phenomena have proved as emblematic of our era, and as little understood, as globalization. Are nation-states being transformed by globalization into a single globalized economy? Do global cultural forces herald a postnational millennium? Tying ethnography to structural analysis, Flexible Citizenship explores such questions with a focus on the links between the cultural logics of human action and on economic and political processes within the Asia-Pacific, including the impact of these forces on women and family life.
Explaining how intensified travel, communications, and mass media have created a transnational Chinese public, Aihwa Ong argues that previous studies have mistakenly viewed transnationality as necessarily detrimental to the nation-state and have ignored individual agency in the large-scale flow of people, images, and cultural forces across borders. She describes how political upheavals and global markets have induced Asian investors, in particular, to blend strategies of migration and of capital accumulation and how these transnational subjects have come to symbolize both the fluidity of capital and the tension between national and personal identities. Refuting claims about the end of the nation-state and about “the clash of civilizations,” Ong presents a clear account of the cultural logics of globalization and an incisive contribution to the anthropology of Asia-Pacific modernity and its links to global social change.
This pioneering investigation of transnational cultural forms will appeal to those in anthropology, globalization studies, postcolonial studies, history, Asian studies, Marxist theory, and cultural studies.


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A Flock Divided
Race, Religion, and Politics in Mexico, 1749–1857
Matthew D. O Hara
Duke University Press, 2010
Catholicism, as it developed in colonial Mexico, helped to create a broad and remarkably inclusive community of Christian subjects, while it also divided that community into countless smaller flocks. Taking this contradiction as a starting point, Matthew D. O’Hara describes how religious thought and practice shaped Mexico’s popular politics. As he shows, religion facilitated the emergence of new social categories and modes of belonging in which individuals—initially subjects of the Spanish crown, but later citizens and other residents of republican Mexico—found both significant opportunities for improving their place in society and major constraints on their ways of thinking and behaving.

O’Hara focuses on interactions between church authorities and parishioners from the late-colonial era into the early-national period, first in Mexico City and later in the surrounding countryside. Paying particular attention to disputes regarding caste status, the category of “Indian,” and the ownership of property, he demonstrates that religious collectivities from neighborhood parishes to informal devotions served as complex but effective means of political organization for plebeians and peasants. At the same time, longstanding religious practices and ideas made colonial social identities linger into the decades following independence, well after republican leaders formally abolished the caste system that classified individuals according to racial and ethnic criteria. These institutional and cultural legacies would be profound, since they raised fundamental questions about political inclusion and exclusion precisely when Mexico was trying to envision and realize new forms of political community. The modes of belonging and organizing created by colonialism provided openings for popular mobilization, but they were always stalked by their origins as tools of hierarchy and marginalization.

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The Florida Room
Alexandra T. Vazquez
Duke University Press, 2022
In The Florida Room Alexandra T. Vazquez listens to the music and history of Miami to offer a lush story of place and people, movement and memory, dispossession and survival. She transforms the “Florida room”—an actual architectural phenomenon—into a vibrant spatial imaginary for Miami’s musical cultures and everyday life. Drawing on songs, ephemera, and oral histories from artists, families, and inheritors of their traditions, Vazquez hears Miami as a city that has long been shaped by Indigenous Florida, the Bahamas, the Caribbean, and southern Georgia. She draws connections between seemingly disparate artists, sounds, and stories, from singer Gwen McCrae to pirate radio innovator DJ Uncle Al, from the Miccosukee rock band Tiger Tiger to the Cuban-American songwriter Desmond Child, among the percussionists Dafnis Prieto, Obed Calvaire, and Yosvany Terry, and through the notes of Eloise Lewis, Betty Wright, and the Miami Bass group Anquette. By listening to musical collaborations and ancestral ties across place and time, Vazquez brings together formal musical details, the histories of people and locations they hold, and the aesthetic traditions transformed inside them.
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The Flower and the Scorpion
Sexuality and Ritual in Early Nahua Culture
Pete Sigal
Duke University Press, 2011
Prior to the Spanish conquest, the Nahua indigenous peoples of central Mexico did not have a notion of “sex” or “sexuality” equivalent to the sexual categories developed by colonial society or those promoted by modern Western peoples. In this innovative ethnohistory, Pete Sigal seeks to shed new light on Nahua concepts of the sexual without relying on the modern Western concept of sexuality. Along with clerical documents and other Spanish sources, he interprets the many texts produced by the Nahua. While colonial clerics worked to impose Catholic beliefs—particularly those equating sexuality and sin—on the indigenous people they encountered, the process of cultural assimilation was slower and less consistent than scholars have assumed. Sigal argues that modern researchers of sexuality have exaggerated the power of the Catholic sacrament of confession to change the ways that individuals understood themselves and their behaviors. At least until the mid-seventeenth century, when increased contact with the Spanish began to significantly change Nahua culture and society, indigenous peoples, particularly commoners, related their sexual lives and imaginations not just to concepts of sin and redemption but also to pleasure, seduction, and rituals of fertility and warfare.
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Fluent Bodies
Ayurvedic Remedies for Postcolonial Imbalance
Jean M. Langford
Duke University Press, 2002
Fluent Bodies examines the modernization of the indigenous healing practice, Ayurveda, in India. Combining contemporary ethnography with a study of key historical moments as glimpsed through early-twentieth-century texts, Jean M. Langford argues that as Ayurveda evolved from an eclectic set of healing practices into a sign of Indian national culture, it was reimagined as a healing force not simply for bodily disorders but for colonial and postcolonial ills.
Interweaving theory with narrative, Langford explores the strategies of contemporary practitioners who reconfigure Ayurvedic knowledge through institutions and technologies such as hospitals, anatomy labs, clinical trials, and sonograms. She shows how practitioners appropriate, transform, or circumvent the knowledge practices implicit in these institutions and technologies, destabilizing such categories as medicine, culture, science, symptom, and self, even as they deploy them in clinical practice. Ultimately, this study points to the future of Ayurveda in a transnational era as a remedy not only for the wounds of colonialism but also for an imagined cultural emptiness at the heart of global modernity.
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Fluid New York
Cosmopolitan Urbanism and the Green Imagination
May Joseph
Duke University Press, 2013
Hurricane Sandy was a fierce demonstration of the ecological vulnerability of New York, a city of islands. Yet the storm also revealed the resilience of a metropolis that has started during the past decade to reckon with its aqueous topography. In Fluid New York, May Joseph describes the many ways that New York, and New Yorkers, have begun to incorporate the city's archipelago ecology into plans for a livable and sustainable future. For instance, by cleaning its tidal marshes, the municipality has turned a previously dilapidated waterfront into a space for public leisure and rejuvenation.

Joseph considers New York's relation to the water that surrounds and defines it. Her reflections reach back to the city's heyday as a world-class port—a past embodied in a Dutch East India Company cannon recently unearthed from the rubble at the World Trade Center site—and they encompass the devastation caused by Hurricane Sandy in 2012. They suggest that New York's future lies in the reclamation of its great water resources—for artistic creativity, civic engagement, and ecological sustainability.

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Flyboy 2
The Greg Tate Reader
Greg Tate
Duke University Press, 2016
Since launching his career at the Village Voice in the early 1980s Greg Tate has been one of the premiere critical voices on contemporary Black music, art, literature, film, and politics. Flyboy 2 provides a panoramic view of the past thirty years of Tate's influential work. Whether interviewing Miles Davis or Ice Cube, reviewing an Azealia Banks mixtape or Suzan-Lori Parks's Topdog/Underdog, discussing visual artist Kara Walker or writer Clarence Major, or analyzing the ties between Afro-futurism, Black feminism, and social movements, Tate's resounding critical insights illustrate how race, gender, and class become manifest in American popular culture. Above all, Tate demonstrates through his signature mix of vernacular poetics and cultural theory and criticism why visionary Black artists, intellectuals, aesthetics, philosophies, and politics matter to twenty-first-century America. 
 
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