front cover of Our Americas
Our Americas
Political and Cultural Imaginings, Volume 2004
Sandhya Shukla and Heidi Tinsman, eds.
Duke University Press
Named 2004 Best Special Issue by the Council of Editors of Learned Journals

This special issue of Radical History Review takes as its inspiration Cuban writer and revolutionary José Martí’s famous 1891 essay “Our America.” Focusing on Martí’s appropriation of the term “America”—used to refer to a transnational, regional project of solidarity in Latin America and to suggest a new epistemology that challenged the ideologies underpinning U.S. imperialism—Our Americas: Political and Cultural Imaginings investigates the highly contested concept of “the Americas” as it has been defined and deployed in differing strategic and politically informed ways across history. The issue is dedicated to probing the transnational political and social possibilities that emerge when the discursive boundaries established by fields such as “Latin American studies” and “American studies”—as well as the geopolitical boundaries drawn during the colonial era—are expanded or transgressed.

Drawing on history, cultural anthropology, literary criticism, and memoirs, the works in this collection, gathered from contributors from an array of geographic locales, seek to integrate “Latin America,” “North America,” “the Caribbean,” and other regions. Striving to move beyond a simple joining of “Latin America” and the United States, the transnational concept of “the Americas” is explored and complicated through essays that examine the contrasting visions of Latin American independence embodied in the writings of revolutionaries from different nations; discuss the ramifications of a political treaty that institutionalized a separation between Mexico and the United States; deconstruct the exclusionary discourses of U.S. nationalism; and expose the ways in which institutionalized racism and homophobia are roadblocks to social and political solidarity in Latin America. In discussion forums, contributors plumb the history and current relevance of the concept of “Latin America” for intellectual, social, and political work and address the unique challenges facing those who seek to teach “the Americas.”

Contributors. Arturo Arias, John Beck, John D. Blanco, Nestor Garcia Canclini, Patricio Del Real, Ian Christopher Fletcher, Paul Giles, Salah D. Hassan, Martin Hopenhayn, Aisha Khan, R. J. Lambrose, Ian Lekus, Kate Masur, Enrique C. Ochoa, Diana Paton, Rossana Reguillo, Gemma Robinson, Aimee Carillo Rowe, Maria Josefina Saldana-Portillo, Sandhya Shukla, Heidi Tinsman, Carlos E. Bojorquez Urzaiz

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Our Caribbean
A Gathering of Lesbian and Gay Writing from the Antilles
Thomas Glave, ed.
Duke University Press, 2008
The first book of its kind, Our Caribbean is an anthology of lesbian and gay writing from across the Antilles. The author and activist Thomas Glave has gathered outstanding fiction, nonfiction, memoir, and poetry by little-known writers together with selections by internationally celebrated figures such as José Alcántara Almánzar, Reinaldo Arenas, Dionne Brand, Michelle Cliff, Audre Lorde, Achy Obejas, and Assotto Saint. The result is an unprecedented literary conversation on gay, lesbian, bisexual, and transgendered experiences throughout the Caribbean and its far-flung diaspora. Many selections were originally published in Spanish, Dutch, or creole languages; some are translated into English here for the first time.

The thirty-seven authors hail from the Bahamas, Barbados, Cuba, the Dominican Republic, Grenada, Guyana, Haiti, Jamaica, Panama, Puerto Rico, St. Vincent, St. Kitts, Suriname, and Trinidad. Many have lived outside the Caribbean, and their writing depicts histories of voluntary migration as well as exile from repressive governments, communities, and families. Many pieces have a political urgency that reflects their authors’ work as activists, teachers, community organizers, and performers. Desire commingles with ostracism and alienation throughout: in the evocative portrayals of same-sex love and longing, and in the selections addressing religion, family, race, and class. From the poem “Saturday Night in San Juan with the Right Sailors” to the poignant narrative “We Came All the Way from Cuba So You Could Dress Like This?” to an eloquent call for the embrace of difference that appeared in the Nassau Daily Tribune on the eve of an anti-gay protest, Our Caribbean is a brave and necessary book.

Contributors: José Alcántara Almánzar, Aldo Alvarez, Reinaldo Arenas, Rane Arroyo, Jesús J. Barquet, Marilyn Bobes, Dionne Brand, Timothy S. Chin, Michelle Cliff, Wesley E. A. Crichlow,
Mabel Rodríguez Cuesta, Ochy Curiel, Faizal Deen, Pedro de Jesús, R. Erica Doyle, Thomas Glave,
Rosamond S. King, Helen Klonaris, Lawrence La Fountain-Stokes, Audre Lorde, Shani Mootoo,
Anton Nimblett, Achy Obejas, Leonardo Padura Fuentes, Virgilio Piñera, Patricia Powell, Kevin Everod Quashie, Juanita Ramos, Colin Robinson, Assotto Saint, Andrew Salkey, Lawrence Scott,
Makeda Silvera, H. Nigel Thomas, Rinaldo Walcott, Gloria Wekker, Lawson Williams

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front cover of Our Own Way in This Part of the World
Our Own Way in This Part of the World
Biography of an African Community, Culture, and Nation
Kwasi Konadu
Duke University Press, 2019
Kofi Dᴐnkᴐ was a blacksmith and farmer, as well as an important healer, intellectual, spiritual leader, settler of disputes, and custodian of shared values for his Ghanaian community. In Our Own Way in This Part of the World Kwasi Konadu centers Dᴐnkᴐ's life story and experiences in a communography of Dᴐnkᴐ's community and nation from the late nineteenth century through the end of the twentieth, which were shaped by historical forces from colonial Ghana's cocoa boom to decolonization and political and religious parochialism. Although Dᴐnkᴐ touched the lives of thousands of citizens and patients, neither he nor they appear in national or international archives covering the region. Yet his memory persists in his intellectual and healing legacy, and the story of his community offers a non-national, decolonized example of social organization structured around spiritual forces that serves as a powerful reminder of the importance for scholars to take their cues from the lived experiences and ideas of the people they study.
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Our Veterans
Winners, Losers, Friends, and Enemies on the New Terrain of Veterans Affairs
Suzane Gordon, Steve Early, and Jasper Craven
Duke University Press, 2022
In Our Veterans, Suzanne Gordon, Steve Early, and Jasper Craven explore the physical, emotional, social, economic, and psychological impact of military service and the problems that veterans face when they return to civilian life. The authors critically examine the role of advocacy organizations, philanthropies, corporations, and politicians who purport to be “pro-veteran.” They describe the ongoing debate about the cost, quality, and effectiveness of healthcare provided or outsourced by the Department of Veterans Affairs (VA). They also examine generational divisions and political tensions among veterans, as revealed in the tumultuous events of 2020, from Black Lives Matter protests to the Trump-Biden presidential contest. Frank and revealing, Our Veterans proposes a new agenda for veterans affairs linking service provision to veterans to the quest for broader social programs benefiting all Americans.
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Out Front
Lesbians, Gays, and the Struggle for Workplace Rights, Volume 17
Patrick McCreery and Kitty Krupat, eds.
Duke University Press
The contributors to Out Front take a hard look at the emergent relationship between sexual politics and the labor movement. With a fundamental focus on the relationship between class and social identity, they explore real and potential connections between the gay rights and labor movements. Encompassing a range of political issues concerning rights and representation, the essays have been shaped by the combined influences of trade unionism and identity politics of New Left social movements.
In their examinations of worker and gay rights, the scholars, artists, and activists who speak in this volume argue that neither the labor movement nor the gay rights movement will make substantial progress without a deeper understanding of the connections between identity politics and class. Included is a major policy statement by AFL-CIO president John J. Sweeney. Four other labor leaders—Bill Fletcher Jr., Yvette Hererra, Gloria Johnson, and Van Allen Sheets—discuss homophobia as “labor’s new frontier.” Nikhil Pal Singh’s conversation with lesbian activist Amber Hollibaugh and a virtuoso piece by filmmaker Tami Gold offer incisive personal histories and commentaries, which Cathy J. Cohen takes the mainstream gay and lesbian movement to task for not adequately or consistently focusing on issues of class.

Contributors. Cathy J. Cohen, Bill Fletcher Jr., Tami Gold, Yvette Herrera, Amber Hollibaugh, Gloria Johnson, Kitty Krupat, Patrick McCreery, Van Allen Sheets, Nikhal Pal Singh, John J. Sweeney

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Out in Culture
Gay, Lesbian and Queer Essays on Popular Culture
Corey K. Creekmur and Alexander Doty, eds.
Duke University Press, 1995
Out in Culture charts some of the ways in which lesbians, gays, and queers have understood and negotiated the pleasures and affirmations, as well as the disappointments, of mass culture. The essays collected here, combining critical and theoretical works from a cross-section of academics, journalists, and artists, demonstrate a rich variety of gay and lesbian approaches to film, television, popular music, and fashion. This wide-ranging anthology is the first to juxtapose pioneering work in gay and lesbian media criticism with recent essays in contemporary queer cultural studies.
Uniquely accessible, Out in Culture presents such popular writers as B. Ruby Rich, Essex Hemphill, and Michael Musto as well as influential critics such as Richard Dyer, Chris Straayer, and Julia Lesage, on topics ranging from the queer careers of Agnes Moorehead and Pee Wee Herman to the cultural politics of gay drag, lesbian style, the visualization of AIDS, and the black snap! queen experience. Of particular interest are two "dossiers," the first linking essays on the queer content of Alfred Hitchcock’s films, and the second on the production and reception of popular music within gay and lesbian communities. The volume concludes with an extensive bibliography—the most comprehensive currently available—of sources in gay, lesbian, and queer media criticism.
Out in Culture explores the distinctive and original ways in which gays, lesbians, and queers have experienced, appropriated, and resisted the images and artifacts of popular culture. This eclectic anthology will be of interest to a broad audience of general readers and scholars interested in gay and lesbian issues; students of film, media, gender, and cultural studies; and those interested in the emerging field of queer theory.

Contributors. Sabrina Barton, Edith Becker, Rhona J. Berenstein, Nayland Blake, Michelle Citron, Danae Clark, Corey K. Creekmur, Alexander Doty, Richard Dyer, Heather Findlay, Jan Zita Grover, Essex Hemphill, John Hepworth, Jeffrey Hilbert, Lucretia Knapp, Bruce La Bruce, Al LaValley, Julia Lesage, Michael Moon, Michael Musto, B. Ruby Rich, Marlon Riggs, Arlene Stein, Chris Straayer, Anthony Thomas, Mark Thompson, Valerie Traub, Thomas Waugh, Patricia White, Robin Wood

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Out of Context
Historical Reference and the Representation of Reality in Borges
Daniel Balderston
Duke University Press, 1993
In Jorge Luis Borges's finely wrought, fantastic stories, so filigreed with strange allusions, critics have consistently found little to relate to the external world, to history--in short, to reality. Out of Context corrects this shortsighted view and reveals the very real basis of the Argentine master's purported "irreality." By providing the historical context for some of the writer's best-loved and least understood works, this study also gives us a new sense of Borges's place within the context of contemporary literature.
Through a detailed examination of seven stories, Daniel Balderston shows how Borges's historical and political references, so often misread as part of a literary game, actually open up a much more complex reality than the one made explicit to the reader. Working in tension with the fantastic aspects of Borges' work, these precise references to realities outside the text illuminate relations between literature and history as well as the author's particular understanding of both. In Borges's perspective as it is revealed here, history emerges as an "other" only partially recoverable in narrative form. From what can be recovered, Balderston is able to clarify Borges's position on historical episodes and trends such as colonialism, the Peronist movement, "Western culture," militarism, and the Spanish invasion of the Americas.
Informed by a wide reading of history, a sympathetic use of critical theory, and a deep understanding of Borges's work, this iconoclastic study provides a radical new approach to one of the most celebrated and—until now—hermetic authors of our time.
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front cover of Out Takes
Out Takes
Essays on Queer Theory and Film
Ellis Hanson, ed.
Duke University Press, 1999
This collection brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism. While the “politics of representation” has been the focus of much previous gay and lesbian film criticism, the contributors to Out Takes employ the approaches of queer theory to move beyond conventional readings and to reexamine aspects of the cinematic gaze in relation to queer desire and spectatorship.

The essays examine a wide array of films, including Calamity Jane, Rear Window, The Hunger, Heavenly Creatures, and Bound , and discuss such figures as Doris Day, Elizabeth Taylor, and Alfred Hitchcock. Divided into three sections, the first part reconsiders the construction of masculinity and male homoerotic desire—especially with respect to the role of women—in classic cinema of the 1940s and 1950s. The second section offers a deconstructive consideration of lesbian film spectatorship and lesbian representation. Part three looks at the historical trajectory of independent queer cinema, including works by H.D., Kenneth Anger, and Derek Jarman.

By exploring new approaches to the study of sexuality in film, Out Takes will be useful to scholars in gay and lesbian studies, queer theory, and cinema studies.

Contributors. Bonnie Burns, Steven Cohan, Alexander Doty, Lee Edelman, Michelle Elleray, Jim Ellis, Ellis Hanson, D. A. Miller, Eric Savoy, Matthew Tinkcom, Amy Villarejo, Jean Walton

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Outlawed
Between Security and Rights in a Bolivian City
Daniel M. Goldstein
Duke University Press, 2012
In Outlawed, Daniel M. Goldstein reveals how indigenous residents of marginal neighborhoods in Cochabamba, Bolivia, struggle to balance security with rights. Feeling abandoned to the crime and violence that grip their communities, they sometimes turn to vigilante practices, including lynching, to apprehend and punish suspected criminals. Goldstein describes those in this precarious position as "outlawed": not protected from crime by the law but forced to comply with legal measures in other areas of their lives, their solutions to protection criminalized while their needs for security are ignored. He chronicles the complications of the government's attempts to provide greater rights to indigenous peoples, including a new constitution that recognizes "community justice." He also examines how state definitions of indigeneity ignore the existence of marginal neighborhoods, continuing long-standing exclusionary practices. The insecurity felt by the impoverished residents of Cochabamba—and, more broadly, by the urban poor throughout Bolivia and Latin America—remains. Outlawed illuminates the complex interconnections between differing definitions of security and human rights at the local, national, and global levels.
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front cover of Over There
Over There
Living with the U.S. Military Empire from World War Two to the Present
Maria Höhn and Seungsook Moon, eds.
Duke University Press, 2010
Over There explores the social impact of America’s global network of more than 700 military bases. It does so by examining interactions between U.S. soldiers and members of host communities in the three locations—South Korea, Japan and Okinawa, and West Germany—where more than-two thirds of American overseas bases and troops have been concentrated for the past six decades. The essays in this collection highlight the role of cultural and racial assumptions in the maintenance of the American military base system, and the ways that civil-military relations play out locally. Describing how political, spatial, and social arrangements shape relations between American garrisons and surrounding communities, they emphasize such factors as whether military bases are located in democratic nations or in authoritarian countries where cooperation with dictatorial regimes fuels resentment; whether bases are integrated into neighboring communities or isolated and surrounded by “camp towns” wholly dependent on their business; and whether the United States sends single soldiers without families on one-year tours of duty or soldiers who bring their families and serve longer tours. Analyzing the implications of these and other situations, the contributors address U.S. military–regulated relations between GIs and local women; the roles of American women, including military wives, abroad; local resistance to the U.S. military presence; and racism, sexism, and homophobia within the U.S. military. Over There is an essential examination of the American military as a global and transnational phenomenon.

Contributors
Donna Alvah
Chris Ames
Jeff Bennett
Maria Höhn
Seungsook Moon
Christopher Nelson
Robin Riley
Michiko Takeuchi

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Owners of the Sidewalk
Security and Survival in the Informal City
Daniel M. Goldstein
Duke University Press, 2016
Many of Bolivia's poorest and most vulnerable citizens work as vendors in the Cancha mega-market in the city of Cochabamba, where they must navigate systems of informality and illegality in order to survive. In Owners of the Sidewalk Daniel M. Goldstein examines the ways these systems correlate in the marginal spaces of the Latin American city. Collaborating with the Cancha's legal and permanent stall vendors (fijos) and its illegal and itinerant street and sidewalk vendors (ambulantes), Goldstein shows how the state's deliberate neglect and criminalization of the Cancha's poor—a practice common to neoliberal modern cities—makes the poor exploitable, governable, and consigns them to an insecure existence. Goldstein's collaborative and engaged approach to ethnographic field research also opens up critical questions about what ethical scholarship entails.
 
 
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Oxford Street, Accra
City Life and the Itineraries of Transnationalism
Ato Quayson
Duke University Press, 2014
In Oxford Street, Accra, Ato Quayson analyzes the dynamics of Ghana's capital city through a focus on Oxford Street, part of Accra's most vibrant and globalized commercial district. He traces the city's evolution from its settlement in the mid-seventeenth century to the present day. He combines his impressions of the sights, sounds, interactions, and distribution of space with broader dynamics, including the histories of colonial and postcolonial town planning and the marks of transnationalism evident in Accra's salsa scene, gym culture, and commercial billboards. Quayson finds that the various planning systems that have shaped the city—and had their stratifying effects intensified by the IMF-mandated structural adjustment programs of the late 1980s—prepared the way for the early-1990s transformation of a largely residential neighborhood into a kinetic shopping district. With an intense commercialism overlying, or coexisting with, stark economic inequalities, Oxford Street is a microcosm of historical and urban processes that have made Accra the variegated and contradictory metropolis that it is today.
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