By taking students out of their comfort zone, field-based courses—which are increasingly popular in secondary and postsecondary education—have the potential to be deep, transformative learning experiences. But what happens when the field in question is a site of active or recent conflict? In Conflict Zone, Comfort Zone, editors Agnieszka Paczyńska and Susan F. Hirsch highlight new approaches to field-based learning in conflict zones worldwide. As the contributors demonstrate, instructors must leave the comfort zone of traditional pedagogy to meet the challenges of field-based education.

Drawing on case studies in the United States and abroad, the contributors address the ethical considerations of learning in conflict zones, evaluate the effectiveness of various approaches to teaching these courses, and provide guidelines for effecting change. They also explore how the challenges of field-based classes are magnified in conflict and postconflict settings, and outline the dilemmas faced by those seeking to resolve those challenges. Finally, filling a crucial gap in existing literature, the contributors identify best practices that will assist aspiring instructors in developing successful field-based courses in conflict zones.

Contributors: Daniel R. Brunstetter, Alison Castel, Gina M. Cerasani, Alexander Cromwell, Maryam Z. Deloffre, Sandi DiMola, Leslie Dwyer, Eric Hartman, Pushpa Iyer, Allyson M. Lowe, Patricia A. Maulden, rj nickels, Anthony C. Ogden, Jennifer M. Ramos, Lisa E. Shaw, Daniel Wehrenfennig

Dawn Powell was a gifted satirist who moved in the same circles as Dorothy Parker, Ernest Hemingway, renowned editor Maxwell Perkins, and other midcentury New York luminaries. Her many novels are typically divided into two groups: those dealing with her native Ohio and those set in New York. “From the moment she left behind her harsh upbringing in Mount Gilead, Ohio, and arrived in Manhattan, in 1918, she dove into city life with an outlander’s anthropological zeal,” reads a recent New Yorker piece about Powell, and it is those New York novels that built her reputation for scouring wit and social observation.

In this critical biography and study of the New York novels, Patricia Palermo reminds us how Powell earned a place in the national literary establishment and East Coast social scene. Though Powell’s prolific output has been out of print for most of the past few decades, a revival is under way: the Library of America, touting her as a “rediscovered American comic genius,” released her collected novels, and in 2015 she was posthumously inducted into the New York State Writer’s Hall of Fame.

Engaging and erudite, The Message of the City fills a major gap in in the story of a long-overlooked literary great. Palermo places Powell in cultural and historical context and, drawing on her diaries, reveals the real-life inspirations for some of her most delicious satire.

If nineteenth-century Britain witnessed the rise of medical professionalism, it also witnessed rampant quackery. It is tempting to categorize historical practices as either orthodox or quack, but what did these terms really signify in medical and public circles at the time? How did they develop and evolve? What do they tell us about actual medical practices?

Doctoring the Novel explores the ways in which language constructs and stabilizes these slippery terms by examining medical quackery and orthodoxy in works such as Mary Shelley’s Frankenstein, Charles Dickens’s Bleak House and Little Dorrit, Charlotte Brontë’s Villette, Wilkie Collins’s Armadale, and Arthur Conan Doyle’s Stark Munro Letters. Contextualized in both medical and popular publishing, literary analysis reveals that even supposedly medico-scientific concepts such as orthodoxy and quackery evolve not in elite laboratories and bourgeois medical societies but in the rough-and-tumble of the public sphere, a view that acknowledges the considerable, and often underrated, influence of language on medical practices.

The boys and men who left their Greek valley and mountain villages in the early 1900s for America came with amulets their mothers had made for them. Some were miniature sacks attached to a necklace; more often they were merely a square of fabric enclosing the values of their lives: a piece of a holy book or a sliver of the True Cross representing their belief in Greek Orthodoxy; a thyme leaf denoting their wild terrain; a blue bead to ward off the Evil Eye; and a pinch of Greek earth.

In her evocative and meticulously researched book An Amulet of Greek Earth, author Helen Papanikolas explains and examines the vibrant culture these immigrants brought with them to the new world. The Romiosini culture, as it was called, provided the foundation for their new lives and was oftentimes the cause of strife as they passed on their beliefs and traditions to successive generations of Greek Americans.

In the tradition of her fictional accounts of Greek immigrant life, Helen Papanikolas unearths the cultural beliefs and passions that compelled the Greek-American community to make its own way into the broader culture of America. Based on extensive study, personal interviews, and a lifetime of experience, An Amulet of Greek Earth is a revealing and informative chronicle of the immigrant’s experience in becoming an American.

Helen Papanikolas has been honored frequently for her work in ethnic and labor history. Among her many publications are Toil and Rage in a New Land: The Greek Immigrants in Utah, Peoples of Utah (ed.), and her parents' own story of migration, Emily-George. With Small Bird, Tell Me, she joins a long and ancient tradition of Greek story-tellers whose art informs and enriches our lives.

A vastly informative and rare early-American pioneer autobiography rescued from obscurity.

In this remarkable memoir, Daniel Parker (1781–1861) recorded both the details of everyday life and the extraordinary historical events he witnessed west of the Appalachian Mountains between 1790 and 1840. Once a humble traveling salesman for a line of newly invented clothes washing machines, he became an outspoken advocate for abolition and education. With his wife and son, he founded Clermont Academy, a racially integrated, coeducational secondary school—the first of its kind in Ohio.

However, Parker’s real vocation was as a self-ordained, itinerant preacher of his own brand of universal salvation. Raised by Presbyterian parents, he experienced a dramatic conversion to the Halcyon Church, an alternative, millenarian religious movement led by the enigmatic prophet Abel Sarjent, in 1803. After parting ways with the Halcyonists, he continued his own biblical and theological studies, arriving at the universalist conclusions that he would eventually preach throughout the Ohio River Valley.

David Torbett has transcribed Parker’s manuscript and publishes it here for the first time, together with an introduction, epilogue, bibliography, and extensive notes that enrich and contextualize this rare pioneer autobiography.

In the last twenty years, Michael Field has emerged as one of the most fascinating poets of the Victorian era. Through their collaborative partnership as “Michael Field,” Katharine Bradley and Edith Cooper engaged in the aesthetic and decadent movements of the fin de siècle, while their poetry and verse drama articulate ideas associated with the New Woman and boldly express queer and lesbian desire. Michael Field: Decadent Moderns extends the focus on these key literary and cultural contexts by emphasizing their continuing significance within twentieth-century literary modernism. Through a series of interdisciplinary essays, this book addresses Michael Field’s energetic engagements with a range of topics including ecology, perfume, tourism, art history, sculpture, formalism, classics, and book history. In doing so, Michael Field: Decadent Moderns highlights the modernity, radicalism, and relevance of their work, both within the nineteenth and twentieth centuries as well as in our own cultural moment.

Contributors: Leire Barrera-Medrano, Joseph Bristow, Jill R. Ehnenn, Sarah E. Kersh, Kristin Mahoney, Catherine Maxwell, Alex Murray, Sarah Parker, Margaret D. Stetz, Kate Thomas, and Ana Parejo Vadillo.

Suzi Parron, in cooperation with Donna Sue Groves, documented the massive public art project known as the barn quilt trail in her 2012 book Barn Quilts and the American Quilt Trail Movement. The first of these projects began in 2001, when Groves and community members created a series of twenty painted quilt squares in Adams County, Ohio. Since then, barn quilts have spread throughout forty-eight states and several Canadian provinces. In Following the Barn Quilt Trail, Parron brings readers along as she, her new love, Glen, their dog Gracie, and their converted bus Ruby, leave the stationary life behind. Suzi and Glen follow the barn quilt trail through thirty states across thirteen thousand miles as Suzi collects the stories behind the brightly painted squares. With plentiful color photographs, this endearing hybrid of memoir and travelogue is for quilt lovers, Americana and folk art enthusiasts, or anyone up for a good story.

The story of the American Quilt Trail, featuring the colorful patterns of quilt squares painted large on barns throughout North America, is the story of one of the fastest-growing grassroots public arts movements in the United States and Canada. In Barn Quilts and the American Quilt Trail Movement Suzi Parron takes us to twenty-five states as well as Canada to visit the people and places that have put this movement on America’s tourist and folk art map.

Through dozens of interviews with barn quilt artists, committee members, and barn owners, Parron documents a journey that began in 2001 with the founder of the movement, Donna Sue Groves. Groves’s desire to honor her mother with a quilt square painted on their barn became a group effort that eventually grew into a county-wide project. Today, quilt squares form a long imaginary clothesline, appearing on more than three thousand barns scattered along one hundred and twenty driving trails.

With more than eighty full-color photographs, Parron documents here a movement that combines rural economic development with an American folk art phenomenon.

This book examines the process through which the mantle of leadership passed from one leader to another in Botswana. It concerns the succession to high office in Botswana over the course of more than half a century from the colonial time to the present. Three case studies explore the relationship between the British colonial authorities and the tribal leaders in affirming the legitimacy of the tribal chiefs of the Bangwato tribe in the former Bechuanaland protectorate. The studies examine the succession crises of the Bangwato first in 1925 and again between 1948 to 1953 and the political changes from the Botswana National Archives contained in the appendices fully support the text.

Conceived by General Sir Robert Baden-Powell as a way to reduce class tensions in Edwardian Britain, scouting evolved into an international youth movement. It offered a vision of romantic outdoor life as a cure for disruption caused by industrialization and urbanization. Scouting’s global spread was due to its success in attaching itself to institutions of authority. As a result, scouting has become embroiled in controversies in the civil rights struggle in the American South, in nationalist resistance movements in India, and in the contemporary American debate over gay rights.

In Race, Resistance, and the Boy Scout Movement in British Colonial Africa, Timothy Parsons uses scouting as an analytical tool to explore the tensions in colonial society. Introduced by British officials to strengthen their rule, the movement targeted the students, juvenile delinquents, and urban migrants who threatened the social stability of the regime. Yet Africans themselves used scouting to claim the rights of full imperial citizenship. They invoked the Fourth Scout Law, which declared that a scout was a brother to every other scout, to challenge racial discrimination.

Parsons shows that African scouting was both an instrument of colonial authority and a subversive challenge to the legitimacy of the British Empire. His study of African scouting demonstrates the implications and far-reaching consequences of colonial authority in all its guises.

Randai, the popular folk theater tradition of the Minangkabau ethnic group in West Sumatra, has evolved to include influences of martial arts, storytelling, and folk songs. Theater and Martial Arts in West Sumatra describes the origin, development, and cultural background of randai and highlights two recent developments: the emergence of female performers and modern staging techniques.

This book also explores the indigenous martial arts form silek, a vital part of randai today. The strong presence of silek is illustrated in the martial focus of the stories that are told through randai, in its movement repertoire, and even in its costumes and musical accompaniment. As Kirstin Pauka shows, randai, firmly rooted in silek and Minangkabau tradition, is an intriguing mirror of the Minangkabau culture.

If George Washington and Abraham Lincoln are the saints in America’s civil religion, then the twenty-ninth president, Warren G. Harding, is our sinner. Prior to the Nixon administration, the Harding scandals were the most infamous of the twentieth century. Harding is consistently judged a failure, ranking dead last among his peers.

By examining the public memory of Harding, Phillip G. Payne offers the first significant reinterpretation of his presidency in a generation. Rather than repeating the old stories, Payne examines the contexts and continued meaning of the Harding scandals for various constituencies. Payne explores such topics as Harding’s importance as a midwestern small-town booster, his rumored black ancestry, the role of various biographers in shaping his early image, the tension between public memory and academic history, and, finally, his status as an icon of presidential failure in contemporary political debates. Harding was a popular president and was widely mourned when he died in office in 1923; but with his death began the construction of his public memory and his fall from political grace.

In Dead Last, Payne explores how Harding’s name became synonymous with corruption, cronyism, and incompetence and how it is used to this day as an example of what a president should not be.

This famous book takes you on an extensive gem and mineral collecting tour of Colorado, revealing the interesting places where Nature has stored her treasures.

Detailed directions are given for reaching the noted as well as the little-known localities in all sections of this great mineral-producing state. Included are numerous mileage logs never before published, and many sketch maps made especially for this book. A unique system arranges the localities along segments of the main highways.

Latest information is given on local travel and collecting conditions and land ownership, so much desired by collectors who want to make the best use of their time. Gem and mineral societies that welcome visitors — museums that display outstanding collections — are all described. Official maps and references to the literature are listed.

Millions of Chinese have left the mainland over the last two centuries in search of new beginnings. The majority went to Southeast Asia, and the single largest destination was the colony of the Dutch East Indies, now known as Indonesia. Wherever the Chinese landed they prospered, but in Indonesia, even though some families made fortunes, they never felt they quite belonged.

BitterSweet is the account of one Chinese-Indonesian family whose story stretches over the generations as their fortunes waxed and waned through revolution, riots, war, depression, occupation, and finally emigration to yet another country—Australia.

BitterSweet offers a unique insight into a world rarely seen before. An Sudibjo’s memoir, written from a woman’s perspective, is a valuable resource for anyone studying Indonesian history or the Chinese Diaspora.

When an independent Poland reappeared on the map of Europe after World War I, it was widely regarded as the most Catholic country on the continent, as “Rome’s Most Faithful Daughter.” All the same, the relations of the Second Polish Republic with the Church—both its representatives inside the country and the Holy See itself—proved far more difficult than expected.

Based on original research in the libraries and depositories of four countries, including recently opened collections in the Vatican Secret Archives, Rome’s Most Faithful Daughter: The Catholic Church and Independent Poland, 1914–1939 presents the first scholarly history of the close but complex political relationship of Poland with the Catholic Church during the interwar period. Neal Pease addresses, for example, the centrality of Poland in the Vatican’s plans to convert the Soviet Union to Catholicism and the curious reluctance of each successive Polish government to play the role assigned to it. He also reveals the complicated story of the relations of Polish Catholicism with Jews, Freemasons, and other minorities within the country and what the response of Pope Pius XII to the Nazi German invasion of Poland in 1939 can tell us about his controversial policies during World War II.

Both authoritative and lively, Rome’s Most Faithful Daughter shows that the tensions generated by the interplay of church and state in Polish public life exerted great influence not only on the history of Poland but also on the wider Catholic world in the era between the wars.

Before Black Lives Matter and Hamilton, there were abolitionist poets, who put pen to paper during an era when speaking out against slavery could mean risking your life. Indeed, William Lloyd Garrison was dragged through the streets by a Boston mob before a planned lecture, and publisher Elijah P. Lovejoy was fatally shot while defending his press from rioters. Since poetry formed a part of the cultural, political, and emotional lives of readers, it held remarkable persuasive power. Yet antislavery poems have been less studied than the activist editorials and novels of the time.

In Lyrical Liberators, Monica Pelaez draws on unprecedented archival research to recover these poems from the periodicals—Garrison’s Liberator, Frederick Douglass’s North Star, and six others—in which they originally appeared. The poems are arranged by theme over thirteen chapters, a number that represents the amendment that finally abolished slavery in 1865. The book collects and annotates works by critically acclaimed writers, commercially successful scribes, and minority voices including those of African Americans and women.

There is no other book like this. Sweeping in scope and passionate in its execution, Lyrical Liberators is indispensable for scholars and teachers of American literature and history, and stands as a testimony to the power of a free press in the face of injustice.

Born into a Victorian Danish family, Karen Christentze Dinesen married her second cousin, a high-spirited and philandering baron, and moved to Kenya where she ran a coffee plantation, painted, and wrote. She later returned to Denmark, lived through the German occupation during World War II, and became a pivotal figure in Heretica, a major literary movement that flourished in Denmark after the war. By the time of her death, Dinesen was an international figure. Truman Capote would later call Out of Africa one of the most beautiful books of the century.

Despite the popularity of her writing, little is known about her life. For this provocative biography, Pelensky has uncovered hundreds of papers in libraries and private collections, and discovered new interview sources in Africa, Denmark, and England to help put the pieces of Dinesen’s life together. Her father’s outspoken sympathy for the plight of the American Indians, his suicide and the effects of his personal anguish as a failed adventurer are illuminated as major forces on Dinesen’s imagination. The Danish history of romance and masquerade and the tradition of pantomime in Denmark are also explored as themes that recur in Dinesen’s work.

Katutura, located in Namibia’s major urban center and capital, Windhoek, was a township created by apartheid, and administered in the past by the most rigid machinery of the apartheid era. Namibia became a sovereign state in 1990, and Katutura reflects many of the changes that have taken place. No longer part of a rigidly bounded social system, people in Katutura today have the opportunity to enter and leave as their personal circumstances dictate. Influenced in recent years by significant urban migration and the changing political and economic situation in the new South Africa, as well as a myriad of other factors, this diverse community has held special interest for the author who did fieldwork there for several years prior to 1975. Pendleton’s recent visits provide a rich comparison of life in Katutura township during the peak of the apartheid years and in the post-independence period. In his systematic look at urbanization, poverty, stratification, ethnicity, social structure, and social history, he provides a compassionate view of the survivors of the unstable years of apartheid.

A 2007 CHOICE Outstanding Academic Title

Traditionally, the Eastern Cape frontier of South Africa has been regarded as the preeminent contact zone between colonists and the Khoi (“Hottentots”) and San (“Bushmen”). But there was an earlier frontier in which the conflict between Dutch colonists and these indigenous herders and hunters was in many ways more decisive in its outcome, more brutal and violent in its manner, and just as significant in its effects on later South African history.

This was the frontier north of Cape Town, where Dutch settlers began advancing into the interior. By the end of the eighteenth century, the frontier had reached the Orange (Gariep) River. The indigenous Khoisan people, after initial resistance, had been defeated and absorbed as an underclass into the colonial world or else expelled beyond it, to regions where new creole communities emerged.

Nigel Penn is a master storyteller who brings a novelist’s sensitivity to plot and character and a command of the archival record to bear in recovering this epic and forgotten story. Filled with extraordinary personalities and memorable episodes, and set in the often harsh landscape of the Western and Northern Cape, The Forgotten Frontier will appeal both to the general reader and to the student of history.

The study of intellectual history in Africa is in its infancy. We know very little about what Africa’s thinkers made of their times. Recasting the Past brings one field of intellectual endeavor into view. The book takes its place alongside a small but growing literature that highlights how, in autobiographies, historical writing, fiction, and other literary genres, African writers intervened creatively in their political world.

The past has already been worked over by the African interpreters that the present volume brings into view. African brokers—pastors, journalists, kingmakers, religious dissidents, politicians, entrepreneurs all—have been doing research, conducting interviews, reading archives, and presenting their results to critical audiences. Their scholarly work makes it impossible to think of African history as an inert entity awaiting the attention of professional historians. Professionals take their place in a broader field of interpretation, where Africans are already reifying, editing, and representing the past.

The essays collected in Recasting the Past study the warp and weft of Africa’s homespun historical work. Contributors trace the strands of discourse from which historical entrepreneurs drew, highlighting the sources of inspiration and reference that enlivened their work. By illuminating the conventions of the past, Africa’s history writers set their contemporary constituents on a path toward a particular future. History writing was a means by which entrepreneurs conjured up constituencies, claimed legitimate authority, and mobilized people around a cause. By illuminating the spheres of debate in which Africa’s own scholars participated, Recasting the Past repositions the practice of modern history.

The abolition of the slave trade is normally understood to be the singular achievement of eighteenth-century British liberalism. Abolitionism and Imperialism in Britain, Africa, and the Atlantic expands both the temporal and the geographic framework in which the history of abolitionism is conceived. Abolitionism was a theater in which a variety of actors—slaves, African rulers, Caribbean planters, working-class radicals, British evangelicals, African political entrepreneurs—played a part. The Atlantic was an echo chamber, in which abolitionist symbols, ideas, and evidence were generated from a variety of vantage points. These essays highlight the range of political and moral projects in which the advocates of abolitionism were engaged, and in so doing it joins together geographies that are normally studied in isolation.

Where empires are often understood to involve the government of one people over another, Abolitionism and Imperialism shows that British values were formed, debated, and remade in the space of empire. Africans were not simply objects of British liberals’ benevolence. They played an active role in shaping, and extending, the values that Britain now regards as part of its national character. This book is therefore a contribution to the larger scholarship about the nature of modern empires.

Contributors: Christopher Leslie Brown, Seymour Drescher, Jonathon Glassman, Boyd Hilton, Robin Law, Phillip D. Morgan, Derek R. Peterson, John K. Thornton

“Memory, of course, is sometimes like a bucking horse, sometimes a runaway one, and one must control the reins until finally it stops, snorting with exhausted relief,” writes Natalie L. M. Petesch in her haunting new collection, The Confessions of Señora Francesca Navarro and Other Stories.

Petesch immerses readers in the lives of people caught up in the 1936–39 Spanish Civil War, which left more than five hundred thousand dead. She captures the hand-to-mouth existence on the streets of Madrid of two war orphans; an old soldier’s memories of a fallen militiawoman; the dilemma of Franco’s laundress as she seeks to duplicate a stolen religious icon she finds in his home; and a man’s struggle to find his bride among thousands of Republican refugees waiting for ships to evacuate them before Franco’s Fascists arrive to kill them.

In the title novella, an elderly woman describes to her granddaughter how the families of Franco’s officers fighting against Republican militiamen endured hunger, filth, and danger in an underground fortress. Petesch conveys the humiliating details of war through the sensibility of a cultured woman who recalls only too vividly latrines made of laundry tubs, the smell of unwashed humans, and the stench of death.

Brilliant in its imaginative power and heartbreaking in its access to the bottomless well of human tears, The Confessions of Señora Francesca Navarro and Other Stories is the work of a mature artist able to convey a particular world so vividly that we know these people as our own.

This is the first history of epidemics in South Africa, lethal episodes that significantly shaped this society over three centuries. Focusing on five devastating diseases between 1713 and today—smallpox, bubonic plague, “Spanish influenza,” polio, and HIV/AIDS—the book probes their origins, their catastrophic courses, and their consequences in both the short and long terms. The impacts of these epidemics ranged from the demographic—the “Spanish flu,” for instance, claimed the lives of six percent of the country’s population in six weeks—to the political, the social, the economic, the spiritual, the psychological, and the cultural. Moreover, as each of these epidemics occurred at crucial moments in the country’s history—such as during the South African War and World War I—the book also examines how these processes affected and were affected by the five epidemics. To those who read this book, history will not look the same again.

Textile artist and instructor Betty Fikes Pillsbury has won hundreds of awards for her homages to the elegance of Victorian crazy quilting. Grounded in traditional methods but crafted with elements of whimsy, each piece stands on its own as a work of art. In this definitive guide, Pillsbury shares her methods for piecing, embroidering, and embellishing. Her instructions equip readers at any level of quilting skill to use those techniques to express their own visions.

Encouraging her readers to see functional and artistic possibilities beyond quilts (wall hangings, purses, and pillowcases are just some of the options), Pillsbury shows them how to make each work by hand, the slow cloth way. An inspiring primer for beginning and experienced quilters alike, this meticulously illustrated how-to book is far more expansive than previous guides. Pillsbury—a master of the form—shows us why crazy quilting belongs firmly in the twenty-first century.

A Junior Library Guild selection
Society of Children’s Book Writers and Illustrators Official 2016 Summer Reading List

In this biography for middle-grade readers, Nancy Roe Pimm tells the story of Geraldine “Jerrie” Mock, the first woman to fly solo around the world. In her trusty Cessna, The Spirit of Columbus—also known as Charlie—she traveled from Columbus, Ohio, on an eastward route that totaled nearly twenty-three thousand miles and took almost a month. Overcoming wind, ice, mechanical problems, and maybe even sabotage, Mock persevered.

Mock caught the aviation bug at seven years old, when she rode in a Ford Trimotor plane with her parents. In high school, she displayed a talent for math and science, and she was the only woman in her aeronautical engineering classes at Ohio State University. Although she then settled into domestic life, she never lost her interest in flying. What began as a joking suggestion from her husband to fly around the world prompted her to pursue her childhood dream. But the dream became a race, as another woman, Joan Merriam Smith, also sought to be the first to circle the globe.

Even though Mock beat Smith and accomplished what her heroine Amelia Earhart had died trying to do, her feat was overshadowed by the Vietnam War and other world events. Now, Pimm introduces Mock to a new generation of adventurers.

World War II soldier Bill Wynne met Smoky while serving in New Guinea, where the dog, who was smaller than Wynne’s army boot, was found trying to scratch her way out of a foxhole. After he adopted her, she served as the squadron mascot and is credited as being the first therapy dog for the emotional support she provided the soldiers. When they weren’t fighting, Bill taught Smoky hundreds of tricks to entertain the troops. Smoky became a war hero herself at an airstrip in Luzon, the Philippines, where she helped save forty airplanes and hundreds of soldiers from imminent attack.

After the war, Bill worked as a Hollywood animal trainer and then returned to his hometown of Cleveland, Ohio. He and Smoky continued to perform their act, even getting their own TV show, How to Train Your Dog with Bill Wynne and Smoky.

Nancy Roe Pimm presents Bill and Smoky’s story to middle-grade readers in delightful prose coupled with rich archival illustrations. Children will love learning about World War II from an unusual perspective, witnessing the power of the bond between a soldier and his dog, and seeing how that bond continued through the exciting years following the war.

When Charles Ping first arrived at Ohio University in 1975, the university was experiencing a decline in student enrollment and confronting serious financial challenges. But rather than focusing on its problems, Ping instead concentrated on Ohio University’s potential.

During the nineteen years that Ping served as president, he guided Ohio University in scholarship, research, and service while substantially increasing the size of the campus through the acquisition of The Ridges. “What attracted me was, essentially, the richness of the campus in people and programs,” said Ping.

A Conversation about Ohio University and the Presidency, 1975–1994 is an edited version of the transcript of videotaped interviews recorded in May and June 2011. “It is a conversation between two old friends,” said Ping of the series of interviews conducted by Sam Crowl, Shakespearean scholar and now trustee professor emeritus.

In 1967, Yvor Winters wrote of Helen Pinkerton, “she is a master of poetic style and of her material. No poet in English writes with more authority.” Unfortunately, in 1967 mastery of poetic style was not, by and large, considered a virtue, and Pinkerton’s finely crafted poems were neglected in favor of more improvisational and flashier talents. Though her work won the attention and praise of serious readers, who tracked her poems as they appeared in such journals as The Paris Review, The Sewanee Review, and The Southern Review, her verse has never been available in a trade book. Taken in Faith remedies that situation, bringing Pinkerton’s remarkable poems to a general audience for the first time.

Even her very earliest works embody a rare depth and seriousness. Primarily lyrical and devotional, they always touch on larger issues of human struggle and conduct. More recent poems, concerned in part with history, exhibit a stylistic as well as a thematic shift, moving away from the rhymed forms of her devotional works into a blank verse marked by a quiet flexibility and contemplative grace.

Like Virginia Adair, another poet who waited long for proper recognition, Pinkerton speaks as a woman who has lived fully and observed acutely and who has set the life and observations down in memorable verse. Taken in Faith represents a half-century of her poetic efforts.

First published in 1916 and one of South Africa’s great political books, Native Life in South Africa was first and foremost a response to the Native’s Land Act of 1913, and was written by one of the most gifted and influential writers and journalists of his generation. Sol T. Plaatje provides an account of the origins of this crucially important piece of legislation and a devastating description of its immediate effects.

“Sol Plaatje’s Mafeking Diary is a document of enduring importance and fascination. The product of a young black South African court interpreter, just turned 23 years old when he started writing, it opens an entirely new vista on the famous Siege of Mafeking. By shedding light on the part played by the African population of the town, Plaatje explodes the myth, maintained by belligerents, and long perpetuated by both historians and the popular imagination, this this was a white man’s affair. One of the great epics of British imperial history, and perhaps the best remembered episode of the Anglo-Boer war of 1899–1902, is presented from a wholly novel perspective.

“At the same time, the diary provides an intriguing insight into the character of a young man who was to play a key role in South African political and literary history during the first three decades of this century. It reveals much of the perceptions and motives that shaped his own attitudes and intellectual development and, indeed, those of an early generation of African leaders who sought to build a society which did not determine the place of its citizens by the colour of their skin. The diary therefore illuminates the origins of a struggle which continues to this day.”

— John L. Comaroff (ed.) in his preface

Sol Plaatje is one of South Africa’s most important political and literary figures. A pioneer in the history of the black press, he was one of the founders of the African National Congress, a leading spokesman for black opinion throughout his life, and the author of three well-known books: Mafeking Diary, Native Life in South Africa, and his historical novel, Mhudi.

These books are not Plaatje’s only claim to fame. In the course of a prolific career he wrote letters to the press, newspaper articles and editorials, pamphlets, political speeches, evidence to government commissions of enquiry, unpublished autobiographical writings, and many personal letters. Together they provide both an engaging personal record and a very readable – and revealing – commentary on South African social and political affairs during the era of segregation, from 1899 through to Plaatje’s tragically early death in 1932.

What he wrote has a unique historical importance, all the more meaningful from the perspective of the 1990s.

The May 1926 coup d’état in Poland inaugurated what has become known as the period of sanacja or “cleansing.” The event has been explored in terms of the impact that it had on state structures and political styles. But for both supporters and opponents of the post-May regime, the sanacja was a catalyst for debate about Polish national identity, about citizenship and responsibility to the nation, and about postwar sexual morality and modern gender identities.

The Clash of Moral Nations is a study of the political culture of interwar Poland, as reflected in and by the coup. Eva Plach shifts the focus from strictly political contexts and examines instead the sanacja’s open-ended and malleable language of purification, rebirth, and moral regeneration.

In tracking the diverse appropriations and manipulations of the sanacja concept, Plach relies on a wide variety of texts, including the press of the period, the personal and professional papers of notable interwar women activists, and the official records of pro-sanacja organizations, such as the Women’s Union for Citizenship Work.

The Clash of Moral Nations introduces an important cultural and gendered dimension to understandings of national and political identity in interwar Poland.

The struggle for freedom in South Africa goes back a long way. In 1909, a remarkable interracial delegation of South Africans traveled to London to lobby for a non-racialized constitution and franchise for all. Among their allies was Mahatma Gandhi, who later encapsulated lessons from the experience in his most important book, Hind Swaraj. Though the mission failed, the London debates were critical to the formation of the African National Congress in 1912.

With impeccable storytelling and rich character depictions, Martin Plaut describes the early quest for black franchise and the seeds it planted for a new South Africa. While most people believe that black South Africans obtained the vote in 1994, men of all races voted in the Cape Colony for almost a century, sometimes deciding election outcomes. The London mission was part of a long history of nonwhite political agency.

Taking as its centerpiece the 1909 delegation, Promise and Despair covers the twelve years between the South African War and the First World War, during which the major forces that would shape twentieth-century South Africa were forged. Plaut reveals new details of the close collaboration between Gandhi and the ANC leadership during the Indian-South African community’s struggle for their rights, the influence of the American South on South African racial practices, and the workings of the Imperial system.

Doctors of osteopathy today practice side by side with medical doctors, employing the same diagnostic and curative tools of scientific—with a difference. A Second Voice: A Century of Osteopathic Medicine in Ohio is the story of that difference. Focusing on the historical experience of a pivotal midwestern state, historian Carol Poh Miller illuminates struggles common to osteopathic medicine nationwide as it fought to secure its place in American health care.

First promulgated by Dr. Andrew Taylor Still in 1874, osteopathy was a reaction against the primitive medical practices of the period. Believing that the body had its own natural curative powers, Still manipulated vertebrae to free circulation and to remove pathology. Early osteopaths endured discrimination, as orthodox medicine and its allies sought to prevent the establishment of Still’s new healing method.

Written in conjunction with the one-hundredth anniversary of the Ohio Osteopathic Association, A Second Voice traces the origins and growth of the profession in Ohio. It recounts the early legal battles, the establishment of separate osteopathic hospitals, and the hard-fought campaigns to win equal practice rights and to build a state college of osteopathic medicine. Finally, it reconsiders the notorious murder trial of Cleveland osteopathic physician Sam Sheppard in the context of his family’s contributions to the osteopathic profession and a prosecution that, evidence has shown, fingered the wrong man.

A Second Voice is a valuable addition to the history of medicine in Ohio and the nation.

In her day job as a nurse, Sandy Holston cares for the elderly and the sick, even as she is haunted by her own questionable past and the deaths that marked it. Her true self resides among the mountain trout streams of her Appalachian home, where she wields her fly rod with uncanny accuracy as her life plays out along a tight line between herself and a fish on the other end. But then the Ripshin River threatens to flood. Sandy can no longer deny that dementia has taken hold in James Keefe, her older sometimes-lover. An elusive eastern mountain lion appears. And when a predatory survivalist keeping a solitary camp by the headwaters arrives, he poses the biggest threat of all. His merciless pursuit of the lion brings him ever closer to Sandy, triggering her final, tragic attempt to preserve her connections with Keefe, the headwaters, and all that she has, at last, come to love. In Yellow Stonefly—a rare fly fishing novel with a female protagonist—Tim Poland weaves suspense and introspection into an unforgettable read, at once mournful and bracing.

When the Civil War broke out in April 1861, Kansas was in a unique position. It had been a state for mere weeks, and already its residents were intimately acquainted with civil strife. Since its organization as a territory in 1854, Kansas had been the focus of a national debate over the place of slavery in the Republic. By 1856, the ideological conflict developed into actual violence, earning the territory the sobriquet “Bleeding Kansas.” Because of this steady escalation in violence, the state’s transition from peace to war was not as abrupt as that of other states.

Kansas’s War illuminates the new state’s main preoccupations: the internal struggle for control of policy and patronage; border security; and issues of race—especially efforts to come to terms with the burgeoning African American population and Native Americans’ coninuing claims to nearly one-fifth of the state’s land. These documents demonstrate how politicians, soldiers, and ordinary Kansans were transformed by the war.

Many changes have taken place in the decade since Follow the Blue Blazes was first published, changes in the trails themselves and in the way we hike them. The Buckeye Trail still wends its way around the state of Ohio, following the course marked out by the characteristic blue blazes on trees and signposts along the way. In the intervening years, however, sections of the trail have changed their route, added amenities, or just grown more interesting. From the startling rock formations and graceful waterfalls of Old Man’s Cave, to Native American mounds, battlefields, and scenic rivers, Connie and Robert J. Pond provide a captivating guide to often-overlooked treasures around the state.

Each chapter features an overview of a 100-mile section of the trail and three self-guided featured hikes. The overviews and the accompanying maps may be read consecutively to acquaint the reader with the entire course of the trail. But most readers will best enjoy the trail by taking the guide along on one of the featured hikes. Each route is outlined on an easy-to-read map with GPS coordinates and waypoints to guide the hiker, as well as explicit directions from parking lot to trailhead.

The Buckeye Trail is readily accessible from Cincinnati, Dayton, Toledo, Cleveland, and Akron. Even a short trip can lead to an adventure near your own backyard.

Unique among hiking trails is the one that forms a complete loop around the state of Ohio. That 1,200-mile trail is called the Buckeye Trail. Showing the way on tree trunks, rocks, and other natural signposts are the blue painted markings called “the blue blazes.” In Follow the Blue Blazes, the reader embarks on a journey to discover a part of Ohio largely unseen except along this great path.

Beginning with the startling rock formations and graceful waterfalls of Old Man’s Cave in southern Ohio, and leading clockwise around the state to visit expansive forests, lovely parks, ancient mounds, historic canals and battlefields, and scenic river trails, experienced trailsman Robert J. Pond provides a captivating look at each section of the trail.

Each chapter features an overview of a 100-mile section of the trail and three self-guided featured hikes. The overviews, with accompanying maps, may be read consecutively to acquaint the reader with the entire course of the blue blazes. But most readers will best enjoy the Buckeye Trail by taking the guide along on featured hikes. Each hike is supported by a detailed but easy-to-follow map and includes explicit directions to trailheads and approximate hiking times.

In addition to many outlying areas, the extensive Buckeye Trail is accessible in or near Cincinnati, Dayton, Toledo, Cleveland, and Akron. Robert Pond has supplemented each description with interesting details about the geology and the diverse habitats of flora and fauna. Readers, too, can enjoy the beauty and wonders of Ohio if they Follow the Blue Blazes.

In 1991 the Eritrean People’s Liberation Front (EPLF) took over Asmara and completed the liberation of Eritrea; formal independence came two years later after a referendum in May 1993. It was the climax of a thirty-year struggle, though the EPLF itself was formed only in the early 1970s.

From the beginning, Eritrean nationalism was divided. Ethiopia’s appeal to a joint Christian imperial past alienated the Muslim pastoral lowland people in the areas where Eritrean nationalism first appeared. It was not until the early 1970s that the Christian elements of the population finally joined the liberation struggle on a substantial scale.

Lucien Stryk has been a presence in American letters for almost fifty years. Those who know his poetry well will find this collection particularly gratifying. Like journeying again to places visited long ago, Stryk’s writing is both familiar and wonderfully fresh.

For those just becoming acquainted with Stryk’s work, Zen, Poetry, the Art of Lucien Stryk makes an excellent introduction. It includes his early essay, “The American Scene Versus the International Scene,” written shortly after his service in the Pacific during World War II, and “Digging In,” his first published poem, as well as some of his best-known pieces on Zen and Zen poetry. Among the latter are “Beginnings, Ends,” “Poetry and Zen,” “I Fear Nothing: A Note on the Zen Poetry of Death,” and his introduction to the great haiku poets, Issa and Basho. Selections of his most recent work include “The Red Rug: An Introduction to Poetry,” and an imagined conversation among all four leading haiku poets called “Meeting at Hagi-no-Tera.”

Porterfield’s informative collection includes essays about Stryk’s work as well as his own prose and poetry. As the volume makes clear, writing poetry is for Lucien Stryk a sacred act. It is both escape and communion, inseparable from life’s daily activities.

On the Desire to Levitate is the first collection of poems by Alison Powell. This striking collection includes vivid, unflinching meditations on aging, mythology, poetry, and family. In tight, elegant lines that alternate between homage and elegy, these poems explore known subjects with a rebellious eye: a defeated Hercules and a bitter Eurydice, a sympathetic Lucifer, and generations of adolescent girls as mythical adventurers moving within a beloved but confining Midwest. Yet in Powell’s skillful hands, hardship never overtakes: as judge Charles Hood writes, “There’s often a delicious humor in this work, and always a deep and lasting integrity.”

This study focuses on modernism in the visual arts in Morocco, particularly on the artists of the Casablanca school. Their activism, engagement, and interventions in the discourse of postcolonial national culture defined and energized the Moroccan modernist movement. The book follows the artists associated with the group, highlighting Farid Belkahia, Mohammed Chebaa, and Mohammed Melehi, among others. Of particular interest is the long-term collaboration between these artists and the cultural journal Souffles, founded by Abdellatif Laabi. Holiday Powers argues that the pedagogy, structural engagements, and transnational solidarities of this generation of artists are intrinsic to their broader artistic projects and are grounded in the same ideology and stakes. The actual art objects compose only one part of larger multifaceted, consistent, and wide-ranging artistic projects and must be analyzed in relation to these other activities. Powers argues for a reading of Moroccan modernism rooted in a contemporaneous national context yet also arising from a cosmopolitan foundation in dialogue with transnational anticolonial, pan-African, and pan-Arab intellectual movements. This reading does not suggest the existence of a center of global modernism that was being copied in a national context; it instead shows how global discourses were played out and experienced within specific historical, political, and cultural circumstances. Rather than explaining away these transnational connections, Powers posits that they are at the crux of modernism itself—particularly Moroccan modernism. To force a solely national narrative onto Moroccan modernism is to ignore the rich intersections and explorations fomented by the globalism of these artists and their training.

A 2007 CHOICE Outstanding Academic Title


In September 2003 the South African novelist J. M. Coetzee was awarded the Nobel Prize for Literature, confirming his reputation as one of the most influential writers of our time. J. M. Coetzee and the Idea of the Public Intellectual addresses the contribution Coetzee has made to contemporary literature, not least for the contentious forays his work makes into South African political discourse and the field of postcolonial studies.

Taking the author’s ethical writing as its theme, the volume is an important addition to understanding Coetzee’s fiction and critical thinking. While taking stock of Coetzee’s singular, modernist response to the apartheid and postapartheid situations in his early fiction, the volume is the first to engage at length with the later works, Disgrace, The Lives of Animals, and Elizabeth Costello.

J. M. Coetzee and the Idea of the Public Intellectual explores Coetzee’s roles as a South African intellectual and a novelist; his stance on matters of allegory and his evasion of the apartheid censor; his tacit critique of South Africa’s Truth and Reconciliation Commission; his performance of public lectures of his alter ego, Elizabeth Costello; and his explorations into ecofeminism and animal rights. The essays collected here, which include an interview with the Nobel Laureate, provide new vantages from which to consider Coetzee’s writing.

Why do female genital cutting practices persist? How does circumcision affect the rights of girls in a culture where initiation forms the lynchpin of the ritual cycle at the core of defining gender, identity, and social and political status? In Making the Mark, Miroslava Prazak follows the practice of female circumcision through the lives and activities of community members in a rural Kenyan farming society as they decide whether or not to participate in the tradition. In an ethnography twenty years in the making, Prazak weaves multiple Kuria perspectives—those of girls, boys, family members, circumcisers, political and religious leaders—into a riveting account. Though many books have been published on the topic of genital cutting, this is one of the few ethnographies to give voice to evolving perspectives of practitioners, especially through a period of intense anticutting campaigning on the part of international NGOs, local activists, and donor organizations. Prazak also examines the cultural challenges that complicate the human-rights anti-FGM stance. Set in the rolling hills of southwestern Kenya, Making the Mark examines the influences that shape and change female genital cutting over time, presenting a rich mosaic of the voices contributing to the debate over this life-altering ritual.

“Expecting Teryk is a rich and sumptuous work that speaks to the deeper realities and represents a unique viewpoint of experiences shared by all individuals who choose the path to parenthood.”—Disability, Pregnancy, and Parenthood

The period just prior to the birth of a child is a time of profound personal transformation for expectant parents. Expecting Teryk: An Exceptional Path to Parenthood is an intimate exploration, written in the form of a letter from a parent to her future son, that reclaims a rite of passage that modern society would strip of its magic.

Dawn Prince-Hughes, renowned author of Songs of the Gorilla Nation: My Journey through Autism, considers the ways being autistic might inform her parenting. She also candidly narrates her experience of becoming a parent as part of a lesbian couple—from meeting her partner to the questions they ask about their readiness to become parents and the practical considerations of choosing a sperm donor.

Expecting Teryk is viewed through the lens of autism as Prince-Hughes shares the unique way she sees and experiences the world—as well as her aching will to be fully present for her son. Contemplating the evolutionary traditions of parenting from both animal and human perspectives and the reassurances that nature offers, Expecting Teryk is a work of sensuous wonder that speaks to the deeper realities and archetypal experiences shared by all who embark on the journey of parenthood.

Rated Outstanding by the American Association of School Libraries

This is the first book to be written by autistic college students about the challenges they face. Aquamarine Blue 5 details the struggle of these highly sensitive students and shows that there are gifts specific to autistic students that enrich the university system, scholarship, and the world as a whole.

Dawn Prince-Hughes presents an array of writings by students who have been diagnosed with Asperger’s Syndrome or High-Functioning Autism, showing their unique ways of looking at and solving problems. In their own words, they portray how their divergent thinking skills could be put to great use if they were given an opportunity. Many such students never get the chance because the same sensitivity that gives them these insights makes the flicker of fluorescent lights and the sound of chalk on the board unbearable For simple—and easily remedied—reasons, we lose these students, who are as gifted as they are challenged.

Aquamarine Blue 5 is a showcase of the strength and resilient character of individuals with Asperger’s Syndrome. It will be an invaluable resource for those touched by this syndrome, their friends and families, and school administrators.

“This volume contributes significantly to the rapidly developing scholarship of public health and global health in African contexts, considered either as a collection of excellent chapters or taken as the sum of its parts…” —Social History of Medicine

This volume explores how medical professionals and patients, government officials, and ordinary citizens approach questions of public health as they navigate contemporary landscapes of NGOs and transnational projects, faltering state services, and expanding privatization. Its contributors analyze the relations between the public and the private providers of public health, from the state to new global biopolitical formations of political institutions, markets, human populations, and health. Tensions and ambiguities animate these complex relationships, suggesting that the question of what public health actually is in Africa cannot be taken for granted. Offering historical and ethnographic analyses, the volume develops an anthropology of public health in Africa.

Ohio’s long quiltmaking heritage prepared the wayfor the contemporary “pioneer” artists of the 1970s and 1980s, who, through individual vision and dedication, have created a new art form and added a new chapter to quilt history. Uncommon Threads: Ohio’s Art Quilt Revolution reveals for the first time the remarkable role Ohio artists, curators, institutions, and organizations have played in the evolution of today’s internationalart quilt movement.

Against the backdrop of America’s counterculture and civil rights movements, author Gayle A. Pritchard’s compelling narrative threads its way through the emergence of the art quilt, from artists working in isolation to the explosive “big bang” of the first Quilt National and its inevitable reverberations. Pritchard provides a fascinating and personal glimpse into the private world of these unique artists through in-depth interviews, rare photographs, and abundant quilt illustrations.

As Uncommon Threads demonstrates, the art quilt movement could not have occurred without Ohio’s unparalleled contribution. Quilt lovers around theworld will relish discovering this tale of the uncommon energy, vision, creativity, and devotion to self-expression that truly made a quilt revolution.

Goshen Road is an elegiac, unvarnished, and empathetic portrait of one working-class family over two decades in rural West Virginia, with sisters Dessie and Billie Price as its urgently beating heart. Bonnie Proudfoot captures them, their husbands, and their children as they balance on the divide between Appalachia old and new, struggling for survival and reconciling themselves with past hurts and future uncertainties as the economy and culture shift around them. The story opens in 1967 with a logging accident and the teenaged Lux Cranfield’s headlong plunge into the courtship of Dessie—a leap he takes not only in the wake of his near-death experience but to exchange his bitter home life for a future with the Prices, a family that appears to have the stability and peace that his own lacks. Within the year Lux and Dessie marry. Meanwhile, Dessie’s rebellious younger sister, Billie, fights her way through adolescence with an eye toward an escape of her own, only to land with Lux’s friend Alan Ray Munn and settle into a life of hardship. Ultimately, the voices and passions of Dessie, Billie, Lux, Alan Ray, and the Cranfield children build on one another to create an unforgettable chorus about the promises and betrayals of love—and what it takes to preserve a family when everything else is uncertain.