front cover of Samizdat Past+Present
Samizdat Past+Present
Tomáš Glanc
Karolinum Press, 2019
Much of what we now consider the canon of twentieth-century Czech literature—the work of authors like Bohumil Hrabal, Ludvík Vaculík, and Jáchym Topol, among many others—has, in fact, just recently become widely available to readers. Long published only in censored form or in secret among political dissidents, this body of underground literature is collectively known as samizdat. Samizdat Past and Present provides an expert introduction to these writings and their history, offering insight into both the current wave of literary rediscovery and translation and contemporary debates over censorship. In a diverse array of chapters, Tomáš Glanc gathers together texts from representative figures of Czech samizdat and underground culture of the 1960s to ’80s and provides a useful comparison of Czech, Polish, and Russian samizdat. From literary historians to former samizdat publishers and writers with firsthand experience of communist censorship, secret police, fake trials, and imprisonment, the authors of Samizdat Past and Present illuminate the complexities of a literature written under censorship and the struggle for freedom of thought in a totalitarian regime.
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front cover of The Shop on Main Street
The Shop on Main Street
Ladislav Grosman
Karolinum Press, 2019
Written by a Jewish survivor of the Holocaust, The Shop on Main Street is the story that inspired the highly successful Academy Award–winning Czechoslovak film of the same title. Looking at the Holocaust through the eyes of a complicit individual, the narrative follows a good-natured carpenter living in a Slovak town in 1942 who unwittingly becomes a participant in a moral crisis involving the abuse and persecution of Jews. Describing the film adaptation of Ladislav Grosman’s novel, the New York Times declared that it is a “human drama that is a moving manifest of the dark dilemma that confronted all people who were caught as witnesses to Hitler's terrible crime.” The review continues: “‘Is one his brother's keeper?’ is the thundering question the situation asks, and then, ‘Are not all men brothers?’ The answer given is a grim acknowledgement. But the unfolding of the drama is simple, done in casual, homely, humorous terms—until the terrible, heartbreaking resolution of the issue at the end.”
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