Springtide
 
A chaffinch in a tree
of cherry sings merrily
spring’s introit.
 
Its blazing bobble dwells
in leaves, alive, and swells
in scarlet.
 
The flowers are flares of white.
The chaffinch has gone quiet
and turned sky-gazer.
 
My eyes close on the day:
an orb revolves in grey
and red and azure.
 
Poet and artist Bohuslav Reynek spent most of his life in the relative obscurity of the Czech-Moravian Highlands; although he suffered at the hands of the Communist regime, he cannot be numbered among the dissident poets of Eastern Europe who won acclaim for their political poetry in the second half of the twentieth century. Rather, Reynek belongs to an older pastoral-devotional tradition—a kindred spirit to the likes of English-language poets Gerard Manley Hopkins, William Wordsworth, Robert Frost, and Edward Thomas. The Well at Morning presents a selection of poems from across his life and is illustrated with twenty-five of his own color etchings. Also featuring three essays by leading scholars that place Reynek’s life and work alongside those of his better-known peers, this book presents a noted Czech artist to the wider world, reshaping and amplifying our understanding of modern European poetry.

In Fragments of Lives, Gulag survivor Jacques Rossi opens a window onto everyday life inside the notorious Soviet prison camp through a series of portraits of inmates and camp personnel across all walks of life—from workers to peasants, soldiers, civil servants, and party apparatchiks. Featuring Rossi’s original illustrations and written in a tone as sharp and dry as that of Russian writer Varlam Shalamov, Rossi’s vignettes are also filled with surprising humor. A former agent in the Spanish Civil War and a lifelong Communist, Rossi never considered himself a victim. Instead, in the manner of Primo Levi, Solzhenitsyn, and Margaret Buber-Neumann, he sought to share and transmute his experience within the living hell of the Gulag. In so doing, he gives voice to the inmates whose lives were shattered by one of the most corrupt and repressive regimes of the twentieth century.

An impassioned reminder to always question one’s beliefs, to have the courage to give up one’s illusions at the risk of one’s life, Fragments of Lives lays bare, with acute observations and biting wit, the falsity of the Soviet utopia that transformed Rossi’s home into a “huge Potemkin village, a farcical sham dissimulating oceans of mud and blood.”

Every five years from 1955 to 1985, mass Czechoslovak gymnastic demonstrations and sporting parades called Spartakiads were held to mark the 1945 liberation of Czechoslovakia. Featuring hundreds of thousands of male and female performers of all ages and held in the world’s largest stadium—a space built expressly for this purpose—the synchronized and unified movements of the Czech citizenry embodied, quite literally, the idealized Socialist people: a powerful yet pliant force directed by the regime.

In this book, Petr Roubal explores the political, social, and aesthetical dimensions of these mass physical demonstrations, with a particular focus on their roots in the völkisch nationalism of the German Turner movement and the Czech Sokol gymnastic tradition. Roubal draws on extensive interviews and archival research to investigate the many facets of this sporting tradition, from the reactions of ordinary, non-political gymnasts who appropriated and challenged official rituals to the organizational demands of the Spartakiads, such as the incredible finances involved and the knowledge and skills required from hundreds of former Sokol officials. Featuring an abundance of archival photographs, Spartakiad takes a new approach to Communist history by opening a window onto the mentality and mundanity behind the Iron Curtain.