front cover of Idiocracy
Idiocracy
The Culture of the New Idiot
Zoran Terzic
Diaphanes, 2021
There is a new quality of idiocy today. While the old idiot derived knowledge from isolation, the new idiot refuses all understanding of the world. A figure of systematic incompetence, the new idiot is impacting global culture and politics alike, giving rise to surprising, often absurd competences. Yesterday’s “fake news” or “post-truths” can be read today as evidence of an ongoing transformation of self-politics in which the idiotic impulse is redefining our experience of the world. Despite talk of global awareness, the isolated self of the many is all the more effective. It brings about a culture of happy singletons strolling towards a black hole that has become their substitute for society.

Zoran ​Terzić’s wide-ranging essay takes up the figure of the idiot and follows its numerous appearances throughout intellectual history in an examination of the “art of the idiotic” that both reflects and transcends the freneticism of the present.
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front cover of The Thought of Becoming
The Thought of Becoming
Gilles Deleuze’s Poetics of Life
Kathrin Thiele
Diaphanes, 2008
A concern for this world lies at the heart of discussing the relation between philosophy and ethics. Kathrin Thiele elaborates in this book that in such endeavor one has to argue against two common misperceptions. Instead of understanding philosophy and ethics as abstraction from the world, she shows in what sense both are constructive of it; and instead of following the opinion that the poststructuralist philosopher Gilles Deleuze cannot contribute anything to the debate at stake, she shows that his whole work is speaking but one formula: ›ontology = ethics‹.

While this formula might estrange at first, the author, by approaching it through the conceptual figure of becoming, not only manages to carefully develop the Deleuzian thought-universe via its coordinates Spinoza, Bergson, and Nietzsche, but shows in her argument as well that the substitution of becoming for Being is no insignificant matter but rather the preparation for a new thought of ontology as an ontology of becoming and – as such – for a new thought of ethics as a poetics of life.

›Indirection‹ is the movement of becoming into this world, brought forth here as the most compelling dimension of Deleuze’s thought. Such a position dares to conceive of thought as practice without collapsing the gap that always persists between thinking and acting.
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front cover of Beautés arbitraires
Beautés arbitraires
Essai sur l’imagination à l’époque moderne
Isabelle Tillerot
Diaphanes, 2021
Les beautés arbitraires ont une histoire qui précède la question esthétique du beau et la dépasse. Fortes d’un je ne sais quoi qui les fonde à l’écart des systèmes théoriques, elles renversent au XVIIIe siècle la construction sociale du goût. Il se peut que cette conquête soit le plus grand effort de la pensée moderne. Distinguer, du point de vue de l’histoire de l’art, ce que la notion d’arbitraire recouvre, telle est la vaste énigme dénouée dans ce livre.

La reconnaissance des beautés arbitraires se heurte à l’absolu d’un modèle antique qu’il est temps de contredire. Car il n’est rien de fixe, ni d’immuable dans l’arbitraire de la beauté, tout entier laissé à l’imagination du peintre, du poète, de l’architecte ou du musicien… Beauté chimérique opposée à la beauté véritable, elle revêt soudain valeur de rareté et de distinction et se transforme en beauté nécessaire, liée à l’invention de formes nouvelles qui peuvent plaire et toucher universellement. Entre caprice et convention, non-sens et vraisemblance, raison et sentiment, beautés essentielles et arbitraires échangent leurs rôles pour représenter différemment le monde et ses figures.
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