Today, we take for granted the wisdom of renovating old factory buildings into malls or condos, of making once decaying waterfronts into vibrant public spaces, of protecting historic buildings under landmark laws, and of building public housing on a human scale rather than as high-rises. In contemporary cities, it is now common for community groups to plant gardens in empty lots and to buy abandoned apartment buildings from the city for a dollar and fix them up.
But these and other urban planning policies and practices have not always been accepted. Before they became widespread, they were the visionary ideas of the writer and urban commentator Jane Jacobs. Best known in the United States for her path-breaking efforts to preserve the character of Greenwich Village, Jacobs is the author of the classic 1961 book, The Death and Life of Great American Cities, one of the most influential works ever published in urban studies. The architectural critic Herbert Muschamp wrote in the New York Times that its publication “was one of twentieth-century architecture’s most traumatic events. Its impact is still felt in cities across the land.”
In this analysis of Jane Jacobs’s ideas and work, Alice Sparberg Alexiou tells the remarkable story of a woman who without any formal training in planning became a prominent spokesperson for sensible urban change. Besides writing the seminal book about contemporary cities, Jacobs organized successful community battles in New York against powerful interests. She resisted urban renewal in the West Village in the 1960s, helped defeat the Lower Manhattan Expressway, advocated the pleasures of street life that she called “sidewalk ballet,” and opposed the original Twin Towers plans. She was also active in the anti–Vietnam War movement, which eventually led her to move to Canada. There she continued her grass-roots activism, including helping to prevent the construction of an expressway that would have cut through several neighborhoods in Toronto.
Based on a rich array of interviews and primary source material, this book brings long-overdue attention to Jacobs’s far-reaching influence as an original thinker and effective activist.
For generations, children’s books provided American readers with their first impressions of Japan. Seemingly authoritative, and full of fascinating details about daily life in a distant land, these publications often presented a mixture of facts, stereotypes, and complete fabrications.
This volume takes readers on a journey through nearly 200 years of American children’s books depicting Japanese culture, starting with the illustrated journal of a boy who accompanied Commodore Matthew Perry on his historic voyage in the 1850s. Along the way, it traces the important role that representations of Japan played in the evolution of children’s literature, including the early works of Edward Stratemeyer, who went on to create such iconic characters as Nancy Drew. It also considers how American children’s books about Japan have gradually become more realistic with more Japanese-American authors entering the field, and with texts grappling with such serious subjects as internment camps and the bombing of Hiroshima and Nagasaki.
Drawing from the Library of Congress’s massive collection, Sybille A. Jagusch presents long passages from many different types of Japanese-themed children’s books and periodicals—including travelogues, histories, rare picture books, folktale collections, and boys’ adventure stories—to give readers a fascinating look at these striking texts.
Published by Rutgers University Press, in association with the Library of Congress.
In this concise history, Paul Spickard traces the struggles and achievements of Japanese Americans in claiming their place in American society. He outlines three forces shaping ethnic groups in general: shared interests, shared institutions, and shared culture, and chronicles the Japanese American experience within this framework, showing how these factors created and nurtured solidarity.
Japanese and Chinese immigrants in the United States have traditionally been characterized as hard workers who are hesitant to involve themselves in labor disputes or radical activism. How then does one explain the labor and Communist organizations in the Asian immigrant communities that existed from coast to coast between 1919 and 1933? Their organizers and members have been, until now, largely absent from the history of the American Communist movement. In Japanese and Chinese Immigrant Activists, Josephine Fowler brings us the first in-depth account of Japanese and Chinese immigrant radicalism inside the United States and across the Pacific.
Drawing on multilingual correspondence between left-wing and party members and other primary sources, such as records from branches of the Japanese Workers Association and the Chinese Nationalist Party, Fowler shows how pressures from the Comintern for various sub-groups of the party to unite as an “American” working class were met with resistance. The book also challenges longstanding stereotypes about the relationships among the Communist Party in the United States, the Comintern, and the Soviet Party.
The dawn of the twentieth century in Japan witnessed the rise of a peculiar problem: the “Woman Problem.” This, at least, was the term used in an ongoing debate among the government and various intellectuals over how to define gender roles. While the government worked hard to promote the “good wife, wise mother” paradigm, certain female members of society had other notions about how to engage with their world.
In The Japanese “New Woman,” Dina Lowy focuses on this new female image as it was revealed, discussed, and debated in popular newspapers and magazines in the 1910s, as well as on the lives of a specific group of women—members of the feminist literary organization known as the Seitosha. These women drew on a variety of sources, including Zen training, Western writings and ideas, and Japanese morals and arts as they tried to open up new spaces for female activity beyond the confines of the home. Lowy shows how the Seitosha set a precedent that would be emulated in the decades to follow as Japanese women continued to question the patriarchal order, experiment with alternative visions, and pursue their rights in a variety of forms. This work also provides a context for comparative studies of New Women, gender debates, and the modernizing process.
Java is the most populous island of Indonesia, the fifth largest nation in the world. Yet despite its importance, outsiders know little about the country or its people. With the help of Indonesian students and scholars, Walter L. Williams has collected and translated the life histories of twenty-seven Javanese women and men. The people interviewed tell how they have coped with rapid social and economic change, and the transformation of their traditions. Williams has carefully selected the individuals he includes to represent a wide diversity of Java's people. We hear from fascinating men and women of various religions, from the rich and the poor, and from different ethnic backgrounds. Diversity is a constant theme, as evidenced by a poor pedicab driver who can barely scrape along, by a rich businesswoman who explains how she balances her professional and domestic roles, by an educated and respected homosexual school principal, and by an illiterate mother of fourteen children. All of them present in their lives a unique Javanese approach to living.
These oral histories were derived from elderly people, who have a larger perspective on the changes they have seen in their lifetimes. The focus of the first section of the book is the way people have adapted in their daily lives to massive social and economic changes. In the middle section, we hear from the Javanese who represent traditional values in the midst of change. Finally, we hear from educators and parents who tell us of their concerns for Indonesian youth and the future of Indonesia.
Jean Toomer's novel Cane has been hailed as the harbinger of the Harlem Renaissance and as a model for modernist writing, yet it eludes categorization and its author remains an enigmatic and controversial figure in American literature. The present collection of essays by European and American scholars gives a fresh perspective by using sources made available only in recent years, highlighting Toomer's bold experimentations, as well as his often ambiguous responses to the questions of his time.
Some of the essays achieve this through close readings of the text, leading to new and challenging interpretations of Toomer's transcendence of genres and styles. Others show how the publication of Cane and his later writings placed Toomer at the heart of contemporary ideological and artistic debates: race and identity, the negro writer and the white literary world, primitivism and modernism.
The case of the Trenton Six attracted international attention in its time (1948–1952) and was once known as the “northern Scottsboro Boys case.” Yet, there is no memory of it. The shame of racism evident in the case has been nearly erased from the public record. Now, historian Cathy D. Knepper takes us back to the courtroom to make us aware of this shocking chapter in American history.
Jersey Justice: The Story of the Trenton Six begins in 1948 when William Horner, an elderly junk dealer, was murdered in his downtown Trenton shop. Over a two-week period, six local African American men were arrested and charged with collectively killing Horner. Violating every rule in the book, the Trenton police held the six men in incommunicado detention, without warrants, and threatened them until they confessed. At the end of the trial the all-white jury sentenced the six men to die in the electric chair.
That might have been the end of the story were it not for the tireless efforts of Bessie Mitchell, the sister of one of the accused men. Undaunted by the refusal of the NAACP and the ACLU to help appeal the conviction of the Trenton Six, Mitchell enlisted the aid of the Civil Rights Congress, ultimately taking the case as far as the New Jersey Supreme Court. Along the way, the Trenton Six garnered the attention and involvement of many prominent activists, politicians, and artists, including Paul Robeson, Thurgood Marshall, Eleanor Roosevelt, Pete Seeger, Arthur Miller, and Albert Einstein. Jersey Justice brings to light a shameful moment in our nation’s history, but it also tells the story of a personal battle for social justice that changed America.
This is not your typical Jersey Shore book.
Yes, you'll find the obvious-beaches and boardwalks, lifeguards and lighthouses, fishing and food. But Peter Genovese will also take you off the beaten track for an insider's look at this famous (and infamous) 127-mile stretch from Sandy Hook to Cape May.
Birders, tiki hut builders, beach cleaners, wheel-of-chance operators, she-crab soup makers-they're all here. You'll check out an Airstream-only trailer park and visit a Point Pleasant Beach house where the music of Frank Sinatra plays nearly 24/7. Genovese will introduce you to the owner of the Stone Pony and to participants at the grueling Atlantic City Around-the-Island Swim as they describe their battles with tides, exhaustion, and face-stinging jellyfish. All of that, plus you'll find out why Ocean Grove residents write their names on their flowerpots.
Beach reading just doesn't get any better than this.
Spend a summer with Peter Genovese as he chronicles a typical wild and wacky, kitschy and classy season along the New Jersey coastline.
Lifeguards, surfers, beachgoers, birders, ice cream vendors, seashell sellers, banner pilots-they're all here. You'll be on the scene when Atlantic City's mayor officially begins summer by "unlocking the ocean," get a whiff of the state barbeque championship, watch the nation's longest-running all-women lifeguard competition, and even spend a weekend, Survivor-style, on a Barnegat Bay island.
The Ocean City Baby Parade, Clownfest, the state's hottest bikini contest, and the World Series of Surf Fishing are all covered. You'll also meet the folks at the Diamondback Terrapin Conservation Project, the Cape May Migratory Bird Refuge, and the Marine Mammal Stranding Center.
Genovese introduces you to Little Miss Chaos and the King of Corn, the Jersey Shore Hot Dog Queen, and Lucky Leo. You'll go on patrol with the New Jersey State Marine Police, meet the man behind Big Mike's E-Z Bail Bonds, and find salvation at the Boardwalk Chapel.
The Jersey Shore Uncovered flawlessly depicts the timeless allure of New Jersey beach culture. Along with his stories, Genovese brings readers hundreds of color and black-and-white photos that brilliantly capture exactly what makes this 127-mile stretch of shoreline unique. Whether you've never been to a New Jersey beach or you're a Jersey native who spends your summers "down the Shore," you're certain to learn a thing or two from this book. So get settled in your beach chair, put on some suntan lotion, and enjoy.
Readers of the New Jersey section of the Sunday New York Times eagerly look forward to Marc Mappen's astonishing tales of New Jersey history. Jerseyana is his first collection of these popular monthly columns. Here you will meet villains like Dutch Schultz, the mobster gunned down in a Newark gangland rubout, and heroes like Minerva Miller, a black woman who fought segregation at the turn of the century. There are famous events, like the explosion of Hindenburg, and obscure ones, like the assassination of the king of Italy by an anarchist from Paterson. There are amusing stories, like a buried treasure hoax in Morristown after the Revolutionary War, bizarre stories like the fact that the discoverer of New Jersey was allegedly devoured by cannibals, and dramatic stories, like the Jersey woman who survived Indian captivity.
Arranged chronologically, these columns constitute a lively New Jersey perspective on American history. Individual essays deal with major themes in American history and how they affected New Jersey: the colonial era, the Revolution, Civil War and Reconstruction, the Gilded Age, the Progressive Era, World War I, the '20s and '30s, World War II, McCarthyism, women's history, and black history.
Each of the fifty-four columns in this book stands as a colorful exploration in history. Together they constitute a sweeping survey of our state's rich heritage.
Calling attention to the local cultural scene as well as to events taking place in Europe, Matthew Baigell considers the art produced by Jewish artists who were inspired to respond to the murders of their fellow Jews during World War II.
Although there were only a few instances of visual documentation of events until the war’s later stages, responses to news reports and the very few authentic images received of the atrocities of the Holocaust varied from avoidance and denial to scattered attempts to create direct visual representations. Those artists who chose the latter alternative did so with little support from the Jewish intelligentsia of New York City. Art critics such as the influential Clement Greenberg purposely avoided addressing this issue at all. Jewish artists were left to cope with the events of the war in isolation, without a collective visual memory to deal with the traumas presented by news reports.
Baigell discusses how the limited access to images, information, and support during the war led to a unique artistic response created not only by the conflict itself, but also by the anti-Semitic social climate of the United States. Surveys taken in the U.S. between 1940 and 1946 demonstrate that the general population considered Jews a greater menace to the welfare of the country than the Germans or the Japanese.
Artists featured include Marc Chagall, Jacques Lipchitz, Barnett Newman, Abraham Rattner, Mark Rothko, and Max Weber.
The Jewish Graphic Novel is a lively, interdisciplinary collection of essays that addresses critically acclaimed works in this subgenre of Jewish literary and artistic culture. Featuring insightful discussions of notable figures in the industryùsuch as Will Eisner, Art Spiegelman, and Joann Sfarùthe essays focus on the how graphic novels are increasingly being used in Holocaust memoir and fiction, and to portray Jewish identity in America and abroad
Featuring more than 85 illustrations, this collection is a compelling representation of a major postmodern ethnic and artistic achievement.
Over half of all American Jewish children are being raised by intermarried parents. This demographic group will have a tremendous impact on American Judaism as it is lived and practiced in the coming decades. To date, however, in both academic studies about Judaism and in the popular imagination, such children and their parents remain marginal.
Jennifer A. Thompson takes a different approach. In Jewish on Their Own Terms, she tells the stories of intermarried couples, the rabbis and other Jewish educators who work with them, and the conflicting public conversations about intermarriage among American Jews. Thompson notes that in the dominant Jewish cultural narrative, intermarriage symbolizes individualism and assimilation. Talking about intermarriage allows American Jews to discuss their anxieties about remaining distinctively Jewish despite their success in assimilating into American culture.
In contrast, Thompson uses ethnography to describe the compelling concerns of all of these parties and places their anxieties firmly within the context of American religious culture and morality. She explains how American and traditional Jewish gender roles converge to put non-Jewish women in charge of raising Jewish children. Interfaith couples are like other Americans in often harboring contradictory notions of individual autonomy, universal religious truths, and obligations to family and history.
Focusing on the lived experiences of these families, Jewish on Their OwnTerms provides a complex and insightful portrait of intermarried couples and the new forms of American Judaism that they are constructing.
Jewish Studies, the first volume in a groundbreaking new series, Key Words in Jewish Studies, introduces the basic approach of the series by organizing discussion around key concepts in the field that have emerged over the last two centuries: history and science, race and religion, self and community, identity and memory. The book is oriented by contemporary critical theory, especially feminist and postcolonial studies, and the multidisciplinary approaches of cultural studies.
By looking backward and forward—and across continents and disciplines—to unearth the evolution of the scholarly study of Jews, Andrew Bush provides a comprehensive introduction to the development of Jewish studies from the turn of the nineteenth century to the present. In the course of engaging scholarship on periods from the classical to the contemporary and from the disciplines of history, philosophy, sociology, anthropology, psychology, and literary studies, Bush questions male-dominated and Ashkenazi-centric visions of the field. He concludes with an experimental exposition of a new Jewish studies for a time where attention to difference has overtaken the security of canons and commonalities.
Jewish themes in American art were not very visible until the last two decades, although many famous twentieth-century artists and critics were and are Jewish. Few artists responded openly to the Holocaust until the 1960s, when it finally began to act as a galvanizing force, allowing Jewish-American artists to express their Jewish identity in their work. Baigell describes how artists initially deflected their responses into abstract forms or by invoking biblical and traditional figures and then in more recent decades confronted directly Holocaust imagery and memory. He traces the development of artistic work from the late 1930s to the present in a moving study of a long overlooked topic in the history of American art.
Why do well-educated, highly Americanized, and financially secure Jews join a synagogue and participate in its religious life? This study of Conservative Jews examines the largest movement of synagogue-affiliated Jews in the United States, a group that outnumbers the combined membership of Reform and Orthodox congregations and a population that adheres to a centrist version of Judaism. The scholars who contribute to this study ask a series of provocative questions: How do these Jews negotiate the tensions between the traditional values of their religion and modern sensibilities? What meaning do they find in synagogue participation? How crucial are rabbis in the "success" of congregations?
Written by a team of scholars employing the tools of demography, ethnography, sociology, history, and comparative religious studies, Jews in the Center offers the most comprehensive view of any religious movement within American Judaism----and indeed, one of the most detailed studies of any denomination in American religious life.
Jews in the Center seeks to understand how synagogues function as congregations and to what extent they allow for individual self-expression. By focusing on a mainstream population, this book sheds light on religious people who generally receive the least attention----the broad center who neither retreat from society nor blur all boundaries between their religion and modern American culture.
Why do well-educated, highly Americanized, and financially secure Jews join a synagogue and participate in its religious life? This study of Conservative Jews examines the largest movement of synagogue-affiliated Jews in the United States, a group that outnumbers the combined membership of Reform and Orthodox congregations and a population that adheres to a centrist version of Judaism. The scholars who contribute to this study ask a series of provocative questions: How do these Jews negotiate the tensions between the traditional values of their religion and modern sensibilities? What meaning do they find in synagogue participation? How crucial are rabbis in the "success" of congregations?
Written by a team of scholars employing the tools of demography, ethnography, sociology, history, and comparative religious studies, Jews in the Center offers the most comprehensive view of any religious movement within American Judaism----and indeed, one of the most detailed studies of any denomination in American religious life.
Jews in the Center seeks to understand how synagogues function as congregations and to what extent they allow for individual self-expression. By focusing on a mainstream population, this book sheds light on religious people who generally receive the least attention----the broad center who neither retreat from society nor blur all boundaries between their religion and modern American culture.
Jews have called New Jersey home since the late seventeenth century, and they currently make up almost 6 percent of the states residents. Yet, until now, no book has paid tribute to the richness of Jewish heritage in the Garden State. The Jews of New Jersey: A Pictorial History redresses this lack with a lively narrative and hundreds of archival and family photographsmany rarethat bring this history to life.
Patricia Ard and Michael Rockland focus on representative Jewish communities throughout the state, paying particular attention to the extraordinary stories of ordinary people. Through the joys and struggles of homemakers, storekeepers, factory workers, athletes, children, farmers, activists, religious leaders, and Holocaust survivors, the authors tell the stories of how these communities have evolved, thrived, and changed. They note the difficulties posed by intermarriage and assimilation and, at the same time, depict a burgeoning revival of Jewish orthodoxy and traditions.
The Jews of New Jersey will please both the historian and general reader. Its heartwarming stories and pictures truly make the point that it is through the joys, triumphs, and defeats of everyday people that history is made.
For thousands of young women in the 1950s and 1960s, involvement with the student Christian movement (SCM) changed their worldviews. Religious organizations fostered women’s leadership at a time when secular groups like Students for a Democratic Society, and the Left in general, relegated most female participants to stereotypical roles.
The SCM introduced young women to activism in other parts of the country and around the world. As leaders, thinkers, and organizers, they encountered the social realities of poverty and racial prejudice and worked to combat them. The SCM took women to Selma and Montgomery, to Africa and Latin America, and to a lifelong commitment to work for social justice.
Databases of both convicted offenders and no-suspect cases demonstrate the power of DNA testing to solve the unsolvable. George “Woody” Clarke is a leading authority in legal circles and among the news media because of his expertise in DNA evidence. In this memoir, Clarke chronicles his experiences in some of the most disturbing and notorious sexual assault and murder court cases in California. He charts the beginnings of DNA testing in police investigations and the fight for its acceptance by courts and juries. He illustrates the power of science in cases he personally prosecuted or in which he assisted, including his work with the prosecution team in the trial of O. J. Simpson.
Clarke also covers cases where DNA evidence was used to exonerate. He directed a special project in San Diego County, proactively examining over six hundred cases of defendants convicted and sentenced to prison before 1993, with the goal of finding instances in which DNA typing might add new evidence and then offered testing to those inmates.
As Clarke tells the story of how he came to understand and use this new form of evidence, readers will develop a new appreciation for the role of science in the legal system.
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