Bear, Diamonds and Crane depicts the sansei, the grandchildren of Japanese immigrants to America in villanelles, haiku, and lyric poems collaged from family letters. Kageyama-Ramakrishnan recounts her relatives’ internment in Manzanar, the California concentration camp where Japanese Americans were imprisoned during World War II. Honoring Sadako Sasaki, who, “after Hiroshima and Nagasaki, / […] folded / a thousand cranes/ for world peace,” Bear, Diamonds and Crane looks to the yonsei (fourth generation) to transform “the wound” that “resists erasure and cultural amnesia”: “For you, I will keep the ripe weight,/ […]/ The limes and climbing wisteria vines.”

Shadow Mountain is the winner of the Four Way Books Intro Series in Poetry, selected by acclaimed poet Kimiko Hahn. The first years of the 21st century have been marked by a global uneasiness over untold stories: forgotten prisoners, unjustified wars, secret decisions. In Shadow Mountain Claire Kageyama-Ramakrishnan gives voice to older, too-easily forgotten tragedies, urging us to learn a present lesson. She draws on the stories of Japanese-Americans interned at Manzanar Relocation Center, California, and on her own childhood and memories of her grandparents, examining the fault-line between family life and communal experience. Shadow Mountain is captivating in its imagery, enchanting in its sounds, and a must read for anyone interested in the history of Japanese-American citizens and their children. Ranging in her forms from sonnet to terzanelle to fragmented, obstructed free verse, Kageyama-Ramakrishnan is a heartfelt interlocutor. “A socially-conscious writer whose issues of war and passion bring us back, then forward again… Shadow Mountain, a plaintive first book, will be read by those who love poetry—and by those who will begin that love, here.” —Kimiko Hahn

Tidal focuses on Chuuk State, a group of islands that are a part of the Federated States of Micronesia. This focus encompasses Micronesia’s morality, its taboos and myths, and how information and stories disseminate between villages, social groups, ethnicities, classes, and genders. Using persona, these poems explore and challenge the idea of witness.