Winner of the 2021 Permafrost Prize in fiction
 
Magical, heartfelt, and surprisingly funny, Sin Eaters paints a tumultuous picture of religion and repression while hinting at the love and connection that come with healing. The powerful stories in Caleb Tankersley’s debut collection illuminate the shadowy edges of the American Midwest, featuring aspects of religion, sex and desire, monsters and magic, and humor.
 
Tankersley’s characters—including swamp creatures looking for love, pothead pastors, ghosts obsessed with TV, and a Jesus made of rust—arrive at the crossroads of pleasure and hunger in a world that is equal parts playful, hopeful, and dark. In “Never Been More in Love” a man must come to terms with his wife’s degenerative illness. “Uncle Bob” explores suicide attempts as a family heirloom. And the titular story follows a woman who must accept her monstrous role to find redemption for herself and her small town.
 
Sin Eaters is a fight for authenticity in a world that is mysterious, muggy, and punctured by violence. This stunning collection full of complex themes will both challenge and delight.
 

On October 23, 1918, a storm rose and the Canadian Pacific steamer Princess Sophia ran aground on Vanderbilt Reef, northwest of Juneau, Alaska. Tragically, there were no survivors. The 353 aboard represented a significant cross-section of the population of the Yukon and Alaska, and their loss was a heavy blow to a society that, with the end of the gold rush, was already in decline. This book tells the dramatic stories of many of the passengers, how they had gone to the north, what they did there, and why they were leaving that fall, and sheds light on a little-known aspect of Alaska's history.

This landmark volume will stand for decades as one of the most comprehensive studies of a hunter-gatherer population ever written. In this third and final volume in a series on the early contact period Iñupiaq Eskimos of northwestern Alaska, Burch examines every topic of significance to hunter-gatherer research, ranging from discussions of social relationships and settlement structure to nineteenth-century material culture.

Sold American is an account of the history of the federal government's relationship with Alaska's Indian, Eskimo, and Aleut peoples, from the United States' purchase of Alaska from the czar of Russia in 1867 to Alaska statehood in 1959. Don Mitchell describes how, from the arrival of Russian sea otter hunters in the Aleutian Islands in the eighteenth century to the present day, Alaska Natives have participated in the efforts of non-Natives to turn Alaska's bountiful natural resources into dollars, and documents how Alaska Natives, non-Natives, and the society they jointly forged have been changed because of it. Sold American also tells the story of how and why Congress was persuaded that Alaska Natives should be compensated for the extinguishment of their legally cognizable right (known as 'aboriginal title') to use and occupy the land on which they and their ancestors had hunted, fished, and gathered since time immemorial.

Don Mitchell's companion volume, Take My Land, Take My Life, concludes that story by describing the events that in 1971 resulted in Congress's enactment of the Alaska Native Claims Settlement Act, the most generous aboriginal land claims settlement in the nation's history. Insightful and drawn from years of painstaking research of primary source materials, Sold American and Take My Land, Take My Life are an indispensable resource for readers who are interested in the history of the nation's largest state and of the federal government's involvement with Alaska's indigenous peoples.

A collection of essays that evoke an adventurous spirit and the craving for myth, Spirit Things examines the hidden meanings of objects found on a fishing boat, as seen through the eyes of a child. Author Lara Messersmith-Glavin blends memoir, mythology, and science as she relates the uniqueness and flavor of the Alaskan experience through her memories of growing up fishing in the commercial salmon industry off Kodiak Island.
 
“Spirit things” are those mundane objects that offer new insights into the world on closer consideration—fishing nets, a favorite knife, and the bioluminescent gleam of seawater in a twilight that never truly grows dark. Spirit Things recounts stories of fishing, family, synesthesia, storytelling, gender, violence, and meaning. Each essay takes an object and follows it through histories: personal, material, and scientific, drawing together the delicate lines that link things through their making and use, their genesis and evolution, and the ways they gain significance in an individual’s life.
 
A contemplative take on everything from childcare to neurodivergence, comfort foods to outlaws, Spirit Things uses experiences from the human world and locates them on the edges of nature. Contact with wilderness, with wildness, be it twenty-foot seas in the ocean off Alaska’s coast or chairs flying through windows of a Kodiak bar, provides an entry point for meditations on the ways in which patterns, magic, and wonder overlap.
 

A collection of essays that evoke an adventurous spirit and the craving for myth, Spirit Things examines the hidden meanings of objects found on a fishing boat, as seen through the eyes of a child. Author Lara Messersmith-Glavin blends memoir, mythology, and science as she relates the uniqueness and flavor of the Alaskan experience through her memories of growing up fishing in the commercial salmon industry off Kodiak Island.
 
“Spirit things” are those mundane objects that offer new insights into the world on closer consideration—fishing nets, a favorite knife, and the bioluminescent gleam of seawater in a twilight that never truly grows dark. Spirit Things recounts stories of fishing, family, synesthesia, storytelling, gender, violence, and meaning. Each essay takes an object and follows it through histories: personal, material, and scientific, drawing together the delicate lines that link things through their making and use, their genesis and evolution, and the ways they gain significance in an individual’s life.
 
A contemplative take on everything from childcare to neurodivergence, comfort foods to outlaws, Spirit Things uses experiences from the human world and locates them on the edges of nature. Contact with wilderness, with wildness, be it twenty-foot seas in the ocean off Alaska’s coast or chairs flying through windows of a Kodiak bar, provides an entry point for meditations on the ways in which patterns, magic, and wonder overlap.
 

A staff photographer for the Ketchikan Daily News, Hall Anderson counted among his early influences photographers like Robert Frank and Henri Cartier-Bresson, who understood the visual bounty to be found in photographing the candid side of life. For more than twenty-five years, Anderson has brought this perspective to his photographic endeavors, both personal and professional, in the small town of Ketchikan in southeast Alaska.

Still Rainin' Still Dreamin' showcasesone hundred of Anderson's prize-winning black-and-white images, which collectively chronicle three decades of life in Ketchikan, spanning its transition from a timber- and fishing-based economy to one built on a booming tourism industry. From timber carnivals to election coverage to Fourth of July parades, Still Rainin' Still Dreamin' is a poignant celebration of the uncanny juxtapositions found in everyday life.

Reaching 20,320 feet into and above the clouds, the peak of Denali is the highest and coldest summit in North America. In this novel of adventure, adversity, and ambition by renowned mountaineer and writer Nicholas O’Connell, four men set out to conquer it. Among the sharply drawn team members is narrator John Walker, a family man trying to choose between domestic stability and mountaineering’s uncertain glory. In the course of their ascent the group battles avalanches, fierce winds, and mind-numbing cold before their bond begins to splinter, leading inexorably to tragedy.

A collection of first-person narratives offering a vivid, nuanced look at the lived and shared experiences of Bering Strait communities in the COVID-19 era, Stronger Together is a unique collaboration between the Carrie M. McLain Memorial Museum in Nome, Alaska, and over forty community members, artists, and poets from across the Bering Strait region.
 
The featured artists narrativize works inspired by the pandemic, from walrus ivory masks and sealskin face coverings to scenes of subsistence activities and informal family portraits. Full-color illustrations enliven the text with vibrant images of local community members, activities, and artwork from those who call this northern expanse of rolling tundra and icy seas home.
 
Stronger Together features hopeful and redemptive behind-the-scenes perspectives of how remote Alaskan communities endured the COVID-19 pandemic and appeals to anyone looking for hopeful and redemptive stories of this time, as well as museum, public arts, and culture program administrators; student and scholars of Indigenous and Alaska Native languages and culture; the Alaska anthropology community; artists and art enthusiasts; and those with a general interest in Alaska.