Updated versions of Mark Twain classic stories in the best tradition of comedic writing. All of the stories were originally penned by Mark Twain, including "The Jumping Frog of Calaveras County." The author is a contemporary American storyteller who has included notes for readers and re-tellers in addition to an introduction that comments on Mr. Twain and the era in which his stories were written.

Donald Davis was a young United Methodist minister when the telephone rang one morning. "It's your daddy," the caller said, "Mama just couldn't get him awake this morning. He is gone."

"A million questions about him began to line themselves up in my mind." Davis writes. "Where did he go to high school? I did not know." Did he get any education behind that? What were his early jobs, and where did he live then? I was now only twenty-eight, my father was dead, and I had been to young and immature to know to ask t=for the stories that would have filled out his life for me."

The surprise of a lifetime came when he called home and his recently departed father picked up the phone: "Hello! This is Joe Davis. What can I do for you today?"

That case of mistaken identity changed Donald Davis's outlook on the value of family and the need for story gathering. In the twenty-two years until his father's second death, he rarely let an opportunity pass to collect and cherish the stories of his life.

Cripple Joe is the happy result.

Davis tells how his father and an African-American hospital orderly quietly broke down racial barriers in their small mountain town.

He tells how his father employed his humane brand of justice on an eager young chemist whose experiments veered into manufacturing gunpowder, on sons who nearly burned a barn, and on teenagers who organized a disastrous coed camping trip.

And best of all, he tells how Joe Davis--a man known as "Banker Joe" for his work in the loan department but to a select few as "Cripple Joe"--turned a gruesome accident into an opportunity that broadened his world and that of his son.

A second novel, LESS THAN CHARMING tells the story of a world beyond a veil in which all of the characters writers have ever created are alive and living in their own society. As writers in the other—human world—constantly write new characters into existence, those characters emerge into this mirror world. A hierarchy evolves as every retelling of existing characters is layered onto the original, adding to and changing their personality, knowledge base, and sometimes their emotional stability. Prince Charming conspires to rule the society of characters, which includes every protagonist and foil you’ve ever found in a story or a book, and the prince is not as charming as you first imagine.
One character sands in the Prince’s way—Princess Sophia from Grimm’s lesser known “12 Dancing Princesses.” She’s stable—mostly—but Prince Charming is most definitely not. The good Storyteller and the First Character have tasked Sophia with stopping the Prince from destroying their world, and, by extension, ours. 

"All too often both traditional storytellers and the media regard the Hero's Journey as the "one true recipe for a good story." In this well-researched and clearly written book, Dorothy Cleveland and Barbara Schutzgruber prove that there are other kinds of stories that are just as essential to the human experience: tales of survival and transformation that we may encounter at any point in our lives. With deep knowledge and personal honesty, these two incredible women bring us the Heroine's Journey, tracing its origins and possibilities from the oldest folktales to life in the 21st century. This book is a much-needed addition to any storyteller's resource library."
 
---Csenge Virág Zalka, storyteller, author of Tales of Superhuman Powers and Dancing on Blades