Available for the first time in paperback, James Madison: The Founding Father is a lively portrait of the man who essentially fathered our constitutional guarantees of civil and religious liberty. Focusing on the role Madison played at the Continental Congress and in each stage of the formation of the American Republic, Robert Allen Rutland also covers Madison's relationship with his beloved wife, Dolley, his fifty-year friendship with Thomas Jefferson, and his years as a respected elder statesman after serving as secretary of state and fourth president of the United States.
The Civil War in Missouri was a time of great confusion, violence, and destruction. Although several major battles were fought in the state between Confederate and Union forces, much of the fighting in Missouri was an ugly form of terrorism carried out by loose bands of Missouri guerrillas, by Kansas "Jayhawkers," or by marauding patrols of Union soldiers. This irregular warfare provided a training ground for people like Jesse and Frank James who, after the war, used their newly learned skills to form an outlaw band that ultimately became known all over the world.
Jesse James and the Civil War in Missouri discusses the underlying causes of the Civil War as they relate to Missouri and reveals how the war helped create both the legend and the reality of Jesse James and his gang. Written in an accessible style, this valuable little book will be welcomed by anyone with an interest in the Civil War, the legend of Jesse James, or Missouri history.
William A. Settle, Jr. has, for a number of years, trailed the James brothers through the columns of old newspapers and the records of county courts. In his search for the facts concerning these men--heroes to some, criminals to others--he has critically examined the contemporary accounts of their activities and has interviewed men and women who could give eyewitness or close hearsay evidence of them. Employing the techniques of scholarly research, Professor Settle has winnowed the fact from the fiction to produce this study of these most notorious American bandits.
Honorable Mention, 2017 Scribes Book Award, The American Society of Legal Writers
At the dawn of the twentieth century, the United States was reeling from the effects of rapid urbanization and industrialization. Time-honored verities proved obsolete, and intellectuals in all fields sought ways to make sense of an increasingly unfamiliar reality. The legal system in particular began to buckle under the weight of its anachronism. In the midst of this crisis, John Henry Wigmore, dean of the Northwestern University School of Law, single-handedly modernized the jury trial with his 1904-5 Treatise onevidence, an encyclopedic work that dominated the conduct of trials. In so doing, he inspired generations of progressive jurists—among them Oliver Wendell Holmes, Jr., Benjamin Cardozo, and Felix Frankfurter—to reshape American law to meet the demands of a new era. Yet Wigmore’s role as a prophet of modernity has slipped into obscurity. This book provides a radical reappraisal of his place in the birth of modern legal thought.
This is an analysis of the first 10 post—Cold War novels of one of the most significant ethicists in contemporary fiction.
This book challenges distinctions between “popular” and “serious” literature by recognizing le Carré as one of the most significant ethicists in contemporary fiction, contributing to an overdue reassessment of his literary stature. Le Carré’s ten post–Cold War novels constitute a distinctive subset of his espionage fiction in their response to the momentous changes in geopolitics that began in the 1990s. Through a close reading of these novels, Snyder traces how—amid the “War on Terror” and transnationalism—le Carré weighs what is at stake in this conflict of deeply invested ideologies.
Early in his career, John Updike announced his affinity with the Christian existentialism of Soren Kierkegaard, Paul Tillich, Karl Barth, and others. Because of this, many of Updike's critics have interpreted his work from within a Christian existentialist context. Yet Kierkegaard and Barth provide Updike with much more than a mere context, for their dialectical thinking serves as the springboard for Updike's own unique dialectical vision, a complex matrix of ethical precepts, theological beliefs, and aesthetic principles that governs nearly all of his literary output. Nowhere else in his immense corpus is this vision more clearly and thoroughly expressed than in his four Rabbit novels, which were gathered into the single volume Rabbit Angstrom in 1995. However, because Updike's critics have chosen to read the Rabbit novels as discrete, freestanding texts, they have by and large failed to extract the precepts of this private vision.
In John Updike's Rabbit Tetralogy, Marshall Boswell redresses this imbalance by treating the Rabbit tetralogy as a single, unified "mega-novel." He demonstrates that, taken together as a single work, the four discrete sections of the tetralogy not only provide a coherent and complete articulation of Updike's unique existential vision but also compose a unified work of remarkable formal complexity. Boswell brings to Updike's work the concept of "mastered irony," a term coined by Kierkegaard to describe the presentation of two legitimate but contradictory sides of an issue. In the Rabbit novels, these issues range from adultery to drug addiction, from race to redemption, with each issue examined through the refracting lens of Updike's own ironic method. Boswell shows that although each of the four individual Rabbit novels confirms this dialectical strategy in a unique way, the completed tetralogy comprises an additional series of dialectical pairs that sustain, rather than resolve, thematic and formal tension. Ultimately, the structure of the finished "mega-novel" echoes the work's thematic rationale.
To help readers who are interested in a particular Rabbit novel, Boswell devotes a chapter to each individual section of the tetralogy. At the same time, he treats each novel as an integral part of the more comprehensive whole. Honoring the full complexity of Updike's provocative thinking without losing sight of the tetralogy's popular appeal, John Updike's Rabbit Tetralogy makes a valuable addition to the study of Updike's work.
It might seem unlikely that a midwestern university located far from national media centers would be home to the world’s first journalism school, but the University of Missouri holds that distinction. Now celebrating its centennial, the School of Journalism, founded by a newsman who lacked a college education, is regarded as one of the highest-rated in the world.
Steve Weinberg, an alumnus and investigative reporter who returned to teach at Missouri, now covers—and uncovers—the many-faceted history of its School of Journalism, from the days of Walter Williams through the Dean Mills era. A Journalism of Humanity balances the dynamics of the university that set the school’s course with the external forces that shaped journalism and society. True to journalism, it reveals the school’s flaws as well as its virtues.
Bringing his investigative expertise to bear, Weinberg tells the school’s complex story through thematic chapters. He draws on internal documents and correspondence to uncover the politics of the school from its founding to the present—the struggles over resources as well as the constant battle to balance scholarly ambitions with professional mission. In the course of his chronicle, he depicts an institution ahead of its time in professional education but often lagging in dealing with social issues such as race and gender.
Weinberg’s account embraces faculty and staff members, students and alumni, supporters and detractors, as it covers all professional sequences taught at the school. It captures the freewheeling debate that has been a hallmark of the school and includes the perspectives of women, blacks, and gays, who all too often were marginalized. It also incorporates a wealth of insider detail, from a typical day at the school during the Williams era to tales of the “Missouri Mafia.”
Key players, significant programs, legal and ethical battles—all are covered in a candid history that makes captivating reading for those associated with the school or for anyone interested in the development of journalism education. A Journalism of Humanity is a story as big as its subject that looks back on a trailblazing century and forward toward a continuing dedication to journalistic excellence.
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