In the treacherous swamps of southeast Missouri, a different kind of Civil War was waged.
Meriwether Jeff Thompson was one of the most intriguing but least-known Missouri participants in the Civil War. He and his troops traveled fast and light to harass Union forces, materializing out of the countryside to surprise the enemy and evading the traps set for them by Northern commanders. Early in the war, Union General Ulysses S. Grant gave Thompson the name “Swamp Fox” for his exploits in the Bootheel region. This book now tells his story—an adventure that will be appreciated by readers of all ages. Doris Mueller has produced a meticulously researched account of Thompson’s life, from his Virginia boyhood and early successes to his wartime exploits and postwar life. When the war began, Thompson left his adopted city of St. Joseph—where he had served as mayor—to fight for the Confederacy. He was elected brigadier general in the First Military District of Southeast Missouri and led poorly equipped and loosely trained men in skirmishes and raids, often using guerrilla tactics. He was captured in August 1863. After being released twelve months later in a prisoner exchange, he joined Sterling Price’s ill-fated raid into Missouri. After the war, he was one of the first Southern leaders to seek reinstatement as a U.S. citizen and worked to allay hostilities among fellow Southerners.
Thompson was also known as the “Poet Laureate of the Marshes,” and Mueller includes numerous excerpts from his writings about his experiences. Her account not only provides a wealth of little-known biographical details about this important Missourian but also offers insight into the state’s unique experiences during that bloody era, personalizing events through the life of this brave soldier.
Scorned by the Northern press for impudence, but beloved as a leader by his men, Thompson was courageous in battle, often to the point of recklessness, making him a constant thorn in the side of Union forces; after the war he was an oft-maligned model for reconciliation. Doris Mueller’s recounting of his life is an action-adventure story that will delight readers as it attests to his important role in Missouri’s heritage.
The harsh Armistice terms of 1918, the short-lived Weimar Republic, Hindenburg's senile vacillations, and behind-the-scene power plays form the backbone of this excellent study covering German history during the first three-and-a-half decades of the century.
The perils of aging are many, but the debilitating effects of serious illness loom large. In this stirring memoir, readers will discover a man who improved the lives of many arthritis sufferers before himself succumbing to a cruel debilitating disease. The Man behind the Mask tells the story of Thomas Mallory, who was inspired to become a doctor after undergoing surgery for a high school football injury. He went on to become a renowned surgeon and a pioneer in joint replacement. In 2002, his successful career came to an abrupt halt when he was diagnosed with Parkinson’s disease.
Mallory was one of the first surgeons in the United States to see the potential for joint replacement technology, and in this memoir he describes not only the nuances of introducing hip replacement surgery but also the systems that he established to make it a highly successful operation. He tells how he overcame initial resistance to the procedure and became a respected teacher of the technology, training many surgeons who went on to successful careers, lecturing about his procedure around the world, and also seeing VIP patients who journeyed to Ohio just to be operated on by him.
As a pioneer in this type of operation, Mallory first recognized the value of using prosthetic innovation and development. He became a proponent of modularity in joint replacement surgery, which allowed a surgeon to customize a prosthesis to a patient’s joint in the operating room. His innovations, along with those of Dr. William Head, resulted in the introduction in 1983 of the Mallory-Head Hip System—a technology still in use today and one that has offered relief to thousands of patients.
Tracing the joys and sorrows of his own career, Mallory dispels the myth that surgeons are emotionally invulnerable and cold. He offers his perspective on the pursuit of medicine as a profession, on the doctor-patient relationship, and on litigious challenges to physicians. He also commends the benefits of family and leisure and the blessing of life in general while offering insight into the management of an incurable disease.
In our skeptical era, Thomas Mallory is a shining example of a prominent scientist who has maintained his faith in God throughout the highs and lows of life. The Man behind the Mask is an inspiring account for fellow professionals and general readers, as well as for those who have benefited from the procedures he introduced.
Having worked closely with Harry S. Truman in the triumphant campaign of 1948, Jonathan Daniels believed that President Truman was an "everyday" American, an ordinary human who aspired to greatness and achieved it. Thus, it was Daniels's intention that The Man of Independence not be a conventional biography; rather, he wanted it to reveal in real terms "the Odyssey of the 'everyday' American through our times." As a result, this comprehensive work not only presents Truman's life, it also details the development of the America in which the president grew up.
Truman spent his youth and his political life believing that old- fashioned, determined conservatism was vital to the preservation of personal liberty. Daniels re-creates Truman's remarkable journey through life—employing newspapers, letters, memos, family papers, as well as interviews with Truman, his family, and his close acquaintances. In the process, Daniels provides powerful evocations of the time during which Truman lived.
Daniels tells this extraordinary story by following this simple farm boy from Missouri through his youth and his years as a farmer, a veteran, and a businessman, on to his early career in politics, and then his presidency. Along the way, Daniels deals with issues, events, and ideas that were part of Missouri and American politics in the 1920s, 1930s, and 1940s; ultimately, he gives us the Truman who was to become the legend.
This inside account provides thought-provoking and personal information about Truman. His relationship with Thomas Pendergast, the seeming conflict between Truman's midwestern conservatism and his belief in equality for American blacks, and his momentous decision to use the atomic bomb to end the war—these are just a few of the topics touched on. Ending in 1949 when Truman was for the second time sworn in as president, The Man of Independence provides a fascinating and valuable look at one of America's most important and beloved presidents, as well as a crucial look at the America from which he emerged.
Mark Twain, American Humorist examines the ways that Mark Twain’s reputation developed at home and abroad in the period between 1865 and 1882, years in which he went from a regional humorist to national and international fame. In the late 1860s, Mark Twain became the exemplar of a school of humor that was thought to be uniquely American. As he moved into more respectable venues in the 1870s, especially through the promotion of William Dean Howells in the Atlantic Monthly, Mark Twain muddied the hierarchical distinctions between class-appropriate leisure and burgeoning forms of mass entertainment, between uplifting humor and debased laughter, and between the literature of high culture and the passing whim of the merely popular.
Mark Twain once claimed that he could read human character as well as he could read the Mississippi River, and he studied his fellow humans with the same devoted attention. In both his fiction and his nonfiction, he was disposed to dramatize how the human creature acts in a given environment—and to understand why.
Now one of America’s preeminent Twain scholars takes a closer look at this icon’s abiding interest in his fellow creatures. In seeking to account for how Twain might have reasonably believed the things he said he believed, Tom Quirk has interwoven the author’s inner life with his writings to produce a meditation on how Twain’s understanding of human nature evolved and deepened, and to show that this was one of the central preoccupations of his life.
Quirk charts the ways in which this humorist and occasional philosopher contemplated the subject of human nature from early adulthood until the end of his life, revealing how his outlook changed over the years. His travels, his readings in history and science, his political and social commitments, and his own pragmatic testing of human nature in his writing contributed to Twain’s mature view of his kind. Quirk establishes the social and scientific contexts that clarify Twain’s thinking, and he considers not only Twain’s stated intentions about his purposes in his published works but also his ad hoc remarks about the human condition.
Viewing both major and minor works through the lens of Twain’s shifting attitude, Quirk provides refreshing new perspectives on the master’s oeuvre. He offers a detailed look at the travel writings, including The Innocents Abroad and Following the Equator, and the novels, including The Adventures of Tom Sawyer, Adventures of Huckleberry Finn, and Pudd’nhead Wilson, as well as an important review of works from Twain’s last decade, including fantasies centering on man’s insignificance in Creation, works preoccupied with isolation—notably No. 44,The Mysterious Stranger and “Eve’s Diary”—and polemical writings such as What Is Man?
Comprising the well-seasoned reflections of a mature scholar, this persuasive and eminently readable study comes to terms with the life-shaping ideas and attitudes of one of America’s best-loved writers. Mark Twain and Human Nature offers readers a better understanding of Twain’s intellect as it enriches our understanding of his craft and his ineluctable humor.
Mark Twain has always been America’s spokesman, and his comments on a wide range of topics continue to be accurate, valid, and frequently amusing. His opinions on the medical field are no exception. While Twain’s works, including his popular novels about Tom Sawyer and Huckleberry Finn, are rich in medical imagery and medical themes derived from his personal experiences, his interactions with the medical profession and his comments about health, illness, and physicians have largely been overlooked.
In Mark Twain and Medicine, K. Patrick Ober remedies this omission. The nineteenth century was a critical time in the development of American medicine, with much competition among the different systems of health care, both traditional and alternative. Not surprisingly, Mark Twain was right in the middle of it all. He experimented with many of the alternative care systems that were available in his day—in part because of his frustration with traditional medicine and in part because he hoped to find the “perfect” system that would bring health to his family.
Twain’s commentary provides a unique perspective on American medicine and the revolution in medical systems that he experienced firsthand. Ober explores Twain’s personal perspective in this area, as he expressed it in fiction, speeches, and letters. As a medical educator, Ober explains in sufficient detail and with clarity all medical and scientific terms, making this volume accessible to the general reader.
Ober demonstrates that many of Twain’s observations are still relevant to today’s health care issues, including the use of alternative or complementary medicine in dealing with illness, the utility of placebo therapies, and the role of hope in the healing process.
Twain’s evaluation of the medical practices of his era provides a fresh, humanistic, and personalized view of the dramatic changes that occurred in medicine through the nineteenth century and into the first decade of the twentieth. Twain scholars, general readers, and medical professionals will all find this unique look at his work appealing.
Metaphor theory, observes John Bird, is like Mark Twain: both seem simple upon first introduction. Now, in the most complete study to date of Twain’s use of figurative language, a veteran Twain scholar tackles the core of his writing and explores it with theoretical approaches that have rarely been applied to Twain, providing new insights into how he imagined his world—and the singular ways in which he expressed himself.
From “The Jumping Frog” to the late dream narratives, Bird considers Twain’s metaphoric construction over his complete career and especially sheds new light on his central texts: Roughing It; The Adventures of Tom Sawyer; Adventures of Huckleberry Finn; A Connecticut Yankee in King Arthur’s Court; Pudd’nhead Wilson; and No. 44,The Mysterious Stranger. He reconsiders “Old Times on the Mississippi” as the most purely metaphorical of Twain’s writings, goes on to look at how Twain used metaphor and talked about it in a variety of works and genres, and even argues that Clemens’s pseudonym is not so much an alter ego as a metaphorized self.
By offering insight into how Twain handled figurative language during the composing process, Bird reveals not only hidden facets of his artistry but also new aspects of works that we think we know well—including some entirely new ideas regarding Huck Finn that draw on the recent discovery of the first half of the manuscript. In addition to dealing with issues currently central to Twain studies, such as race and gender, he also links metaphor to humor and dream theory to further illuminate topics central to his work.
More than a study of Twain’s language, the book delves into the psychological aspects of metaphor to reveal the writer’s attitudes and thoughts, showing how using metaphor as a guide to Twain reveals much about his composition process. Applying the insights of metaphor theorists such as Roman Jakobson and Colin M. Turbayne, Bird offers readers not only new insights into Twain but also an introduction to this interdisciplinary field.
In lively prose, Mark Twain and Metaphor provides a vital way to read Twain’s entire corpus, allowing readers to better appreciate his style, humor, and obsession with dreams. It opens new ground and makes old ground fresh again, offering ways to see and resee this essential American writer.
Best known for his sharp wit and his portrayals of life along the banks of the Mississippi River, Mark Twain is indeed an American icon, and many scholars have examined how he and his work are perceived in the United States. In Mark Twain in Japan, however, Tsuyoshi Ishihara explores how Twain’s uniquely American work is viewed in a completely different culture.
Before Mark Twain became a national celebrity with his best-selling The Innocents Abroad, he was just another struggling writer perfecting his craft—but already “playin’ hell” with the world. In the first book in more than fifty years to examine the initial phase of Samuel Clemens’s writing career, James Caron draws on contemporary scholarship and his own careful readings to offer a fresh and comprehensive perspective on those early years—and to challenge many long-standing views of Mark Twain’s place in the tradition of American humor.
Tracing the arc of Clemens’s career from self-described “unsanctified newspaper reporter” to national author between 1862 and 1867, Caron reexamines the early and largely neglected writings—especially the travel letters from Hawaii and the letters chronicling Clemens’s trip from California to New York City. Caron connects those sets of letters with comic materials Clemens had already published, drawing on all known items from this first phase of his career—even the virtually forgotten pieces from the San Francisco Morning Call in 1864—to reveal how Mark Twain’s humor was shaped by the sociocultural context and how it catered to his audience’s sensibilities while unpredictably transgressing its standards.
Caron reveals how Sam Clemens’s contemporaries, notably Charles Webb, provided important comic models, and he shows how Clemens not only adjusted to but also challenged the guidelines of the newspapers and magazines for which he wrote, evolving as a comic writer who transmuted personal circumstances into literary art. Plumbing Mark Twain’s cultural significance, Caron draws on anthropological insights from Victor Turner and others to compare the performative aspects of Clemens’s early work to the role of ritual clowns in traditional societies
Brimming with fresh insights into such benchmarks as “Our Fellow Savages of the Sandwich Islands” and “Jim Smiley and His Jumping Frog,” this book is a gracefully written work that reflects both patient research and considered judgment to chart the development of an iconic American talent. Mark Twain, Unsanctified Newspaper Reporter should be required reading for all serious scholars of his work, as well as for anyone interested in the interplay between artistic creativity and the literary marketplace.
From Michael C. White, the author of the critically acclaimed novels A Brother's Blood and The Blind Side of the Heart, comes a new book, Marked Men. It is a gripping collection of twelve wide-ranging stories about those unexpected moments in our lives when the layers of our defenses are peeled away, one by one, and we are left with the harsh inevitability of our fates. Touching on themes of loneliness and isolation, Marked Men deals with characters who have been alienated from society, from family and friends, from their past, and sometimes from their own feelings.
In "Heights," we meet a young woman whose husband is paralyzed and who must come to grips with the life she now finds herself inhabiting; in "Disturbances," a doctor is called to the scene of a brutal murder, only to discover he will be asked to do much more than pronounce the man dead; in "Burn Patterns," an arson investigator traveling to the scene of a fire picks up a young runaway drifter, an event that causes him to reflect on his own failed marriage; in "The Crossing," a recent widow learns to deal with her fears regarding her alien new life; and in "The Cardiologist's House," the narrator builds model houses at night when he can't sleep and at the same time keeps watch on a neighbor who is having an affair.
These are powerful and moving stories told in White's distinctive style. His earlier prose has been hailed by the New York Times as "stunningly well written" and by Booklist as "remarkable." Engaging the reader from the first line, White provides a suspenseful and surprise-filled journey as his characters face and resolve their conflicts.
Mary McLeod Bethune was a significant figure in American political history. She devoted her life to advancing equal social, economic, and political rights for blacks. She distinguished herself by creating lasting institutions that trained black women for visible and expanding public leadership roles. Few have been as effective in the development of women’s leadership for group advancement. Despite her accomplishments, the means, techniques, and actions Bethune employed in fighting for equality have been widely misinterpreted.
Born Eileen Mary Challans in London in 1905, Mary Renault wrote six successful contemporary novels before turning to the historical fiction about ancient Greece for which she is best known. While Renault's novels are still highly regarded, her life and work have never been completely examined. Caroline Zilboorg seeks to remedy this in The Masks of Mary Renault by exploring Renault's identity as a gifted writer and a sexual woman in a society in which neither of these identities was clear or easy.
Although Renault's life was anything but ordinary, this fact has often been obscured by her writing. The daughter of a doctor, she grew up comfortably and attended a boarding school in Bristol. She received a degree in English from St. Hugh's College in Oxford in 1928, but she chose not to pursue an academic career. Instead, she decided to attend the Radcliffe Infirmary in Oxford, where she trained to be a nurse. With the outbreak of the Second World War, she was assigned to the Winford Emergency Hospital in Bristol and briefly worked with Dunkirk evacuees. She went on to work in the Radcliffe Infirmary's brain surgery ward and was there until 1945.
It was during her nurse's training that Renault met Julie Mullard, who became her lifelong companion. This important lesbian relationship both resolved and posed many problems for Renault, not the least of which was how she was to write about issues at once intensely personal and socially challenging. In 1939, Renault published her first novel under a pseudonym in order to mask her identity. It was a time when she was struggling not only with her vocation (nursing and writing), but also with her sexual identity in the social and moral context of English life during the war.
In 1948, Renault left England with Mullard for South Africa and never returned. It was in South Africa that she made the shift from her early contemporary novels of manners to the mature historical novels of Hellenic life. The classical settings allowed Renault to mask material too explosive to deal with directly while simultaneously giving her an "academic" freedom to write about subjects vital to her—among them war, peace, career, women's roles, female and male homosexuality, and bisexuality.
Renault's reception complicates an understanding of her achievement, for she has a special status within the academic community, where she is both widely read and little written about. Her interest in sexuality and specifically in homosexuality and bisexuality, in fluid gender roles and identities, warrants a rereading and reevaluation of her work. Eloquently written and extensively researched, The Masks of Mary Renault will be of special value to anyone interested in women's studies or English literature.
The baby is screaming again. My baby. I hoist her off the narrow hotel bed--again--and try to cradle her as I rock my torso back and forth in an uncomfortable straight-backed chair.
This baby does not cradle. She doesn't know how to cuddle, to be soothed in anyone's arms. She howls and arches away, squirms and flops, a sixteen-pound fish out of water. I'm not used to holding babies, and she's not used to be being held, but when I try to put her down, she wails. My arms feel chafed, raw, and my wrists ache from the hours of straining to hang on to her.
Huge tears pool in her eyes. These tears could break my heart. These screams could break my eardrums.
September 13, 1918
Got no sleep at all last night.
About two o'clock in the morning Col. Heintzelman, chief of staff of the corps, came out and he was much pleased with what the division had accomplished and with the way they had gone through. It was the division's first battle and it played a very important and creditable part. Certain things fell down. . . . The truth of the matter is the troops got away from the wire and it was impossible to keep the wire up through the tangle of barbed wire and woods. We captured 3,000 prisoners on our front alone and have lost 521.
November 1, 1918 Considerable heavy artillery fire all night. The preparation fire went down promptly at 3:30, it was very heavy. . . . The barrage went down promptly at 5:30. Troops jumped off. At 7:30 thirty prisoners reported from Le Dhuy Fme., taken by the 353rd and 354th infantries. I don't understand what the 353rd Infantry is doing in there, as it is out of the sector. At 7:00 a.m. there was a distinct lull in the artillery fire. . . . I told Hanson at 8:05 to move his troops forward to parallel 86 immediately. He stated that he would get them going about 8:30, but actually did not get them started until about eleven o'clock. I sent for him on arrival and told him to hurry his men up. Before Lee left I had ordered the divisional reserve to move forward with its advance element on the first objective to maintain their echelonment in depth. Smyser came in at one o'clock and I ordered the divisional machine guns to the front to take position about one-half kilometer east of Dhuy Fme. At the time the reserves were ordered forward. I ordered Hanson to take his P.C. to Dhuy Fme. . . . Hanson has just arrived. I do not understand why he is always so slow. He seems to be inordinately stupid.For much of his career, British political philosopher Michael Oakeshott was identified with Margaret Thatcher’s conservative policies. He has been called by some a guru to the Tories, while others have considered him one of the last proponents of British Idealism. Best known for such books as Experience and Its Modes and Rationalism in Politics, Oakeshott has been the subject of numerous studies, but always with an emphasis on his political thought.
Missouri has been likened to a “cave factory” because its limestone bedrock can be slowly dissolved by groundwater to form caverns, and the state boasts more than six thousand caves in an unbelievable variety of sizes, lengths, and shapes. Dwight Weaver has been fascinated by Missouri’s caves since boyhood and now distills a lifetime of exploration and research in a book that will equally fascinate readers of all ages.
Missouri Caves in History and Legend records a cultural heritage stretching from the end of the ice age to the twenty-first century. In a grand tour of the state’s darkest places, Weaver takes readers deep underground to shed light on the historical significance of caves, correct misinformation about them, and describe the ways in which people have used and abused these resources.
Weaver tells how these underground places have enriched our knowledge of extinct animals and early Native Americans. He explores the early uses of caves: for the mining of saltpeter, onyx, and guano; as sources of water; for cold storage; and as livestock shelters. And he tells how caves were used for burial sites and moonshine stills, as hideouts for Civil War soldiers and outlaws—revealing how Jesse James became associated with Missouri caves—and even as venues for underground dance parties in the late nineteenth century.
Bringing caves into the modern era, Weaver relates the history of Missouri’s “show caves” over a hundred years—from the opening of Mark Twain Cave in 1886 to that of Onyx Mountain Caverns in 1990—and tells of the men and women who played a major role in expanding the state’s tourism industry. He also tracks the hunt for the buried treasure and uranium ore that have captivated cave explorers, documents the emergence of organized caving, and explains how caves now play a role in wildlife management by providing a sanctuary for endangered bats and other creatures.
Included in the book is an overview of cave resources in twelve regions, covering all the counties that currently have recorded caves, as well as a superb selection of photos from the author’s extensive collection, depicting the history and natural features of these underground wonders. Missouri Caves in History and Legend is a riveting account that marks an important contribution to the state’s heritage and brings this world of darkness into the light of day.
Intended for the general reader, Missouri Geology is a well-illustrated introduction to the fascinating geology of Missouri.
Since the publication of the first edition in 1985, Missouri Government and Politics has been widely acclaimed as an outstanding text. This revised and enlarged edition updates all of the chapters to reflect the changes that have occurred in the state's government during the last decade. Five new chapters have been added on topics previously unaddressed: economic development, energy, and the environment; state policy making in higher education; funding for education in the 1990s; the statewide elected executive officials; and the types of law in Missouri.
The twenty-six chapters are grouped into four main categories: "The Context of Missouri Politics," "State Governmental Framework," "Policies and Policy Making in Missouri," and "Local Government and Politics in Missouri." Helpful additions to the basic text include more than fifty tables and figures, a glossary giving clear definitions of many governmental terms, and a bibliography on Missouri politics and government.
The authors have become experts about Missouri by serving as teachers and researchers in Missouri colleges and universities, as candidates and workers in Missouri political campaigns, and as officeholders and public administrators in Missouri state government. Their collective experience in Missouri politics ensures that this new edition provides the most thorough and comprehensive overview of the structure and inner workings of Missouri's political system.
Lawyer and journalist, entrepreneur and philanthropist, Louis Houck is often called the “Father of Southeast Missouri” because he brought the railroad to the region and opened this backwater area to industrialization and modernization. Although Houck’s name is little known today outside Missouri, Joel Rhodes shows how his story has relevance for both the state and the nation.
Rhodes presents a more complete picture of Houck than has ever been available: reviewing his life from his German immigrant roots, considering his career from both social and political perspectives, and grounding the story in both state and national history. He especially tells how, from 1880 to the 1920s, this self-taught railroader constructed a network of five hundred miles of track through the wilderness of wetlands known as “Swampeast Missouri”—and how these “Houck Roads” provided a boost for population, agriculture, lumbering, and commerce that transformed Cape Girardeau and the surrounding area.
Rhodes discusses how Houck fits into the era of economic individualism—a time when men with little formal training shaped modern industry—and also gives voice to Houck’s critics and shows that he was not always an easy man to work with. In telling the story of his railroading enterprise, Rhodes chronicles Houck’s battle with the Jay Gould railroad empire and offers key insight into the development of America’s railway system, from the cutthroat practices of ruthless entrepreneurs to the often-comic ineptness of start-up rail lines.
More than simply a biography of a business entrepreneur, the book tells how Houck not only developed the region economically but also followed the lead of Andrew Carnegie by making art, culture, and formal education available to all social classes. Houck also served for thirty-six years as president of the Board of Regents of Southeast Missouri State Teacher’s College, and as a self-taught historian he wrote the first comprehensive accounts of Missouri’s territorial period.
A Missouri Railroad Pioneer chronicles a multifaceted career that transformed a region. Solidly researched, this lively narrative also offers an entertaining read for anyone interested in Missouri history.
Originally written in 1980 by the late Lorenzo J. Greene, Gary R. Kremer, and Antonio F. Holland, Missouri's Black Heritage remains the only book-length account of the rich and inspiring history of the state's African American population. It has now been revised and updated by Kremer and Holland, incorporating the latest scholarship into its pages. This edition describes in detail the struggles faced by many courageous African Americans in their efforts to achieve full civil and political rights against the greatest of odds.
Documenting the African American experience from the horrors of slavery through present-day victories, the book touches on the lives of people such as John Berry Meachum, a St. Louis slave who purchased his own freedom and then helped countless other slaves gain emancipation; Hiram Young, a Jackson County free black whose manufacturing of wagons for Sante Fe Trail travelers made him a legendary figure; James Milton Turner, who, after rising from slavery to become one of the best-educated blacks in Missouri, worked with the Freedmen's Bureau and the State Department of Education to establish schools for blacks all over the state after the Civil War; and Annie Turnbo Malone, a St. Louis entrepreneur whose business skills made her one of the state's wealthiest African Americans in the early twentieth century.
A personal reminiscence by the late Lorenzo J. Greene, a distinguished African American historian whom many regard as one of the fathers of black history, offers a unique view of Missouri's racial history and heritage.
Claiborne Fox Jackson (1806-1862) remains one of Missouri's most controversial historical figures. Elected Missouri's governor in 1860 after serving as a state legislator and Democratic party chief, Jackson was the force behind a movement for the neutral state's secession before a federal sortie exiled him from office. Although Jackson's administration was replaced by a temporary government that maintained allegiance to the Union, he led a rump assembly that drafted an ordinance of secession in October 1861 and spearheaded its acceptance by the Confederate Congress. Despite the fact that the majority of the state's populace refused to recognize the act, the Confederacy named Missouri its twelfth state the following month. A year later Jackson died in exile in Arkansas, an apparent footnote to the war that engulfed his region and that consumed him.
In this first full-length study of Claiborne Fox Jackson, Christopher Phillips offers much more than a traditional biography. His extensive analysis of Jackson's rise to power through the tangle that was Missouri's antebellum politics and of Jackson's complex actions in pursuit of his state's secession complete the deeper and broader story of regional identity--one that began with a growing defense of the institution of slavery and which crystallized during and after the bitter, internecine struggle in the neutral border state during the American Civil War. Placing slavery within the realm of western democratic expansion rather than of plantation agriculture in border slave states such as Missouri, Philips argues that southern identity in the region was not born, but created. While most rural Missourians were proslavery, their "southernization" transcended such boundaries, with southern identity becoming a means by which residents sought to reestablish local jurisdiction in defiance of federal authority during and after the war. This identification, intrinsically political and thus ideological, centered—and still centers—upon the events surrounding the Civil War, whether in Missouri or elsewhere. By positioning personal and political struggles and triumphs within Missourians' shifting identity and the redefinition of their collective memory, Phillips reveals the complex process by which these once Missouri westerners became and remain Missouri southerners.
Missouri's Confederate not only provides a fascinating depiction of Jackson and his world but also offers the most complete scholarly analysis of Missouri's maturing antebellum identity. Anyone with an interest in the Civil War, the American West, or the American South will find this important new biography a powerful contribution to our understanding of nineteenth-century America and the origins—as well as the legacy—of the Civil War.
Published together for the first time in one volume are Eric Voegelin's Political Religions, The New Science of Politics, and Science, Politics, and Gnosticism.Political Religions was first published in 1938 in Vienna, the year of Voegelin's forced emigration from Austria to the United States. The New Science of Politics was written in 1952 and established Voegelin's reputation as a political philosopher in America. Science, Politics, and Gnosticism was Voegelin's Inaugural Lecture at the University of Munich in 1958 and introduced him to the West German intellectual public.
Although these books were written during remarkably different historical circumstances of Voegelin's life, all three present an analysis of modern Western civilization that has lost its spiritual foundations and is challenged by various ideological persuasions. Voegelin critiques in these texts a "modernity without restraint." It is a modernity with Hegelian, Marxian, Nietzschean, Heideggerian, positivist, Fascist, and other predominantly German characteristics. The author confronts this modernity with Western meaning as it emerged in ancient Greece, Rome, Israel, and Christianity and became transformed in the European Middle Ages, the Italian Renaissance, and the Anglo- American political formation.
This three-in-one volume delves into the intellectual and spiritual complications of modernity, tracing its evolution from the ancient civilizations to the twentieth century. In his substantial new introduction, Manfred Henningsen explores the experiential background that motivated Voegelin's theoretical analyses and the new relevance that his work has gained in recent years with the unexpected collapse of state socialism in East Germany, Eastern Europe, and the Soviet Union. Modernity without Restraint will be a valuable addition to intellectual history and Voegelin studies.
Over a forty-six-year career, Langston Hughes experimented with black folk expressive culture, creating an enduring body of extraordinary imaginative and critical writing. Riding the crest of African American creative energy from the Harlem Renaissance to the onset of Black Power, he commanded an artistic prowess that survives in the legacy he bequeathed to a younger generation of writers, including award winners Alice Walker, Paule Marshall, and Amiri Baraka.
Montage of a Dream extends and deepens previous scholarship, multiplying the ways in which Hughes’s diverse body of writing can be explored. The contributors, including such distinguished scholars as Steven Tracy, Trudier Harris, Juda Bennett, Lorenzo Thomas, and Christopher C. De Santis, carefully reexamine the significance of his work and life for their continuing relevance to American, African American, and diasporic literatures and cultures.
Probing anew among Hughes’s fiction, biographies, poetry, drama, essays, and other writings, the contributors assert fresh perspectives on the often overlooked “Luani of the Jungles” and Black Magic and offer insightful rereadings of such familiar pieces as “Cora Unashamed,” “Slave on the Block,” and Not without Laughter. In addition to analyzing specific works, the contributors astutely consider subjects either lightly explored by or unavailable to earlier scholars, including dance, queer studies, black masculinity, and children’s literature. Some investigate Hughes’s use of religious themes and his passion for the blues as the fabric of black art and life; others ponder more vexing questions such as Hughes’s sexuality and his relationship with his mother, as revealed in the letters she sent him in the last decade of her life.
Montage of a Dream richly captures the power of one man’s art to imagine an America holding fast to its ideals while forging unity out of its cultural diversity. By showing that Langston Hughes continues to speak to the fundamentals of human nature, this comprehensive reconsideration invites a renewed appreciation of Hughes’s work—and encourages new readers to discover his enduring relevance as they seek to understand the world in which we all live.
Six weeks before Pearl Harbor, Keith Mason received a $150 uniform allowance, a pair of silver wings, and his first assignment as a flight instructor: Randolph Field, Texas. Two years later, he was Squadron Officer in the 460th Bomb Group, 15th Air Force in Spinazzola, Italy - flying the harrowing combat missions he dreamed of as a boy in rural Iowa.
As a memoir of one man’s war years, Mason provides insight on the inner workings of serving as an airman during World War II: facing stultifying boredom, stupefying incompetence, paralyzing fear, and stunning success. Details of how crews were selected for combat missions, of the necessity to occasionally break up crews, and of select missions in which Mason was a participant are important additions to the history and literature of this often neglected theater.
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