These 100 extraordinary photographs, selected from over two thousand taken by Frederick R. Wulsin during his 1923 expedition to the northwest borders of China, document the interplay of culture and way of life among Mongols, Tibetans, and Hans. The photographs are supplemented by extensive selections from Wulsin’s journals and letters that offer a comprehensive portrait of these societies at a critical moment of transition. Joseph Fletcher places it in the context of centuries of shifting patterns of empires and ethnic dominance, which continues to this day. M. E. Alonso contributes an essay on Wulsin, and the expedition. The photographs are taken from the archives of the National Geographic Society and Harvard’s Peabody Museum.

In a pioneering work, Jeffrey Fear overturns the dominant understanding of German management as “backward” relative to the U.S. and uncovers an autonomous and sophisticated German managerial tradition. Beginning with founder August Thyssen—the Andrew Carnegie of Germany—Fear traces the evolution of management inside the Thyssen-Konzern and the Vereinigte Stahlwerke (United Steel Works) between 1871 and 1934.

Fear focuses on the organization and internal dynamics of the company. He demonstrates that initiatives often flowed from middle managers, rather than from the top down. Shattering stereotypes of the overly bureaucratic and rigid German firm, Fear portrays a decentralized and flexible system that underscores the dynamic and entrepreneurial nature of German business. He fundamentally revises the scholarship on Alexander Gerschenkron and Germany’s Sonderweg, and critiques Max Weber’s concept of the corporation and capital accounting. He develops a loosely coupled relationship among enterprise strategy, organization, the structure of responsibility, and its accounting system, which links information, knowledge, and power inside the firm. This method of organizing control is central to understanding corporate governance.

Original and provocative, this work will generate much debate among historians, organizational theorists, and management and accounting scholars.

Publishers Weekly Best Book of 1991, 1991 Kate Roberts (1891-1985) was the foremost twentieth-century prose writer in the Welsh language. She produced a considerable body of fiction, seven novels and novellas and nine collections of short stories, and was active in the Welsh Nationalist Party as a publisher and a literary and political journalist. A contemporary of D. H. Lawrence, Katherine Mansfield, and Sherwood Anderson, she created the modern form of the short story in Welsh, and through six decades of writing earned a place with this century's masters of the genre. The World of Kate Roberts offers in English a large selection of stories, many previously, untranslated, that span her long writing career. Joseph P. Clancy's translations convey the intensity, the insight, and the distinctive prose style with which this Welsh-language writer illuminates her characters' often heroic ordinary lives. This book contains twenty-seven short stories, two short novels, and "Tea in the Heather," eight linked stories of childhood in North Wales at the turn of the century. Excerpts from her autobiography provide background for the non-Welsh reader and an Introduction presents Kate Roberts' life and work largely through her own words. The experience of poverty is the vital center of Kate Roberts' fiction: material poverty in the slate-quarrying villages of North Wales and the coal-mining communities in the south at the turn of the century and during the Depression; and the cultural, moral, and spiritual poverty of contemporary life in a small town. This poverty defines the experiences and tests the resources of her characters. Her concern was to record, to examine, and to celebrate without sentimentality the life of the close-knit society in which she had grown up. What is most characteristically Welsh in Roberts' vision is that fellowship, membership in a community, is essential to the realization of the human self. "We never saw riches," observed Kate Roberts, "but we had riches that no one can take away from us, the riches of a language and a culture."