The literature describing social conditions during the post–World War II Allied occupation of Germany has been divided between seemingly irreconcilable assertions of prolonged criminal chaos and narratives of strict martial rule that precluded crime. In The Art of Occupation, Thomas J. Kehoe takes a different view on this history, addressing this divergence through an extensive, interdisciplinary analysis of the interaction between military government and social order.
Focusing on the American Zone and using previously unexamined American and German military reports, court records, and case files, Kehoe assesses crime rates and the psychology surrounding criminality. He thereby offers the first comprehensive exploration of criminality, policing, and both German and American fears around the realities of conquest and potential resistance, social and societal integrity, national futures, and a looming threat from communism in an emergent Cold War. The Art of Occupation is the fullest study of crime and governance during the five years from the first Allied incursions into Germany from the West in September 1944 through the end of the military occupation in 1949. It is an important contribution to American and German social, military, and police histories, as well as historical criminology.
Rabel explains the causes, significance, and consequences of American involvement in this classic European territorial dispute. The author sees U.S. involvement as closely linked to the larger issues of American participation in World War II and belief in democracy and self-determination, as well as to the subsequent unfolding of the Cold War. After 1945, Rabel asserts, American policy interest shifted to concern for Trieste due to its geographic and symbolic position between the Eastern and Western blocs. U.S. policies toward the Trieste issue were therefore shaped by several factors; a commitment to the principle of self-determination; the exigencies of maintaining stability and effective administration under the occupation; the need for close cooperation with the British; and the larger realities of the Cold War, especially in terms of American perceptions of the changing roles of Italy and Yugoslavia in that conflict. By examining the dynamic interplay of these factors, Between East and West seeks to explain the origins and evolution of U.S. Cold War policy, as well as its impact on the traditional American liberal principles of democracy and self-determination.
Shedding new light on the American campaign to democratize Western Germany after World War II, Capturing the German Eye uncovers the importance of cultural policy and visual propaganda to the U.S. occupation.
Cora Sol Goldstein skillfully evokes Germany’s political climate between 1945 and 1949, adding an unexpected dimension to the confrontation between the United States and the USSR. During this period, the American occupiers actively vied with their Soviet counterparts for control of Germany’s visual culture, deploying film, photography, and the fine arts while censoring images that contradicted their political messages. Goldstein reveals how this U.S. cultural policy in Germany was shaped by three major factors: competition with the USSR, fear of alienating German citizens, and American domestic politics. Explaining how the Americans used images to discredit the Nazis and, later, the Communists, she illuminates the instrumental role of visual culture in the struggle to capture German hearts and minds at the advent of the cold war.
“It was a quiet on the second floor. The vice-president walked solemnly into Mrs. Roosevelt’s sitting room, where she waited, grave and calm. With her was her daughter, Mrs. Anna Roosevelt Boettiger, her husband, Colonel John Boettiger, and Stephan Early. Truman knew at a glance that his premonition had been true. Mrs. Roosevelt came forward directly and put her arm on his shoulder.
‘Harry, the President is dead.’”
Robert J. Donovan’s Conflict and Crisis presents a detailed account of Harry S. Truman’s presidency from 1945-1948.
Offering much more than a detached historical account of the "German miracle"—a ruined, war-torn nation evolving within a decade into the most flourishing country in Europe—Eugene Davidson delves into this intriguing story as a "participant observer." Drawing on countless interviews with Germans and Americans of various backgrounds and perspectives, from High Commissioner's office personnel to occupation troop GIs, storekeepers to housewives, Davidson insightfully conveys the atmosphere of postwar Germany and the role of the American occupation in achieving the nation's economic miracle.
The Death and Life of Germany examines the transformation of Germany, focusing on such key episodes as the unprecedented war-crimes tribunal at Nuremberg, the almost unceasing attempts of the Western Allies to cooperate with the Russians, the startling effects of the currency reform and Marshall Plan aid, the break between East and West Germany that culminated in the Berlin airlift, the heroic East German uprising of June 17, 1953, and the eventual formation of the Federal Republic of Germany and the German Democratic Republic.
Davidson traces the progress of thought among Germans and Americans alike as their conceptions of postwar Germany gradually evolved and the leaders of a new, democratic West Germany emerged from the ashes of defeat.
The strength of Davidson's research and analysis and the continuing relevance of this important volume make The Death and Life of Germany an invaluable addition to the collections of scholars and general readers interested in the evolution of postwar Germany.
At the end of World War II, the Allies were unanimous in their determination to disarm the former aggressor Germany. As the Cold War intensified, however, the decision whether to reverse that policy and to rearm West Germany as a bulwark against the Soviet threat led to disagreements both within the US government and among members of the nascent NATO alliance. The US military took the practical view that a substantial number of German troops would be required to deter any potential Soviet assault. The State Department, on the other hand, initially advocated an alternative strategy of strengthening European institutions but eventually came around to the military’s position that an armed West Germany was preferable to a weak state on the dividing line between the Western democracies and the Soviet satellite states.
Sheldon A. Goldberg traces the military, diplomatic, and political threads of postwar policy toward West Germany and provides insights into the inner workings of alliance building and the roles of bureaucrats and military officers as well as those of diplomats and statesmen. He draws on previously unexamined primary sources to construct a cogent account of the political and diplomatic negotiations that led to West Germany’s accession to NATO and the shaping of European order for the next forty years.
In late 1946, Stig Dagerman was assigned by the Swedish newspaper Expressen to report on life in Germany immediately after the fall of the Third Reich. First published in Sweden in 1947, German Autumn, a collection of the articles written for that assignment, was unlike any other reporting at the time. While most Allied and foreign journalists spun their writing on the widely held belief that the German people deserved their fate, Dagerman disagreed and reported on the humanness of the men and women ruined by the war—their guilt and suffering. Dagerman was already a prominent writer in Sweden, but the publication and broad reception of German Autumn throughout Europe established him as a compassionate journalist and led to the long-standing international influence of the book.
Presented here in its first American edition with a compelling new foreword by Mark Kurlansky, Dagerman’s essays on the tragic aftermath of war, suffering, and guilt are as hauntingly relevant today amid current global conflict as they were sixty years ago.
Winner of the John Phillip Reed Book Award, American Society for Legal History
A legal historian opens a window on the monumental postwar effort to remake fascist Germany and Japan into liberal rule-of-law nations, shedding new light on the limits of America’s ability to impose democracy on defeated countries.
Following victory in WWII, American leaders devised an extraordinarily bold policy for the occupations of Nazi Germany and Imperial Japan: to achieve their permanent demilitarization by compelled democratization. A quintessentially American feature of this policy was the replacement of fascist legal orders with liberal rule-of-law regimes.
In his comparative investigation of these epic reform projects, noted legal historian R. W. Kostal shows that Americans found it easier to initiate the reconstruction of foreign legal orders than to complete the process. While American agencies made significant inroads in the elimination of fascist public law in Germany and Japan, they were markedly less successful in generating allegiance to liberal legal ideas and institutions.
Drawing on rich archival sources, Kostal probes how legal-reconstructive successes were impeded by German and Japanese resistance on one side, and by the glaring deficiencies of American theory, planning, and administration on the other. Kostal argues that the manifest failings of America’s own rule-of-law democracy weakened US credibility and resolve in bringing liberal democracy to occupied Germany and Japan.
In Laying Down the Law, Kostal tells a dramatic story of the United States as an ambiguous force for moral authority in the Cold War international system, making a major contribution to American and global history of the rule of law.
Lee tracks the intellectual project of cultural studies as it developed over three decades, beginning with its institutional foundation at the University of Birmingham’s Centre for Contemporary Cultural Studies (CCCS). He links work at the CCCS to the events of 1968 and explores cultural studies’ engagement with theory in the debates on structuralism. He considers the shift within the discipline away from issues of working-class culture toward questions of identity politics in the fields of race and gender. He follows the expansion of the cultural studies project from Britain to Australia, Canada, South Africa, and the United States. Contextualizing the development and spread of cultural studies within the longue durée structures of knowledge in the modern world-system, Lee assesses its past and future as an agent of political and social change.
In the aftermath of total war and unconditional surrender, Germans found themselves receiving instruction from their American occupiers. It was not a conventional education. In their effort to transform German national identity and convert a Nazi past into a democratic future, the Americans deployed what they perceived as the most powerful and convincing weapon-movies.
In a rigorous analysis of the American occupation of postwar Germany and the military’s use of “soft power,” Jennifer Fay considers how Hollywood films, including Ninotchka, Gaslight, and Stagecoach, influenced German culture and cinema. In this cinematic pedagogy, dark fantasies of American democracy and its history were unwittingly played out on-screen. Theaters of Occupation reveals how Germans responded to these education efforts and offers new insights about American exceptionalism and virtual democracy at the dawn of the cold war.
Fay’s innovative approach examines the culture of occupation not only as a phase in U.S.–German relations but as a distinct space with its own discrete cultural practices. As the American occupation of Germany has become a paradigm for more recent military operations, Fay argues that we must question its efficacy as a mechanism of cultural and political change.
Jennifer Fay is associate professor and codirector of film studies in the Department of English at Michigan State University.
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