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Artist, Audience, Accomplice
Ethics and Authorship in Art of the 1970s and 1980s
Sydney Stutterheim
Duke University Press, 2024
In Artist, Audience, Accomplice, Sydney Stutterheim introduces a new figure into the history of performance art and related practices of the 1970s and 1980s: the accomplice. Occupying roles including eyewitness, romantic partner, studio assistant, and documenter, this figure is situated between the conventional subject positions of the artist and the audience. The unseen and largely unacknowledged contributions of such accomplices exceed those performed by a typical audience because they share in the responsibility for producing artworks that entail potential ethical or legal transgressions. Stutterheim analyzes the art of Chris Burden, Hannah Wilke, Martin Kippenberger, and Lorraine O’Grady, showing how each cannily developed strategies of shared culpability that invoked questions about the accomplice’s various rights and roles. In this way, Stutterheim argues that the artist’s authority is not sovereign, total, or exclusive, but rather fluid and relational. By examining the development of an alternative model of participatory art that relies on a network of accomplices, Stutterheim radically revises current understandings of artistic agency, aesthetic property, and acknowledged authorship.
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front cover of Evangelical News
Evangelical News
Politics, Gender, and Bioethics in Conservative Christian Magazines of the 1970s and 1980s
Anja-Maria Bassimir
University of Alabama Press, 2022
A comprehensive study of evangelical magazine discourse during the 1970s and 1980s and how it navigated and sustained religious convictions in a time of dramatic social change

The 1970s and 1980s were a tumultuous period in US history. In tandem with a dramatic political shift to the right, evangelicalism also entered the public discourse as a distinct religious movement and was immediately besieged by cultural appropriations and internal fragmentations. Americans in general and evangelicals in particular grappled with issues and ideas such as feminism, abortion, birth control, and restructuring traditional roles for women and the family. During this time, there was a surge in readership for evangelical periodicals such as Christianity Today, Moody Monthly, Eternity, and Post-Americans/Sojourners as well as the feminist newsletter Daughters of Sarah.

While each of these magazines—and other publications and media—contributed to and participated in the overall dissemination of evangelical ideology, they also had their own outlooks and political leanings concerning hot-button issues. In Evangelical News: Politics, Gender, and Bioethics in Conservative Christian Magazines of the 1970s and 1980s, Anja-Maria Bassimir presents a nuanced view of evangelicalism in the late twentieth century through the lens of the movement’s own media.

Bassimir argues that community can be produced in discourse, especially when shared rhetoric, concepts, and perspectives signal belonging. To accomplish this, Evangelical News traces the emergence of evangelical social and political awareness in the 1970s to the height of its power as a political program. The chapters investigate such topics as how evangelicals reenvisioned gender norms and relations in light of the feminist movement, the use of childhood as a symbol of unspoiled innocence, and the place of evangelicals as political actors.


 
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