1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.
1980: America's Pivotal Year puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot J.R., cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.
Praise for Jim Cullen's previous Rutgers University Press books:
"Informed and perceptive" —Norman Lear on Those Were the Days: Why All in the Family Still Matters
"Jim Cullen is one of the most acute cultural historians writing today." —Louis P. Masur, author of The Sum of Our Dreams on Martin Scorsese and the American Dream
"This is a terrific book, fun and learned and provocative....Cullen provides an entertaining and thoughtful account of the ways that we remember and how this is influenced and directed by what we watch." —Jerome de Groot, author of Consuming History on From Memory to History
A Foreign Affairs Best Book of the Year
“An intellectual excursion of a kind rarely offered by modern economics.”
—Foreign Affairs
Thomas Piketty’s Capital in the Twenty-First Century is the most widely discussed work of economics in recent years. But are its analyses of inequality and economic growth on target? Where should researchers go from there in exploring the ideas Piketty pushed to the forefront of global conversation? A cast of leading economists and other social scientists—including Emmanuel Saez, Branko Milanovic, Laura Tyson, and Michael Spence—tackle these questions in dialogue with Piketty.
“A fantastic introduction to Piketty’s main argument in Capital, and to some of the main criticisms, including doubt that his key equation…showing that returns on capital grow faster than the economy—will hold true in the long run.”
—Nature
“Piketty’s work…laid bare just how ill-equipped our existing frameworks are for understanding, predicting, and changing inequality. This extraordinary collection shows that our most nimble social scientists are responding to the challenge.”
—Justin Wolfers, University of Michigan
A young Lutheran girl grows up on Long Island, New York. She aspires to be a doctor, and is on the fast track to marriage and the conventional happily-ever-after. But, as the Yiddish saying goes, "Man plans, and God laughs." Meet Andrea Myers, whose coming-of-age at Brandeis, conversion to Judaism, and awakening sexual identity make for a rich and well-timed life in the rabbinate.
In The Choosing, Myers fuses heartwarming anecdotes with rabbinic insights and generous dollops of humor to describe what it means to survive and flourish on your own terms. Portioned around the cycle of the Jewish year, with stories connected to each of the holidays, Myers draws on her unique path to the rabbinate--leaving behind her Christian upbringing, coming out as a lesbian, discovering Judaism in college, moving to Israel, converting, and returning to New York to become a rabbi, partner, and parent.
Myers relates tales of new beginnings, of reinventing oneself, and finding oneself. Whether it's a Sicilian grandmother attempting to bake hamantaschen on Purim for her Jewish granddaughter, or an American in Jerusalem saving a chicken from slaughter during a Rosh Hashanah ritual, Myers keeps readers entertained as she reflects that spirituality, goodness, and morality can and do take many forms. Readers will enthusiastically embrace stories of doors closing and windows opening, of family and community, of integration and transformation. These captivating narratives will resonate and, in the author's words, "reach across coasts, continents, and generations."
In Sean Baker’s award-winning 2017 film The Florida Project, a young girl, her single mother, and her friends live in rundown motels near Disney World, the children’s summer fun contrasting with the grim conditions around them. In this book, J. J. Murphy delves deep into the movie’s development and filming while also examining it within the wider context of Baker’s career.
Using production documents, different versions of the screenplay, and interviews with principal members of the production team, Murphy traces the evolution of The Florida Project from initial idea through its various stages of production. He highlights Baker’s unconventional strategies in making a film about a marginalized subculture, including alternative scripting, guerrilla-like filmmaking, improvisation, and the unorthodox casting of local and first-time actors. Murphy also explores how Baker’s impromptu style sometimes rankled crew members and caused a major crisis on set, revealing the difficulties indie filmmakers can face when working with professional crews on larger films. A lively analysis of this critically acclaimed movie, its director, and its production, The Florida Project also betters our understanding of contemporary independent cinema as a whole.
Through a sociological analysis of the countercultural print culture of the 1970s, Sam Binkley investigates the dissemination of these self-loosening narratives and their widespread appeal to America’s middle class. He describes the rise of a genre of lifestyle publishing that emerged from a network of small offbeat presses, mostly located on the West Coast. Amateurish and rough in production quality, these popular books and magazines blended Eastern mysticism, Freudian psychology, environmental ecology, and romantic American pastoralism as they offered “expert” advice—about how to be more in touch with the natural world, how to release oneself into trusting relationships with others, and how to delve deeper into the body’s rhythms and natural sensuality. Binkley examines dozens of these publications, including the Whole Earth Catalog, Rainbook, the Catalog of Sexual Consciousness, Celery Wine, Domebook, and Getting Clear.
Drawing on the thought of Pierre Bourdieu, Zygmunt Bauman, and others, Binkley explains how self-loosening narratives helped the middle class confront the modernity of the 1970s. As rapid social change and political upheaval eroded middle-class cultural authority, the looser life provided opportunities for self-reinvention through everyday lifestyle choice. He traces this ethos of self-realization through the “yuppie” 1980s to the 1990s and today, demonstrating that what originated as an emancipatory call to loosen up soon evolved into a culture of highly commercialized consumption and lifestyle branding.
"Ever since I was 10 years old, I’d felt myself yearning to 'go astray.' For me, that didn’t mean drinking and cavorting with boys; it meant being myself without fear."—from the book
What happens when a trained singer who grew up in a "house of vowels" finds that her voice is not her own? What happens when a woman loses the Mormon faith of her childhood and abandons the rituals she’s always known? What does a woman, already married for thirteen years by her early thirties, do when she realizes she has been "lying for years?" How does one sing, with grace, from the heart?
In the spirit of Mary Catherine Bateson’s Composing a Life and Kathleen Norris’s Cloister Walk, Heidi Hart’s luminous memoir retraces her search for an opening to her heart’s path. She finds that the religious life of her Latter-day Saint family—which includes a revered General Authority—robs her of her voice and her spirit. When she discovers Catharine, a mute, Quaker ancestor, Hart begins a vital journey—a journey blessed by her devout and devoted husband; a journey that leads her as she studies Zuni mythology, Jewish tradition, Benedictine monastic ritual, Emily Dickinson, and Saint Hildegard of Bingen—a journey that leads her to a place that feels like home: the company of Friends, the Quaker community of Salt Lake City.
With grace and lyricism, Hart shares the private, personal wisdom she has earned in her community of friends, a community that embraces silences and dissonance, a place where she can't keep from singing.
Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi
More than two decades after serving as a juror on the high-profile seven-month murder trial People v. Erik Galen Menendez, Hazel Thornton updates her book Hung Jury with a new preface and a postscript essay of observations about the Menendez brothers’ second trial. Includes psychological commentary by Lawrence S. Wrightsman and Amy J. Posey, and legal commentary by Alan Scheflin.
Immigration and the growing Latino population of the United States have become such contentious issues that it can be hard to have a civil conversation about how Latinoization is changing the face of America. So in the summer of 2007, Louis Mendoza set out to do just that. Starting from Santa Cruz, California, he bicycled 8,500 miles around the entire perimeter of the country, talking to people in large cities and small towns about their experiences either as immigrants or as residents who have welcomed—or not—Latino immigrants into their communities. He presented their enlightening, sometimes surprising, firsthand accounts in Conversations Across Our America: Talking About Immigration and the Latinoization of the United States.
Now, in A Journey Around Our America, Mendoza offers his own account of the visceral, emotional, intellectual, and spiritual dimensions of traveling the country in search of a deeper, broader understanding of what it means to be Latino in the United States in the twenty-first century. With a blend of first- and second-person narratives, blog entries, poetry, and excerpts from conversations he had along the way, Mendoza presents his own aspirations for and critique of social relations, political ruminations, personal experiences, and emotional vulnerability alongside the stories of people from all walks of life, including students, activists, manual laborers, and intellectuals. His conversations and his experiences as a Latino on the road reveal the multilayered complexity of Latino life today as no academic study or newspaper report ever could.
If I had let myself be ruled by reason alone, I would surely be lying dead somewhere or another in the Siberian frost.
The Siberian taiga: a massive forest region of roughly 4.5 million square miles, stretching from the Ural Mountains to the Bering Sea, breathtakingly beautiful and the coldest inhabited region in the world. Winter temperatures plummet to a bitter 97 degrees below zero, and beneath the permafrost lie the fossilized remains of mammoths, woolly rhinoceroses, and other ice age giants. For the Yukaghir, an indigenous people of the taiga, hunting sable is both an economic necessity and a spiritual experience—where trusting dreams and omens is as necessary as following animal tracks. Since the fall of Communism, a corrupt regional corporation has monopolized the fur trade, forcing the Yukaghir hunters into impoverished servitude.
Enter Rane Willerslev, a young Danish anthropologist who ventures into this frozen land on an idealistic mission to organize a fair-trade fur cooperative with the hunters. From the outset, things go terribly wrong. The regional fur company, with ties to corrupt public officials, proves it will stop at nothing to maintain its monopoly: one of Willerslev’s Yukaghir business partners is arrested on spurious charges of poaching and illegal trading; another drowns mysteriously. When police are sent to arrest him, Willerslev fears for his life, and he and a local hunter flee to a remote hunting lodge even deeper in the icy wilderness. Their situation turns even more desperate right away: they manage to kill a moose but lose the meat to predators and begin to starve, frostbitten and isolated in the frozen taiga.
Thus begins Willerslev’s extraordinary, chilling tale of one year living in exile among Yukaghir hunters in the stark Siberian taiga region. At turns shocking and quietly moving, On the Run in Siberia is a pulse-pounding tale of idealism, political corruption, starvation, and survival (with a timely assist from Vladimir Putin) as well as a striking portrait of the Yukaghirs’ shamanistic tradition and their threatened way of life, a drama unfolding daily in one of the world’s coldest, most enthralling landscapes.
Residents of Haiti-one of the poorest and most unstable countries in the world-face a grim reality of starvation, violence, lack of economic opportunity, and minimal health care. For years, aid organizations have sought to alleviate the problems by creating health and family planning clinics, including one modern (and, by local standards, luxurious) center in the heart of Cit Soleil. During its height of service in the 1980s and 1990s, the clinic boasted nineteen staff members, an array of modern contraceptives, an accessible location, and convenient hours-but very few clients.
Why did this initiative fail so spectacularly despite surveys finding that residents would like to have fewer children? Why don't poor women heed the message of family planning, when smaller families seem to be in their best interest? In Reproducing Inequities, M. Catherine Maternowska argues that we too easily overlook the political dynamics that shape choices about family planning. Through a detailed study of the attempt to provide modern contraception in the community of Cit Soleil, Maternowska demonstrates the complex interplay between local and global politics that so often thwarts well-intended policy initiatives.
Medical anthropologists, she argues, have an important role to play in developing new action plans for better policy implementation. Ethnographic studies in desperate, dangerous locations provide essential data that can point the way to solutions for the dilemmas of contraception in poor communities worldwide.
Leonard Moore has been teaching Black history for twenty-five years, mostly to white people. Drawing on decades of experience in the classroom and on college campuses throughout the South, as well as on his own personal history, Moore illustrates how an understanding of Black history is necessary for everyone.
With Teaching Black History to White People, which is “part memoir, part Black history, part pedagogy, and part how-to guide,” Moore delivers an accessible and engaging primer on the Black experience in America. He poses provocative questions, such as “Why is the teaching of Black history so controversial?” and “What came first: slavery or racism?” These questions don’t have easy answers, and Moore insists that embracing discomfort is necessary for engaging in open and honest conversations about race. Moore includes a syllabus and other tools for actionable steps that white people can take to move beyond performative justice and toward racial reparations, healing, and reconciliation.
Wallowing in Sex is a lively analysis of the key role of commercial television in the new sexual culture of the 1970s. Elana Levine explores sex-themed made-for-TV movies; female sex symbols such as the stars of Charlie’s Angels and Wonder Woman; the innuendo-driven humor of variety shows (The Sonny and Cher Comedy Hour, Laugh-In), sitcoms (M*A*S*H, Three’s Company), and game shows (Match Game); and the proliferation of rape plots in daytime soap operas. She also uncovers those sexual topics that were barred from the airwaves. Along with program content, Levine examines the economic motivations of the television industry, the television production process, regulation by the government and the tv industry, and audience responses. She demonstrates that the new sexual culture of 1970s television was a product of negotiation between producers, executives, advertisers, censors, audiences, performers, activists, and many others. Ultimately, 1970s television legitimized some of the sexual revolution’s most significant gains while minimizing its more radical impulses.
In this collection of essays, D’Emilio brings his historian’s eye to bear on these profound changes in American society, culture, and politics. He explores the career of Bayard Rustin, a civil rights leader and pacifist who was openly gay a generation before almost everyone else; the legacy of radical gay and lesbian liberation; the influence of AIDS activist and writer Larry Kramer; the scapegoating of gays and lesbians by the Christian Right; the gay-gene controversy and the debate over whether people are "born gay"; and the explosion of attention focused on queer families. He illuminates the historical roots of contemporary debates over identity politics and explains why the gay community has become, over the last decade, such a visible part of American life.
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