A rash of small wars erupted after the Cold War ended in Africa, the Balkans, and other parts of the former communist world. The wars were in “inter-zones,” the spaces left where weak states had withdrawn or collapsed. Consequently the debate over what constitutes war has returned to basics. No Peace, No War departs from the usual analysis that considers the new wars mindless mass actions to offer the paradoxical idea that to understand war one must deny war special status. Rather than leave war to the security specialists, these writers attempt to grasp its character as one among many aspects of social reality.
Hailed by reviewers as “majestic and magisterial,” Nomads and the Outside World was first published in English in 1984. With the author's new introduction and an updated bibliography, this classic is now available in an edition accessible to students.
From reviews of the first edition:
“Magisterial. . . . Combining a phenomenal erudition, a candid judgment, and a subtle sense of irony, Khazanov sets out to challenge the orthodox view of nomadic feudalism and, in the process, has produced the first comparative survey of pastoral societies that can claim to be truly comprehensive, covering their history in Eurasia, the Middle East, and Africa from the origins of pastoralism to the dawn of the modern era.”—Tim Ingold,
Current Anthropology“This is the best study on pastoral nomadism that the reviewer has ever read. At last we have a major attempt to present the whole phenomenon in historical, ecological, spatial and structural perspective. . . . Superb scholarship. It is the kind of work that can only be produced as a result of years of specific research, much deep thinking . . . and a determination to reject cant.”—John C. Wilkinson,
Geographical Journal“Khazanov's book on pastoral nomadism is a heroic endeavor of a kind no one has seriously attempted before. . . . Particularly valuable to western readers are the materials on the numerous peoples of Central Asia and Siberia . . . and their integration with analysis of more familiar societies such as those of North and East Africa and the Middle East. . . . The insights provided by this book are too numerous to list.”—Caroline Humphrey,
Times Literary SupplementEdited by Richard Grusin of the Center for 21st Century Studies, this is the first book to name and characterize—and therefore consolidate—a wide array of current critical, theoretical, and philosophical approaches to the humanities and social sciences under the concept of the nonhuman turn. Each of these approaches is engaged in decentering the human in favor of a concern for the nonhuman, understood by contributors in a variety of ways—in terms of animals, affectivity, bodies, materiality, technologies, and organic and geophysical systems.
The nonhuman turn in twenty-first-century studies can be traced to multiple intellectual and theoretical developments from the last decades of the twentieth century: actor-network theory, affect theory, animal studies, assemblage theory, cognitive sciences, new materialism, new media theory, speculative realism, and systems theory. Such varied analytical and theoretical formations obviously diverge and disagree in many of their assumptions, objects, and methodologies. However, they all take up aspects of the nonhuman as critical to the future of twenty-first-century studies in the arts, humanities, and social sciences.
Unlike the posthuman turn, the nonhuman turn does not make a claim about teleology or progress in which we begin with the human and see a transformation from the human to the posthuman. Rather, the nonhuman turn insists (paraphrasing Bruno Latour) that “we have never been human,” that the human has always coevolved, coexisted, or collaborated with the nonhuman—and that the human is identified precisely by this indistinction from the nonhuman.
Contributors: Jane Bennett, Johns Hopkins U; Ian Bogost, Georgia Institute of Technology; Wendy Hui Kyong Chun, Brown U; Mark B. N. Hansen, Duke U; Erin Manning, Concordia U, Montreal; Brian Massumi, U of Montreal; Timothy Morton, Rice U; Steven Shaviro, Wayne State U; Rebekah Sheldon, Indiana U.
Since the end of the cold war, Africa has seen a dramatic rise in new political and religious phenomena, including an eviscerated privatized state, neoliberal NGOs, Pentecostalism, a resurgence in accusations of witchcraft, a culture of scamming and fraud, and, in some countries, a nearly universal wish to emigrate. Drawing on fieldwork in Togo, Charles Piot suggests that a new biopolitics after state sovereignty is remaking the face of one of the world’s poorest regions.
In a country where playing the U.S. Department of State’s green card lottery is a national pastime and the preponderance of cybercafés and Western Union branches signals a widespread desire to connect to the rest of the world, Nostalgia for the Future makes clear that the cultural and political terrain that underlies postcolonial theory has shifted. In order to map out this new terrain, Piot enters into critical dialogue with a host of important theorists, including Agamben, Hardt and Negri, Deleuze, and Mbembe. The result is a deft interweaving of rich observations of Togolese life with profound insights into the new, globalized world in which that life takes place.
Nullius is an award-winning anthropological account of the troubled status of ownership in India and its consequences for our understanding of sovereignty and social relations. Though property rights and ownership are said to be a cornerstone of modern law, in the Indian case they are often a spectral presence. Kapila offers a detailed study of paradigms where proprietary relations have been erased, denied, misappropriated.
The book examines three forms of negation, where the Indian state de facto adopted doctrines of terra nullius (in the erasure of indigenous title), res nullius (in acquiring museum objects), and, controversially, corpus nullius (in denying citizens ownership of their bodies under biometrics). The result is a pathbreaking reconnection of questions of property, exchange, dispossession, law, and sovereignty.
Nullius is the winner of the 2024 Bernard S. Cohn Prize, Association of Asian Studies.
“A fascinating book.”
—James Ryerson, New York Times Book Review
A Smithsonian Best Science Book of the Year
Winner of the PROSE Award for Best Book in Language & Linguistics
Carved into our past and woven into our present, numbers shape our perceptions of the world far more than we think. In this sweeping account of how the invention of numbers sparked a revolution in human thought and culture, Caleb Everett draws on new discoveries in psychology, anthropology, and linguistics to reveal the many things made possible by numbers, from the concept of time to writing, agriculture, and commerce.
Numbers are a tool, like the wheel, developed and refined over millennia. They allow us to grasp quantities precisely, but recent research confirms that they are not innate—and without numbers, we could not fully grasp quantities greater than three. Everett considers the number systems that have developed in different societies as he shares insights from his fascinating work with indigenous Amazonians.
“This is bold, heady stuff… The breadth of research Everett covers is impressive, and allows him to develop a narrative that is both global and compelling… Numbers is eye-opening, even eye-popping.”
—New Scientist
“A powerful and convincing case for Everett’s main thesis: that numbers are neither natural nor innate to humans.”
—Wall Street Journal
Two structuring concepts have predominated in discussions concerning how Middle Eastern men enact their identity culturally: domination and patriarchy. Nurturing Masculinities dispels the illusion that Arab men can be adequately represented when we speak of them only in these terms. By bringing male perspectives into food studies, which typically focus on the roles of women in the production and distribution of food, Nefissa Naguib demonstrates how men interact with food, in both political and domestic spheres, and how these interactions reflect important notions of masculinity in modern Egypt.
In this classic ethnography, narratives about men from a broad range of educational backgrounds, age groups, and social classes capture a holistic representation of masculine identity and food in modern Egypt on familial, local, and national levels. These narratives encompass a broad range of issues and experiences, including explorations of traditions surrounding food culture; displays of caregiving and love when men recollect the taste, feel, and fragrance of food as they discuss their desires to feed their families well and often; and the role that men, working to ensure the equitable distribution of food, played during the Islamist movement of the Muslim Brotherhood in 2011. At the core of Nurturing Masculinities is the idea that food is a powerful marker of manhood, fatherhood, and family structure in contemporary Egypt, and by better understanding these foodways, we can better understand contemporary Egyptian society as a whole.
With style and depth, Lorna Marshall leads the reader through the intricacies, ambiguities, and silences of !Kung beliefs. Her narrative, based on fieldwork among the Bushmen of the Kalahari in the early 1950s, brings into focus a way of life that appears to have existed for millennia. She presents the culture, beliefs, and spirituality of one of the last true hunting-and-gathering peoples by focusing on members of different bands as they reveal their own views. This account, with photography by John Marshall, presents a system of beliefs, one in which personified deities and unpersonified supernatural forces (n!ow and n/um) interact with man and the natural world. The !Kung believe that this interaction accounts for much of the mystery of life and the vicissitudes of the good and evil that befall mankind. The book also depicts an egalitarian lifestyle based on sharing and group awareness, a lifestyle that has not survived intact the increasing integration of the Bushmen into the modern world.
A companion volume to her 1976 work, The !Kung of Nyae Nyae, this book is published to mark the recent one-hundredth birthday of Lorna Marshall.
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