front cover of Archimedes and the Roman Imagination
Archimedes and the Roman Imagination
Mary Jaeger
University of Michigan Press, 2013

The great mathematician Archimedes, a Sicilian Greek whose machines defended Syracuse against the Romans during the Second Punic War, was killed by a Roman after the city fell, yet it is largely Roman sources, and Greek texts aimed at Roman audiences, that preserve the stories about him. Archimedes' story, Mary Jaeger argues, thus becomes a locus where writers explore the intersection of Greek and Roman culture, and as such it plays an important role in Roman self-definition. Jaeger uses the biography of Archimedes as a hermeneutic tool, providing insight into the construction of the traditional historical narrative about the Roman conquest of the Greek world and the Greek cultural invasion of Rome.

By breaking down the narrative of Archimedes' life and examining how the various anecdotes that comprise it are embedded in their contexts, the book offers fresh readings of passages from both well-known and less-studied authors, including Polybius, Cicero, Livy, Vitruvius, Plutarch, Silius Italicus, Valerius Maximus, Johannes Tzetzes, and Petrarch.

"Jaeger, in her meticulous and elegant study of different ancient accounts of his life and inventions...reveal more about how the Romans thought about their conquest of the Greek world than about 'science'."
---Helen King, Times Literary Supplement

"An absolutely wonderful book on a truly original and important topic. As Jaeger explores neglected texts that together tell an important story about the Romans' views of empire and their relationship to Greek cultural accomplishments, so she has written an important new chapter in the history of science. A genuine pleasure to read, from first page to last."
---Andrew Feldherr, Associate Professor of Classics, Princeton University

"This elegantly written and convincingly argued project analyzes Archimedes as a vehicle for reception of the Classics, as a figure for loss and recovery of cultural memory, and as a metaphorical representation of the development of Roman identity. Jaeger's fastening on the still relatively obscure figure of the greatest ancient mathematician as a way of understanding cultural liminality in the ancient world is nothing short of a stroke of genius."
---Christina S. Kraus, Professor and Chair of Classics, Yale University

"Archimedes and the Roman Imagination forms a useful addition to our understanding of Roman culture as well as of the reception of science in antiquity. It will make a genuine contribution to the discipline, not only in terms of its original interpretative claims but also as a fascinating example of how we may follow the cultural reception of historical figures."
---Reviel Netz, Professor of Classics, Stanford University

Cover art: Benjamin West. Cicero Discovering the Tomb of Archimedes. Yale University Art Gallery. John Hill Morgan, B.A. 1893, LL.B. 1898, M.A. (Hon.) 1929, Fund.

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front cover of Archimedes
Archimedes
Fulcrum of Science
Nicholas Nicastro
Reaktion Books, 2024
A bold reimagining of the Greek mathematician’s singular life as a truly modern scientist.
 
Galileo, Leonardo, Newton, and Tesla revered him: Archimedes of Syracuse—an engineer who single-handedly defied the world’s most powerful army and a mathematician who knew more in 212 BCE than all of Europe would know for the next seventeen centuries. In this bold reimagining, modern polymath Nicholas Nicastro shines a new light on Archimedes’ life and work. Far from the aloof, physically inept figure of historical myth, Archimedes is revealed to be an ambitious, combative, and fiercely competitive man. A genius who challenged an empire, Archimedes emerges in this book as the world’s first fully modern scientist—millennia before his intellectual descendants transformed our world.
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front cover of The Divine Spark of Syracuse
The Divine Spark of Syracuse
Ingrid D. Rowland
Brandeis University Press, 2018
Focusing on the figures of Plato, Archimedes, and Caravaggio, The Divine Spark of Syracuse discloses the role that Syracuse, a Greek cultural outpost in Sicily, played in fueling creative energies. Among the topics this book explores are Plato and the allegory of the cave, and the divine spark mentioned in his Seventh Letter. It also considers the machines of Archimedes, including his famous screw, and the variety of siege and antisiege weapons that he developed for the defense of his hometown during the siege of Syracuse during the Second Punic War, including “the hand” (a giant claw), the “burning mirror,” and the catapult. The final chapter offers a look at the artist and roustabout Caravaggio. On the run after yet another street brawl, Caravaggio traveled to Syracuse, where he painted Burial of St. Lucy (Santa Lucia) in 1608. Typical of his late works, the painting is notable for its subdued tones and emotional and psychological delicacy. This captivating book lends clear insight into the links between the sense of place and inspiration in philosophy, mathematics, and art. Rowland is the most learned tour guide we could ask for.
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