BiblioVault - Books about Balkans

The Balkans in Our Time

First Edition

Robert Lee Wolff

Harvard University Press

Early Cinema, Modernity and Visual Culture

The Imaginary of the Balkans

Ana Grgic

Amsterdam University Press, 2022

The end of the nineteenth century saw the Balkans animated with cultural movements and socio-political turmoil. Alongside these developments, the proliferation of print media and the arrival of moving images was transforming urban life and played a significant role in the creation of national culture. Based on archival research and previously overlooked footage and early press materials, Imaginary of the Balkans: Visual Culture, Modernity and Early Cinema is the first study on early cinema in the region from a transnational and cross-cultural perspective. This work investigates how the unique geopolitical positioning of the Balkan space and the multi-cultural identity of its communities influenced and shaped visual culture and early cinema development. Moreover, it examines the relationship between the new medium and visual culture through the notion of the haptic, and explores the role early cinema and foreign productions played in the construction of Balkanist and semi-colonial discourses. Reframing hierarchical relations between ‘centres’ and ‘peripheries’, this book departs from approaches such as “new cinema history” and “vernacular modernity” to counter modernity discourses of “lacks and absences”, and instead, establishes new connections between moving image and print artefacts, early film practitioners and intellectuals, the socio-cultural context and cultural responses to the new visual medium.

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Gypsy Music

The Balkans and Beyond

Alan Ashton-Smith

Reaktion Books, 2017

Gypsies have for centuries been simultaneously vilified and romanticized—associated with criminality and dirt, but at the same time with color, magic, and music. Gypsy music is popular around the world and often performed with gusto at major events, including at weddings in Bulgaria, jazz bars in Paris, and festivals in the United States.

In Gypsy Music, Alan Ashton-Smith explores why this music has such wide appeal, surveying the varied styles that are considered to be gypsy music and asking what links them together. The book begins in the Balkans, home to the world’s largest Romani populations and a major site of gypsy music production. But just as the traditionally nomadic Roma have traveled globally, so has their music. Gypsy music styles have roots and associations outside of the Balkans, including Russian Romani guitar music, flamenco and gypsy jazz, and the more recent forms of gypsy punk and Balkan beats.

Covering the thirteenth century to the present day, and with a geographical scope that ranges from rural Romania to New York by way of Budapest, Moscow, and Andalusia, Gypsy Music reveals the remarkable diversity of this exuberant art form.

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Human Trafficking, Human Security, and the Balkans

H. Richard Friman

University of Pittsburgh Press, 2007

In the aftermath of four Yugoslav wars, ongoing efforts at reconstruction in South Eastern Europe have devoted relatively limited attention to dimensions of human security that enhance protections for the region's most vulnerable populations in their daily lives. It is in this context that South Eastern Europe, and especially the Western Balkan region, has emerged as a nexus point in human trafficking.

Human Trafficking, Human Security, and the Balkans brings together leading scholars, NGO representatives, and government officials to analyze and offer solutions to this challenge. The contributors explore the economic dynamics of human trafficking in an era of globalization, which has greatly facilitated not only the flow of goods and services but also the trade in human beings. They also examine the effectiveness of international and transnational policies and practice, the impact of peacekeeping forces, and the emergence of national and regional action plans in the Western Balkans and, more broadly, in South Eastern Europe. Finally, they consider the nature and ramifications of the gap between human security rhetoric and institutional policy steps against human trafficking.

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Justice in the Balkans

Prosecuting War Crimes in the Hague Tribunal

John Hagan

University of Chicago Press, 2003

Called a fig leaf for inaction by many at its inception, the International Criminal Tribunal for the Former Yugoslavia has surprised its critics by growing from an unfunded U.N. Security Council resolution to an institution with more than 1,000 employees and a $100 million annual budget. With Slobodan Milosevic now on trial and more than forty fellow indictees currently detained, the success of the Hague tribunal has forced many to reconsider the prospects of international justice. John Hagan's Justice in the Balkans is a powerful firsthand look at the inner workings of the tribunal as it has moved from an experimental organization initially viewed as irrelevant to the first truly effective international court since Nuremberg.

Creating an institution that transcends national borders is a challenge fraught with political and organizational difficulties, yet, as Hagan describes here, the Hague tribunal has increasingly met these difficulties head-on and overcome them. The chief reason for its success, he argues, is the people who have shaped it, particularly its charismatic chief prosecutor, Louise Arbour. With drama and immediacy, Justice in the Balkans re-creates how Arbour worked with others to turn the tribunal's fortunes around, reversing its initial failure to arrest and convict significant figures and advancing the tribunal's agenda to the point at which Arbour and her colleagues, including her successor, Carla Del Ponte (nicknamed the Bulldog), were able to indict Milosevic himself. Leading readers through the investigations and criminal proceedings of the tribunal, Hagan offers the most original account of the foundation and maturity of the institution.

Justice in the Balkans brilliantly shows how an international social movement for human rights in the Balkans was transformed into a pathbreaking legal institution and a new transnational legal field. The Hague tribunal becomes, in Hagan's work, a stellar example of how individuals working with collective purpose can make a profound difference.

"The Hague tribunal reaches into only one house of horrors among many; but, within the wisely precise remit given to it, it has beamed the light of justice into the darkness of man's inhumanity, to woman as well as to man."—The Times (London)

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The Nazis in the Balkans

A Case Study of Totalitarian Politics

Dietrich Orlow

University of Pittsburgh Press, 1968

The Südosteuropa-Gesellschaft (Southeast Europe Society or SOEG) was founded in 1940 to formulate wartime policy in Southeast Europe; its organizational life began and ended with the Third Reich.

In his analysis of the creation, growth, and death of the SOEG, Dietrich Orlow focuses on the institutional behavior and power struggles of this microcosm of the Nazi system. Its story is illustrative of the nature of politics in all totalitarian societies and reveals the aims and the failure of Germany's wartime exploitation of the Balkan resources and the long-term economic designs for the Balkans after the Third Reich's expected victory.

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The Tamburitza Tradition

From the Balkans to the American Midwest

Richard March

University of Wisconsin Press, 2013

The Tamburitza Tradition is a lively and well-illustrated comprehensive introduction to a Balkan folk music that now also thrives in communities throughout Europe, the Americas, and Australia. Tamburitza features acoustic stringed instruments, ranging in size from tamburas as small as a ukulele to ones as large as a bass viol.

Folklorist Richard March documents the centuries-old origins and development of the tradition, including its intertwining with nationalist and ethnic symbolism. The music survived the complex politics of nineteenth-century Europe but remains a point of contention today. In Croatia, tamburitza is strongly associated with national identity and supported by an artistic and educational infrastructure. Serbia is proud of its outstanding performers and composers who have influenced tamburitza bands on four continents. In the United States, tamburitza was brought by Balkan immigrants in the nineteenth century and has become a flourishing American ethnic music with its own set of representational politics.

Combining historical research with in-depth interviews and extensive participant-observer description, The Tamburitza Tradition reveals a dynamic and expressive music tradition on both sides of the Atlantic and beyond, illuminating the cultures and societies from which it has emerged.

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Terror in the Balkans

German Armies and Partisan Warfare

Ben Shepherd

Harvard University Press, 2012

Germany’s 1941 seizure of Yugoslavia led to an insurgency as bloody as any in World War II. The Wehrmacht waged a brutal counter-insurgency campaign in response, and by 1943 German troops in Yugoslavia were engaged in operations that ranked among the largest of the entire European war. Their actions encompassed massive reprisal shootings, the destruction of entire villages, and huge mobile operations unleashed not just against insurgents but also against the civilian population believed to be aiding them. Terror in the Balkans explores the reasons behind the Wehrmacht’s extreme security measures in southern and eastern Europe.

Ben Shepherd focuses his study not on the high-ranking generals who oversaw the campaign but on lower-level units and their officers, a disproportionate number of whom were of Austrian origin. He uses Austro-Hungarian army records to consider how the personal experiences of many Austrian officers during the Great War played a role in brutalizing their behavior in Yugoslavia. A comparison of Wehrmacht counter-insurgency divisions allows Shepherd to analyze how a range of midlevel commanders and their units conducted themselves in different parts of Yugoslavia, and why. Shepherd concludes that the Wehrmacht campaign’s violence was driven not just by National Socialist ideology but also by experience of the fratricidal infighting of Yugoslavia’s ethnic groups, by conditions on the ground, and by doctrines that had shaped the military mindsets of both Germany and Austria since the late nineteenth century. He also considers why different Wehrmacht units exhibited different degrees of ruthlessness and restraint during the campaign.

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When Ethnicity Did Not Matter in the Balkans

A Study of Identity in Pre-Nationalist Croatia, Dalmatia, and Slavonia in the Medieval and Early-Modern Periods

John V. A. Fine, Jr.

University of Michigan Press, 2006

"This is history as it should be written. In When Ethnicity Did Not Matter in the Balkans, a logical advancement on his earlier studies, Fine has successfully tackled a fascinating historical question, one having broad political implications for our own times. Fine's approach is to demonstrate how ideas of identity and self-identity were invented and evolved in medieval and early-modern times. At the same time, this book can be read as a critique of twentieth-century historiography-and this makes Fine's contribution even more valuable. This book is an original, much-needed contribution to the field of Balkan studies."
-Steve Rapp, Associate Professor of Caucasian, Byzantine, and Eurasian History, and Director, Program in World History and Cultures Department of History, Georgia State University Atlanta

When Ethnicity Did Not Matter in the Balkans is a study of the people who lived in what is now Croatia during the Middle Ages (roughly 600-1500) and the early-modern period (1500-1800), and how they identified themselves and were identified by others. John V. A. Fine, Jr., advances the discussion of identity by asking such questions as: Did most, some, or any of the population of that territory see itself as Croatian? If some did not, to what other communities did they consider themselves to belong? Were the labels attached to a given person or population fixed or could they change? And were some people members of several different communities at a given moment? And if there were competing identities, which identities held sway in which particular regions?

In When Ethnicity Did Not Matter in the Balkans, Fine investigates the identity labels (and their meaning) employed by and about the medieval and early-modern population of the lands that make up present-day Croatia. Religion, local residence, and narrow family or broader clan all played important parts in past and present identities. Fine, however, concentrates chiefly on broader secular names that reflect attachment to a city, region, tribe or clan, a labeled people, or state.

The result is a magisterial analysis showing us the complexity of pre-national identity in Croatia, Dalmatia, and Slavonia. There can be no question that the medieval and early-modern periods were pre-national times, but Fine has taken a further step by demonstrating that the medieval and early-modern eras in this region were also pre-ethnic so far as local identities are concerned. The back-projection of twentieth-century forms of identity into the pre-modern past by patriotic and nationalist historians has been brought to light. Though this back-projection is not always misleading, it can be; Fine is fully cognizant of the danger and has risen to the occasion to combat it while frequently remarking in the text that his findings for the Balkans have parallels elsewhere.

John V. A. Fine, Jr. is Professor of History at the University of Michigan.

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