This volume contains three monographs from the series of Collected Studies in Pre-Columbian Art and Archeology. Johannes Wilbert looks at the use and decoration of spindles, focusing on those from Ecuador. Peter Roe examines the Chavin seriations, with numerous illustrations and a pullout chart, and Elizabeth Benson considers the motif of felines and men in Mochica art.

The history of Pre-Columbian collecting is a social and aesthetic history—of ideas, people and organizations, and objects. This richly illustrated volume examines these histories by considering the collection and display of Pre-Columbian objects in Europe, Latin America, and the United States. Some of the thirteen essays locate the collecting process within its broader cultural setting in order to explain how and why such collections were formed, while others consider how collections have served as documents of culture within the disciplines of archaeology and anthropology, and as objects of fine art or aesthetic statements within the art and art historical worlds. Nearly all contemplate how such collections have been used as active signifiers of political, economic, and cultural power.

The thirteen essays were originally presented at a symposium commemorating the fiftieth anniversary of the Pre-Columbian Collection at Dumbarton Oaks. They continue to be groundbreaking contributions to the histories of collecting and Pre-Columbian art.

This volume, published jointly with the Textile Museum and based on the proceedings of the Dumbarton Oaks-Textile Museum conference of 1973, includes important contributions to the knowledge of Pre-Columbian textiles and weaving technology.

This volume brings together essays on the nature of political organization of the Moche, a complex pre-Inca society that existed on the north coast of Peru from c. 100 to 800 CE. Since the discovery of the royal tombs of Sipán in 1987, the Moche have become one of the best-known pre-Hispanic cultures of the Americas and the focus of a number of archaeological projects. But the nature of Moche political organization is still debated. Some scholars view the Moche as a monolithic state, others see a clear distinction between a northern and southern Moche polity, and yet others argue that the most accurate model is one in which each valley contained an independent polity. In a presentation of new data and new perspectives, the authors debate these competing theories.

Based on a set of papers presented by sixteen international scholars at the Dumbarton Oaks Pre-Columbian Studies symposium held in Lima, Peru, in 2004, this volume marks an important point in the development of Moche archaeology and will be a landmark work in Pre-Columbian studies.

Twenty-one papers on the Olmec were written for this volume in tribute to Matthew W. Stirling, “pioneer archaeologist, ethnologist, and the discoverer of the Olmec civilization.”

Propitiating the supernatural forces that could grant bountiful crops or wipe out whole villages through natural disasters was a sacred duty in ancient Peruvian societies, as in many premodern cultures. Ritual sacrifices were considered necessary for this propitiation and for maintaining a proper reciprocal relationship between humans and the supernatural world.

The essays in this book examine the archaeological evidence for ancient Peruvian sacrificial offerings of human beings, animals, and objects, as well as the cultural contexts in which the offerings occurred, from around 2500 B.C. until Inca times just before the Spanish Conquest. Major contributions come from the recent archaeological fieldwork of Steve Bourget, Anita Cook, and Alana Cordy-Collins, as well as from John Verano's laboratory work on skeletal material from recent excavations. Mary Frame, who is a weaver as well as a scholar, offers rich new interpretations of Paracas burial garments, and Donald Proulx presents a fresh view of the nature of Nasca warfare. Elizabeth Benson's essay provides a summary of sacrificial practices.

The Moche, or Mochica, created an extraordinary civilization on the north coast of Peru for most of the first millennium AD. Although they had no written language with which to record their history and beliefs, the Moche built enormous ceremonial edifices and embellished them with mural paintings depicting supernatural figures and rituals. Highly skilled Moche artisans crafted remarkable ceramic vessels, which they painted with figures and scenes or modeled like sculpture, and mastered metallurgy in gold, silver, and copper to make impressive symbolic ornaments. They also wove textiles that were complex in execution and design.

A senior scholar renowned for her discoveries about the Moche, Elizabeth P. Benson published the first English-language monograph on the subject in 1972. Now in this volume, she draws on decades of knowledge, as well as the findings of other researchers, to offer a grand overview of all that is currently known about the Moche. Touching on all significant aspects of Moche culture, she covers such topics as their worldview and ritual life, ceremonial architecture and murals, art and craft, supernatural beings, government and warfare, and burial and the afterlife. She demonstrates that the Moche expressed, with symbolic language in metal and clay, what cultures in other parts of the world presented in writing. Indeed, Benson asserts that the accomplishments of the Moche are comparable to those of their Mesoamerica contemporaries, the Maya, which makes them one of the most advanced civilizations of pre-Columbian America.