Exploring the legend of the man who brought Christianity to the British Isles 

“This author testifieth Joseph of Arimathea to be the first preacher of the word of God within our realms. Long after that, when Austin came from Rome, this our realm had bishops and priests there-in, as is well known to the learned of our realm.”—Elizabeth I, in a 1559 letter to Roman Catholic bishops on the precedence of the Church of England

The name Joseph of Arimathea is generally well known, either from the accounts in each of the New Testament Gospels that tell of his providing a tomb for the burial of Jesus; from his depictions in medieval and Renaissance art; from his associations with the Holy Grail that later found greater expression in medieval Arthurian stories; and even from the story that has endured in western Britain that as a trader in tin, copper, and lead, he had traveled often to the region—and with him came the Christian religion. These stories are strongly rooted, despite the lack of impeccable source material—so much so that Elizabeth I used Joseph of Arimathea as proof that the Church of England predated the Catholic church in her country. In Joseph of Arimathea Glyn S. Lewis brings these fragments together in order to provide as fully as is possible what we can infer about this first-century apostle.
   The author first discusses Arimathea, a town that has yet to be positively identified. He then reviews the accounts of Joseph’s entombment of Jesus that appear in each of the four Gospels. From these earliest references, the author next consults the literary and oral tradition evidence of Joseph’s passage by ship to the south of France among a group of fugitives escaping persecution for being Christians, and his early visits to Britain as a trader in precious ores. These voyages are said to have brought him to the area around Glastonbury, which became a flourishing monastery in the Middle Ages. Whether or not Joseph of Arimathea visited Britain, his story remains an enthralling and fascinating mystery. 

This is a collection of works by internationally recognized women leading the field of dance research and spirituality across the globe. Building on current soulful research scholarship in the discipline, these authors offer extensive and detailed research into spirituality, dance, gender, religion, and somatics. Written by women dance scholars in higher education, this evocative and illuminating work highlights a growing discourse on gendered leadership in dance research. Spiritual Herstories provides new pathways and innovative research methods that respond to the educational needs of women emerging in male-centric socio-historic research traditions.

Margaret was both a saint and a celebrated queen who, with her husband, led Scotland to great acclaim and power in eleventh-century Europe. Her favorite book was an illuminated manuscript of extracts from the gospels, and her personal copy, currently held in the Bodleian Library, is reproduced here for the pleasure of modern readers.

Margaret’s piety, dignity, and compassion made her a beloved figure long after her death. Her illuminated manuscript reveals the depths of her sanctity, opening with a Latin poem relating the one miracle attributed to her, where she preserved this book from damage. Exquisite illustrations transform the script into an arresting treasure, and Rebecca Rushforth uses incisive and comprehensive commentary to explain the story behind the manuscript and set it within Margaret’s historical context. She explores both the creation of the manuscript and its special meaning for Margaret, along with Margaret’s role as a significant figure in British and world history.

A fascinating piece of historical art, St Margaret’s Gospel-Book will be treasured by historians, religious scholars, and classicists alike.