The life of Patrick Edward Connor serves as a half-century slice of western American history. After leaving New York City, where he had arrived at the age of twelve as a poor Irish immigrant, the nineteen-year-old youth joined the U.S. Army in 1839. He fought in the war with Mexico and then joined the gold rush in California until marrying and settling down in Stockton in 1854.
The Civil War found him volunteering again, this time as colonel of California troops sent to the Utah Territory to protect the mail lines from Indian attacks. Bitterly anti-Mormon, Connor spent the war years alternately engaging in a war of words with Brigham Young or in fighting Indians in northern Utah and present-day Wyoming. After the Civil War, ex-Major General Connor began mining operations in Utah and Nevada, ventures that went from boom to bust. He spent his final years in straitened financial circumstances.
Patrick Edward Connor was a “Man of the West,” possessing both its prejudices and its democratic, independent spirit. His greatest success lay as a military leader, and he would have agreed that he was made for war, not peace. He left an imprint on the history of the American West, remembered as the founder of Fort Douglas, as the “first gentile in Utah,” the “father of Utah mining,” and the “father of the Liberal Party in Utah.”
“This is a story central to the origins of country music: the marriage of Saturday night and Sunday morning, and the literal marriage of two musicians, sometimes at odds with each other creatively and personally.” —Rosanne Cash
Anita Faye Garner grew up in the South—just about every corner of it. She and her musical family lived in Texarkana, Bossier City, Hot Springs, Jackson, Vicksburg, Hattiesburg, Pascagoula, Bogalusa, Biloxi, Gulfport, New Orleans, and points between, picking up sticks every time her father, a Pentecostal preacher known as “Brother Ray,” took over a new congregation.
In between jump-starting churches, Brother Ray took his wife and kids out on the gospel revival circuit as the Jones Family Singers. Ray could sing and play, and “Sister Fern” (Mama) was a celebrated singer and songwriter, possessed of both talent and beauty. Rounding out the band were the young Garner (known as Nita Faye then) and her big brother Leslie Ray. At all-day singings and tent revivals across the South, the Joneses made a joyful noise for the faithful and loaded into the car for the next stage of their tour.
But growing up gospel wasn’t always joyous. The kids practically raised and fended for themselves, bonding over a shared dislike of their rootless life and strict religious upbringing. Sister Fern dreamed of crossing over from gospel to popular music and recording a hit record. An unlikely combination of preacher’s wife and glamorous performer, she had the talent and presence to make a splash, and her remarkable voice brought Saturday night rock and roll to Sunday morning music. Always singing, performing, and recording at the margins of commercial success, Sister Fern shared a backing band with Elvis Presley and wrote songs recorded by Johnny Cash and many other artists.
In her touching memoir The Glory Road, Anita Faye Garner re-creates her remarkable upbringing. The story begins with Ray’s attempts to settle down and the family’s inevitable return to the gospel circuit and concludes with Sister Fern’s brushes with stardom and the family’s journey west to California where they finally landed—with some unexpected detours along the way. The Glory Road carries readers back to the 1950s South and the intersections of faith and family at the very roots of American popular music.
For more information about the book and Anita Garner, visit www.thegloryroad.com or www.anitagarner.com
In Glorying in Tribulation, Stetson presents a new dimension of Sojourner Truth's character. Much of the information regarding this oft-quoted African American woman is either the stuff of legend or is in dispute. This important new biography takes both legend and fact and sets them into a larger historical context. The authors utilize archival sources, and other forms of direct and indirect evidence to create a better understanding of Truth. We see her victories as well as her defeats--we see her as a real person. Truth comes alive in the pages of this book through her poignant, prophetic words and we realize that what she spoke of in the nineteenth century is just as relevant to us today.
Glorying in Tribulation offers students, scholars, and teachers of American history and culture studies a comprehensive look and a new perspective on Truth's contribution to American history. It is a long-overdue, exciting interpretation of the meaning of Sojourner Truth's life.
A New York Times Best Seller
2019 National Book Award Longlist, Nonfiction
2019 Kirkus Book Prize Finalist, Nonfiction
A February IndieNext Pick
Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week
Starred Reviews: Kirkus and Booklist
"Warm, immediate and intensely personal."—New York Times
How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself.
Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.
The oldest extant Marathi work, a medieval chronicle of Chakradhar’s divine life on earth, in a new English translation.
God at Play, or Līḷācaritra, is a remarkable biography of the medieval religious figure Chakradhar Svami. His followers, called Mahanubhavs, understand him to be a divine incarnation of Parameshvar. Mhaimbhat, a Brahmin goldsmith who became one of Chakradhar’s most important followers, compiled this astonishingly down-to-earth religious text around 1278. It records not only Chakradhar’s ethical and theological teachings, but also his everyday activities, including the foods he ate and the people he met. This rich, detailed account provides insights into economic conditions, political history, and society in medieval India. Manuscripts of the work were carefully preserved within the Mahanubhav community and were not known to outsiders until the early twentieth century.
The first volume of God at Play describes Chakradhar’s early life, his wanderings as a lone ascetic, and the gathering of the disciples who later accompany him on his travels.
This new English translation of Līḷācaritra is accompanied by an emended Marathi text, based on Hari Narayan Nene’s edition, in the Devanagari script.
Police found John Doe No. 24 in the early morning hours of October 11, 1945, in Jacksonville, Illinois. Unable to communicate, the deaf and mute teenager was labeled “feeble minded” and sentenced by a judge to the nightmarish jumble of the Lincoln State School and Colony in Jacksonville. He remained in the Illinois mental health care system for over thirty years and died at the Sharon Oaks Nursing Home in Peoria on November 28, 1993.
Deaf, mute, and later blind, the young black man survived institutionalized hell: beatings, hunger, overcrowding, and the dehumanizing treatment that characterized state institutions through the 1950s. In spite of his environment, he made friends, took on responsibilities, and developed a sense of humor. People who knew him found him remarkable.
Award-winning journalist Dave Bakke reconstructs the life of John Doe No. 24 through research into a half-century of the state mental health system, personal interviews with people who knew him at various points during his life, and sixteen black-and-white illustrations. After reading a story about John Doe in the New York Times, acclaimed singer-songwriter Mary Chapin Carpenter wrote and recorded “John Doe No. 24” and purchased a headstone for his unmarked grave. She contributes a foreword to this book.
As death approached for the man known only as John Doe No. 24, his one-time nurse Donna Romine reflected sadly on his mystery. “Ah, well,” she said, “God knows his name.”
Loathed by mainstream Southern Baptists, J. Frank Norris (1877–1952) was in many ways the Southern Baptist Convention’s first fundamentalist. Twenty-five years after its first publication, this second edition of Barry Hankins’s field-defining work God’s Rascal: J. Frank Norris and the Beginnings of Southern Fundamentalism engages new scholar- ship on American fundamentalism to reassess one of the most controversial figures in the history of American Christianity. In this completely revised edition, Hankins pens an entirely new chapter on J. Frank Norris’s murder trial, examines newly uncovered details regarding his recurrent sexual improprieties, and reconsiders his views on race in order to place J. Frank Norris, a man both despicable and captivating, among the most significant Southern fundamentalists of the twentieth century.
Norris merged a southern populist tradition with militant fundamentalism, carving out a distinctly take-no-prisoners political niche within the Baptist church that often offended his allies as much as his enemies. Indeed, Norris was about as bad as a fundamentalist could be. He resided in a world of swirling conspiracies of leftists who, he argued, intended to subvert both evangelical religion and American culture. There are times when Norris’s ego looms so large in his story that he seemed less interested in the threat these alleged conspiracies posed than in their power to keep him in the limelight. Finally, his tactics foreshadowed those employed in the fundamentalists’ tenacious takeover of the Southern Baptist Convention that would occur more than twenty years after Norris’s death.
Goin' Railroading is the story of two generations of such men, four members of the Speas family who, from the open cabs of narrow-gauge steam engines, watched Colorado grow.
Sam Speas tells the story of his father, Sam Speas Sr., who left Missouri in 1883 to become an engineer in Colorado, and recounts his own experiences and those of his brothers and fellow railroaders on the Colorado and Southern Railway, from the golden era of the narrow-gauge lines in South Park to the final days of steam power on the Front Range and the coming of the diesel engine.
His stories are a profound document of a vanished way of life, a testament to the courage and tenacity of the early citizens of Colorado, and a tribute to the rough-hewn, often gallant men who took the trains through incredible, almost unbelievable, hazards. Funny, tragic, bittersweet, and poignant, Goin' Railroading is a remarkable book that brings a portion of the history and people of an earlier Colorado to vibrant life.
U-S-A , U-S-A is a familiar refrain heard in every Olympics, but truly it could be Wis-con-sin! Since pioneering hurdler Alvin Kraenzlein got his start here in the 1890s, the Badger State has nurtured, trained, or schooled more than 400 Olympic athletes in a vast array of sports. Wisconsin’s varied landscape and climate accommodate serious athletes whether they compete on ice, on snow, in the water, or on terra firma. We tend to bring a Midwestern work ethic to our endeavors, and our Olympians have often been hailed in the press and in public as being among the most humble and down-to-earth people around. Our state boasts a thriving youth sports culture where many homegrown athletes get their start; others are drawn here by our world-class universities, athletic facilities, and coaching talent. No matter how an athlete comes to Wisconsin, the state becomes part of his or her Olympic story. In Going for Wisconsin Gold, author Jessie Garcia provides insights into the lives of athletes who grew up or spent time in Wisconsin on their journey to the Olympic Games. She shares some of our competitors most captivating tales—from those that have become legend, like Dan Jansen’s heartbreaking falls and subsequent magical gold, to unlikely brushes with glory (do you know which Green Bay Packer was almost an Olympic high jumper?). Featuring the athletes’ personal stories, many of them told here in detail for the first time, plus pictures from their private collections, Going for Wisconsin Gold provides a new and deeper understanding of the sacrifices, joy, pain, heartbreak, and complete dedication it takes to reach the world’s grandest sporting competition.
At the age of ten and without his parents, Easurk Charr, a convert to Christianity, came to Hawa'ii in 1904 to earn enough money to acquire an education and return to his native Korea as a medical missionary. The Golden Mountain is Charr's story of his early years in Korea, his migration to Hawai'i and the American mainland, and the joys and pain of his life as one of some seven thousand Koreans who migrated to the United States between 1903 and 1905.
First published in 1961, Charr's memoir offers touching insights into the experience of early Korean immigrants. He tells eloquently of how difficult it was for him to become a naturalized citizen, even after serving in the U.S. Army. An introduction by Wayne Patterson provides a broader perspective on both Charr and the Korean immigrant experience.
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To make a living here, one had to be capable, confident, clever and inventive, know a lot about survival, be able to fashion and repair tools, navigate a boat, fell a tree, treat a snakebite, make a meal from whatever was handy without asking too many questions about it, and get along with folks.
This fascinating and instructive book is the careful and unpretentious account of a man who was artful in all the skills needed to survive and raise a family in an area where most people would be lost or helpless. Smith’s story is an important record of a way of life beginning to disappear, a loss not fully yet realized. We are lucky to have a work that is both instructive and warm-hearted and that preserves so much hard-won knowledge.
In 2021, Texas Country Reporter celebrates its fiftieth season on the air. Broadcast every week on stations across Texas, it focuses on “ordinary people doing extraordinary things.” And at the center of it is Bob Phillips, the show’s creator and host—an erstwhile poor kid from Dallas who ended up with a job that allowed him to rub elbows with sports figures, entertainers, and politicians but who preferred to spend his time on the back roads, listening to less-famous Texans tell their stories.
In this memoir, Phillips tells his own story, from his early days as a reporter and his initial pitch for the show while a student at SMU to his ongoing work at the longest-running independently produced TV show in American television history. As we travel with Phillips on his journey, we meet Willie Nelson and former Dallas Cowboys coach Tom Landry; reflect on memorable, unusual, and challenging show segments; experience the behind-the-scenes drama that goes on in local television; witness the launching of an annual festival; and discover the unbelievable allure of Texas, its culture, and, especially, its people. Spanning generations, A Good Long Drive is proof that life’s journey really is a destination unto itself.
Winner of the Ohioana Library’s 2008 Ohio Legacy Citation
2014-2015 Choose to Read Ohio selection
“A good place to be from.” That’s how some people might characterize the Buckeye State. The writings in Good Roots: Writers Reflect on Growing Up in Ohio, are testimony to the truth of that statement. By prominent writers such as P. J. O’Rourke, Susan Orlean, and Alix Kates Shulman, these contributions are alternately nostalgic, irreverent, and sincere, and offer us a personal sense of place. Their childhoods are as varied as their work. Some were raised in urban Cleveland, Akron, and Cincinnati, others in the small Ohio towns that typify the Midwest, and still others in the countryside. Yet what they have to tell us about their roots resonates with a shared heritage, a sense of what is universal and enduring about growing up in the heartland.
Their collective résumé reads like a literary Who’s Who, including four Pulitzer Prizes, several National Book Awards, and many prestigious fellowships. Good Roots is also plain good reading from some of our country’s most accomplished contemporary writers.
Contributors include: Jill Bialosky, Dan Cryer, Michael Dirda, Elizabeth Dodd, Anthony Doerr, Rita Dove, Ian Frazier, Dale Keiger, Andrea Louie, Kathleen Dean Moore, Mary Oliver, Susan Orlean, P. J. O’Rourke, Julie Salamon, Scott Russell Sanders, Alix Kates Shulman, Jeffery Smith, James Toedtman, and Mark Winegardner.
In this food memoir, named for the manoomin or wild rice that also gives the Menominee tribe its name, tribal member Thomas Pecore Weso takes readers on a cook’s journey through Wisconsin’s northern woods. He connects each food—beaver, trout, blackberry, wild rice, maple sugar, partridge—with colorful individuals who taught him Indigenous values. Cooks will learn from his authentic recipes. Amateur and professional historians will appreciate firsthand stories about reservation life during the mid-twentieth century, when many elders, fluent in the Algonquian language, practiced the old ways.
Weso’s grandfather Moon was considered a medicine man, and his morning prayers were the foundation for all the day’s meals. Weso’s grandmother Jennie "made fire" each morning in a wood-burning stove, and oversaw huge breakfasts of wild game, fish, and fruit pies. As Weso grew up, his uncles taught him to hunt bear, deer, squirrels, raccoons, and even skunks for the daily larder. He remembers foods served at the Menominee fair and the excitement of "sugar bush," maple sugar gatherings that included dances as well as hard work.
Weso uses humor to tell his own story as a boy learning to thrive in a land of icy winters and summer swamps. With his rare perspective as a Native anthropologist and artist, he tells a poignant personal story in this unique book.
In essays that combine memoir with biography of place, Kevin Holdsworth creates a public history of the land he calls home: Good Water, Utah. The high desert of south-central Utah is at the heart of the stories he tells here—about the people, the “survivors and casualties” of the small, remote town—and is at the heart of his own story.
Holdsworth also explores history at a personal level: how Native American history is preserved by local park officials; how Mormon settlers adapted to remote, rugged places; how small communities attract and retain those less likely to thrive closer to population centers; and how he became involved in local politics. He confronts the issues of land use and misuse in the West, from the lack of water to greed and corruption over natural resources, but also considers life’s simple pleasures like the value of scenery and the importance of occasionally tossing a horseshoe.
Good Water’s depiction of modern-day Utah and exploration of friendships and bonding on the Western landscape will fascinate and entice readers in the West and beyond.
For twenty-six years, the FBI devoted countless hours of staff time and thousands of U.S. taxpayer dollars to the surveillance of an American citizen named Bernard Gordon. Given the lavish use of resources, one might assume this man was a threat to national security or perhaps a kingpin of organized crime—not a Hollywood screenwriter whose most subversive act was joining the Communist Party during the 1940s when we were allied with the USSR in a war against Germany. For this honest act of political dissent, Gordon came to be investigated by the House Committee on Un-American Activities in 1952, blacklisted by the Hollywood film industry, and tailed by the FBI for over two decades.
In The Gordon File, Bernard Gordon tells the compelling, cautionary story of his life under Bureau surveillance. Drawing on his FBI file of over 300 pages, which he obtained under the Freedom of Information Act, he traces how the Bureau followed him from Hollywood to Mexico, Paris, London, Rome, and even aboard a Dutch freighter as he created an unusually successful, albeit uncredited, career as a screenwriter and producer during the blacklist years. Comparing his actual activities during that time to records in the file, he pointedly and often humorously underscores how often the FBI got it wrong, from the smallest details of his life to the main fact of his not being a threat to national security.
Most important, Gordon links his personal experience to the headlines of today, when the FBI is again assuming broad powers to monitor political dissidents it deems a threat to the nation. "Is it possible," he asks, "that books like this will help to move our investigative agencies from the job of blackmailing those who are critical of our imperfect democracy to arresting those who are truly out to destroy us?"
Govan Mbeki (1910–2001) was a core leader of the African National Congress, the Communist Party, and the armed wing of the ANC during the struggle against apartheid. Known as a hard-liner, Mbeki was a prolific writer and combined in a rare way the attributes of intellectual and activist, political theorist and practitioner. Sentenced to life in prison in 1964 along with Nelson Mandela and others, he was sent to the notorious Robben Island prison, where he continued to write even as tension grew between himself, Mandela, and other leaders over the future of the national liberation movement. As one of the greatest leaders of the antiapartheid movement, and the father of Thabo Mbeki, president of South Africa from 1999 to 2008, the elder Mbeki holds a unique position in South African politics and history.
This biography by noted historian Colin Bundy goes beyond the narrative details of his long life: it analyzes his thinking, expressed in his writings over fifty years. Bundy helps establish what is distinctive about Mbeki: as African nationalist and as committed Marxist—and more than any other leader of the liberation movement—he sought to link theory and practice, ideas and action.
Drawing on exclusive interviews Bundy did with Mbeki, careful analysis of his writings, and the range of scholarship about his life, this biography is personal, reflective, thoroughly researched, and eminently readable.
William P. “Will” Hobby Sr. and Oveta Culp Hobby were one of the most influential couples in Texas history. Both were major public figures, with Will serving as governor of Texas and Oveta as the first commander of the Women’s Army Corps and later as the second woman to serve in a presidential cabinet. Together, they built a pioneering media empire centered on the Houston Post and their broadcast properties, and they played a significant role in the transformation of Houston into the fourth largest city in the United States. Don Carleton’s dual biography details their personal and professional relationship—defined by a shared dedication to public service—and the important roles they each played in local, state, and national events throughout the twentieth century.
This deeply researched book not only details this historically significant partnership, but also explores the close relationships between the Hobbys and key figures in twentieth-century history, from Texas legends such as LBJ, Sam Rayburn, and Jesse Jones, to national icons, including the Roosevelts, President Eisenhower, and the Rockefellers. Carleton's chronicle reveals the undeniable impact of the Hobbys on journalistic and political history in the United States.
Although serious scandal erupted in Illinois Governor Richard Ogilvie’s administration— eight hundred thousand dollars mysteriously appearing in Secretary of State Paul Powell’s shoe boxes and other hiding places, the downfall of two Supreme Court justices for questionable stock dealings, corruption surrounding the Illinois State Fair— Ogilvie’s accomplishments, as Taylor Pensoneau demonstrates, rank him among the best governors in Illinois history.
Perhaps the most important of Ogilvie’s accomplishments during his single term in office (1969–1973) was the passage of the state’s first income tax in 1969. Supporting the income tax took political courage on the part of the new governor, but in doing so he saved the financially crippled state from economic disaster. He also looked far into the future; at a time when few politicians expressed concern with the environment, Ogilvie created an exemplary and hard-hitting antipollution program. He was in office during the Illinois Constitutional Convention in 1970 and was instrumental in the widespread restructuring of Illinois government.
Viewing Ogilvie as a pivotal figure in Illinois politics during a time of great social and political turmoil, Pensoneau provides a complete political biography. He sheds light on Ogilvie’s military heroics, his political career, and the Illinois elections of 1968, 1970, and 1972.
From 1909 to 1913, Governor William Glasscock served the state of West Virginia as an ardent progressive and reformer. In his inaugural address he proclaimed government "the machinery invoked and devised by man for his benefit and protection” and good government the guarantor of the happiness, prosperity, success, and welfare of the people. Governor William Glasscock and Progressive Politics in West Virginia recounts the life and work of West Virginia’s thirteenth governor. Born during the Civil War, Glasscock witnessed a country torn by sectional, fratricidal war become a powerful industrial nation by the turn of the twentieth century. Author Gary Jackson Tucker demonstrates how Glasscock, along with others during the Progressive Era, railed against large and powerful political and economic machines to enact legislation protecting free and fair elections, just taxation, regulation of public utilities, and workmen’s compensation laws. Never hesitating to use the power of the state to stand firm against racism and mob rule, and placing his own personal safety in jeopardy, Glasscock won the praise and admiration of average people. Glasscock’s four years in office took his own health and financial security from him, but left behind a better government—a good government—for the people of West Virginia.
Rogues, aristocrats, and a future U.S. president. These and other governors are portrayed in this revised and updated edition of the classic reference work on the chief executives of New Jersey. Editors Michael J. Birkner, Donald Linky, and Peter Mickulas present new essays on the governors of the last three decades—Brendan T. Byrne, Thomas Kean, James Florio, Christine Todd Whitman, Donald DiFrancesco, James McGreevey, Richard Codey, and Jon Corzine. The essays included in the original edition are amended, edited, and corrected as necessary in light of new and relevant scholarship.
The authors of each governor’s life story represent a roster of such notable scholars as Larry Gerlach, Stanley Katz, Arthur Link, and Clement Price, as well as many other experts on New Jersey history and politics. As a result, this revised edition is a thorough and current reference work on the New Jersey governorship—one of the strongest in the nation.
Also of Interest:
New Jersey Politics and Government
The Suburbs Come of Age
Fourth Edition
Barbara G. Salmore with Stephen A. Salmore
978-0-8135-6139-4 paper $34.95
A volume in the Rivergate Regionals Collection
Me, Governor?
My Life in the Rough-and-Tumble World of New Jersey Politics
Richard J. Codey
978-0-8135-5045-9 cloth $24.95
The Life and Times of Richard J. Hughes
The Politics of Civility
John B. Wefing
978-0-8135-4641-4 cloth $32.50
Governor Tom Kean
From the New Jersey Statehouse to the 911 Commission
Alvin S. Felzenberg
978-0-8135-3799-3 cloth $29.95
William Goyen (1915-1983) was an American original, acclaimed nationally and internationally, and one of the most important writers ever to be associated with the regional culture and literary history of Texas. Called "one of the great American writers of short fiction" by the New York Times Book Review, Goyen also authored the novels The House of Breath, In a Farther Country, Come, the Restorer, and Arcadio, as well as plays, poetry, and nonfiction. His literary works manifest an intimate intensity of feeling and an inimitable tone of voice, reflecting Goyen's lifelong desire to create art that was at once a spiritual quest for universal truths and an evocation of the rhythms of speech and storytelling of his native East Texas.
This volume contains all of the uncollected autobiographical writings of William Goyen, including essays previously published in American periodicals and literary journals; interviews published in Paris Review, TriQuarterly, and the French magazine Masques; and previously unpublished materials drawn from Goyen's papers in the Harry Ransom Humanities Research Center at the University of Texas at Austin. The writings span Goyen's entire adult life, from youthful journals to autobiographical sketches to his long sketch for an autobiographical book, Six Women, which profiles women whom Goyen felt had influenced him deeply: Frieda Lawrence, Dorothy Brett, Mabel Dodge Luhan, Margo Jones, Millicent Rogers, and Katherine Anne Porter. The volume also contains late essays on growing up in Houston, writing from life, and illness and recovery.
While most of William Goyen's work was autobiographical, writing a traditional autobiography proved to be inimical to his artistic sensibility and style. Thus, the pieces collected in Goyen constitute the most complete autobiography that we will ever have from this highly regarded writer.
"Ever since I was 10 years old, I’d felt myself yearning to 'go astray.' For me, that didn’t mean drinking and cavorting with boys; it meant being myself without fear."—from the book
What happens when a trained singer who grew up in a "house of vowels" finds that her voice is not her own? What happens when a woman loses the Mormon faith of her childhood and abandons the rituals she’s always known? What does a woman, already married for thirteen years by her early thirties, do when she realizes she has been "lying for years?" How does one sing, with grace, from the heart?
In the spirit of Mary Catherine Bateson’s Composing a Life and Kathleen Norris’s Cloister Walk, Heidi Hart’s luminous memoir retraces her search for an opening to her heart’s path. She finds that the religious life of her Latter-day Saint family—which includes a revered General Authority—robs her of her voice and her spirit. When she discovers Catharine, a mute, Quaker ancestor, Hart begins a vital journey—a journey blessed by her devout and devoted husband; a journey that leads her as she studies Zuni mythology, Jewish tradition, Benedictine monastic ritual, Emily Dickinson, and Saint Hildegard of Bingen—a journey that leads her to a place that feels like home: the company of Friends, the Quaker community of Salt Lake City.
With grace and lyricism, Hart shares the private, personal wisdom she has earned in her community of friends, a community that embraces silences and dissonance, a place where she can't keep from singing.
Chosen for the 2024 Illinois Reads Program by the Illinois Reading Council
One of Chicago’s landmark attractions, Graceland Cemetery chronicles the city’s sprawling history through the stories of its people. Local historian and Graceland tour guide Adam Selzer presents ten walking tours covering almost the entirety of the cemetery grounds. While nodding to famous Graceland figures from Marshall Field to Ernie Banks to Ludwig Mies van der Rohe, Selzer also leads readers past the vaults, obelisks, and other markers that call attention to less recognized Chicagoans like:
Filled with photographs and including detailed maps of each tour route, Graceland Cemetery is an insider's guide to one of Chicago's great outdoor destinations for city lore and history.
Rosamund Marriott Watson was a gifted poet, an erudite literary and art critic, and a daring beauty whose life illuminates fin-de-siècle London and the way in which literary reputations are made—and lost. A participant in aestheticism and decadence, she wrote six volumes of poems noted for their subtle cadence, diction, and uncanny effects. Linda K. Hughes unfolds a complex life in Graham R.: Rosamund Marriott Watson, Woman of Letters, tracing the poet’s development from accomplished ballads and sonnets, to avant-garde urban impressionism and New Woman poetry, to her anticipation of literary modernism.
Despite an early first divorce, she won fame writing under a pseudonym, Graham R. Tomson. The influential Andrew Lang announced the arrival of a new poet he assumed to be a man. She was soon hosting a salon attended by Lang, Oscar Wilde, and other 1890s notables. Publishing to widespread praise as Graham R., she exemplified the complex cultural politics of her era. A woman with a man’s name and a scandalous past, she was also a graceful beauty who captivated Thomas Hardy and left an impression on his work. At the height of her success she fell in love with writer H. B. Marriott Watson and dared a second divorce.
Graham R. combines the stories of a gifted poet, of London literary networks in the 1890s, and of a bold woman whose achievements and scandals turned on her unusual history of marriage and divorce. Her literary history and her uncommon experience reveal the limits and opportunities faced by an unconventional, ambitious, and talented woman at the turn of the century.
In 1863, General Ulysses S. Grant appointed one of his regimental chaplains, John Eaton of Ohio, as general superintendent of contrabands for the Department of the Tennessee. As the American Civil War raged, the former chaplain’s approach to humanitarian aid and education for the newly freed people marked one of the first attempts to consider how an entire population of formerly enslaved people would be assimilated into and become citizens of the postwar Union. General superintendent Eaton chronicled these pioneering efforts in his 1907 memoir, Grant, Lincoln, and the Freedmen: Reminiscences of the Civil War, a work that for more than a century has been an invaluable primary source for historians of the Civil War era.
In this long-awaited scholarly edition, editors John David Smith and Micheal J. Larson provide a detailed introduction and chapter-by-chapter annotations to highlight the lasting significance of Eaton’s narrative. These robust supplements to the 1907 volume contextualize important events, unpack the complexities of inter-agency relationships during the war and postwar periods, and present Eaton’s view that the military should determine how best to assimilate the freed people into the reunited Union.
Grant, Lincoln, and the Freedmen presents a firsthand account of the challenges Grant, Lincoln, and Eaton himself faced in serving and organizing the integration of the newly freed people. This heavily annotated reprint reminds us just how important Eaton’s recollections remain to the historiography of the emancipation process and the Civil War era.
The stormy life of one of the most colorful and complex characters in early 19th-century medicine
An engaging account of one woman’s overcoming the Depression and small town mores.
Viola Goode Liddell’s short memoir tells the story of her return to Alabama in search of a husband and a new life. Thirty years old and recently divorced, Liddell comes back to her home state—with her young son—determined to survive, during the depths of the Depression. Liddell narrates the obstacles she faces as a single mother in the 1930s Deep South with self-deprecating humor and a confessional tone that reveal both her intelligence and her unapologetic ambitions.
Unable to earn, borrow, or beg enough money to support herself and her child, Liddell uses her family connections to secure a teaching position in Camden, Alabama. Even though an older sister’s status within the community helps her land the job, Liddell is warned that she must be very careful as she navigates the tricky social terrain of small town life, particularly when it comes to men. A commentary on the plight of women of the time is woven into the narrative as Liddell recounts her experience of being refused a loan at the local bank by her own brother-in-law.
Despite all the restrictions on her behavior and the crushing reality that she has become "the biggest nuisance in the family" because of her past, Liddell cheerfully and successfully builds a new life of respectability and hope.
“The sound of parenthood is the sigh.” So begins Gravity Hill, written from the perspective of a new father seeking hope, beauty, and meaning in an uncertain world. Many memoirs recount the author’s experiences of growing up and struggling with demons; Werner’s shows how old demons sometimes return on the heels of something as beautiful as children. Werner’s memoir is about growing up, getting older, looking back, and wondering what lies ahead—a process that becomes all the more complicated and intense when parenting is involved. Moving backward and forward between past, present, and future, Gravity Hill does not delineate time so much as collapse it.
Werner narrates his struggle growing up in suburban Utah as anon-Mormon and what it took for him, his siblings, and his friends to feel like they belonged. Bonding in separation, they indulged in each other, in natural and urban landscapes, and sometimes in the destructive behaviors that are the native resort of outsidersincluding promiscuous and occasionally violent sexual behavior—and for some, paths to death and suicide. Gravity Hill is the story of the author’s descent into and eventual emergence from his dysfunction and into a newfound life. Infused with humor, honesty, and reflection, this literary memoir will resonate with readers young and old.
Winner, 2022 Outstanding Academic Title, CHOICE Awards
Health practitioners working in gray zones, or between official and unofficial medicines, played a fundamental role in shaping Latin America from the colonial period onward. The Gray Zones of Medicine offers a human, relatable, complex examination of the history of health and healing in Latin America across five centuries. Contributors uncover how biographical narratives of individual actors—outside those of hegemonic biomedical knowledge, careers of successful doctors, public health initiatives, and research and medical institutions—can provide a unique window into larger social, cultural, political, and economic historical changes and continuities in the region. They reveal the power of such stories to illuminate intricacies and resilient features of the history of health and disease, and they demonstrate the importance of escaping analytical constraints posed by binary frameworks of legality/illegality, learned/popular, and orthodoxy/heterodoxy when writing about the past. Through an accessible and story-like format, this book unlocks the potential of historical narratives of healings to understand and give nuance to processes too frequently articulated through intellectual medical histories or the lenses of empires, nation-states, and their institutions.
How did Huntington operate? What were his methods? Was he corrupt? These are questions that were previously unanswered but thanks to the cooperation of the Huntington family who supplied Mr. Lavender with material that had never before been made public, Lavender shows just how Collis P. Huntington operated-and it was defintely outside the law, although well inside the prevailing morality of his time. It shows his complicated dealings with Sanford Hopkins, how he bested such tycoons as Thomas A. Scott, John C. Durrant, Oliver Ames and Jay Gould, how Huntington accumulated the great fortune which was the legacy to his family, and how his great railroad network was to prove an unparalleled legacy to all Americans. The Great Persuader is a powerful story of a remarkable man whose singleness of purpose and ruthless manipulation of men and money propelled the great enterprise forward against all odds.
Greater than Emperor charts the remarkable process by which Rome tried to forge a new civic identity, similar in constitution to contemporary city-republics but conceptually much greater. At the forefront of the process stood the idiosyncratic and astonishing young notary Cola di Rienzo. On May 21, 1347, Cola staged a bloodless coup. Rome entered a new age that would witness both the resurrection of the ancient power of the Empire and Rome's apotheosis as God's chosen city. Yet within seven months, the theatricality and violence of Cola's regime led to exile. Cola's triumphal return some years later ended in his assassination.
Cola was eventually resurrected as a hero of nineteenth-century nationalism, leaving the realities of Trecento Rome far behind. Yet it is only in terms of the very real models and methods that Cola welded together that his revolution can be understood.
Greater than Emperor describes Cola's reliance on the past of rhetoric, pageantry, and Roman law. It then discusses the future, tracing the dynamic contemporary influences of apocalyptic fervor, prophetic literature, and radical Franciscan imagery of Cola's world. Amanda Collins assesses Cola's legal and political career within both the complex mechanics of municipal administration and the multiple hierarchies of Roman society.
Amanda Collins offers a new assessment of the dramatic events of 1347 and an analysis of Cola within his late medieval Roman context. Bringing depth and substance to Cola's backdrop, Trecento Rome and the economic and spiritual ambitions of its citizen body, Collins provides information crucial to understanding the longer-term economic and political drive to civic autonomy in Rome before 1400.
Historians and generalists alike will relish the story of a remarkable individual, set within the cultural climate of a famous and fascinating city, during an often-overlooked period. This book sheds new light on a crucial political figure that brought a dazzling civil independence to Rome.
Amanda Collins held the Junior Research Fellowship in Intellectual History at Wolfson College, Oxford from 1997-2000, and has more recently been employed at the University of Sussex.
Ancient Greek thought is the essential wellspring from which the intellectual, ethical, and political civilization of the West draws and to which, even today, we repeatedly return. In more than sixty essays by an international team of scholars, this volume explores the full breadth and reach of Greek thought--investigating what the Greeks knew as well as what they thought about what they knew, and what they believed, invented, and understood about the conditions and possibilities of knowing. Calling attention to the characteristic reflexivity of Greek thought, the analysis in this book reminds us of what our own reflections owe to theirs.
In sections devoted to philosophy, politics, the pursuit of knowledge, major thinkers, and schools of thought, this work shows us the Greeks looking at themselves, establishing the terms for understanding life, language, production, and action. The authors evoke not history, but the stories the Greeks told themselves about history; not their poetry, but their poetics; not their speeches, but their rhetoric. Essays that survey political, scientific, and philosophical ideas, such as those on Utopia and the Critique of Politics, Observation and Research, and Ethics; others on specific fields from Astronomy and History to Mathematics and Medicine; new perspectives on major figures, from Anaxagoras to Zeno of Elea; studies of core traditions from the Milesians to the various versions of Platonism: together these offer a sense of the unquenchable thirst for knowledge that marked Greek civilization--and that Aristotle considered a natural and universal trait of humankind. With thirty-two pages of color illustrations, this work conveys the splendor and vitality of the Greek intellectual adventure.
Green Republican chronicles the life of Congressman John Saylor and his personal legacy as an environmental champion. Saylor believed the wilderness was intrinsic to the American experience-that our concepts of democracy, love of country, conservation, and independence were shaped by our wilderness experiences. Through his ardent protection of national parks and diligent work to add new areas to the parks system, Saylor helped propel the American environmental movement in the three decades following Word War II.
At the height of the federal dam-building program in the 1950s and 1960s, Saylor blocked efforts to erect hydroelectric dams whose impounded waters would have invaded Dinosaur National Monument and the Grand Canyon. During the energy crisis of the early 1970s, Saylor denounced attempts to open the Alaska National Wildlife Refuge to oil drilling. He was the House architect of the Wilderness Act of 1964 and the Wild and Scenic Rivers Act of 1968. Because Saylor represented a coal-mining district, he doggedly promoted the use of coal, instead of atomic or hydropower, to generate electricity, and repeatedly won the support of his constituents over thirteen terms between 1949 and 1973. But he also fervently supported legislation to purify the air and water and redeem stripped lands.
Considered both a maverick and a pioneer, John Saylor won respect on both sides of the aisle because he was direct, hardworking, and passionate about conservation at a time when the cause was not popular. Environmental leaders dubbed him “St. John” because he tenaciously advocated their proposals and battled resistance by resource-use proponents.
Based on extensive research and numerous interviews with Saylor's colleagues and members of the conservationist community, Thomas G. Smith assembles the remarkable story of John Saylor, arguably the leading congressional conservationist of the twentieth century, and a major force in the preservation of America's wilderness.
"There is something ominous about a swift river, and something thrilling about a river of any kind."—from Beyond the Hundredth Meridian by Wallace Stegner
Beginning above Flaming Gorge Dam in southwestern Wyoming, the Green River traverses the complete variety of terrain on the Colorado Plateau before joining the Colorado River above Cataract Canyon in southeastern Utah. Like its more famous cousin, the Colorado, the Green has captivated, capsized, and cajoled all types of characters with challenges and beauty to match its geologic variety.
In A Green River Reader editor Alan Blackstock brings this mysterious, magnificent, thrilling river to the reader with an interpretive guide that will inform both river novices and river veterans. Assembled here is every significant written testament to this "awesome ditch," from Domínguez-Escalante to Kit Carson and John C. Frémont; to contemporary American naturalists and writers including Wallace Stegner, Bernard DeVoto, David Brower, Ann Zwinger, Ellen Melloy, and Edward Abbey. Those with a story to tell—those who trapped the Green’s beavers, endured its wild rapids, were humbled by its imposing canyon walls, fought for its beautiful landscapes, or whose "pulse was hurried" by the "lofty chasms, walled in by precipices of red rock"—are collected here.
If you’re headed down the Green, make sure that your dry bag or ammo can has room for just one more thing, your copy of A Green River Reader.
At twenty-three, Michelle Ephraim was failing at everything. The only child of reclusive Holocaust-survivor parents who were dismayed by her literary studies, she found herself dumped by her boyfriend and bombing out of graduate school. Then, one night, she crashed a Shakespeare recitation party. Loopy from vodka and never having read a single line of Shakespeare, she was transfixed. Shakespeare, she decided, was the lifeline she needed.
Green World is the hilarious and heartbreaking story of Ephraim’s quest to become a Shakespeare scholar and to find community and home. As she studies Shakespeare, Ephraim’s world uncannily begins to mirror the story of the Jewish daughter in The Merchant of Venice, and she finds herself in a Green World, an idyllic place where Shakespeare’s heroines escape their family trauma. Green World reckons with global, historical, and personal tragedy and shows how literature—comic and tragic—can help us brave every kind of anguish.
“This is an absolute triumph—ideas, lives, and the dramas of the twentieth century are woven together in a feat of storytelling. A masterpiece.”
—Edmund de Waal, ceramic artist and author of The White Road
The impact of Walter Gropius can be measured in his buildings—Fagus Factory, Bauhaus Dessau, Pan Am—but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society glamor, only to be exiled to the antimodernist United Kingdom during the Nazi years. Later, under the democratizing influence of American universities, Gropius became an advocate of public art and cemented a starring role in twentieth-century architecture and design.
Fiona MacCarthy challenges the image of Gropius as a doctrinaire architectural rationalist, bringing out the visionary philosophy and courage that carried him through a politically hostile age. Pilloried by Tom Wolfe as inventor of the monolithic high-rise, Gropius is better remembered as inventor of a form of art education that influenced schools worldwide. He viewed argument as intrinsic to creativity. Unusually for one in his position, Gropius encouraged women’s artistic endeavors and sought equal romantic partners. Though a traveler in elite circles, he objected to the cloistering of beauty as “a special privilege for the aesthetically initiated.”
Gropius offers a poignant and personal story—and a fascinating reexamination of the urges that drove European and American modernism.
Gaylon Finklea Hecker and Marianne Odom began the interviews for this book in 1981 and devoted a professional lifetime to collecting the memories of accomplished Texans to determine what, if anything, about growing up in the Lone Star State prepared them for success.
The resulting forty-seven oral history interviews begin with tales from the early 1900s, when Texas was an agrarian state, and continue through the growth of major cities and the country’s race to the moon. Interviewees recalled life in former slave colonies; on gigantic ranches, tiny farms, and sharecropper fields; and in one-horse towns and big-city neighborhoods, with relatable stories as diverse as the state’s geography.
The oldest interviewees witnessed women earning the right to vote and weathered the Great Depression. Many remembered two world wars, while others recalled the Texas City explosion of 1947 and the tornado that devastated Waco in 1953. They witnessed the advent of television and the nightly news, which helped many come to terms with the assassination of a president that took place too close to home.
Their absorbing reflections are stories of good and bad, hope and despair, poverty and wealth, depression and inspiration, which would have been different if lived anywhere but Texas.
When Barney Clark received the Jarvik-7 artificial heart in 1983 and Cold Fusion came under fire in 1989, Chase Peterson, as the University of Utah president, was inevitably pulled into these campus events. While these episodes may be the best known in Peterson’s professional history, they are certainly not the only stories that make his autobiography worth reading.
The Guardian Poplar tells of a man who grew up in small-town Utah and carried his pioneer and Mormon heritage to a New England prep school and later to Harvard. He then returned to Utah as a doctor, but unexpectedly found himself back at Harvard as its dean of admissions, handling issues such as the Vietnam War and racial and gender reform. The book explains how Peterson’s home state recruited him back to become an administrator at the University of Utah and how he would eventually become the university president, taking on new issues and challenges. Peterson recounts these years by drawing on anecdotes that recall the people he served and the moments that brought his life meaning.
This autobiography is a compelling account of how Peterson has managed to balance family and career, handle the tensions that have arisen between his faith and his scientific training, and remain solid in the face of his newest challenge—cancer. The book’s engaging prose and honest reflections are sure to intrigue and inspire readers who know the man well, as well as those readers who simply want to know a man who can be described as dedicated, faithful, hardworking, and hopeful about the future.
“When I first met Chase Peterson as a Harvard freshman—along with our joint friend and brother David Evans—something deeply touched me. It was not only his sincere smile and open embrace but also a sense that here was a kind and courageous man comfortable in his own skin, secure in who he was yet eager to encounter new persons, new experiences, and new challenges. . . . He was from Utah but in New England, a Mormon in old Harvard, and a medical doctor in the deanship of admissions. Little did I know that his journey would enhance and enrich my own—owing to his critical allegiance to his family, his faith, his friends, and to his citizenship of country and world. His prophetic witness at Harvard in the turbulent ‘60s and ‘70s, his promotion of black priesthood in the Mormon church, his support of antiapartheid protests in the ‘80s, and his steadfast defense of academic freedom in the Cold Fusion controversy in the early ‘90s all express his quiet and humble effort to be true to himself—a self grounded in, but
not limited by, a rich Mormon tradition.”—from the foreword by Cornel West
The youngest of a large Norwegian immigrant family, Gudrun Thue Sandvold was known for her beaming blue eyes and a reserve that gave way to laughter whenever she got together with her sisters. She took immeasurable pride in her children and grandchildren, kept an exquisite home, and turned the most mundane occasion into a party. And to all who knew her, Gudrun’s cooking was the stuff of legend.
Part cookbook, part immigrant story, and part family memoir, Gudrun's Kitchen features hundreds of Gudrun Sandvold’s recipes for comfort food from a time when families and friends gathered at the table and connected with one another every single day. But this book is much more than a guide to Norwegian culinary traditions; it is an important contribution to immigrant history and a vital documentation of our nation’s multicultural heritage.
Guillaume: A Life is the autobiography of esteemed Broadway, Hollywood, and television star Robert Guillaume. Ten months after suffering a stroke, Guillaume—perhaps best known as television’s Benson—began this autobiography with award-winning author and collaborator David Ritz.
The book goes beyond the recounting of a long and successful career to examine the forces that shaped the man: family, religion, race, and class. Startlingly candid and disarmingly self-aware, Guillaume seeks to know and understand himself, his treatment of the women in his life, and the choices he made along the way. He pursues the truth, however painful it may be, says Ritz, guided by two questions, “Who the hell am I?” and “What made me do what I did?”
Named one of the world’s great blues-rock guitarists by Rolling Stone, Mike Bloomfield (1943–1981) remains beloved by fans forty years after his untimely death. Taking readers backstage, onstage, and into the recording studio with this legendary virtuoso, David Dann tells the riveting stories behind Bloomfield’s work in the seminal Paul Butterfield Blues Band and the mesmerizing Electric Flag, as well as on the Super Session album with Al Kooper and Stephen Stills, Bob Dylan’s Highway 61 Revisited, and soundtrack work with Peter Fonda and Jack Nicholson.
In vivid chapters drawn from meticulous research, including more than seventy interviews with the musician’s friends, relatives, and band members, music historian David Dann brings to life Bloomfield’s worlds, from his comfortable upbringing in a Jewish family on Chicago’s North Shore to the gritty taverns and raucous nightclubs where this self-taught guitarist helped transform the sound of contemporary blues and rock music. With scenes that are as electrifying as Bloomfield’s solos, this is the story of a life lived at full volume.
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