A SCHOLARLY BOOK REPOSITORY265 start with P start with P
Ray Cashman, who has been interviewing McGrath for more than fifteen years, demonstrates how Packy Jim embellishes daily conversation with stories of ghosts and fairies, heroic outlaws and hateful landlords. Such folklore is a boundless resource that he uses to come to grips with the past and present, this world and the next. His stories reveal an intricate worldview that is both idiosyncratic and shared—a testament to individual intelligence and talent, and a window into Irish vernacular culture.
Throughout the nineteenth-century, itinerant painters traveled the length and breadth of Europe and American in search of patronage. In the company of the his crupulous wife, Emma S. Cameron (1825–1907), the Scots-born James Cameron (1816–1882) sought to fulfill his ambitious dream of becoming an artist.
Working primarily as a landscapist and portraitist—he was also an inventor, a missionary, an ordained minister, a land agent, farmer, clothing merchant, and Sunday school teacher—Cameron produced a small collection of paintings during the ten-year period the couple resided in East Tennessee and the American South. Driven by the wife’s lively journals, correspondence, and Civil War diary, Moffatt’s narrative details the couple’s marriage, their extended honeymoon in revolutionary Italy and, following a brief excursion in the Adirondacks, their subsequent residencies in Knoxville, Chattanooga, Memphis, Nashville, Augusta, central Mississippi, and New Orleans, between 1856 and 1868. While in Chattanooga, they settled near Col. James A. Whiteside’s fashionable summer resort, Lookout Mountain Hotel, where James reigned as resident artist and Emma, reluctantly, served as the house nurse and social entertainer. In the late 1860s they lived in Maine and, after 1874, in California, where they founded separate Presbyterian churches.
The book emphasizes Cameron’s painting career, the patrons who supported it, and discusses his best-known works, all of which are reproduced here. The study demonstrated how persisted while working under a cultural cloud that often devalued artistic achievement Emma’s journals reveal her to be a perceptive observer of Protestant middle class “life-on-the-run” and yields insight into historic events in the making, including the Italian Risorgimento, the American Civil War, and the settlement of America’s Western frontier. Moffatt’s detailed joint biography provides a valuable contribution to women’s studies, art history, nineteenth-century frontier expansionism, and social history.
Margaret "Pansy" Gordon's life covered a remarkable span of years and territory. She lived one century, and the years took her from England to residences in British Columbia, Salt Lake City, and an Ojibway village on Georgian Bay; back to Utah and then Canada to homes at the shore of Bear Lake, on an Alberta farm, and in a prairie town; and to Los Angeles for the last decades of her life. She had gone to British Columbia as the daughter of an Anglican missionary to the Tsimshian Indians. She lived in Los Angeles as a Mormon missionary assigned to work as a genealogist. Her personal journey through repeated frontier adventures, religious service, and economic challenges is as worth noting as where she went, but it would be far less engaging if she did not write about it so well. Her memory for detail and her felicity in putting it to paper will reward those who delve into her "Family History," as she titled her memoir. Claudia L. Bushman, descendant of Pansy Gordon, author of numerous books, taught American studies at Columbia University for many years and taught Mormon studies at Claremont Graduate University from 2008 to 2011. She has included letters and other documents that complement this memoir.
An abolitionist and a champion of free love and women’s rights would seem decidedly out of place in nineteenth-century Texas, but such a man was Stephen Pearl Andrews (1812–1886), American reformer, civil rights proponent, pioneer in sociology, advocate of reformed spelling, lawyer, and eccentric philosopher. Since his life mirrored and often anticipated the various reform movements spawned not only in Texas but in the United States in the nineteenth century, this first biography of him sharply reflects and elucidates his times.
The extremely important role Andrews played in the abolition movement in this country has not heretofore been accorded him. After having witnessed slavery in Louisiana during the 1830s, Andrews came to Texas and began his career as an abolitionist with an audacious attempt to free the slaves there.
His singular career, however, comprised many more activities than abolitionism, and most have long been forgotten by historians. He introduced Pitman shorthand into the United States as a means of teaching the uneducated to read; his role in the community of Modern Times, Long Island, was as important as that of Josiah Warren, the “first American anarchist,” although Andrews’s participation in this communal venture, along with the significance of Modern Times itself, has been underestimated.
Other causes which Andrews supported included free love and the rights of women, dramatized by his journalistic debate with Horace Greeley and Henry James, Sr., and by his endorsement of Victoria Woodhull as the first woman candidate for the Presidency of the United States. These interests, together with his consequent involvement in the Beecher-Tilton Scandal, provide insight into some of the more colorful aspects of nineteenth-century American reform movements.
Andrews’s attacks upon whatever infringed on individual freedom brought him into diverse arenas—economic, sociological, and philosophical. The philosophical system he developed included among its tenets the sovereignty of the individual, a science of society, a universal language (his Alwato long preceded Esperanto), the unity of the sciences, and a “Pantarchal United States of the World.” His philosophy has never before been epitomized nor have its applications to later thought been considered.
“I have made it the business of my life to study social laws,” Andrews wrote. “I see now a new age beginning to appear.” This biography of the dynamic reformer examines those social laws and that still-unembodied new age. It reanimates a heretofore neglected American reformer and casts new light upon previously unexplored bypaths of nineteenth-century American social history. The biography is fully documented, based in part upon a corpus of unpublished material in the State Historical Society of Wisconsin.
Paper Memory tells the story of one man’s mission to preserve for posterity the memory of everyday life in sixteenth-century Germany. Matthew Lundin takes us inside the mind of an undistinguished German burgher named Hermann Weinsberg, whose personal writings allow us to witness firsthand the great transformations of early modernity: the crisis of the Reformation, the rise of an urban middle class, and the information explosion of the print revolution. This sensitive, faithful portrait reveals a man who sought to make sense of the changes that were unsettling the foundations of his world.
Weinsberg’s decision to undertake the monumental task of documenting his life was astonishing, since he was neither prince nor bishop, but a Catholic lawyer from Cologne with no special claim to fame or fortune. Although he knew that his contemporaries would consider his work vain and foolish, he dutifully recorded the details of his existence, from descriptions of favorite meals to catalogs of his sleeping habits, from the gossip of quarreling neighbors to confessions of his private hopes, fears, and beliefs. More than fifty years—and thousands of pages—later, Weinsberg conferred his Gedenkbuch, or Memory Book, to his descendants, charging them to ensure its safekeeping, for without his careful chronicle, “it would be as if we had never been.”
Desperate to save his past from oblivion, Weinsberg hoped to write himself into the historical record. Paper Memory rescues this not-so-ordinary man from obscurity, as Lundin’s perceptive and graceful prose recovers his extraordinary story.
Chin's story begins in the early 1930s, when he followed the example of his father and countless other Chinese who bought documents that falsely identified them as children of Chinese Americans. Arriving in Boston and later moving to New York City, he worked and lived in laundries. Chin was determined to fit into American life and dedicated himself to learning English. But he also became an active member of key organizations -- a church, the Chinese Hand Laundrymen's Alliance, and the Chinese Consolidated Benevolent Association -- that anchored him in the community. A self-reflective and expressive man, Chin wrote poetry commenting on life in China and the hardships of being an immigrant in the United States. His work was regularly published in the China Daily News and brought him to the attention of the FBI, then intent on ferreting out communists and illegal immigrants. His vigorous narrative speaks to the day-to-day anxieties of living as a Paper Son as well as the more universal immigrant experiences of raising a family in modest circumstances and bridging cultures.
Historian K. Scott Wong introduces Chin's memoir, discussing the limitations on immigration from China and what is known about Exclusion-era Chinese American communities. Set in historical context, Tung Pok Chin's unique story offers and engaging account of a twentieth-century Paper Son.
Hall was abandoned by her Deaf African American mother at a young age and forged a close bond with her father, James Paris Mosley, who communicated with her in American Sign Language. Although his family was Native American, they—like many other Nanticoke Native Americans of that region—had assimilated over time into Dover’s Black community. Hall vividly recounts the social and cultural elements that shaped her, from Jim Crow to the forced integration of public schools, to JFK and Motown. As a Coda (child of deaf adults) in a time when no accessibility or interpreting services were available, she was her father’s sole means of communication with the hearing world, a heavy responsibility for a child. After her turbulent teenage years, and with the encouragement of her future husband, she attended college and discovered that her skills as a fluent ASL user were a valuable asset in the field of education.
Hall went on to become a college professor, mentor, philanthropist, and advocate for Deaf students from diverse backgrounds. Her memoir is a celebration of her family, her faith, her journey, and her heritage.
In The Parker Sisters, Lucy Maddox gives an eloquent, urgent account of the tragic kidnapping of these young women. Using archival news and courtroom reports, Maddox tells the larger story of the disastrous effect of the Fugitive Slave Act on the small farming communities of Chester County and the significant, widening consequences for the state and the nation.
The Parker Sisters is also a story about families whose lives and fates were deeply embedded in both the daily rounds of their community and the madness and violence consuming all of antebellum America. Maddox’s account of this horrific and startling crime reveals the strength and vulnerability of the Parker sisters and the African American population.
Tristan’s world began to fall apart when her dad was diagnosed with AIDS. After a series of devastating events, she moved to the messy, glorious world of 1990s New York City. In the midst of grief and depression, she helped change queer sexual subculture with her zine Pucker Up, her infamous The Village Voice column, and her editorship of legendary lesbian porn magazine On Our Backs. After the publication of her first book, The Ultimate Guide to Anal Sex for Women, Tristan followed her own path that marked the beginning of her work as a trailblazing feminist pornographer.
After a lifetime of outrageous adventures, Tristan reflects on the bonds, loss, and mental-health struggles that shaped her. She weaves together history from her father’s unpublished memoir, exploring the surprising ways their personal patterns converge and diverge. Bracingly emotional and erotically charged, A Part of the Heart Can’t Be Eaten reveals the transformative power of queer pleasure and defiance.
Based on extensive interviews with those who knew Pasolini, both friends and enemies, admirers and detractors, Pasolini Requiem chronicles his growth from poet in the provinces to Italy’s leading “civil poet”; his flight to Rome in 1950; the scandalous success of his two novels and political writing; and his transition to film, where he started as a contributor to the golden age of Italian cinema and ended with the shocking Salò, or the 120 Days of Sodom. Pasolini’s tragic and still unsolved murder has remained a subject of contentious debate for four decades. The enduring fascination with who committed the crime—and why—reflects his vital stature in Italy’s political and social history.
Updated throughout and with a new afterword covering the efforts to reopen the investigation—and the legal maelstrom surrounding Pasolini’s demise—this edition of Pasolini Requiem is a riveting account of one of the twentieth century’s most controversial, ever-present iconoclasts.
Amundson examines the physical changes along "the most scenic fifty miles in America" and explores the cultural and natural history behind them. This careful analysis of the paired images make Passage to Wonderland more than a "then and now" photography book--it is a unique exploration of the interconnectedness between the Old West and the New West. It will be a wonderful companion for those touring the Cody Road as well as those armchair tourists who can follow the road on Google Earth using the provided GPS coordinates.
The University Press of Colorado gratefully acknowledges the generous support of the Charles Redd Center for Western Studies at Brigham Young University toward the publication of this book.
The actors, directors, producers, and agents examined here include Edwin Forrest, Charlotte Cushman, and Adah Isaacs Menken, whose personal lives and careers traded on the same-sex erotics of "true love" in the antebellum period; Elisabeth Marbury, Elsie de Wolfe, Elsie Janis, Nance O'Neil, and Alla Nazimova, whose intimate female liaisons were variously interpreted around the turn of the century; the "lavender marriages" of Alfred Lunt to Lynne Fontanne and Guthrie McClintic to Katharine Cornell; the lesbian collaborations of Margaret Webster and Cheryl Crawford; the comic antics of Monty Woolley, which negotiated codified constructions of homosexual perversion in the post-Freudian interwar years; and the on- and offstage performances of Mary Martin and Joe Cino, which resisted the paranoid enforcements of heterosexual normality in the McCarthy era. Central to these investigations are the complex connections of performances of sexuality and gender and their different implications for men and women practitioners working under pervasive sexism and homophobia.
The volume also includes striking archival photographs of the performers and their performances, and an index to facilitate the cross-referencing of subjects' intersecting careers. Passing Performances will engage both general and academic readers interested in theater, gay and lesbian history, American studies, and biography.
Robert A. Schanke is Professor of Theatre and Chair of the Division of Fine Arts, Central College, Iowa. Kim Marra is Associate Professor of Theatre Arts, University of Iowa.
Yet Axelrod’s autobiography is not just an account of his wide-ranging passion for cooperation. It reveals his struggles to overcome failures and experience the joys of gaining new insights into how to achieve cooperation. A Passion for Cooperation recounts Robert Axelrod’s adventures talking with the leader of the organization Hamas, the Prime Minister of Israel, and the Foreign Minister of Syria. Axelrod also shares stories of being hosted in Kazakhstan by senior Soviet retired generals and visiting China with well-connected policy advisors on issues of military aspects of cyber conflict. Through stories of the difficulties and rewards of interdisciplinary collaborations, readers will discover how Axelrod’s academic and practical work have enriched each other and demonstrated that opportunities for cooperation are much greater than generally thought.
Ralph J. Roberts is not a household name in Nevada, but it should be—it was he who discovered the Carlin Belt gold deposits that created a major mining boom in the state in the last four decades of the twentieth century. But this discovery was only one episode of his remarkably eventful life. This colorful and personal account of the author's search for his passion—gold—is a story as adventurous as that of any fictional character.
Kehoe argues that, due to anti-Semitism in 1930s America, Cohen could not speak for his legislation before Congress, and that Collier, an upper-class WASP, became the spokesman as well as the administrator. According to the author, historians of the Indian New Deal have not given due weight to Cohen’s work, nor have they recognized its foundation in his liberal secular Jewish culture. Both Felix and Lucy Cohen shared a belief in the moral duty of mitzvah, creating a commitment to the “true and the just” that was rooted in their Jewish intellectual and moral heritage, and their Social Democrat principles.
A Passion for the True and Just takes a fresh look at the Indian New Deal and the radical reversal of US Indian policies it caused, moving from ethnocide to retention of Indian homelands. Shifting attention to the Jewish tradition of moral obligation that served as a foundation for Felix and Lucy Kramer Cohen (and her professor Franz Boas), the book discusses Cohen’s landmark contributions to the principle of sovereignty that so significantly influenced American legal philosophy.
"How tame and manageable are the emotions of our bards, how placid and literary their allusions!" complained essayist T. W. Higginson in the Atlantic Monthly in 1870. "The American poet of passion is yet to come." He was, of course, unaware of the great erotic love poems such as "Wild Nights--Wild Nights!" and "Struck was I, nor yet by Lightning" being privately written by his reclusive friend Emily Dickinson.
In a profound new analysis of Dickinson's life and work, Judith Farr explores the desire, suffering, exultation, spiritual rapture, and intense dedication to art that characterize Dickinson's poems, and deciphers their many complex and witty references to texts and paintings of the day. In The Passion of Emily Dickinson the poet emerges, not as a cryptic proto-modern or a victim of female repression, but as a cultivated mid-Victorian in whom the romanticism of Emerson and the American landscape painters found bold expression.
Dickinson wrote two distinct cycles of love poetry, argues Farr, one for her sister-in-law Sue and one for the mysterious "Master," here convincingly identified as Samuel Bowles, a friend of the family. For each of these intimates, Dickinson crafted personalized metaphoric codes drawn from her reading. Calling books her "Kinsmen of the Shelf," she refracted elements of Jane Eyre, Antony and Cleopatra, Tennyson's Maud, De Quincey's Confessions, and key biblical passages into her writing. And, to a previously unexplored degree, Dickinson also quoted the strategies and subject matter of popular Hudson River, Luminist, and Pre-Raphaelite paintings, notably Thomas Cole's Voyage of Life and Frederic Edwin Church's Heart of the Andes. Involved in the delicate process of both expressing and disguising her passion, Dickinson incorporated these sources in an original and sophisticated manner.
Farr's superb readings of the poems and letters call on neglected archival material and on magazines, books, and paintings owned by the Dickinsons. Viewed as part of a finely articulated tradition of Victorian iconography, Dickinson's interest in the fate of the soul after death, her seclusion, her fascination with landscape's mystical content, her quest for honor and immortality through art, and most of all her very human passions become less enigmatic. Farr tells the story of a poet and her time.
From large cities to rural communities, gay men have long been impassioned pioneers as keepers of culture: rescuing and restoring decrepit buildings, revitalizing blighted neighborhoods, saving artifacts and documents of historical significance. A Passion to Preserve explores this authentic and complex dimension of gay men’s lives by profiling early and contemporary preservationists from throughout the United States, highlighting contributions to the larger culture that gays are exceptionally inclined to make.
Past Titan Rock, a winner of the Appalachian Award for Literature, is available in a new edition as part of the series Sounding Appalachia, with an introduction by series editor Travis D. Stimeling.
In 1977 Ellesa Clay High thought she would spend an afternoon interviewing Lily May Ledford, best known as the lead performer of an all-female string band that began playing on the radio in the 1930s. That meeting began an unexpected journey leading into the mountains of eastern Kentucky and a hundred years into the past. Set in Red River Gorge, an area of steep ridges and box canyons, Past Titan Rock is a multigenre, multivocal re-creation of life in that region. With Ledford’s guidance, High traveled and lived in the gorge, visiting with people who could remember life there before the Works Progress Administration built roads across the ridges and into the valleys during the New Deal. What emerges through a unique combination of personal essay, oral history, and short fiction is a portrait of a mountain culture rich in custom, oral tradition, and song. Past Titan Rock demonstrates the depth of community ties in the Red River Gorge and raises important questions about how to resist destructive forces today.
Within his native state of Nevada, McCarran constructed a machine designed to dominate the state’s political and economic life. This domination, which extended to both political parties, was built on personal favors for constituents, shrewd use of patronage, rewards for friends, and inevitable punishment for those suspected of being enemies. Ironically, the Senator employed the same tactics that others had once used against him to stymie his own early political efforts.
This work discusses the Senator’s background, his rise to power, and his methods of establishing political domination. Personal correspondence, excerpts from speeches, newspaper editorials, and interviews all help bring to life a colorful account of a controversial, driven man who held the levers of political control in Nevada during the early twentieth century.
Ron Strickland has spent a good deal of time walking. He hiked the 1200 miles of the Pacific Northwest Trail in 1983. In 2004, he completed the Pacific Crest Trail, with a 1500-mile hike from the Mojave Desert to the Columbia River. In 2009, he hiked the length of the New England Trail.
He has also held a longtime dream of showcasing the best hiking of the Rockies, Purcells, Okanogan, Cascades, Olympics, and Wilderness Coast. He spent years raising funds, recruiting volunteers, cutting brush, digging dirt, and lobbying landowners, officials, and politicians—and in 2009, the Pacific Northwest Trail, which runs from the Continental Divide to the Pacific Ocean, traversing three National Parks and seven National Forests, was finally declared a National Scenic Trail.
In this adventurous and moving memoir, Strickland—known in the backcountry as “Pathfinder”—shares his insider view of the joys and adventures of long-distance hiking. He intersperses colorful portraits of memorable trail characters and lush descriptions of hikes he knows firsthand. He also describes the experience of conceiving and establishing the Pacific Northwest Trail, detailing the setbacks and triumphs along the way.
Pathfinder offers the rich insights and experiences of a longtime hiker, inspiring readers to the wonder of hiking and the outdoors.
"A tour de force, a remarkable narrative of spiritual and political development. . . . [Cohen's] oft unanswered, and unanswerable, questions, his views of Muir's spiritual, intellectual, and political growth are insightful, challenging, and new. They deserve an audience with scholars and Muir devotees."—Shirley Sargent, Pacific Historian
In this powerful study, Michael Cohen captures as never before the powerful consciousness, vision, and legacy of the pioneering environmentalist John Muir. Ultimately, Cohen stresses, this ecological consciousness would generate an ecological conscience.
It was no longer enough for Muir to individually test and celebrate his enlightenment in the wild. His vision, he now felt, must lead to concrete action, and the result was a protracted campaign that stressed the ecological education of the American public, governmental protection of natural resources, the establishment of the National Parks, and the encouragement of tourism.
Anyone interested in environmental studies, in American history and literature, or in the future of our natural heritage will be drawn by the very bracing flavor of his wilderness odyssey, evoked here by one of his own—a twentieth-century mountaineer and literary craftsman.
Byrd himself was perhaps the early colonial epitome of a patriarch, and typically, when historians examine Byrd and the prominence of patriarchal thought in colonial Virginia, they examine his relationships with his immediate family. In this book, however, Dennis Todd examines the patriarchal relations between Byrd and the workers on his plantations—his apprentices, his wageworkers, his overseers, his white servants, and especially his slaves. In doing so, this book illuminates a neglected stage in the formation of slavery in Virginia. Todd argues that patriarchal principles, which are often assumed to have justified slavery and to have offered a template for slave management, in fact did neither. Byrd was not the only Virginian to wrestle with the contradictions between patriarchal values and the realities of slavery, but few were as articulate.
In examining Byrd through the twin lens of slavery and patriarchy, Patriarchy in Peril makes an important contribution to our understanding of the man and his place in Virginia society as well as the contentious formation of early America.
Patrice Lumumba was a leader of the independence struggle in what is today the Democratic Republic of the Congo, as well as the country’s first democratically elected prime minister. After a meteoric rise in the colonial civil service and the African political elite, he became a major figure in the decolonization movement of the 1950s. Lumumba’s short tenure as prime minister (1960–1961) was marked by an uncompromising defense of Congolese national interests against pressure from international mining companies and the Western governments that orchestrated his eventual demise.
Cold war geopolitical maneuvering and well-coordinated efforts by Lumumba’s domestic adversaries culminated in his assassination at the age of thirty-five, with the support or at least the tacit complicity of the U.S. and Belgian governments, the CIA, and the UN Secretariat. Even decades after Lumumba’s death, his personal integrity and unyielding dedication to the ideals of self-determination, self-reliance, and pan-African solidarity assure him a prominent place among the heroes of the twentieth-century African independence movement and the worldwide African diaspora.
Georges Nzongola-Ntalaja’s short and concise book provides a contemporary analysis of Lumumba’s life and work, examining both his strengths and his weaknesses as a political leader. It also surveys the national, continental, and international contexts of Lumumba’s political ascent and his swift elimination by the interests threatened by his ideas and practical reforms.
Preceding his service as governor, Lucey played a key role in rebuilding the Democratic Party in Wisconsin, returning a state that had been dominated by Republicans to a more moderate two-party system. As party chairman, he built coalitions between World War II veterans, remnants of the defunct Progressive Party, urban socialists, and activists in rural communities throughout the state.
Through exclusive interviews and unprecedented access to archival materials, Dennis L. Dresang shares the story of this pivotal figure in Wisconsin history, from his small-town rural roots to his wide-ranging influence.
Ranging widely from the founding era to Reconstruction, from the making of the modern state to its post-New Deal limits, John Fabian Witt illuminates the legal and constitutional foundations of American nationhood through the little-known stories of five patriots and critics. He shows how law and constitutionalism have powerfully shaped and been shaped by the experience of nationhood at key moments in American history.
Founding Father James Wilson's star-crossed life is testament to the capacity of American nationhood to capture the imagination of those who have lived within its orbit. For South Carolina freedman Elias Hill, the nineteenth-century saga of black citizenship in the United States gave way to a quest for a black nationhood of his own on the West African coast. Greenwich Village radical Crystal Eastman became one of the most articulate critics of American nationhood, advocating world federation and other forms of supranational government and establishing the modern American civil liberties movement. By contrast, the self-conscious patriotism of Dean Roscoe Pound of Harvard Law School and trial lawyer Melvin Belli aimed to stave off what Pound and Belli saw as the dangerous growth of a foreign administrative state.
In their own way, each of these individuals came up against the power of American national institutions to shape and constrain the directions of legal change. Yet their engagements with American nationhood remade the institutions and ideals of the United States even as the national tradition shaped and constrained the course of their lives.
Patton deliberately cultivated the image of himself as a warrior from ages past; the more interesting truth is that he was an exceptionally dedicated student of history. He was a hard worker and voracious reader who gave a great deal of thought to how military history might inform his endeavors. Most scholars have overlooked this element of Patton’s character, which Daniel argues is essential to understanding the man’s genius.
As he did in the preceding volume, Hymel relies not only on Patton’s diaries and letters, but countless veteran interviews, surveys, and memoirs. He also provides a unique insight missed by previous Patton scholars. Instead of using Patton’s transcribed diaries, which were heavily edited and embellished, he consults Patton’s original, hand-written diaries to uncover previously unknown information about the general.
This second volume of Hymel’s groundbreaking work shows Patton at the height of his generalship, successfully leading his army without the mistakes and caustic behavior that almost got him sent home earlier—even if we also see a Patton still guided at times by racism and antisemitism.
The award-winning memoir of one woman’s struggles and triumphs to reclaim an identity she had lost.
This inspirational story of one girl’s search for a home is an engaging first-person narrative of life during the Great Depression and World War II. Readers and critics alike offer lavish praise for Norling’s graceful, simple prose and the heartbreaking, ultimately redemptive tale she shares.
Concentrating upon the composer's first three US concert tours and his thirteen years at Yale, Luther Noss brings to life a observant, energetic, stubborn, and wry personality. Hindemith's journals offer detailed commentary on his experiences at Tanglewood while Noss draws on archives to describe the composer's groundbreaking Collegium concerts, classes, controversial plans to reorganize the School of Music, and other activities. Noss also delves into professional activity that included a huge number of commissions, writing four theory textbooks, an expansion of his Charles Eliot Norton Lectures, and numerous world premieres and other events.
Paul Lafargue, the disciple and son-in-law of Karl Marx, helped to found the first French Marxist party in 1882. Over the next three decades, he served as the chief theoretician and propagandist for Marxism in France. During these years, which ended with the dramatic suicides of Lafargue and his wife, French socialism, and the Marxist party within it, became a significant political force.
In an earlier volume, Paul Lafargue and the Founding of French Marxism, 1842-1882, Leslie Derfler emphasized family identity and the origin of French Marxism. Here, he explores Lafargue's political strategies, specifically his break with party co-founder Jules Guesde in the Boulanger and Dreyfus episodes and over the question of socialist-syndicalist relations. Derfler shows Lafargue's importance as both political activist and theorist. He describes Lafargue's role in the formulation of such strategies as the promotion of a Second Workingmen's International, the pursuit of reform within the framework of the existent state but opposition to any socialist participation in nonsocialist governments, and the subordination of trade unionism to political action. He emphasizes Lafargue's pioneering efforts to apply Marxist methods of analysis to questions of anthropology, aesthetics, and literary criticism.
Despite the crucial part they played in the social and political changes of the past century and the heritage they left, the first French Marxists are not widely known, especially in the English-speaking world. This important critical biography of Lafargue, the most audacious of their much maligned theorists, enables us to trace the options open to Marxist socialism as well as its development during a critical period of transition.
Paul Lafargue, disciple and son-in-law of Karl Marx, was among the most important persons giving organized political expression to Marxism in France. He helped found both the first French collectivist party and the first French Marxist party. He was the first Marxist to sit in the French legislature and for three decades served as the chief theoretician and propagandist for Marxism in France. With his wife, Laura, he translated the Communist Manifesto and other works, introducing and applying Marxist thought in France.
Demonstrating an almost seamless web between intellectual and family history, Leslie Derfler relates ideas and family identity in this account of the first forty years of Paul Lafargue’s life. Lafargue, like his famous father-in-law, called for ideological purity and demanded total hostility to anarchists and reformists. He insisted on economic determinism, the primacy of the concept of the class struggle, and the theory of surplus value. But he made his own contributions as well, particularly in his insistence on rejecting the domination of bourgeois values. Lafargue’s most famous pamphlet, The Right To Be Lazy, showed the advantages that labor could derive by rejecting the bourgeois work ethic. An intellectual of power, he pioneered in the application of Marxist methods of analysis to questions of anthropology, aesthetics, and literary criticism.
Born in Cuba of mixed racial descent, Lafargue joined in demonstrations as a medical student in Paris in the 1860s and was forced into exile. Resuming his studies in London, he became a fixture in the Marx household until he married Laura Marx and moved to Paris. There he worked to expand the influence of the International Workingmen’s Association, but fled to Spain following the general repression after the fall of the Paris Commune. He continued his efforts on behalf of Marxism in Spain and then for ten years in London before returning to France, where he helped to found the new Marxist Parti Ouvrier Français, in 1882.
Paul Powell emerged from the hill country of southern Illinois to serve in state government from 1935 until his death in 1970. His political tenure included three terms as Speaker of the Illinois House, four terms as minority leader, and two terms as secretary of state. The sponsor of hundreds of bills, he worked tirelessly for his constituents in southern Illinois. He also worked tirelessly to promote his own interests.
In this first political biography of Powell, Robert E. Hartley follows the money. He tells how this man of humble origins and meager means amassed a world-class political and financial base. Part of that story is the disclosure of a personal fortune that boggled minds, including the unbelievable yarn of the $800,000 cash found in the hotel room following Powell's death.
Powell never earned a state salary of more than $30,000 per year, yet in the last year of his life, his federal income tax return showed an income of more than $200,000. At his death his estate totaled $3.2 million, and, when settled in 1978, was worth $4.6 million, including nearly $1 million in racetrack stock.
Following Powell's story, Hartley takes us deep into the Illinois political world of the 1940s, 1950s, and 1960s, a time when politicians were on an "honor system" regarding their financial holdings. This was before disclosure of political contributions, before computer records, and before public meetings laws.
“A fine, taut analysis of the great African American athlete, singer, actor, and political activist.”
—Choice, Highly Recommended
Paul Robeson should be remembered today as the forerunner of Malcolm X, Dr. Martin Luther King, Jr. and Muhammad Ali. He sacrificed his fame and fortune a performer and athlete in order to fight for the rights of African Americans during the time of Jim Crow and U.S. Apartheid.
A world-famous singer and actor, a trained lawyer, an early star of American professional football and a polyglot who spoke over a dozen languages: these could be the crowning achievements of a life well-lived. Yet for Paul Robeson the higher calling of social justice led him to abandon both the NFL and Hollywood and become one of the most important political activists of his generation, a crusader for freedom and equality who battled both Jim Crow and US Senator Joseph McCarthy during the communist witch hunt of the 1950s.
In Paul Robeson: The Artist as Revolutionary, Gerald Horne discovers within Robeson's remarkable and revolutionary life the story of the twentieth century's great political struggles: against racism, against colonialism, against poverty—and for international socialism. Chapters include:
*”The Best Known American in the World"
*Rising Revolutionary
*From Moscow to Madrid
*"Black Stalin"?
*Robeson: Primary Victim of the "Blacklist"
*Triumph—and Tragedy
*Death of a Revolutionary
In the Introduction, Horne writes: “Paul Robeson—activist, artist, athlete—experienced a dramatic rise and fall, perhaps unparalleled in U.S. history. From mingling with the elite of London society and Hollywood in the 1930s, by the time he died in 1976, he was a virtual recluse in a plain abode in a working-class neighborhood of Philadelphia. What helps to explicate this tragic art of his life is a fateful decision he made when fascism was rising: he threw in his lot with those battling for socialism and decide to sacrifice his thriving artistic career on behalf of the struggle against Jim Crow—or U.S. apartheid.”
This critical and searching biography provides an opportunity for readers to comprehend the triumphs and tragedies of the revolutionary progressive movement of which Paul Robeson was not just a part, but perhaps its most resonant symbol.
With Paul Simon: The Political Journey of an Illinois Original, author Robert E. Hartley presents the first thorough, objective volume on the journalistic and political career of one of Illinois’s most respected public figures. Hartley’s detailed account offers a fully rounded portrait of a man whose ideals and tenacity not only spurred reform on both state and national levels during his celebrated forty-year career but also established the lasting legacy of a political legend.
Simon first became a public figure at the age of nineteen, when he assumed the post of editor and publisher of a weekly newspaper in Troy, Illinois. From there, he used his paper to launch a fierce crusade against the crime and corruption plaguing Madison County. This battle sparked his entry into politics, helping to land him a seat in the state legislature in 1954. While serving, he campaigned tirelessly according to his principles, earning him the mass voter approval that would usher him into the seat of lieutenant governor in 1968—the first person elected to that position who did not share party affiliation with the governor.
As lieutenant governor, Simon initiated many changes to the position, remaking it to better serve the citizens of the state of Illinois. The cornerstone of his reform plan was an ombudsman program designed to allow the people of the state to voice problems they had with government and state agencies. The program, extremely popular with the public and the press, solved problems and helped to make Simon a household name throughout Illinois. Although he faced challenges along the way, including racial upheaval in Cairo and the student and police riots on the Carbondale campus of Southern Illinois University, Simon’s outspoken honesty and strong support of his constituents earned him the utmost esteem and popularity.
While his 1972 bid for governor of Illinois ultimately failed, this did not deter Simon from his dedication to social progress. In 1974 he began his remarkable twenty-two-year career in the U.S. House of Representatives and Senate, where he earned the admiration of the country for his political integrity. Despite the praise and support Simon had earned during his time in Washington, he was unable to win the Democratic presidential nomination in 1988 and returned to the Senate, winning a second term in 1990. Simon committed time and energy to the myriad issues of interest to him, especially in the field of education, with one of his biggest successes coming with the passage of the National Literacy Act, which he sponsored. He continued to foster his ties to journalism throughout his lengthy political career, authoring numerous books, articles, and columns, all of which he used to relentlessly promote open government and social programs.
This vivid account of the public life of Paul Simon reveals a man whose personal honor and dedication were unshakeable throughout nearly half a century in the political arena. Robert E. Hartley provides a candid perspective on Simon’s accomplishments and victories, as well as his mistakes and losses, revealing new insights into the life of this dynamic and widely respected public figure.
---Arianna Huffington, columnist and editor of HuffingtonPost.com
"This book captures the vibrant spirit of my friend Paul Wellstone---the fierce commitment to justice that defined his life, and that shapes his enduring legacy."
---U.S. Senator Russ Feingold
"Paul Wellstone was a great leader because he fused progressive idealism with a stubbornly pragmatic politics. Bill Lofy's book captures that dual commitment in his story of Wellstone's life, and also shows us the extraordinary human appeal that Wellstone emanated in his relationships with people in all walks of life. This book is an engaging read that also tells us a lot about the political practice to which we should aspire."
---Frances Fox Piven, author of The War at Home
"This vividly written book captures the life and personal qualities of the late Senator Paul Wellstone. In so doing it provides an illuminating gloss on Max Weber's seminal exposition of the political vocation. It is a jewel of a book."
-Fred Greenstein, Princeton University
Bill Lofy's fast-paced and readable biography tells the inspirational story of one of the most compelling figures in the history of American politics---Senator Paul Wellstone.
Yet Lofy's book is more than just the chronicle of Wellstone's life and political career; it's also an indispensable guide to what ails political life today. Readers politically inclined or not will find in its pages a handbook to the uncertain and often treacherous business of politics and a stirring example for living a courageous and honest life---whether as public servant or private individual.
Judith M. Heimann entered the diplomatic life in 1958 to join her husband, John, in Jakarta, Indonesia, at his American Embassy post. This, her first time out of the United States, would set her on a path across the continents as she mastered the fine points of diplomatic culture. She did so first as a spouse, then as a diplomat herself, thus becoming part of one of the Foreign Service’s first tandem couples.
Heimann’s lively recollections of her life in Africa, Asia, and Europe show us that when it comes to reconciling our government’s requirements with the other government’s wants, shuttle diplomacy, Skype, and email cannot match on-the-ground interaction. The ability to gauge and finesse gesture, tone of voice, and unspoken assumptions became her stock-in-trade as she navigated, time and again, remarkably delicate situations.
This insightful and witty memoir gives us a behind-the-scenes look at a rarely explored experience: that of one of the very first married female diplomats, who played an unsung but significant role in some of the important international events of the past fifty years. To those who know something of today’s world of diplomacy, Paying Calls in Shangri-La will be an enlightening tour through the way it used to be—and for aspiring Foreign Service officers and students, it will be an inspiration.
Published in association with ADST-DACOR Diplomats and Diplomacy Series
Pedro Pino, or Lai-iu-ah-tsai-lu (his Zuni name) was for many years the most important Zuni political leader. He served during a period of tremendous change and challenges for his people. Born in 1788, captured by Navajos in his teens, he was sold into a New Mexican household, where he obtained his Spanish name. When he returned to Zuni, he spoke three languages and brought with him a wealth of knowledge regarding the world outside the pueblo. For decades he ably conducted Zuni foreign relations, defending the pueblo's sovereignty and lands, establishing trade relationships, interacting with foreigners-from prominent military and scientific expeditions to common emigrants-and documenting all in a remarkable archive. Steeped in Zuni traditions, he was known among other things for his diplomatic savvy, as a great warrior, for his oratory, and for his honesty and hospitality.
More than a biography, Richard Hart's work provides a history of Zuni during an especially significant period. Also the author of Zuni and the Courts: A Struggle for Sovereign
Land Rights and the co-author of A Zuni Atlas, Hart originally wrote the manuscript in 1979 after a decade of historical work for Zuni Pueblo. He then set it aside but continued to pursue research about and for Zuni. Its publication, at last, inscribes an important contribution to Pueblo history and biography and a testimonial to a remarkable Native American leader. In an afterword written for this publication, Hart discusses his original intentions in writing about Pedro Pino and Zuni and situates the biography in relation to current scholarship.
Kurt Jensen’s magisterial volume, extensively researched and filled with trenchant observations, brings to life this charming, flawed, and fascinating man—and demonstrates how the wellspring of his art contained the seeds of his own destruction. Drawing upon Mamoulian’s unfinished memoir and voluminous diaries, as well as interviews with the director’s surviving collaborators, Jensen delivers fresh and informative insider stories from seminal productions. Meanwhile, he explores Mamoulian’s aesthetic principles and strategies as manifested in lighting, choreography, and sound design. A tour de force, Peerless offers readers a multifaceted, in-depth look at an idiosyncratic genius.
Drawing on interviews, archival research, and fifty-four years of extraordinary pocket diaries, Suzanne Robinson places Glanville-Hicks within the history of American music and composers. "P.G.H." forged alliances with power brokers and artists that gained her entrance to core American cultural entities such as the League of Composers, New York Herald Tribune, and the Harkness Ballet. Yet her impeccably cultivated public image concealed a private life marked by unhappy love affairs, stubborn poverty, and the painstaking creation of her artistic works.
Evocative and intricate, Peggy Glanville-Hicks clears away decades of myth and storytelling to provide a portrait of a remarkable figure and her times.
Born in St. Joseph, Missouri, in 1872, Tom Pendergast moved to Kansas City around 1890 to work for his brother James, founder of the Pendergast "Goat" faction in Kansas City Democratic politics. In 1911, Pendergast became head of the Goats, and over the next fifteen years he created a powerful political machine that used illegal voting and criminal enforcers to gain power. Following a change in the city charter in 1925, Pendergast took control of Kansas City and ran it as his own personal business. In the 1930s, he received over $30 million annually from gambling, prostitution, and narcotics, putting him in the big leagues of American civic corruption. He also wielded great power in the National Democratic Party and started Harry S. Truman on the road to the presidency.
In this well-balanced biography, the authors examine Pendergast's rise to power, his successes as a political leader, his compassion for the destitute, and his reputation for keeping his word. They also examine Pendergast's character development and how his methods became more and more ruthless. Pendergast had no use for ideology in his "invisible government"—only votes counted.
In 1937 and 1938 the federal government broke the back of Pendergast's machine, convicting 259 of his campaign aides for vote fraud. In 1939 Pendergast, who was believed to be the largest bettor on horse racing in the United States, was jailed for income tax evasion, and he died in disgrace in 1945.
An insightful and comprehensive biography, Pendergast! will surely serve for years to come as the most thorough investigation of the life and infamous career of Tom Pendergast.
A former journalist for the Philadelphia Inquirer Magazine, and author of the bestseller Kids for Cash, Ecenbarger has collected a dozen of his fascinating articles showcasing the Keystone State in Pennsylvania Stories—Well Told. He provides a history of the pencil, and considers why the first day of Pennsylvania’s deer hunting season—the world’s largest participatory sporting event—is an unofficial state holiday, closing schools and state offices. Ecenbarger also profiles George “Boom Boom” Zambelli, the internationally renowned pyrotechnic king, and goes driving with Pennsylvania native John Updike in rural Berks County, PA.
Other fascinating tales unfold in Pennsylvania Stories, from an inspiring tale of Governor Bob Casey’s double organ transplant, to darker essays on the electric chair and the Ku Klux Klan, to a mile-by-mile appreciation of the Pennsylvania Turnpike.
In these weird and wonderful stories, Ecenbarger highlights just what makes Pennsylvania both eccentric and great. His book is a delightfully intriguing read for natives and curious outsiders alike.
Hastings experienced the rural and small town side of an event that touched all who weathered it—the economic crash of 1929 and its 10-year aftermath.
The author grew up in Marion, Illinois, entering the first grade in 1930, the start of the Great Depression. This book, which recalls memorable episodes in the life of that boy, is a sequel to the popular ANickel’s Worth of Skim Milk.
What Hastings experienced as a child was typical of depression-era life. Those who were young then can relive lost youth in Hastings’ books. And there were moments worth reliving: Hastings tells of “laughter and love and tears in the midst of hunger and cold and deprivation.” Those too young to have experienced the economic devastation can see those hard days through the eyes of a trained storyteller reporting from the point of view of a child.
In The Pensive Citadel, Victor Brombert looks back on a lifetime of learning within a university world greatly altered since he entered Yale on the GI Bill in the 1940s. Yet for all that has changed, much of Brombert’s long experience as a reader and teacher is richly familiar: the rewards of rereading, the joy of learning from students, and most of all the insight to be found in engaging works of literature. The essays gathered here range from meditations on laughter and jealousy to new appreciations of Brombert’s lifelong companions Shakespeare, Montaigne, Voltaire, and Stendhal.
A veteran of D-day and the Battle of the Bulge who witnessed history’s worst nightmares firsthand, Brombert nevertheless approaches literature with a lightness of spirit, making the case for intellectual mobility and openness to change. The Pensive Citadel is a celebration of a life lived in literary study, and of what can be learned from attending to the works that form one’s cultural heritage.
This distinctive collection features writings from Grant Pick’s long, distinguished career in literary journalism. Pick had a uniquely open eye and ear for people who were in difficult situations, doing extraordinary things, or both. Most of his stories focus on interesting but overlooked Chicagoans, like the struggling owner of a laundrymat on the west side or the successful doctor who, as he faced his own death from cancer, strove to enlighten his colleagues in the field of medicine. As only a lifetime Chicagoan could, he described in tender detail the worlds in which people lived or worked, providing a look not just at one city’s citizens but at humanity as a whole.
Pick’s widow and son curate this showcase of some of his most well-remembered work, such as “The Rag Man of Lincoln Park” and “Brother Bill.” In these and all of his other works, Pick wrote from the front lines, speaking to people whom others might encounter everyday but never really see. He faithfully characterized his subjects, never denying them dignity or value and never judging them. In the mirror he held up to his city, Chicago could see the shared humanity of all its citizens.
"Gives a vivid picture, not only of tribal peoples in transition, but of the motives and methods of a dedicated, compassionate teacher in an era of forced Indian assimilation."—Books of the Southwest
"Delightful reading about an exotic life in a stupendous natural setting."—New York Times
Randall D. Williams’s essay on the relatively unknown history of American Indians in the region opens the collection, followed by Michael Allen’s history of boating and river professions on the Cumberland River. Al Cross and David Cross illuminate the Republican politics of the Kentucky section of the Upper Cumberland, while Mark Dudney provides a first-of-its-kind look at the early careers of distinguished Tennesseans Cordell Hull and John Gore. Equally fresh is Mary A. Evins’s examination of the career of Congressman Joe L. Evins, and coeditor Michael E. Birdwell and John B. Nisbet III contribute an in-depth piece on John Catron, the Upper Cumberland’s first Supreme Court justice. Troy D. Smith’s essay on Champ Ferguson sheds new light on the Confederate guerilla. Birdwell’s second contribution, an exploration of the history of moonshine, provides insight into a venerable Cumberland tradition. Pairing well with Walker’s essay, Janey Dudney and coeditor W. Calvin Dickinson discuss the superstitions faced by early Upper Cumberland medical professionals. Closing out the grouping of medical articles is Dickinson’s second chapter, which tells the story of Dr. May Cravath Wharton and her contribution to the region’s health care. Laura Clemons explores the relationship between composer Charles Faulkner Bryan and his gifted African American pupil J. Robert Bradley during the Jim Crow era. Birdwell’s third chapter and the collection’s final essay examines race relations in the Upper Cumberland.
Offering a broad look at one of the most understudied regions of the Volunteer State, this significant addition to Tennessee history will prove insightful for students and academics with interdisciplinary and cross-historical interests.
This engaging and wide-ranging biography casts new light on the life and careers of Percival Lowell. Scion of a wealthy Boston family, elder brother of Harvard President Lawrence and poet Amy, Percival Lowell is best remembered as the astronomer who claimed that intelligent beings had built a network of canals on Mars. But the Lowell who emerges in David Strauss's finely textured portrait was a polymath: not just a self-taught astronomer, but a shrewd investor, skilled photographer, inspired public speaker, and adventure-travel writer whose popular books contributed to an awakening American interest in Japan.
Strauss shows that Lowell consistently followed the same intellectual agenda. One of the principal American disciples of Herbert Spencer, Lowell, in his investigations of Japanese culture, set out to confirm Spencer's notion that Westerners were the highest expression of the evolutionary process. In his brilliant defense of the canals on Mars, Lowell drew on Spencer's claim that planets would develop life-supporting atmospheres over time.
Strauss's charming, somewhat bittersweet tale is the story of a rebellious Boston Brahmin whose outsider mentality, deep commitment to personal freedom, and competence in two cultures all contributed to the very special character of his careers, first as a cultural analyst and then more memorably as an astronomer.
An engaging look at one of English history and literature’s most compelling, complicated, and talented figures, Percy Bysshe Shelley will be a valuable contribution to our understanding of the man and his work.
Words have meaning and meaning evolves over time. In Perfect Dirt, Keegan Lester drags us through his failure to grasp the meaning that always seems to be just beyond his fingertips. These lyrical vignettes depict a lifelong search for home, identity, and the language to say the things we wish we could tell people in the moment.
Born in Southern California to parents who had migrated from West Virginia and South Florida, Lester spent summers with his grandparents in Morgantown, which instilled a deep anchor of place that continued to call to him, an Appalachian at heart even while living in New York City as a poet. As small successes started to come his way—a book and numerous tours—so did crises. Lester’s father, meanwhile, experiencing his own life crisis, embarked on a journey to sail the Caribbean. Both end up lost.
Part memoir, part tour diary, part homage to the places and people who have made him who he is, Perfect Dirt digs into the sometimes painful, sometimes jubilant questions of identity and success. This is a book searching to better understand the world and our place in it, the family we’re born into, and the family we make along the way.
Hear the author read an excerpt from the Perfect Dirt.
A New Statesman Book of the Year
Winner of the Helen and Howard R. Marraro Prize
Winner of the Aldo and Jeanne Scaglione Prize for Italian Studies
“Extraordinary…I could not put it down.”
—Margaret MacMillan
“Reveals how ideology corrupts the truth, how untrammeled ambition destroys the soul, and how the vanity of white male supremacy distorts emotion, making even love a matter of state.”
—Sonia Purnell, author of A Woman of No Importance
When Attilio Teruzzi, a decorated military officer and early convert to the Fascist cause, married a rising American opera star, his good fortune seemed settled. The wedding was blessed by Mussolini himself. Yet only three years later, Teruzzi, now commander of the Black Shirts, renounced his wife. Lilliana was Jewish, and fascist Italy would soon introduce its first race laws.
The Perfect Fascist pivots from the intimate story of a tempestuous courtship and inconvenient marriage to the operatic spectacle of Mussolini’s rise and fall. It invites us to see in the vain, unscrupulous, fanatically loyal Attilio Teruzzi an exemplar of fascism’s New Man. Victoria De Grazia’s landmark history shows how the personal was always political in the fascist quest for manhood and power. In his self-serving pieties and intimate betrayals, his violence and opportunism, Teruzzi is a forefather of the illiberal politicians of today.
“The brilliance of de Grazia’s book lies in the way that she has made a page-turner of Teruzzi’s chaotic life, while providing a scholarly and engrossing portrait of the two decades of Fascist rule.”
—Caroline Moorhead, Wall Street Journal
“Original and important…A probing analysis of the fascist ‘strong man.’ De Grazia’s attention to Teruzzi’s private life, his behavior as suitor and husband, deepens and enriches our understanding of the nature of leadership in Mussolini’s regime and of masculinity, virility, and honor in Italian fascist culture.”
—Robert O. Paxton, author of The Anatomy of Fascism
“This is a perfect book!…Its two entwined narratives—one political and public, the other personal and private—help us understand why the personal is political for those who insist on reshaping people and society.”
—Azar Nafisi, author of Reading Lolita in Tehran
From the shooting of an unarmed prisoner at Montgomery, Alabama, to a successful escape from Belle Isle, from the swelling floodwaters overtaking Cahaba Prison to the inferno that finally engulfed Andersonville, A Perfect Picture of Hell is a collection of harrowing narratives by soldiers from the 12th Iowa Infantry who survived imprisonment in the South during the Civil War.
Editors Ted Genoways and Hugh Genoways have collected the soldiers' startling accounts from diaries, letters, speeches, newspaper articles, and remembrances. Arranged chronologically, the eyewitness descriptions of the battles of Shiloh, Corinth, Jackson, and Tupelo, together with accompanying accounts of nearly every famous Confederate prison, create a shared vision
After his father-in-law passed away, Stephen Murphy found, among the voluminous papers left behind, an ancestral memoir. Murphy quickly became fascinated with the recollections of George W. Quimby (1842–1926), a Union soldier and scout for General William Tecumseh Sherman.
Before Quimby became a part of Sherman’s March, he was held captive by Nathan Bedford Forrest’s troops in western Tennessee. He joined Sherman’s Army in Vicksburg, destroying railroads and bridges across Mississippi and Alabama on the way to Georgia. As the notorious march began, Quimby became a scout and no longer experienced war as his fellow soldiers did. Scouts moved ahead of the troops to anticipate opportunities and dangers. The rank and file were instructed to be seen and feared, while scouts were required to be invisible and stealthy. This memoir offers the rare perspective of a Union soldier who ventured into Confederate territory and sent intelligence to Sherman.
Written around 1901 in the wake of the Spanish American War, Quimby’s memoir shows no desire to settle old scores. He’s a natural storyteller, keeping his audience’s attention with tales of drunken frolics and narrow escapes, providing a memoir that reads more like an adventure novel. He gives a new twist to the familiar stories of Sherman’s March, reminding readers that while the Union soldiers faced few full-scale battles, the campaign was still quite dangerous.
More than a chronicle of day-to-day battles and marches, The Perfect Scout is more episodic and includes such additional elements as the story of how he met his wife and close encounters with the enemy. Offering a full picture of the war, Quimby writes not only about his adventures as one of Sherman’s scouts, but also about the suffering of the civilians caught in the war. He provides personal insight into some of the war’s historic events and paints a vivid picture of the devastation wreaked upon the South that includes destroyed crops and homes and a shattered economy. He also tells of the many acts of kindness he received from Southerners, including women and African Americans, who helped him and his fellow scouts by providing food, shelter, or information.
In the 1980s, Egypt witnessed a growing revival of religiosity among large sectors of the population, including artists. Many pious stars retired from art, “repented” from “sinful” activities, and dedicated themselves to worship, preaching, and charity. Their public conversions were influential in spreading piety to the Egyptian upper class during the 1990s, which in turn enabled the development of pious markets for leisure and art, thus facilitating the return of artists as veiled actresses or religiously committed performers.
Revisiting the story she began in “A Trade like Any Other”: Female Singers and Dancers in Egypt, Karin van Nieuwkerk draws on extensive fieldwork among performers to offer a unique history of the religious revival in Egypt through the lens of the performing arts. She highlights the narratives of celebrities who retired in the 1980s and early 1990s, including their spiritual journeys and their influence on the “pietization” of their fans, among whom are the wealthy, relatively secular, strata of Egyptian society. Van Nieuwkerk then turns to the emergence of a polemic public sphere in which secularists and Islamists debated Islam, art, and gender in the 1990s. Finally, she analyzes the Islamist project of “art with a mission” and the development of Islamic aesthetics, questioning whether the outcome has been to Islamize popular art or rather to popularize Islam. The result is an intimate thirty-year history of two spheres that have tremendous importance for Egypt—art production and piety.
In a book addressing those interested in the transformation of monarchy into the modern state and in intersections of gender and political power, Katherine Crawford examines the roles of female regents in early modern France.
The reigns of child kings loosened the normative structure in which adult males headed the body politic, setting the stage for innovative claims to authority made on gendered terms. When assuming the regency, Catherine de Médicis presented herself as dutiful mother, devoted widow, and benign peacemaker, masking her political power. In subsequent regencies, Marie de Médicis and Anne of Austria developed strategies that naturalized a regendering of political structures. They succeeded so thoroughly that Philippe d’Orleans found that this rhetoric at first supported but ultimately undermined his authority. Regencies demonstrated that power did not necessarily work from the places, bodies, or genders in which it was presumed to reside.
While broadening the terms of monarchy, regencies involving complex negotiations among child kings, queen mothers, and royal uncles made clear that the state continued regardless of the king—a point not lost on the Revolutionaries or irrelevant to the fate of Marie-Antoinette.
Miyazaki also photographed the water as he went, creating waterscapes of the ever-changing lake affected by weather and time. Perimeter gathers these images together, creating a diverse portrait of both people and a place, encapsulating Lake Michigan’s significance to those who are drawn to it.
It is a harsh, remote country, where the weather is always very close and the horizon far away. The Brazos country of long-ago Fourth of July fishing expeditions; the grass-grown remains of a way station of the Butterfield Stage Line; the streets of Abilene; the sparse grazing lands under infinite skies-all are made resonant by a native son’s affection and understanding. It is a way of life-resilient and persnickety-that is almost gone.
Above all, it is people: the author’s grandmother, who had a mortal fear of bridges and whose premonitions of unnamed calamities (that as often as not happened), both alarmed and pleased the young boy; Uncle Aubrey, “who married late”; the blacksmith they awakened in the dead of night; the familiar neighbors; the rare and deliciously mysterious strangers.
With humor and strong, unsentimental feeling, A. C. Greene conserves for us the priceless eccentricities of place and person that are being flattened out-almost literally bulldozed away-by the impatient, insatiable onrush of the twentieth century. His West Texas is a very personal country, but what he seeks to share will be familiar to all who take pleasure in the memories that tie them to their own special region of America.
John Hill Brinton (1832–1907) met, observed, and commented on practically the entire hierarchy of the Union army; serving as medical director for Ulysses S. Grant, he came into contact with Philip H. Sheridan, John C. Frémont, Henry W. Halleck, William A. Hammond, D. C. Buell, John A. Rawlins, James Birdseye McPherson, C. F. Smith, John A. McClernand, William S. Rosecrans, and his first cousin George Brinton McClellan. John Y. Simon points out in his foreword that Brinton was one of the first to write about a relatively obscure Grant early in the war:
"Brinton found a quiet and unassuming man smoking a pipe—he could not yet afford cigars— and soon recognized a commander with mysterious strength of intellect and character."
Positioned perfectly to observe the luminaries of the military, Brinton also occupied a unique perspective from which to comment on the wretched state of health and medicine in the Union army and on the questionable quality of medical training he found among surgeons. With both A.B. and A.M. degrees from the University of Pennsylvania and postgraduate training in Paris and Vienna at a time when most medical schools required only a grammar school education, Brinton was exceptional among Civil War doctors. He found, as John S. Haller, Jr., notes in his preface, "the quality of candidates for surgeon’s appointments was meager at best." As president of the Medical Examining Board, Brinton had to lower his standards at the insistence of Secretary of War Edwin Stanton. Haller points out that one "self-educated candidate for an appointment as brigade surgeon explained to the board that he could do ‘almost anything, from scalping an Indian, up and down.’" Brinton assigned this singular candidate to duty in Kansas "where Brinton hoped he would do the least amount of damage." Throughout the war, the dearth of qualified surgeons created problems.
Brinton’s memoirs reveal a remarkable Civil War surgeon, a witness to conditions in Cairo, the Battle of Belmont, and the Siege of Fort Donelson who encountered almost every Union military leader of note.
Brinton wrote his memoirs for the edification of his family, not for public consumption. Yet he was, as Haller notes, a "keen observer of character." And with the exception of Brinton’s acceptance of late nineteenth-century gossip favorable to his cousin General McClellan, Simon finds the memoirs "remarkable for accuracy and frankness." His portrait of Grant is vivid, and his comments on the state of medicine during the war help explain, in Haller’s terms, why the "Civil War was such a medical and human tragedy."
Written in the early twentieth century for her children and grandchildren and first published in 1975, these eloquent memoirs detail the life of General Ulysses S. Grant’s wife. First Lady Julia Dent Grant wrote her reminiscences with the vivacity and charm she exhibited throughout her life, telling her story in the easy flow of an afternoon conversation with a close friend. She writes fondly of White Haven, a plantation in St. Louis County, Missouri, where she had an idyllic girlhood and later met Ulysses.
In addition to relating the joys she experienced, Grant tells about the difficult and sorrowful times. Her anecdotes give fascinating glimpses into the years of the American Civil War. One recounts the night President Abraham Lincoln was assassinated. Grant insisted she and her husband turn down an invitation to the theater. Her decision saved her husband’s life: like Lincoln, he too had been marked for assassination.
Throughout these memoirs, which she ends with her husband’s death, Grant seeks to introduce her descendants to both her and the man she loved. She also strives to correct misconceptions that were circulated about him. She wanted posterity to share her pride in this man, whom she saw as one of America’s greatest heroes. Her book is a testament to their devoted marriage.
This forty-fifth-anniversary edition includes a new foreword by John F. Marszalek and Frank J. Williams, a new preface by Pamela K. Sanfilippo, the original foreword by Bruce Catton, the original introduction by editor John Y. Simon, recommendations for further reading, and more than twenty photographs of the Grants, their children, and their friends.
“Leaps straight onto the roster of essential reading for anyone even vaguely interested in Grant and the Civil War.”
—Ron Chernow, author of Grant
“Provides leadership lessons that can be obtained nowhere else… Ulysses Grant in his Memoirs gives us a unique glimpse of someone who found that the habit of reflection could serve as a force multiplier for leadership.”
—Thomas E. Ricks, Foreign Policy
Ulysses S. Grant’s memoirs, sold door-to-door by former Union soldiers, were once as ubiquitous in American households as the Bible. Mark Twain and Henry James hailed them as great literature, and countless presidents credit Grant with influencing their own writing. This is the first comprehensively annotated edition of Grant’s memoirs, clarifying the great military leader’s thoughts on his life and times through the end of the Civil War and offering his invaluable perspective on battlefield decision making. With annotations compiled by the editors of the Ulysses S. Grant Association’s Presidential Library, this definitive edition enriches our understanding of the pre-war years, the war with Mexico, and the Civil War. Grant provides essential insight into how rigorously these events tested America’s democratic institutions and the cohesion of its social order.
“What gives this peculiarly reticent book its power? Above all, authenticity… Grant’s style is strikingly modern in its economy.”
—T. J. Stiles, New York Times
“It’s been said that if you’re going to pick up one memoir of the Civil War, Grant’s is the one to read. Similarly, if you’re going to purchase one of the several annotated editions of his memoirs, this is the collection to own, read, and reread.”
—Library Journal
Unsentimental about his education, Farred’s critique recognizes the impact of four exceptional teachers—all engaging pedagogical figures who cultivated a great sense of possibility in how thinking could be learned through a disenfranchised South African education.
The Perversity of Gratitude brings to bear the work of influential philosophers such as Martin Heidegger and Jacques Derrida. The book tackles broad philosophical concepts—transgression, withdrawal, and the dialectic. This leads to the creation of a new concept, “the diaspora-in-place,” which Farred explains, “is having left a place before one physically removes oneself from this place.”
Farred’s apartheid education in South Africa instilled in him a lifelong commitment to learning thinking. “And for that I am grateful,” Farred writes in The Perversity of Gratitude. His autopoiesis is sure to provoke and inspire readers.
Robert Bray tells the full story of the long relationship between Cartwright and Lincoln, including their political campaigns against each other, their social antagonisms, and their radical disagreements on the Christian religion, as well as their shared views on slavery and the central fact of their being "self-made."
In addition, the biography examines in close detail Cartwright's instrumental role in Methodism's bitter "divorce" of 1844, in which the southern conferences seceded in a remarkable prefigurement of the United States a decade later. Finally, Peter Cartwright attempts to place the man in his appropriate national context: as a potent "man of words" on the frontier, a self-authorizing "legend in his own time," and, surprisingly, an enduring western literary figure.
Born in Tuscany in 1304, Italian poet Francesco Petrarca is widely considered one of the fathers of the modern Italian language. Though his writings inspired the humanist movement and subsequently the Renaissance, Petrarch remains misunderstood. He was a man of contradictions—a Roman pagan devotee and a devout Christian, a lover of friendship and sociability, yet intensely private.
In this biography, Christopher S. Celenza revisits Petrarch’s life and work for the first time in decades, considering how the scholar’s reputation and identity have changed since his death in 1374. He brings to light Petrarch’s unrequited love for his poetic muse, the anti-institutional attitude he developed as he sought a path to modernity by looking backward to antiquity, and his endless focus on himself. Drawing on both Petrarch’s Italian and Latin writings, this is a revealing portrait of a figure of paradoxes: a man of mystique, historical importance, and endless fascination. It is the only book on Petrarch suitable for students, general readers, and scholars alike.
For two and a half centuries, Philadelphians have been actively involved in archaeological research. In particular, three vital and venerable cultural institutions—the American Philosophical Society (founded 1743), the Academy of Natural Sciences (founded 1812), and the University Museum of the University of Pennsylvania (founded 1893)—have nurtured the "systematic study of antiquities."
The ten essays in this volume focus on Philadelphians who were concerned with Americanist archaeology, or the "archaeology of the New World." As Europeans, and later, Euroamericans, spread across North, Central, and South America in the 16th through the 19th centuries, they encountered a bewildering variety of native peoples, customs, and languages, as well as tens of thousands of ancient ruins attesting to a long endemic culture history of obvious complexity.
The essays examine most of the key players in the development of the methods to study these phenomena. Enlightenment scholars such as Benjamin Smith Barton, Peter S. Duponceau, Thomas Jefferson, Daniel Garrison Brinton, John Wesley Powell, and Benjamin Rush all contributed to the surge of scientific study of America's prehistoric cultures. So did two pioneering women who have received scant attention to date—Sara Yorke Stevenson and Lucy W. Wilson—but whose work is well treated in this study. Other essays detail the varied contributions of C. C. Abbott, Frank Hamilton Cushing, Clarence B. Moore, Edgar Lee Hewett, and John L. Cotter. This volume should stimulate continued interest in the origins and history of archaeology and the relationship of Philadelphia patrons and institutions to scientific inquiry.
"David Kairys is one of the grand long-distance runners in the struggle for justice in America. His brilliant legal mind and superb lawyerly skills are legendary. This marvelous book is his gift to us!"
---Cornel West, Professor of Religion and African American Studies, Princeton University, and award-winning author of Race Matters
Philadelphia Freedom is the spellbinding tale of an idealistic young lawyer coming of age in the political cauldron of the 1960s and 1970s. From his immersion in the civil rights movement to his determined court battles to quell criminal violence by Philadelphia police, Kairys recounts how he helped make history in the city of brotherly love."
---William K. Marimow, Editor and Executive Vice President, Philadelphia Inquirer, and recipient of two Pulitzer Prizes
"In the current climate of political deception and the trampling of our civil rights, Kairys's compelling book is a clenched fist, a prayer for social justice and a call to conscience."
---Steve Lopez, Los Angeles Times columnist and former Philadelphia Inquirer columnist
"With engaging, insider stories of innovative legal strategies of a truly creative lawyer, this book evokes the ebullient spirit of progressive social change launched in the 1960s and should be read by aspiring and practicing lawyers as well as anyone interested in American social history. Philadelphia Freedom reads like a suspense novel and reveals how novel legal and political thinking can and does make a real difference to individuals and to the quality of justice."
---Martha L. Minow, Jeremiah Smith, Jr. Professor of Law, Harvard University
"David Kairys's compelling book properly explains the vital role that civil rights attorneys play in our system of justice."
---Judge John E. Jones III, United States District Court for the Middle District of Pennsylvania, and presiding judge in the landmark Kitzmiller v. Dover Area School District case
A memoir that is also a compelling page-turner, Philadelphia Freedom is the poignant, informative, often inspiring account of renowned civil-rights lawyer David Kairys's personal quest for achieving social justice during the turbulent 1960s and 70s.
Philadelphia Freedom brings us intimately and directly into Kairys's burgeoning law career and the struggles of the 60s as his professional and private life navigated the turmoil and promise of the civil rights and antiwar movements.
Many of the cases Kairys took on involved discrimination and equal protection, freedom of speech, and government malfeasance. Kairys is perhaps most well known for his victory in the Camden 28 draft board case, in which the FBI set up a sting of the Catholic anti-war left at the behest of the highest levels of government.
The stories and cases range from nationally important and recognizable---the family of the scientist the CIA unwittingly gave LSD in the 1950s; the leading race discrimination case against the FBI; Dr. Benjamin Spock's First Amendment case before the Supreme Court; the city handgun lawsuits Kairys conceived---to those he encountered in his early work as a public defender. The characters include public figures such as FBI Directors J. Edgar Hoover and Louis Freeh; CIA Director William Colby; Pennsylvania Senator Arlen Specter; New York Attorney General Eliot Spitzer; U.S. Attorneys General Edward Levi and John Mitchell; Georgia Governor Lester Maddox; Pennsylvania Governor, former Philadelphia Mayor, and Democratic National Committee chair Ed Rendell; Philadelphia Mayor and Police Commissioner Frank Rizzo. But some of the most memorable are not well known, involving regular people caught up in the often heartless machinery of the courts and legal system.
Though it reads like a novel, with all the elements of character, plot, and suspense, Philadelphia Freedom also has historical significance as a firsthand account of the 1960s and 70s and contains social commentary about race as well as insights and major perspectives on the nature and social role of law.
David Kairys is Professor of Law at Beasley School of Law, Temple University. He was a full-time civil rights lawyer from 1968 to 1990.
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