A new take on a famous collection of shipwreck narratives that places them at the center of resistance to colonialism
Shipwreck, death, and survival; terror, hunger, and salvation—these are the experiences of the passengers onboard merchant Portuguese ships sailing the high seas in the sixteenth and seventeenth centuries. And this is the stuff of the stories committed to print by survivors upon their return to the homeland. These Portuguese shipwreck narratives, rescued for all time in the eighteenth century by Bernardo Gomes de Brito in História Trágico-Marítima (1735-36), or The Tragic History of the Sea, are the subject of Manifest Perdition, a work that reveals their important—and until now, largely ignored—place in literary history.
In this book we see how the dramatic, compelling, and often gory accounts of shipwreck, depicting a world out of control, challenge state-sponsored versions of events in the prevailing historiographic culture. Written during the heyday of Iberian maritime expansion and colonialism, the shipwreck narrative builds an alternative historical record to the vision and reality of empire elaborated by the official chroniclers of the realm. Manifest Perdition presents both theoretical considerations this genre and close readings of several texts, readings that disclose a poetics of the shipwreck text, of how survivors characteristically yet multifariously narrated their world. Included is a study of the medieval Iberian poetic predecessors of the shipwreck tale, as well as an exploration of the Portuguese Inquisition’s attempt to commandeer and steer the reading of the unruly narratives. The book engages issues of literary theory, historiography, and colonialism to portray the Portuguese shipwreck narrative for the first time as both a product of and a resistance to the prolific culture of sixteenth- and seventeenth-century expansionist history.How Africa was perceived in the early modern imaginary
In this first book to study Portuguese texts about Africa, Moorings brings an important but little-known body of European writings to bear on contemporary colonial thought. Images of Africa as monstrous, dangerous, and lush were created in early Portuguese imperial writings and dominated its representation in European literature. Moorings establishes these key works in their proper place: foundational to Western imperial discourse.
Attentive to history as well as the nuances of language, Josiah Blackmore leads readers from the formation of the “Moor” in medieval Iberia to the construction of a full colonial imaginary, as found in the works of two writers: the royal chronicler Gomes Eanes de Zurara and the epic poet Luís de Camões. Blackmore’s original work helps to explain how concepts and myths—such as the “otherness” of Africa and Africans—originated, functioned, and were perpetuated.Delving into the Portuguese imperial experience, Moorings enriches our understanding of historical and literary imagination during a significant period of Western expansion.Contributors. Josiah Blackmore, Linde M. Brocato, Catherine Brown, Israel Burshatin, Daniel Eisenberg, E. Michael Gerli, Roberto J. González-Casanovas, Gregory S. Hutcheson, Mark D. Jordan, Sara Lipton, Benjamin Liu, Mary Elizabeth Perry, Michael Solomon, Louise O. Vasvári, Barbara Weissberger
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press