When Lisa Knopp was 54, she began tightly restricting what and how much she ate. A whisper, a shadow, or a flicker is what she wanted to become. When she finally realized that the severe restricting that had left her sick and small when she was 15 and 25 had returned when she was deep into middle age, she was full of urgent questions. Why did she respond to that which overwhelmed or threatened her by eating so little? How could she heal from a condition that is caused by a tangle of genetic, biological, familial, psychological, economic, spiritual, and cultural forces? Are eating disorders and disordered eating in older women caused by the same factors as those in younger females? Or are they caused, in part, by the sorrows and frustrations of aging in a culture that sees midlife and beyond as a time marked by increasing deterioration, powerlessness, dependency, and irrelevance?
Knopp’s focus on eating disorders among older women makes Bread unique among “anorexia memoirs.” Most experts agree that about 10 percent of those with eating disorders are older women, though the number is surely higher, since most women who restrict, binge, or purge don’t meet the narrow diagnostic criteria for anorexia nervosa, bulimia nervosa, or binge-eating disorder. And, too, many in this group disguise or misread their symptoms as being due to a health condition or changes associated with aging. For teenagers, symptoms usually manifest as a result of problems in their family of origin. But for older women, symptoms are more likely to manifest as a result of changes in the family they created, including divorce, infidelity, relationship conflicts, an empty nest, financial strains, a child with medical, emotional, or legal problems, and the demands of caring for a sick or aged parent, as well as their own health problems and fear of aging.
In her search for answers, Knopp read the research on eating disorders and imaginatively reentered those dark periods when she was self-starving. Bread, which is at once an illness, food, and spiritual memoir, will convince readers, both those who suffer from a conflicted relationship with food, weight, and self-image and those who do not, that eating disorders and disordered eating are about more than just food and weight. Indeed, they speak of our deepest hungers and desires and the various ways in which we can nourish and fill ourselves.
A collection of poems about time, solitude, and wisdom that leads readers to hover between acceptance of and alienation from our fragility.
Bread of the Moment, the follow-up to David Sanders' Compass and Clock (Swallow Press, 2016), devotes keen attention to the porous nature of the past and how the unbidden evidence of ordinary life pervades the world, provoking a spectrum of moments from which to draw meaning and find solace. These poems, characterized by a mix of free and formal verse, depict quiet days at home or in nature, as well as close calls and brushes with death: chronic illness, a house fire, a car crushed by a boulder.
In this way, these poems amplify the fragility of the commonplace, a mystery from which we are, amid the noise of our everyday lives, sometimes estranged. Through this exploration, Sanders constructs a precarious balance between alienation and acceptance, striking a note at once recognizable and new.
In Science, Bread, and Circuses, Gregory Schrempp brings a folkloristic viewpoint to the topic of popular science, calling attention to the persistence of folkloric form, idiom, and worldview within the increasingly important dimension of popular consciousness defined by the impact of science.
Schrempp considers specific examples of texts in which science interpreters employ folkloric tropes—myths, legends, epics, proverbs, spectacles, and a variety of gestures from religious tradition—to lend credibility and appeal to their messages. In each essay he explores an instance of science popularization rooted in the quotidian round: variations of proverb formulas in monumental measurements, invocations of science heroes like saints or other inspirational figures, the battle of mythos and logos in parenting and academe, how the meme has become embroiled in quasi-religious treatments of the problem of evil, and a range of other tropes of folklore drafted to serve the exposition of science.
Science, Bread, and Circuses places the relationship of science and folklore at the very center of folkloristic inquiry by exploring a range of attempts to rephrase and thus domesticate scientific findings and claims in folklorically imbued popular forms.
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