A SCHOLARLY BOOK REPOSITORY19 start with G start with G
Aguilera's memoir is not just an account of race relations and street life in the inner city, nor of the plight of the immigrant and the dilemma of class identity for a "minority" family. Gabriel's Fire also movingly recounts the peculiarly daunting and inspiring moments of a particular age, riddled with confusion, desires, and duties and recorded by an exceptionally observant and articulate young man. Aguilera writes that he "grew into" the English language when he was eleven or twelve, and his recollections reflect his newfound delight with words—the conversations, arguments, taunts, song lyrics, and casual interchanges of his youth are rendered here with an immediacy and directness rare in contemporary memoirs.
Both a picture of American culture of the 1980s and 1990s and a coming-of-age story, Gabriel's Fire counters mainstream and mass-mediated images of the inner city, Hispanic culture, and troubled youth. In its honesty and energy, it is a poignant and compelling story of one man's formative years.
The Gambler King of Clark Street tells the story of a larger-than-life figure who fused Chicago’s criminal underworld with the city’s political and commercial spheres to create an urban machine built on graft, bribery, and intimidation. Lindberg vividly paints the life of the Democratic kingmaker against the wider backdrop of nineteenth-century Chicago crime and politics.
McDonald has long been cited in the published work of city historians, members of academia, and the press as the principal architect of a unified criminal enterprise that reached into the corridors of power in Chicago, Cook County, the state of Illinois, and ultimately the Oval Office. The Gambler King of Clark Street is both a major addition to Chicago’s historical literature and a revealing biography of a powerful and troubled man.
Illinois State Historical Society Scholarly Award, Certificate of Excellence, 2009
Society of Midland Authors Biography Award, 2009
While gangs and gang culture have been around for countless centuries, The Gang is one of the first academic studies of the phenomenon. Originally published in 1927, Frederic Milton Thrasher’s magnum opus offers a profound and careful analysis of hundreds of gangs in Chicago in the early part of the twentieth century. With rich prose and an eye for detail, Thrasher looked specifically at the way in which urban geography shaped gangs, and posited the thesis that neighborhoods in flux were more likely to produce gangs. Moreover, he traced gang culture back to feudal and medieval power systems and linked tribal ethos in other societies to codes of honor and glory found in American gangs. Thrasher approaches his subject with empathy and insightfulness, and creates a multifaceted and textured portrait that still has much to offer to readers today. With handsome images that evoke the era, this unabridged edition of The Gang not only explores an important moment in the history of Chicago, but also is itself a landmark in the history of sociology and subcultural theory.
Padilla shows us his decision to join the Diamonds. From early childhood, boys develop positive images of the gang. They realize that the dominant culture promises mobility, but that their paths to that mobility are blocked. By joining a gang they can creatively oppose the dominant culture. Padilla does not paint a romanticized picture of the Diamonds. Some members come to understand that when they sell drugs, they benefit the gang's leaders and suppliers more than themselves. Further, they recognize that the gang is also subject to problems of domination and inequality. Padilla shows that though the Diamonds are sometimes violent, they are not psychopaths. While we need not approve of what they do, he urges us to understand it as a rational response to the doors these young men see closed around them.
This revealing study shows how assumptions about women's roles have historically shaped public policy and sheds new light on the ongoing controversy of welfare reform.
That’s how Eve L. Ewing opens Ghosts in the Schoolyard: describing Chicago Public Schools from the outside. The way politicians and pundits and parents of kids who attend other schools talk about them, with a mix of pity and contempt.
But Ewing knows Chicago Public Schools from the inside: as a student, then a teacher, and now a scholar who studies them. And that perspective has shown her that public schools are not buildings full of failures—they’re an integral part of their neighborhoods, at the heart of their communities, storehouses of history and memory that bring people together.
Never was that role more apparent than in 2013 when Mayor Rahm Emanuel announced an unprecedented wave of school closings. Pitched simultaneously as a solution to a budget problem, a response to declining enrollments, and a chance to purge bad schools that were dragging down the whole system, the plan was met with a roar of protest from parents, students, and teachers. But if these schools were so bad, why did people care so much about keeping them open, to the point that some would even go on a hunger strike?
Ewing’s answer begins with a story of systemic racism, inequality, bad faith, and distrust that stretches deep into Chicago history. Rooting her exploration in the historic African American neighborhood of Bronzeville, Ewing reveals that this issue is about much more than just schools. Black communities see the closing of their schools—schools that are certainly less than perfect but that are theirs—as one more in a long line of racist policies. The fight to keep them open is yet another front in the ongoing struggle of black people in America to build successful lives and achieve true self-determination.
Once again Vivian Paley takes us into the inquiring minds and the dramatic worlds of young children learning in the kindergarten classroom.
As she enters her final year of teaching, Paley tells in this book a story of farewell and a story of self-discovery—through the thoughts and blossoming spirit of Reeny, a little girl with a fondness for the color brown and an astonishing sense of herself. "This brown girl dancing is me," Reeny announces, as her crayoned figures flit across the classroom walls. Soon enough we are drawn into Reeny's remarkable dance of self-revelation and celebration, and into the literary turn it takes when Reeny discovers a kindred spirit in Leo Lionni—a writer of books and a teller of tales. Led by Reeny, Paley takes us on a tour through the landscape of characters created by Lionni. These characters come to dominate a whole year of discussion and debate, as the children argue the virtues and weaknesses of Lionni's creations and his themes of self-definition and an individual's place in the community.
The Girl with the Brown Crayon tells a simple personal story of a teacher and a child, interweaving the themes of race, identity, gender, and the essential human needs to create and to belong. With characteristic charm and wonder, Paley discovers how the unexplored territory unfolding before her and Reeny comes to mark the very essence of school, a common core of reference, something to ponder deeply and expand on extravagantly.
As either observer or participant, radio deejay and political activist Richard E. Stamz witnessed every significant period in the history of blues and jazz in the last century. From performing first-hand as a minstrel in the 1920s to broadcasting Negro League baseball games in a converted 1934 Chrysler to breaking into Chicago radio and activist politics and hosting his own television variety show, the remarkable story of his life also is a window into milestones of African American history throughout the twentieth century.
Dominating the airwaves with his radio show "Open the Door, Richard" on WGES in Chicago, Stamz cultivated friendships with countless music legends, including Willie Dixon, Sonny Boy Williamson, Little Walter, Howlin' Wolf, Memphis Slim, and Leonard Chess. The pioneering Chicago broadcaster and activist known as "The Crown Prince of Soul" died in 2007 at the age of 101, but not before he related the details of his life and career to college professor Patrick A. Roberts. Give 'Em Soul, Richard! surrounds Stamz's memories of race records, juke joints, and political action in Chicago's Englewood neighborhood with insights on the larger historical trends that were unfolding around him in radio and American history.
Narrated by Stamz, this entertaining and insightful chronicle includes commentary by Roberts as well as reflections on the unlikely friendship and collaboration between a black radio legend and a white academic that resulted in one of the few existing first-hand accounts of Chicago's post-war radio scene.
Chicago’s reputation for corruption is the basis of local and national folklore and humor. Grafters and Goo Goos: Corruption and Reform in Chicago, 1833–2003 unfolds the city’s notorious history of corruption and the countervailing reform struggles that largely failed to clean it up. More than a regional history of crime in politics, this wide-ranging account of governmental malfeasances traces ongoing public corruption and reform to its nineteenth-century democratic roots. Former Chicago journalist James L. Merriner reveals the battles between corrupt politicos and ardent reformers to be expressions of conflicting class, ethnic, and religious values.
From Chicago’s earliest years in the 1830s, the city welcomed dollar-chasing businessmen and politicians, swiftly followed by reformers who strived to clean up the attendant corruption. Reformers in Chicago were called “goo goos,” a derisive epithet short for “good-government types.” Grafters and Goo Goos contends a certain synergy defined the relationship between corruption and reform. Politicians and reformers often behaved similarly, their separate ambitions merging into a conjoined politics of interdependency wherein the line between heroes and villains grew increasingly faint. The real story, asserts Merriner, has less to do with right against wrong than it does with the ways the cultural backgrounds of politicians and reformers steered their own agendas, animating and defining each other by their opposition.
Drawing on original and archival research, Merriner identifies constants in the struggle between corruption and reform amid a welter of changing social circumstances and customs—decades of alternating war and peace, hardships and prosperity. Three areas of reform and resistance are identified: structural reform of the political system to promote honesty and efficiency, social reform to provide justice to the lower classes, and moral reform to combat vice. “In the matter of corruption and reform, the constants might be stronger than the variables,” writes Merriner in the Preface. “The players, rules, and scorekeepers change, but not the essential game.”
Complemented by eighteen illustrations, Grafters and Goo Goos is rife with shocking and amusing anecdotes and peppered with the personalities of famous muckrakers, bootleggers, mayors, and mobsters. While other studies have profiled infamous Chicago corruption cases and figures such as Al Capone and Richard J. Daley, this is the first to provide an overview appropriate for historians and general readers alike. In examining Chicago’s notorious saga of corruption and reform against a backdrop of social history, Merriner calls attention to our constant problems of both civic and national corruption and contributes to larger discussions about the American experiment of democratic self-government.
2014 Illinois State Historical Society Book of the Year
Based on one of the most ambitious studies in the history of social science, Robert J. Sampson’s Great American City presents the fruits of over a decade’s research to support an argument that we all feel and experience every day: life is decisively shaped by your neighborhood.
Engaging with the streets and neighborhoods of Chicago, Sampson, in this new edition, reflects on local and national changes that have transpired since his book’s initial publication, including a surge in gun violence and novel forms of segregation despite an increase in diversity. New research, much of it a continuation of the influential discoveries in Great American City, has followed, and here, Sampson reflects on its meaning and future directions. Sampson invites readers to see the status of the research initiative that serves as the foundation of the first edition—the Project on Human Development in Chicago Neighborhoods (PHDCN)—and outlines the various ways other scholars have continued his work. Both accessible and incisively thorough, Great American City is a must-read for anyone interested in cutting-edge urban sociology and the study of crime.
The stories evoke childhood trips to the Art Institute of Chicago, nighttime games of ringolevio, and the giant neon Magikist lips that once perched over the expressway, sharing perspectives that range from a young man who dreams of becoming an artist to a single mother revisiting her Mexican roots, from a woman’s experience with sexual assault to a child’s foray into white supremacy. This book memorably explores culture, social identity, and personal growth through the eyes of Chicagoans, affirming that we each hold the ability to shape the places in which we live and write and read as much as those places shape us.
With full-color illustrations of nearly two hundred Chicago murals and accompanying entries that describe their history—who commissioned them and why, how artists collaborated with architects, the subjects of the murals and their contexts—A Guide to Chicago's Murals serves both a general and a specific audience. Divided into easy-to-read geographical sections with useful maps for walking tours, it is the perfect companion for tourists or Chicagoans interested in coming to know better this aspect of the city's history. Gray also provides crucial information on lesser-known artists and on murals that have been destroyed over the years, filling a gap in the visual record of the city's development.
Gray also includes biographies of more than 150 artists and a glossary of key terms, making A Guide to Chicago's Murals essential reading for mural viewing. From post offices to libraries, fieldhouses to banks, and private clubs to street corners, Mary Gray chronicles the amazing works of artists who have sought to make public declarations in this most social of art forms.
"A major lacuna in the history of art in Chicago has been filled, with the thoroughness of the research proportionate to the richness of the material revealed."—From the Foreword by Franz Schulze
"Gray's book . . . can function as a guidebook, as the murals are conveniently arranged according to the quadrants of the city. But the book is also beautiful to look at and indespensable as art history and Chicago history as well. . . . This book is a wonderful guide to Chicago's rich and unique mural tradition."—Elizabeth Alexander, Chicago Tribune Books
"If you love art and history, this is a book you'll truly enjoy."—Al Paulson, Utne Reader
Chicago's wealth of architectural treasures makes it one of the world's majestic cityscapes. Published in collaboration with the Chicago Architecture Center, this easy-to-use guide invites you to discover the new era of twenty-first-century architecture in the Windy City via two hundred architecturally significant buildings and spaces in the city and suburbs. Features include:
- Entries organized by neighborhood
- Maps with easy-to-locate landmarks and mass transit options
- Background on each entry, including the design architect, name and address, description, and other essential information
- Sidebars on additional sites and projects
- A detailed supplemental section with a glossary, selected bibliography, and indexes by architect, building name, and building type
Up-to-date and illustrated with almost four hundred color photos, the Guide to Chicago's Twenty-First-Century Architecture takes travelers and locals on a journey into an ever-changing architectural mecca.
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