In spring of 1960, Japan’s government passed Anpo, a revision of the postwar treaty that allows the United States to maintain a military presence in Japan. This move triggered the largest popular backlash in the nation’s modern history. These protests, Nick Kapur argues in Japan at the Crossroads, changed the evolution of Japan’s politics and culture, along with its global role.

The yearlong protests of 1960 reached a climax in June, when thousands of activists stormed Japan’s National Legislature, precipitating a battle with police and yakuza thugs. Hundreds were injured and a young woman was killed. With the nation’s cohesion at stake, the Japanese government acted quickly to quell tensions and limit the recurrence of violent demonstrations. A visit by President Eisenhower was canceled and the Japanese prime minister resigned. But the rupture had long-lasting consequences that went far beyond politics and diplomacy. Kapur traces the currents of reaction and revolution that propelled Japanese democracy, labor relations, social movements, the arts, and literature in complex, often contradictory directions. His analysis helps resolve Japan’s essential paradox as a nation that is both innovative and regressive, flexible and resistant, wildly imaginative yet simultaneously wedded to tradition.

As Kapur makes clear, the rest of the world cannot understand contemporary Japan and the distinct impression it has made on global politics, economics, and culture without appreciating the critical role of the “revolutionless” revolution of 1960—turbulent events that released long-buried liberal tensions while bolstering Japan’s conservative status quo.

"Knowing Japan and the Japanese better," Louis Frédéric states in the introduction to this encyclopedia, "is one of the necessities of modern life." The Japanese have a profound knowledge of every aspect and detail of Western societies. Unfortunately, we in the West cannot say the same about our knowledge of Japan. We tend to see Japan through a veil of exoticism, as a land of ancient customs and exquisite arts; or we view it as a powerful contributor to the global economy, the source of cutting-edge electronics and innovative management techniques. To go beyond these clichés, we must begin to see how apparently contradictory aspects of modern Japanese culture spring from the country's evolution through more than two millennia of history.

This richly detailed yet concise encyclopedia is a guide to the full range of Japanese history and civilization, from the dawn of its prehistory to today, providing clear and accessible information on society and institutions, commerce and industry, sciences, sports, and politics, with particular emphasis on religion, material culture, and the arts. The volume is enhanced by maps and illustrations, along with a detailed chronology of more than 2,000 years of Japanese history and a comprehensive bibliography. Cross-references and an index help the reader trace themes from one article to the next.

Japan Encyclopedia will be an indispensable one-volume reference for students, scholars, travelers, journalists, and anyone who wishes to learn more about the past and present of this great world civilization.

No nation was more deeply affected by America’s rise to world power than Japan. President Franklin Roosevelt’s uncompromising policy of unconditional surrender led to the catastrophic finale of the Asia-Pacific War and the most intrusive international reconstruction of another nation in modern history. Japan in the American Century examines how Japan, with its deeply conservative heritage, responded to the imposition of a new liberal order.

The price Japan paid to end the occupation was a cold war alliance with the United States that ensured America’s dominance in the region. Still traumatized by its wartime experience, Japan developed a grand strategy of dependence on U.S. security guarantees so that the nation could concentrate on economic growth. Yet from the start, despite American expectations, Japan reworked the American reforms to fit its own circumstances and cultural preferences, fashioning distinctively Japanese variations on capitalism, democracy, and social institutions.

Today, with the postwar world order in retreat, Japan is undergoing a sea change in its foreign policy, returning to an activist, independent role in global politics not seen since 1945. Distilling a lifetime of work on Japan and the United States, Kenneth Pyle offers a thoughtful history of the two nations’ relationship at a time when the character of that alliance is changing. Japan has begun to pull free from the constraints established after World War II, with repercussions for its relations with the United States and its role in Asian geopolitics.

Je me souviens invites post-intermediate students of French to improve their language skills while exploring the complex history and culture of Québec.

Drawing on cultural products from the earliest days of exploration to the present day, Elizabeth Blood and J.Vincent H. Morrissette curate an array of texts that sample Québécois literature, popular culture, art, music, and politics and frame the texts with pre-reading and post-reading activities, cultural notes, and historical overview sections. The interdisciplinary approach challenges students to improve their French language skills while learning about Québec. Thematically organized writings delve into issues central to understanding the many facets of contemporary Québécois identity, while prompts direct students to search for a range of materials online. Je me souviens is an essential resource for students interested in understanding the francophone world.

One of our century’s greatest authorities on the ancient world gives us here a vivid account of the Jewish people from the conquest of Palestine by Alexander the Great in 332 BCE to the revolt of the Maccabees. It is a rich story of Jewish social, economic, and intellectual life and of the relations between the Jewish community and the Hellenistic rulers and colonizers of Palestine—a historical narrative told with consummate skill.

Elias Bickerman portrays Jewish life in the context of a broader picture of the Near East and traces the interaction between the Jewish and Greek worlds throughout this period. He reconstructs the evidence concerning social and political structures; the economy of Hellenistic Jerusalem and Judea; Greek officials, merchants, and entrepreneurs as well as full-scale Greek colonies in Palestine; the impact of Greek language and culture among Jews and the translation of Jewish Scriptures into Greek; Jewish literature, learning, and law; and the diaspora in the Hellenistic period. He deploys his profound knowledge gracefully, weaving archaeological finds, literary traditions, the political and economic record, and fertile insights into an abundant and lively history.

This first full study of the pre-Maccabean interaction between the Greek and Jewish cultures will be welcomed by historians and specialists in Judaic studies. But any reader interested in the ancient Mediterranean world will find it to be filled with pleasures and discoveries.

The late twentieth century has witnessed the emergence of an unexpected and extraordinary phenomenon: Islamist political movements. Beginning in the early 1970s, militants revolted against the regimes in power throughout the Muslim world and exacerbated political conflicts everywhere. Their jihad, or “Holy Struggle,” aimed to establish a global Islamic state based solely on a strict interpretation of the Koran. Religious ideology proved a cohesive force, gathering followers ranging from students and the young urban poor to middle-class professionals.

After an initial triumph with the Islamic revolution in Iran, the movement waged jihad against the USSR in Afghanistan, proclaiming for the first time a doctrine of extreme violence. By the end of the 1990s, the failure to seize political power elsewhere led to a split: movement moderates developed new concepts of “Muslim democracy” while extremists resorted to large-scale terrorist attacks around the world.

Jihad is the first extensive, in-depth attempt to follow the history and geography of this disturbing political-religious phenomenon. Fluent in Arabic, Gilles Kepel has traveled throughout the Muslim world gathering documents, interviews, and archival materials inaccessible to most scholars, in order to give us a comprehensive understanding of the scope of Islamist movements, their past, and their present. As we confront the threat of terrorism to our lives and liberties, Kepel helps us make sense of the ominous reality of jihad today.

Lu Xun (1881–1936) is widely considered the greatest writer of twentieth-century China. Although primarily known for his two slim volumes of short fiction, he was a prolific and inventive essayist. Jottings under Lamplight showcases Lu Xun’s versatility as a master of prose forms and his brilliance as a cultural critic with translations of sixty-two of his essays, twenty of which are translated here for the first time.

While a medical student in Tokyo, Lu Xun viewed a photographic slide that purportedly inspired his literary calling: it showed the decapitation of a Chinese man by a Japanese soldier, as Chinese bystanders watched apathetically. He felt that what his countrymen needed was a cure not for their physical ailments but for their souls. Autobiographical accounts describing this and other formative life experiences are included in Jottings, along with a wide variety of cultural commentaries, from letters, speeches, and memorials to parodies and treatises.

Lu Xun was remarkably well versed in Chinese tradition and playfully manipulated its ancient forms. But he also turned away from historical convention, experimenting with new literary techniques and excoriating the “slave mentality” of a population paralyzed by Confucian hierarchies. Tinged at times with notes of despair, yet also with pathos, humor, and an unparalleled caustic wit, Lu Xun’s essays chronicle the tumultuous transformations of his own life and times, providing penetrating insights into Chinese culture and society.

Immigration and the growing Latino population of the United States have become such contentious issues that it can be hard to have a civil conversation about how Latinoization is changing the face of America. So in the summer of 2007, Louis Mendoza set out to do just that. Starting from Santa Cruz, California, he bicycled 8,500 miles around the entire perimeter of the country, talking to people in large cities and small towns about their experiences either as immigrants or as residents who have welcomed—or not—Latino immigrants into their communities. He presented their enlightening, sometimes surprising, firsthand accounts in Conversations Across Our America: Talking About Immigration and the Latinoization of the United States.

Now, in A Journey Around Our America, Mendoza offers his own account of the visceral, emotional, intellectual, and spiritual dimensions of traveling the country in search of a deeper, broader understanding of what it means to be Latino in the United States in the twenty-first century. With a blend of first- and second-person narratives, blog entries, poetry, and excerpts from conversations he had along the way, Mendoza presents his own aspirations for and critique of social relations, political ruminations, personal experiences, and emotional vulnerability alongside the stories of people from all walks of life, including students, activists, manual laborers, and intellectuals. His conversations and his experiences as a Latino on the road reveal the multilayered complexity of Latino life today as no academic study or newspaper report ever could.

“Song Lyric,” ci, remains one of the most loved forms of Chinese poetry. From the early eleventh century through the first quarter of the twelfth century, song lyric evolved from an impromptu contribution in a performance practice to a full literary genre, in which the text might be read more often than performed. Young women singers, either indentured or private entrepreneurs, were at the heart of song practice throughout the period; the authors of the lyrics were notionally mostly male. A strange gender dynamic arose, in which men often wrote in the voice of a woman and her imagined feelings, then appropriated that sensibility for themselves.

As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older “Classical Poetry,” shi. In a world that was either pragmatic or moralizing (or both), song lyric was a discourse of sensibility, which literally gave a beautiful voice to everything that seemed increasingly to be disappearing in the new Song dynasty world of righteousness and public advancement.