In this innovative and revelatory work, Igal Halfin exposes the inner struggles of Soviet Communists to identify themselves with the Bolshevik Party during the decisive decades of the 1920s and 1930s. The Bolsheviks preached the moral transformation of Russians into model Communists for their political and personal salvation. To screen the population for moral and political deviance, the Bolsheviks enlisted natural scientists, doctors, psychologists, sexologists, writers, and Party prophets to establish criteria for judging people. Self-inspection became a central Bolshevik practice. Communists were expected to write autobiographies in which they reconfigured their life experience in line with the demands of the Party.
Halfin traces the intellectual contortions of this project. Initially, the Party denounced deviant Communists, especially the Trotskyists, as degenerate, but innocuous, souls; but in a chilling turn in the mid-1930s, the Party came to demonize the unreformed as virulent, malicious counterrevolutionaries. The insistence that the good society could not triumph unless every wicked individual was destroyed led to the increasing condemnation of Party members as helplessly flawed.
Combining the analysis of autobiography with the study of Communist psychology and sociology and the politics of Bolshevik self-fashioning, Halfin gives us powerful new insight into the preconditions of the bloodbath that was the Great Purge.
Demonstrates the centrality of thinking about intellectual class formation to social theory
Old as the notion of the “New Class” is (the term was coined by anarchist Mikhail Bakunin around 1870), the idea of the ascendancy of an intellectual elite continues to engage, and perplex, social theorists. In Theories of the New Class, Iván Szelényi, one of the most incisive and respected analysts of the intellectual class, and his colleague Lawrence King put New Class theories into a broad historical framework for the first time.
Addressing the intellectual history of Marxism and socialism, theories of the increasing role of the state and technocratic elites in capitalism, and theories of contemporary social change, King and Szelényi’s work clearly links the centrality of thinking about intellectual class formation to a variety of theoretical and political projects that have shaped social theory and influenced political realities over the past century.King and Szelényi show that the idea of the New Class has stubbornly entered and reentered the agenda of critical social theorizing throughout the last century. Indeed, they interpret that the last century as a history of projects by different groups of the highly educated—factions of intellectuals, bureaucrats, technocrats, managers, and the left-wing humanistic intelligentsia—to gain ultimate power. A rare empirical discussion of theory, Theories of the New Class invigorates class theories by grounding them in contemporary issues; at the same time, it uses modern polemics to revitalize historical debates on the origins of capitalism.Price draws on extensive archival research including correspondence, oral histories, published sources, court hearings, and more than 30,000 pages of fbi and government memorandums released to him under the Freedom of Information Act. He describes government monitoring of activism and leftist thought on college campuses, the surveillance of specific anthropologists, and the disturbing failure of the academic community—including the American Anthropological Association—to challenge the witch hunts. Today the “war on terror” is invoked to license the government’s renewed monitoring of academic work, and it is increasingly difficult for researchers to access government documents, as Price reveals in the appendix describing his wrangling with Freedom of Information Act requests. A disquieting chronicle of censorship and its consequences in the past, Threatening Anthropology is an impassioned cautionary tale for the present.
Contributors: Marc Becker, Jacob Blanc, Tanya Harmer, Patricia Harms, Lazar Jeifets, Victor Jeifets, Adriana Petra, Margaret M. Power, Frances Peace Sullivan, Tony Wood, Kevin A. Young, and Jacob Zumoff
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