Christina Mengert and Joshua Marie Wilkinson have assembled an expansive and searching view of the world through the eyes of twenty-four of our most vital and engaging poets. Punctuated by poems from each contributor, 12 × 12 brings together an unparalleled range of poets and poetries, men and women from around the world, working poets for whom the form vitally matters.
Contributors
Jennifer K. Dick–Laura Mullen
Jon Woodward–Rae Armantrout
Sabrina Orah Mark–Claudia Rankine
Christina Hawkey–Tomaž Šalamun
Christine Hume–Rosemarie Waldrop
Srinkath Reddy–Mark Levine
Karen Volkman–Allen Grossman
Paul Fattaruso–Dara Wier
Mark Yakich–Mary Leader
Michelle Robinson–Paul Auster
Sawako Nakayasu–Carla Harryman
Ben Lerner–Aaron Kunin
Acts of Mind grew out of interviews conducted by the author for Poetry Miscellany. The aim of which was to help develop a method for talking about the work of contemporary poets.
The poets whose views appear in this volume represent a fair cross-section of the more important tendencies and impulses to be found in contemporary poetry and poetics.
Alabama Afternoons is a collection of portraits of many notable Alabamians, famous and obscure, profiled by award-winning journalist and novelist Roy Hoffman. Written as Sunday feature stories for the Mobile Press-Register with additional pieces from the New York Times, Preservation, and Garden & Gun, these profiles preserve the individual stories—and the individual voices within the stories—that help to define one of the most distinctive states in the union.
Hoffman recounts his personal visits with writer Mary Ward Brown in her library in Hamburg, with photographer William Christenberry in a field in Newbern, and with storyteller Kathryn Tucker Windham and folk artist Charlie “Tin Man” Lucas at their neighboring houses in Selma. Also highlighted are the lives of numerous alumni of The University of Alabama—among them Mel Allen, the “Voice of the Yankees” from 1939 to 1964; Forrest Gump author Winston Groom; and Vivian Malone and James Hood, the two students who entered the schoolhouse door in 1963. Hoffman profiles distinguished Auburn University alumni as well, including Eugene Sledge, renowned World War II veteran and memoirist, and Neil Davis, the outspoken, nationally visible editor of the Lee County Bulletin.
Hoffman also profiles major and minor players in the civil rights movement, from Johnnie Carr, raised in segregated Montgomery and later president of the Montgomery Improvement Association; and George Wallace Jr., son of the four-time governor; to Theresa Burroughs, a Greensboro beautician trampled in the march over the Edmund Pettus Bridge; and Diane McWhorter, whose award- winning book explores the trouble- filled Birmingham civil rights experience. Juxtaposed with these are accounts of lesser-known individuals, such as Sarah Hamm, who attempts to preserve the fading Jewish culture in Eufaula; Edward Carl, who was butler and chauffeur to Bellingrath Gardens founder Walter Bellingrath in Theodore; and cousins William Bolton and Herbert Henson, caretakers of the coon dog cemetery in Russellville.
Hoffman’s compilation of life stories creates an engaging and compelling look into what it means to be from, and shaped by, Alabama. “Alabama Afternoons,” he writes in the introduction, “is a small part of the even bigger question of what it means to be an American.”
Read an article about domestic lives by Roy Hoffman in the New York Times here: http://www.nytimes.com/2010/11/25/garden/25Domestic.html
Giovanna Borradori, in her substantial introduction, explains the history of the analytic movement in America and the home-grown reaction against it. In the late nineteenth and early twentieth centuries, American philosophy was a socially engaged interdisciplinary enterprise. In transcendentalism and pragmatism, then the dominant currents in American thought, philosophy was connected to history, psychology, and public issues. But in the 1930s, the imported European movement of logical positivism redefined philosophical discourse in terms of mathematical logic and theory of language. Under the influence of this analytic view, American philosophy became a professionalized discipline, divorced from public debate and intellectual history and antagonistic to the other, more humanistic tradition of continental thought.
The American Philosopher explores the opposition between analytic and continental thought and shows how recent American work has begun to bridge the gap between the two traditions. Through a reexamination of pragmatism, and through an attempt to understand philosophy in a more hermeneutical way, the participants narrow the distance between America's distinctly scientific philosophy and Europe's more literary approach.
Moving beyond classical analytic philosophy, the participants confront each other on a number of topics. The logico-linguistic orientations of Quine and Davidson come up against the more discursive, interdisciplinary agendas of Rorty, Putnam, and Cavell. Nozick's theory of pluralist anarchism goes face-to-face with the aesthetic neo-foundationalism of Danto. And Kuhn's hypothesis of paradigm shifts is measured against MacIntyre's ethics of "virtues."
Borradori's conversations offer an unconventional portrait of the way philosophers think about their work; scholars and students will not be its only beneficiaries, so will everyone who wonders about the current state of American philosophy.
Critiques and solutions offered by social changemakers from all walks of life
The United States is living through a period of polarization and upheaval. We hunger for answers, yet too often turn to the same people and institutions, expecting different outcomes. How can this be?
America's Path Forward takes a different angle. It features award-winning social innovators from all walks of life with decades of experience of working in and with their communities across America. In twenty-two deep, idea-packed conversations, they share their analyses, practical insights, and policy recommendations—on how to gain common ground, get the country unstuck, and increase prosperity and well-being for all.
These narratives share a common thread: They see community members—workers, young people, parents, neighbors, from Appalachia to Silicon Valley, from the Gulf Coast to the Great Lakes— as creative, resourceful, and strong, with unique expertise and lived experience of the problem at hand, whose changemaking energy can be tapped to build a better future for all of us.
Graeber has offered up perhaps the most credible path for exiting capitalism—as much through his writing about debt, bureaucracy, or “bullshit jobs” as through his crucial involvement in the Occupy Wall Street movement, which led to his more-or-less involuntary exile from the American academy. In short, Anarchy—In a Manner of Speaking presents a series of interviews with a first-rate intellectual, a veritable modern hero on the order of Julian Assange, Edward Snowden, Linus Torvald, Aaron Swartz, and Elon Musk.
Interviewers Mehdi Belhaj Kacem and Assia Turquier-Zauberman asked Graeber not only about the history of anarchy, but also about its contemporary relevance and future. Their conversation also explores the ties between anthropology and anarchism, and the traces of its DNA in the Occupy Wall Street and Yellow Vest movements. Finally, Graeber discussed the meaning of anarchist ethics—not only in the political realm, but also in terms of art, love, sexuality, and more. With astonishing humor, verve, and erudition, this book redefines the contours of what could be (in the words of Peter Kropotkin) “anarchist morality” today.
Musical theater has captivated American audiences from its early roots in burlesque stage productions and minstrel shows to the million-dollar industry it has become on Broadway today. What is it about this truly indigenous American art form that has made it so enduringly popular? How has it survived, even thrived, alongside the technology of film and the glitz and glamour of Hollywood? Will it continue to evolve and leave its mark on the twenty-first century?
Bringing together exclusive and previously unpublished interviews with nineteen leading composers, lyricists, librettists, directors, choreographers, and producers from the mid-1900s to the present, this book details the careers of the individuals who shaped this popular performance art during its most prolific period. The interviewees discuss their roles in productions ranging from On the Town (1944) and Finian's Rainbow (1947) to The Producers (2001) and Bounce (2003).
Readers are taken onto the stage, into the rehearsals, and behind the scenes. The nuts and bolts, the alchemy, and the occasional agonies of the collaborative process are all explored. In their discussions, the artists detail their engagements with other creative forces, including such major talents as Leonard Bernstein, Jerome Robbins, Bob Fosse, Liza Minnelli, Judy Garland, Barbra Streisand, Jule Styne, Richard Rodgers and Oscar Hammerstein, Alan Jay Lerner, Zero Mostel, and Gwen Verdon. They speak candidly about their own work and that of their peers, their successes and failures, the creative process, and how a show progresses from its conception through rehearsals and tryouts to opening night.
Taken together, these interviews give fresh insight into what Oscar Hammerstein called "a nightly miracle"—the creation of the American musical.
Carl von Clausewitz (1780–1831), the Prussian military theoretician who wrote On War, is known above all for his famous dictum: “War is the continuation of politics by other means.” In René Girard’s view, however, the strategist’s treatise offers up a more disturbing truth to the reader willing to extrapolate from its most daring observations: with modern warfare comes the insanity of tit-for-tat escalation, which political institutions have lost their ability to contain. Having witnessed the Napoleonic Wars firsthand, Girard argues, Clausewitz intuited that unbridled “reciprocal action” could eventually lead foes to total mutual annihilation. Haunted by the Franco-German conflict that was to ravage Europe, in Girard’s account Clausewitz is a prescient witness to the terrifying acceleration of history. Battling to the End issues a warning about the apocalyptic threats hanging over our planet and delivers an authoritative lesson on the mimetic laws of violence.
A story with the power to change how people view the last years of colonialism in East Africa, The Boy Is Gone portrays the struggle for Kenyan independence in the words of a freedom fighter whose life spanned the twentieth century’s most dramatic transformations. Born into an impoverished farm family in the Meru Highlands, Japhlet Thambu grew up wearing goatskins and lived to stand before his community dressed for business in a pressed suit, crisp tie, and freshly polished shoes. For most of the last four decades, however, he dressed for work in the primary school classroom and on his lush tea farm.
The General, as he came to be called from his leadership of the Mau Mau uprising sixty years ago, narrates his life story in conversation with Laura Lee Huttenbach, a young American who met him while backpacking in Kenya in 2006. A gifted storyteller with a keen appreciation for language and a sense of responsibility as a repository of his people’s history, the General talks of his childhood in the voice of a young boy, his fight against the British in the voice of a soldier, and his long life in the voice of shrewd elder. While his life experiences are his alone, his story adds immeasurably to the long history of decolonization as it played out across Africa, Asia, and the Americas.
The interviews and commentary together demonstrate that economics is currently undergoing a fundamental shift in method and is moving away from traditional neoclassical economics into a dynamic set of new methods and approaches. These new approaches include work in behavioral economics, experimental economics, evolutionary game theory and ecological approaches, complexity and nonlinear dynamics, methodological analysis, and agent-based modeling.
David E. Colander is Professor of Economics, Middlebury College.
J. Barkley Rosser, Jr., is Professor of Economics and Kirby L. Kramer Jr. Professor of Business Administration, James Madison University.
Richard P. F. Holt is Professor of Churchill Honors and Economics, Southern Oregon University.
Since the late 1960s, films from Latin America have won widening audiences in North America and Europe. Until now, no single book has offered an introduction to the diverse personalities and practices that make up this important regional film movement.
In Cinema and Social Change in Latin America, Julianne Burton presents twenty interviews with key figures of Latin American cinema, covering three decades and ranging from Argentina to Mexico. Interviews with pioneers Fernando Birri, Nelson Pereira dos Santos, and Glauber Rocha, renowned feature filmmakers Tomás Gutiérrez Alea and Carlos Diegues, prize-winning documentarists Patricio Guzmán and Helena Solberg-Ladd, among others, endeavor to balance personal achievement against the backdrop of historical, political, social, and economic circumstances that have influenced each director's career. Presented also are conversations that cast light on the related activities of acting, distribution, theory, criticism, and film-based community organizing.
More than their counterparts in other regions of the world, Latin American artists and intellectuals acknowledge the degree to which culture is shaped by history and politics. Since the mid-1950s, a period of rising nationalism and regional consciousness, talented young artists and activists have sought to redefine the uses of the film medium in the Latin American context. Questioning the studio and star systems of the Hollywood industrial model, these innovators have developed new forms, content, and processes of production, distribution, and reception.
The specific approaches and priorities of the New Latin American Cinema are far from monolithic. They vary from realism to expressionism, from observational documentary to elaborate fictional constructs, from "imperfect cinema" to a cinema that emulates the high production values of the developed sectors, from self-reflexive to "transparent" cinematic styles, from highly industrialized modes of production to purely artisanal ones. What does not vary is the commitment to film as a vehicle for social transformation and the expression of national and regional cultural autonomy.
From early alternative cinema efforts in Argentina, Brazil, and Cuba to a contemporary perspective from within the Mexican commercial industry to the emerging cinema and video production from Central America, Cinema and Social Change in Latin America offers the most comprehensive look at Latin American film available today.
Many legendary men have been associated with University of Texas football, but for most fans one man will always be "Coach"—Darrell K Royal. One of the most successful coaches in college football, Royal led the Longhorns to three national championships and eleven Southwest Conference titles during his twenty years (1956-1976) as UT's head coach. He coached some of the Horns' best players, including future Heisman Trophy winner Earl Campbell, and was named NCAA Coach of the Year three times. In 1969, an ABC-TV poll of sportswriters called Royal the Coach of the Decade. In 1996 UT recognized his unrivalled contribution to Longhorn football when it designated Memorial Stadium the Darrell K Royal-Texas Memorial Stadium in his honor.
Now, for the first time, Darrell Royal tells his life story in his own words. He remembers growing up poor in Hollis, Oklahoma, during the Great Depression, and describes playing college football for the University of Oklahoma and then coaching a succession of college teams and one pro team before settling in at UT for the rest of his career. He gives a fascinating, behind-the-scenes look at Longhorn football during his time-recruiting strategies, coaching techniques, the famous wishbone offense, unforgettable wins and losses, and his impressions of rival teams and coaches, including Bear Bryant of Texas A&M and Alabama and Frank Broyles of Arkansas.
Proving that he's still the same straight shooter as always, Darrell Royal even discusses some of the controversies he's dealt with, including early charges of racism in the UT football program, the impact of Title IX on college athletics, his association with Jim Bob Moffett and the Freeport-MacMoRan Corporation, his longtime friendship with Willie Nelson, and his decision to retire from coaching. But whether he's describing the tough times he's faced professionally and personally or the rewards of being UT's most beloved coach and goodwill ambassador, Royal maintains the same plainspoken honesty and sense of honor that—as much as the winning seasons—have made him a legend to so many people.
In The Complete Reflections, Peter Hennessy and Robert Shepherd provide not only an overview of the past three decades of British politics but also delve into the minds of those at the forefront of public life during times of great change. Hennessy’s deep knowledge and understanding of the lives and motivations of his interviewees, along with the obvious esteem in which they hold their interlocutor, leads to frank and revealing conversations in which the subject is not an object but an equal, giving these exchanges a unique veracity. The results are portraits of high authority, in which interviews become the chronicles that endure above all others—nothing less than the first draft of history.
Glad's introduction situates the three distinct waves of westward emigration in their historical and political framework. Organized by genre, the book begins with discussions with the older generation of writers and then moves on to more recent arrivals: the makers of fantasy and humor, the aesthetes, the moralists, and the realists. Each voice is compelling for its invaluable testimony--some reveal startling insights into the persecution of dissidents under Soviet rule while others address the relationship between creativity, writing, and conditions of exile. Taken together these interviews reveal the range of modern Russian writing and document the personalities and positions that have made Russian writers in emigration so diverse, experimental, and controversial.
The Writers: Vasily Aksyonov, Joseph Brodsky, Igor Chinnov, Natalya Goranevskaya, Frifrikh Gorensetin, Roman Goul, Yury Ivask, Boris Khazanov, Edward Liminov, Vladimir Makisimov, Andrei Siniavsky and Maria Rozanova, Sasha Sokolov, Vladimir Voinovich, Aleksandr Zinoviev
Excerpt
John Glad: You're a Russian poet but an American essayist. Does that bring on any measure of split personality? Do you think you are becoming less and less Russian?
Joseph Brodsky (recipient of 1987 Nobel Prize for Literature): That's not for me to say. As far as I'm concerned, in my inner self, inside, it feels quite natural. I think being a Russian poet and an American essayist is an ideal situation. It's all a matter of whether you have (a) the heart and (b) the brains to be able to do both. Sometimes I think I do. Sometimes I think I don't. Sometimes I think that one interferes with the other.
With clarity and learning, Aldama and Hogan consider five central topics at the intersection of literature and cognitive science. They begin with the fundamental question of the nature of the self. From here, they turn to language, communication, and thought before moving on to the central issue of the structure and operation of narrative. The book concludes with thought-provoking explorations of aesthetics and politics. Illustrating their arguments with work that ranges from graphic fiction and popular cinema to William Faulkner and Bertolt Brecht, Aldama and Hogan leave the reader with a clear sense of what cognitive cultural studies have already achieved and the significant promise the discipline holds for the future.
At the edge of mortality there is a place where the seriously ill or dying wait—a place where they may often feel vulnerable or alone. For over forty years, bioethicist cum philosopher Richard Zaner has been at the side of many of those people offering his incalculable gift of listening, and helping to lighten their burdens—not only with his considerable skills, but with his humanity as well.
The narratives Richard Zaner shares in Conversations on the Edge are informed by his depth of knowledge in medicine and bioethics, but are never "clinical." A genuine and caring heart beats underneath his compassionate words. Zaner has written several books in which he tells poignant stories of patients and families he has encountered; there is no question that this is his finest.
In Conversations on the Edge, Zaner reveals an authentic empathy that never borders on the sentimental. Among others, he discusses Tom, a dialysis patient who finally reveals that his inability to work—encouraged by his overprotective mother—is the source of his hostility to treatment; Jim and Sue, young parents who must face the nightmare of letting go of their premature twins, one after the other; Mrs. Oland, whose family refuses to recognize her calm acceptance of her own death; and, in the final chapter, the author's mother, whose slow demise continues to haunt Zaner's professional and personal life.
These stories are filled with pain and joy, loneliness and hope. They are about life and death, about what happens in hospital rooms—and that place at the edge—when we confront mortality. It is the rarest of glimpses into the world of patients, their families, healers, and those who struggle, like Zaner, to understand.
Whether physical or metaphorical, institutional or interpersonal, violence is everywhere. A seemingly immutable fact of life, it is nonetheless rarely engaged with at the conceptual level. What does violence actually mean? And is it an inevitable part of the human condition?
Conversations on Violence brings together many of the world's leading critical scholars, artists, writers and cultural producers to provide a kaleidoscopic exploration of the concept of violence. Through in-depth interviews with thirty figures including Marina Abramovic, Kehinde Andrews and Simon Critchley, Brad Evans and Adrian Parr interrogate violence in all its manifestations, including its role in politics, art, gender discrimination and decolonisation.
Provocative, eye-opening and bracingly original, Conversations on Violence sheds light on a defining political and ethical concern of our age.
The Argentine short-story writer, essayist, poet and translator, contributed immensely to twentieth-century literature, and more specifically to the genres of magical realism and fantasy. As he progressively lost his sight—he became completely blind by the age of fifty-five—the darkness behind his eyelids held enchanting imagery that translated into rich symbolism in his work. The inner workings of his curious mind are seen vividly in his conversations with Ferrari, and there’s not a subject on which he doesn’t cast surprising new light. As in his tale “The Other,” where two Borgeses meet up on a bench beside the River Charles, this is a dialogue between a young poet and the elder teller of tales where all experience floats in a miracle that defies linear time.
In Conversations: Volume 2, Borges and Ferrari engage in a dialogue that is both improvisational and frequently humorous as they touch on subjects as diverse as epic poetry, detective fiction, Buddhism, and the moon landing. With his signature wit, Borges offers insight into the philosophical basis of his stories and poems, his fascination with religious mysticism, and the idea of life as a dream. He also dwells on more personal themes, including the influence of his mother and father on his intellectual development, his friendships, and living with blindness. These recollections are alive to the passage of history, whether in the changing landscape of Buenos Aires or a succession of political conflicts, leading Borges to contemplate what he describes as his “South American destiny.”
The recurrent theme of these conversations, however, is a life lived through books. Borges draws on the resources of a mental library that embraces world literature—ancient and modern. He recalls the works that were a constant presence in his memory and maps his changing attitudes to a highly personal canon. In the prologue to the volume, Borges celebrates dialogue and the transmission of culture across time and place. These conversations are a testimony to the supple ways that Borges explored his own relation to numerous traditions.
In Conversations: Volume 3, Borges and Ferrari discuss subjects as diverse as film criticism, fantastic literature, science fiction, the Argentinian literary tradition, and the works of writers such as Bunyan, Wilde, Joyce, and Yeats, among others. With his signature wit, Borges converses on the philosophical basis of his writing, his travels, and his fascination with religious mysticism. He also ruminates on more personal themes, including the influence of his family on his intellectual development, his friendships, and living with blindness.
The recurrent theme of these conversations, however, is a life lived through books. Borges draws on the resources of a mental library that embraces world literature, both ancient and modern. He recalls the works that were a constant presence in his memory and maps his changing attitudes to a highly personal canon. These conversations are a testimony to the supple ways that Borges explored his own relation to numerous traditions—the conjunction of his life, his lucidity, and his imagination.
Readers of fine novels cherish the opportunity to hear their favorite novelists speak directly, without commentary or interpretation, about how their lives and concerns drive their fiction writing. For twenty years The Missouri Review has brought these readers some of the most compelling and thought- provoking literary interviews in print. In this collection of fifteen in-depth interviews with contemporary novelists, the authors discuss the style and themes of their work, their writing habits, their cultural and social backgrounds, and larger aesthetic issues with refreshing insight about themselves and their art.
Originally conducted for the American Audio Prose Library, the interviews were then edited for publication in The Missouri Review. Here they are reproduced with an introduction and with a brief biographical and bibliographical headnote for each writer. These candid interviews with some of our favorite novelists are sure to delight all readers.
Authors Interviewed in This Volume:Robert Stone
Jamaica Kincaid
Jim Harrison
Tom McGuane
Louise Erdrich and Michael Dorris
John Edgar Wideman
Robb Forman Dew
Rosellen Brown
Peter Matthiessen
Scott Turow
Margaret Walker
Linda Hogan
Robert Olen Butler
Jessica Hagedorn
Larry Brown
Now available in English, the conversations are rich in Lévi-Strauss's candid appraisals of some of the best-known figures of the Parisian intelligentsia: surrealists André Breton and Max Ernst, with whom Lévi-Strauss shared a bohemian life in 1940s Manhattan; de Beauvoir, Sartre, and Camus, the stars of existentialism; Leiris, Foucault, Dumézil, Jacob, Lacan, and others. His long friendships with Jakobson and Merleau-Ponty are recalled, as well as his encounters with prominent figures in American anthropology: Lowie, Boas (who suddenly died in his chair beside Lévi-Strauss at a banquet at Columbia University), Benedict, Linton, Mead, and Kroeber.
Lévi-Strauss speaks frankly about how circumstances and his own inclinations, after his early fieldwork in Brazil, led him to embrace theoretical work. His straightforward answers to Eribon's penetrating questions—What is a myth? What is structuralism? Are you a philosopher?—clarify his intellectual motives and the development of his research; his influential role as an administrator, including the founding of the Laboratory of Social Anthropology and of the journal L'Homme; the course of his writings, from Elementary Structures of Kinship to The Jealous Potter; and his thoughts on the conduct of anthropology today.
Never before has Lévi-Strauss spoken so freely on so many aspects of his life: his initial failure to be elected to the Collège de France; his reaction to the events of May 1968; his regrets at not being a great investigative reporter or playwright; his deep identification with Wagner, Proust, and Rousseau. This is a rare opportunity to become acquainted with a great thinker in all his dimensions.
Jonathan Cott, a prolific author and poet praised by Larry McMurtry as "the ideal interviewer," was one of the very few people to whom Gould ever granted an interview. Cott spoke with Gould in 1974 for Rolling Stone and published the transcripts in two long articles; after Gould's death, Cott gathered these interviews in Conversations with Glenn Gould, adding an introduction, a selection of photographs, a list of Gould's recorded repertoire, a filmography, and a listing of Gould's programs on radio and TV. A brilliant one-on-one in which Gould discusses his dislike of Mozart's piano sonatas, his partiality for composers such as Orlando Gibbons and Richard Strauss, and his admiration for the popular singer Petula Clark (and his dislike of the Beatles), among other topics, Conversations with Glenn Gould is considered by many, including the subject, to be the best interview Gould ever gave and one of his most remarkable performances.
Spontaneous and surprising, these conversations reflect Latino life in the United States in all its facets. Among the more than two dozen selections, Edward James Olmos talks about Hispanics in Hollywood; John Leguizamo describes how he shapes a stage show; author Richard Rodriguez reflects on his gang background; Esmeralda Santiago takes on the Puerto Rican stereotype; and Piri Thomas shares thoughts on the writing of Down These Mean Streets. "A conversation is a tango," writes Stavans, "for it takes two to dance it." Conversations with Ilan Stavans invites readers to catch the rhythm and enjoy these unique meetings of minds.
In Conversations with Interpreter Educators, Monikowski assembles a group of 17 professors in the field of sign language interpretation. Through individual interviews conducted via Skype, Monikowski engages them in informal conversations about their teaching experiences and the professional publications that have influenced their teaching philosophies. She guides each conversation by asking these experts to share a scholarly publication that they assign to their students. They discuss the merits of the text and its role in the classroom, which serves to highlight the varying goals each professor sets for students. The complexity of the interpreting task, self-reflection, critical thinking, linguistics, backchannel feedback, and cultural understanding are a sampling of topics explored in these exchanges. Engaging and accessible, Monikowski’s conversations offer evidence-based practices that will inform and inspire her fellow educators.
This revised edition has been updated to cover Allende's three newest books—City of the Beasts, Portrait in Sepia: A Novel, and Daughter of Fortune. It includes four new interviews in which Allende discusses completing her trilogy of novels that began with House of the Spirits, as well as her ongoing spiritual adventure and political interests.
"The tone is one of constant movement from the most ordinary to the most abstruse. There are 14 conversations with 'le Patron,' some in 1969, some in 1975, and several more with co-workers in various fields. . . . In Mr. Bringuier's book, in a pleasant informal way, we see a sophisticated non-scientist exploring Piaget's domain with the master. Some of Piaget's best-known findings about children as explained along the way, but Mr. Bringuier has ways of bringing out the relation of this psychological work to the whole of Piaget's enterprise, and we get a good sense of the man and his work."—Howard E. Gruber, New York Times Book Review
Born in Panama in 1910, Maida Springer grew up in Harlem. While still a young girl she learned firsthand of the bleak employment options available to African American females of her time. After one employer closed his garment shop and ran off with the workers’ wages in the midst of the Depression, Springer joined Local 22 of the International Ladies’ Garment Workers’ Union.
This proved to be the first step in a remarkable advancement through the ranks of labor leadership positions that were typically dominated by white men. Ultimately, Springer became one of the AFL-CIO’s most important envoys to emerging African nations, earning her the nickname "Mama Maida" throughout that continent.
In this brilliantly edited collection of interviews, Yevette Richards allows Springer to tell her story in her own words. The result is a rare glimpse into the private struggles and thoughts behind one of the twentieth century’s most fascinating international labor leaders.
Conversations with Picasso offers a remarkable vision of both Picasso and the entire artistic and intellectual milieu of wartime Paris, a vision provided by the gifted photographer and prolific author who spent the early portion of the 1940s photographing Picasso's work. Brassaï carefully and affectionately records each of his meetings and appointments with the great artist, building along the way a work of remarkable depth, intimate perspective, and great importance to anyone who truly wishes to understand Picasso and his world.
Larry McMurtry declares, "Texas itself doesn't have anything to do with why I write. It never did." Horton Foote, on the other hand, says, "I've just never had a desire to write about any place else." In between those figurative bookends are hundreds of other writers—some internationally recognized, others just becoming known—who draw inspiration and often subject matter from the unique places and people that are Texas. To give everyone who is interested in Texas writing a representative sampling of the breadth and vitality of the state's current literary production, this volume features conversations with fifty of Texas's most notable established writers and emerging talents.
The writers included here work in a wide variety of genres—novels, short stories, poetry, plays, screenplays, essays, nonfiction, and magazine journalism. In their conversations with interviewers from the Writers' League of Texas and other authors' organizations, the writers speak of their apprenticeships, literary influences, working habits, connections with their readers, and the domestic and public events that have shaped their writing. Accompanying the interviews are excerpts from the writers' work, as well as their photographs, biographies, and bibliographies. Joe Holley's introductory essay—an overview of Texas writing from Cabeza de Vaca's 1542 Relación to the work of today's generation of writers, who are equally at home in Hollywood as in Texas—provides the necessary context to appreciate such a diverse collection of literary voices.
A sampling from the book:
"This land has been my subject matter. One thing that distinguishes me from the true naturalist is that I've never been able to look at land without thinking of the people who've been on it. It's fundamental to me." —John Graves
"Writing is a way to keep ourselves more in touch with everything we experience. It seems the best gifts and thoughts are given to us when we pause, take a deep breath, look around, see what's there, and return to where we were, revived." —Naomi Shihab Nye
"I've said this many times in print: the novel is the middle-age genre. Very few people have written really good novels when they are young, and few people have written really good novels when they are old. You just tail off, and lose a certain level of concentration. Your imaginative energy begins to lag. I feel like I'm repeating myself, and most writers do repeat themselves." —Larry McMurtry
"I was a pretty poor cowhand. I grew up on the Macaraw Ranch, east of Crane, Texas. My father tried very hard to make a cowboy out of me, but in my case it never seemed to work too well. I had more of a literary bent. I loved to read, and very early on I began to write small stories, short stories, out of the things I liked to read." —Elmer Kelton
The first part of the book discloses vignettes about fellow students, colleagues, and acquaintances of Benardete's who later became major figures in the academic and intellectual life of twentieth-century America. We glimpse the student days of Allan Bloom, Stanley Rosen, George Steiner, and we discover the life of the mind as lived by well-known scholars such as David Grene, Jacob Klein, and Benardete's mentor Leo Strauss. We also encounter a number of other learned, devoted, and sometimes eccentric luminaries, including T.S. Eliot, James Baldwin, Werner Jaeger, John Davidson Beazley, and Willard Quine. In the book's second part, Benardete reflects on his own intellectual growth and on his ever-evolving understanding of the texts and ideas he spent a lifetime studying. Revisiting some of his recurrent themes—among them eros and the beautiful, the city and the law, and the gods and the human soul—Benardete shares his views on thinkers such as Plato, Homer, and Heidegger, as well as the relations between philosophy and science and between Christianity and ancient Roman thought.
Engaging and informative, Encounters and Reflections brings Benardete's thought to life to enlighten and inspire a new generation of thinkers.
Contributors
Steve Albini
Ben Austen
Jake Austen
John Battles
Bosco
Ken Burke
Mike Maltese
King Merinuk
Ken Mottet
Jonathan Poletti
James Porter
"Colonel" Dan Sorenson
Jacqueline Stewart
Giving their word is what poets do; it is their stock-in-trade, their daily bread. In the hands of the most accomplished, a poet's words are transformed into a kind of window: looking inward toward the territory of memory, dream, personal mythology and opening out onto the landscape of the shared world where life and work are rooted. For each poet there is an intricate relationship between these two realms and poetry's third domain, the language that bridges both experiences and becomes the body of the poem. Giving Their Word shows us that the poet's fidelity to that relationship sustains his or her development over time, urges the writing toward new levels of discovery, and bestows on readers that most prized of commodities: a feeling of the authentic.
For poets, students of poetry, and that far-flung community of readers for whom the contemporary poem still provides a journey worth taking, this book will present a host of pleasures. Giving Their Word enlarges the frame through which we view the poet's text and yields significant insights into the craft and character of each of these writers.
The historians and their main topics include:
Richard J. M. Blackett on antebellum and African American history
Dan T. Carter on Reconstruction, Civil Rights, and George Wallace
Pete Daniel on the New Deal and the Cold War South
Laura F. Edwards on the Early Republic, the Civil War, Reconstruction, and women’s history
William W. Freehling on the antebellum South
Gary W. Gallagher on the Civil War
Glenda Elizabeth Gilmore on Jim Crow
James M. McPherson on the Civil War
Theodore Rosengarten on the Depression
J. Mills Thornton III on the antebellum South
In his introduction, award-winning author and historian George C. Rable draws together the multifaceted themes of these interviews, offering a compelling overview of the nature of the field. Edited by Megan L. Bever and Scott A. Suarez, The Historian behind the History offers critical insights about the craft and professional life of the historian.
British playwright Howard Barker coined the term “theatre of catastrophe” to describe his unique brand of complex, ambiguous, and often unsettling drama. Revered in continental Europe, North America, and Australia as one of the greatest living dramatists working in the English language, Barker is also a celebrated poet, theater theorist, and painter. The first collection of interviews conducted with Barker, Howard Barker Interviews 1980–2010 covers his entire career and gives a strong sense of the life and work of this innovative dramatist.
“Meticulously researched, detailed and documented, this long awaited overview justly establishes Konitz as one of the most consistently brilliant, adventurous and original improvisers in the jazz tradition—a genius as rare as Bird himself.”
—John Zorn
“Hamilton’s work may well mark the inception of a format new to writing on Western music, one which avoids both the self-aggrandizing of autobiography and the stylized subjectification of biography.”
—The Wire
“An extraordinary approach to a biography, with the man himself speaking for extended sessions. The main vibration I felt from Lee’s words was total honesty, almost to a fault. Konitz shows himself to be an acute observer of the scene, full of wisdom and deep musical insights, relevant to any historical period regardless of style. The asides by noted musicians are beautifully woven throughout the pages. I couldn’t put the book down—it is the definition of a living history.”
—David Liebman
The preeminent altoist associated with the “cool” school of jazz, Lee Konitz was one of the few saxophonists of his generation to forge a unique sound independent of the influence of Charlie Parker. In the late 1940s, Konitz began his career with the Claude Thornhill band, during which time he came into contact with Miles Davis, with whom he would later work on the legendary Birth of the Cool sessions. Konitz is perhaps best known through his association with Lennie Tristano, under whose influence much of his sound evolved, and for his work with Stan Kenton and Warne Marsh. His recordings have ranged from cool bop to experimental improvisation and have appeared on such labels as Prestige, Atlantic, Verve, and Polydor.
Crafted out of numerous interviews between the author and his subject, the book offers a unique look at the story of Lee Konitz’s life and music, detailing Konitz’s own insights into his musical education and his experiences with such figures as Miles Davis, Stan Kenton, Warne Marsh, Lennie Tristano, Charles Mingus, Bud Powell, and Bill Evans.
Andy Hamilton is a jazz pianist and contributor to major jazz and contemporary music magazines. He teaches philosophy, and the history and aesthetics of jazz, at Durham University in the United Kingdom. He is also the author of the book Aesthetics and Music (Continuum 2007).
Joe Lovano is a Grammy Award–winning tenor saxophonist. His most recent album is Streams of Expression.
For over half a century, the Vietnamese people have endured the harmful legacies of Agent Orange, the toxic herbicide used by the American military as a type of chemical warfare. While scientists and politicians continue to debate how to best address its human and environmental consequences, the nearly three million Vietnamese whose lives have been shaped by its lingering effects have been largely left out of the conversation.
To understand how Agent Orange has impacted the lives and livelihoods of everyday Vietnamese people, Diane Niblack Fox interviewed families and individuals living with its aftereffects across the northern, central, and southern regions of the country. In powerfully written prose, Fox shares the personal accounts of villagers, as they describe caring for loved ones with chronic illnesses and disabilities and their attempts to secure medical and financial assistance. Living with Agent Orange also chronicles the moving stories of rebuilt lives, of family and community support, and of the overriding power of the human spirit.
In a stimulating series of conversations, Steiner and journalist Laure Adler discuss a range of topics, including Steiner’s boyhood in Vienna and Paris, his education at the University of Chicago and Harvard, and his early years in academia. Books are a touchstone throughout, but Steiner and Adler’s conversations also range over music, chess, psychoanalysis, the place of Israel in Jewish life, and beyond. Blending thoughts on subjects of broad interest in the humanities—the issue of honoring Richard Wagner and Martin Heidegger in spite of their politics, or Virginia Woolf’s awareness of the novel as a multivocal form, for example—with personal reflections on life and family, Steiner demonstrates why he is considered one of today’s greatest minds. Revealing and exhilarating, A Long Saturday invites readers to pull up a chair and listen in on a conversation with a master.
At least since the rise of the “Nashville sound” in the 1950s, Tennessee’s capital city has attracted numerous books and articles offering insight into the celebrity machine known as Music City. But behind the artist in the limelight are a host of support personnel and contributors who shape the artist’s music. Of these myriad occupations within the music industry, only two have received significant attention: executives at the major labels and elite songwriters who have forged a path to the top of the charts. In Making Music in Music City, sociologist John Markert compiles and assesses more than one hundred interviews with industry professionals whose roles have been less often examined: producers, publishers, songwriters, management, studio musicians, and more.
The book naturally pivots around the country music industry but also discusses Nashville’s role in other forms of modern music, such as rock, Christian, and rap. Markert’s in-depth interviews with key music professionals provide a fresh perspective on the roles of critical players in Nashville’s music industry. This book sheds light not only on the complexities of the industry and the occupational changes taking place but on the critical role of those who work behind the scenes to shape the music that ultimately reaches the public.
Through firsthand accounts, Making Music in Music City analyzes just what it takes to create, produce, and disseminate the Nashville sound.
Mission of Change is an oral history describing various types of change—political, social, cultural, and religious—as seen through the eyes of Father Astruc and Paul Dixon, non-Natives who dedicated their lives to working with the Yup’ik people. Their stories are framed by the an analytic history of regional changes, together with current anthropological theory on the nature of cultural change and the formation of cultural identity. The book presents a subtle and emotionally moving account of the region and the roles of two men, both of whom view issues from a Catholic perspective yet are closely attuned to and involved with changes in the Yup’ik community.
Composers featured: Michael Abels, H. Leslie Adams, Lettie Beckon Alston, Thomas J. Anderson, Dwight Andrews, Regina Harris Baiocchi, David Baker, William C. Banfield, Ysaye Maria Barnwell, Billy Childs, Noel DaCosta, Anthony Davis, George Duke, Leslie Dunner, Donal Fox, Adolphus Hailstork, Jester Hairston, Herbie Hancock, Jonathan Holland, Anthony Kelley, Wendell Logan, Bobby McFerrin, Dorothy Rudd Moore, Jeffrey Mumford, Gary Powell Nash, Stephen Newby, Coleridge-Taylor Perkinson, Michael Powell, Patrice Rushen, George Russell, Kevin Scott, Evelyn Simpson-Curenton, Hale Smith, Billy Taylor, Frederick C. Tillis, George Walker, James Kimo Williams, Julius Williams, Tony Williams, Olly Wilson, and Michael Woods
Although investigations of Hispanic popular culture were approached for decades as part of folklore studies, in recent years scholarly explorations—of lucha libre, telenovelas, comic strips, comedy, baseball, the novela rosa and the detective novel, sci-fi, even advertising—have multiplied. What has been lacking is an overarching canvas that offers context for these studies, focusing on the crucial, framing questions: What is Hispanic pop culture? How does it change over time and from region to region? What is the relationship between highbrow and popular culture in the Hispanic world? Does it make sense to approach the whole Hispanic world as homogenized when understanding Hispanic popular culture? What are the differences between nations, classes, ethnic groups, religious communities, and so on? And what distinguishes Hispanic popular culture in the United States?
In ¡Muy Pop!, Ilan Stavans and Frederick Luis Aldama carry on a sustained, free-flowing, book-length conversation about these questions and more, concentrating on a wide range of pop manifestations and analyzing them at length. In addition to making Hispanic popular culture visible to the first-time reader, ¡Muy Pop! sheds new light on the making and consuming of Hispanic pop culture for academics, specialists, and mainstream critics.
In this groundbreaking anthology of Indigenous poetry and prose, Native poems, stories, and essays are informed with a knowledge of both what has been lost and what is being restored. It offers a diverse collection of stories told by Indigenous writers about themselves, their histories, and their present. It is a celebration of culture and the possibilities of language.
Featuring forty-four poets, including Ishmael Hope, Bojan Louis, Ruby Murray, Simon Ortiz, Leslie Marmon Silko, Luci Tapahonso, Joy Harjo, dg okpik, Sherwin Bitsui, Heid E. Erdrich, Layli Long Soldier, and Orlando White.
Original influence essays by Diane Glancy on Lorca, Chrystos on Audre Lorde, Louise Erdrich on Elizabeth Bishop, LeAnne Howe on W. D. Snodgrass, Allison Hedge Coke on Delmore Schwartz, Suzanne Rancourt on Ai, and M. L. Smoker on Richard Hugo, among others.
And, a selection of resonant work chosen from previous generations of Native artists.
“There really is no better anthology out there that collects indigenous poets publishing from 1960 to the present.” — Dean Rader, co-editor
From playwright Dolores Prida to author and literary critic Gustavo Pérez Firmat, these voices run the gamut of both genre and personality. In addition to the essential facts of literary accomplishment, the interviews include a wealth of insight into each writer’s history, motivations, concerns, and relationship to language. These personal details serve to humanize and illuminate the unique circumstances and realities that have shaped both the authors and their work.
What del Rio has ultimately brought together is a series of intimate sketches that will not only serve as an important reference for any discussion of the literature but will also help readers to develop for themselves a sense of what Cuban-American writing is, and what it is not.
CONTENTS
Preface
Acknowledgments
Introduction
Nilo Cruz
Roberto Fernández
Cristina García
Carolina Hospital
Eduardo Machado
Dionisio Martínez
Pablo Medina
Achy Obejas
Ricardo Pau-Llosa
Gustavo Pérez Firmat
Dolores Prida
Virgil Suárez
Epilogue
Notes
Bibliography
Index
politics, history, comparative literature, and
philosophy—the unprecedented annual publication Late
Editions exposes unsettling dilemmas and unprecedented
challenges facing cultural studies on the brink of the
twenty-first century. Successive volumes will appear
annually until the year 2000, each engaging the predicaments
of particular institutions, nations, and persons at this
point of social, cultural, and political change. The
project will test the limits of scholarly conventions by
finding new ways to expose cultural formations emerging from
the maturation or exhaustion of once-powerful ideas whose
validity is now deeply in question.
Perilous States, the first volume of Late
Editions, presents conversations between American
scholars, most of whom are anthropologists, and individuals
situated amidst political and social upheaval. Pimarily but
not exclusively from Eastern Europe, the cast includes
Russian writers, Hungarian scientists and academics, Armenian
politicians, Siberian religious and medical leaders, a Gypsy
leader, a Polish poet, a French politician, and a white South
African musician who is a self-styled Zulu. Their voices
unite around themes of democracy, market economy, individual
rights, and the reawakened force of suppressed ethnic and
racial identities.
To obtain fresh perspectives on these cultural and social
transformations, the volumes will consist of in-depth
conversations, relayed in essay form, between scholars and
individuals in other cultures with whom they share
affinities. This novel approach blends the immediacy of
interviews, the objectivity of journalism, and the
intellectual rigor of scholarship.
Contributors to this volume are Marjorie Balzer, Sam
Beck, David B. Coplan, Michael M. J. Fischer, Nia Georges,
Bruce Grant, Douglas R. Holmes, Stella Gregorian, George E.
Marcus, Kathryn Milun, Eleni Papagaroufali, Paul Rabinow,
Julie Taylor, and Tom White.
The interviews feature both established writers published as early as the 1960s and emerging artists, each of whom has enjoyed success in other literary forms also. As Bruce Dick's insightful questions reveal, the key threads linking these writers are their connections to their families and communities and their concern for civil rights—believing like Chicana writer Pat Mora that "the work of the poet is for the people." The interviews also reveal diversity among and within the three communities, from Victor Hernández Cruz, who traces Latino collective identity to Africa and claims that all Latinos are "swimming in olive oil," to Cuban writer Gustavo Perez Firmat, who considers nationality more important than ethnicity and says that "the term Latino erases [his] nationality."
The dialogues also offer new insights on the place of Chicano/a writings in the U.S.-Mexico borderlands, on the Puerto Rican/Nuyorican establishment, and on the anti-Castro stand of Cuban-born poets. As these writers answer questions about their work, background, ethnic identity, and political ideology, they provide a wealth of biographical, intellectual, and literary material collected here for the first time. A Poet's Truth is a provocative and revealing book that not only conveys the fire of these writers' passions but also sheds important light on a whole literary movement.
Interviews with:
Miguel Algarín
Martín Espada
Sandra María Esteves
Victor Hernández Cruz
Carolina Hospital and Carlos Medina
Demetria Martínez
Pat Mora
Judith Ortiz Cofer
Ricardo Pau-Llosa
Gustavo Pérez Firmat
Leroy Quintana
Aleida Rodríguez
Luis Rodríguez
Benjamin Alire Sáenz
Virgil Suárez
This volume bares professional concerns, relationships, ambitions, and insecurities about working in academe. Professions provides hard-to-get insider information for students contemplating an academic career. It also challenges professional scholars to retrieve the intellectual curiosity that drew them to scholarship in the first place while demonstrating how disagreement on controversial issues can be conducted with respect, good humor, and an open mind.
Professions features:
Jane Tompkins and Gerald Graff
John McGowan and Regenia Gagnier
James Phelan and James Kincaid
Marjorie Perloff and Robert von Hallberg
Judith Jackson Fossett and Kevin Gaines
Dennis W. Allen and Judith Roof
Niko Pfund, Gordon Hutner, and Martha Banta
Geoffrey Galt Harpham
Donald E. Hall and Susan S. Lanser
J. Hillis Miller, Herbert Lindenberger, Sandra Gilbert, Bonnie Zimmerman, Nellie Y. McKay, and Elaine Marks
For thousands of years, political leaders have unified communities by aligning them against common enemies. However, today more than ever, the search for “common” enemies results in anything but unanimity. Scapegoats like Saddam Hussein, for example, led to a stark polarization in the United States. Renowned neuropsychiatrist and psychologist Jean-Michel Oughourlian proposes that the only authentic enemy is the one responsible for both everyday frustrations and global dangers, such as climate change—ourselves. Oughourlian, who pioneered an “interdividual” psychology with René Girard, reveals how all people are bound together in a dynamic, contingent process of imitation, and shows that the same patterns of irrational mimetic desire that bring individuals together and push them apart also explain the behavior of nations.
Here are some insights into the hot issues sparking debate over equal opportunity and American education. In these pages, through the use of a fictional character, author Jay Rochlin presents more than forty very real African American and Mexican American men and women who struggled to earn degrees at a large, nationally recognized university in the west. Their goals, their gains, and their disappointments echo the experiences of millions of others around the country during much of the twentieth century. Perhaps most important, their true stories will provide inspiration to the many young people who wonder whether pursuing the dream of a college education is possible for them.
Readers will warm to the words of Carlos Vélez-Ibáñez, learning as a toddler from his father that the university represented toda la sabiduría del mundo,"all the wisdom in the world." Their hearts will go out to young Laura Banks, barred as a black woman from a "whites only" pool and the swimming class required for her degree in physical education. In the face of open hostility and closed doors, these students and many others persevered. When they were shunned by Anglo social clubs, they created their own. When they were assigned "back of the room" seating because of discrimination, they rose above it. And when their ultimate goal--graduation--was threatened by racism, they fought it.
Looking back, many in the book remember coming from poor families who nonetheless considered themselves middle class and, as such, simply expected their children to go to college. This family support--bolstered by the students' own drive, ambition, and sense of responsibility--seemed to be pivotal to their success. Thus the book comes out strongly on the side of critical race theorists, who emphasize individual effort as a means of combating racism and personal narratives as a way of analyzing the complex issue.
These pages are filled with the voices of everyday men and women. Their language is straightforward and from the heart. Their message is timely, in the midst of current debates over race, class, and affirmative action. And their words--for American education and for the country as a whole--carry force and meaning guaranteed to reach far into the future.
Reflections collects transcripts of the best interviews from the BBC Radio 4 series Reflections with Peter Hennessy, a show on which the British political elite have spoken candidly about their careers and the moments that came to define their political lives. Supplementing the interviews are short biographies and profiles of the interviewees, allowing readers a fuller picture of each speaker’s background and professional trajectory. This revealing book includes conversations with political heavyweights such as former prime minister John Major; former foreign secretaries Margaret Beckett, David Owen, and Jack Straw; Labour Party leader Neil Kinnock; Liberal Party leader David Steel; and chancellor of exchequer Nigel Lawson. In addition, Reflections presents interviews with leading women, including Shirley Williams and Clare Short, who spent years at the forefront of their parties in Westminster.
The latest volume in the popular Haus Curiosities series, Reflections offers valuable insights from some of today’s most influential political figures.
“A lesson in how to practice recognizing the fundamental truth that every inch of the Americas is Indigenous territory” —Robert Warrior, from the Foreword
Many people learn about Indigenous politics only through the most controversial and confrontational news: the Standing Rock Sioux Tribe’s efforts to block the Dakota Access Pipeline, for instance, or the battle to protect Bears Ears National Monument in Utah, a site sacred to Native peoples. But most Indigenous activism remains unseen in the mainstream—and so, of course, does its significance. J. Kēhaulani Kauanui set out to change that with her radio program Indigenous Politics. Issue by issue, she interviewed people who talked candidly and in an engaging way about how settler colonialism depends on erasing Native peoples and about how Native peoples can and do resist. Collected here, these conversations speak with clear and compelling voices about a range of Indigenous politics that shape everyday life.
Land desecration, treaty rights, political status, cultural revitalization: these are among the themes taken up by a broad cross-section of interviewees from across the United States and from Canada, Mexico, Chile, Bolivia, Peru, Australia, and New Zealand. Some speak from the thick of political action, some from a historical perspective, others from the reaches of Indigenous culture near and far. Writers, like Comanche Paul Chaat Smith, author of Everything You Know about Indians Is Wrong, expand on their work—about gaming and sovereignty, for example, or protecting Native graves, the reclamation of land, or the erasure of Indian identity. These conversations both inform and engage at a moment when their messages could not be more urgent.
Contributors: Jessie Little Doe Baird (Mashpee Wampanoag), Omar Barghouti, Lisa Brooks (Abenaki), Kathleen A. Brown-Pérez (Brothertown Indian Nation), Margaret “Marge” Bruchac (Abenaki), Jessica Cattelino, David Cornsilk (Cherokee Nation), Sarah Deer (Muskogee Creek Nation), Philip J. Deloria (Dakota), Tonya Gonnella Frichner (Onondaga Nation), Hone Harawira (Ngapuhi Nui Tonu), Suzan Shown Harjo (Cheyenne and Hodulgee Muscogee), Rashid Khalidi, Winona LaDuke (White Earth Ojibwe), Maria LaHood, James Luna (Luiseño), Aileen Moreton-Robinson (Quandamooka), Chief Mutáwi Mutáhash (Many Hearts) Marilynn “Lynn” Malerba (Mohegan), Steven Newcomb (Shawnee/Lenape), Jean M. O’Brien (White Earth Ojibwe), Jonathan Kamakawiwo‘ole Osorio (Kanaka Maoli), Steven Salaita, Paul Chaat Smith (Comanche), Circe Sturm (Mississippi Choctaw descendant), Margo Taméz (Lipan Apache), Chief Richard Velky (Schaghticoke), Patrick Wolfe.
Since the 1980s, a prolific "second wave" of Chicano/a writers and artists has tremendously expanded the range of genres and subject matter in Chicano/a literature and art. Building on the pioneering work of their predecessors, whose artistic creations were often tied to political activism and the civil rights struggle, today's Chicano/a writers and artists feel free to focus as much on the aesthetic quality of their work as on its social content. They use novels, short stories, poetry, drama, documentary films, and comic books to shape the raw materials of life into art objects that cause us to participate empathetically in an increasingly complex Chicano/a identity and experience.
This book presents far-ranging interviews with twenty-one "second wave" Chicano/a poets, fiction writers, dramatists, documentary filmmakers, and playwrights. Some are mainstream, widely recognized creators, while others work from the margins because of their sexual orientations or their controversial positions. Frederick Luis Aldama draws out the artists and authors on both the aesthetic and the sociopolitical concerns that animate their work. Their conversations delve into such areas as how the artists' or writers' life experiences have molded their work, why they choose to work in certain genres and how they have transformed them, what it means to be Chicano/a in today's pluralistic society, and how Chicano/a identity influences and is influenced by contact with ethnic and racial identities from around the world.
This volume brings together interviews that appeared in a variety of magazines between 1959 and 2004. Conducted by writers, critics, musicians, visual artists, a philosopher, and an architect, the interviews indicate the evolution of Lacy’s extraordinary career and thought. Lacy began playing the soprano saxophone at sixteen, and was soon performing with Dixieland musicians much older than he. By nineteen he was playing with the pianist Cecil Taylor, who ignited his interest in the avant-garde. He eventually became the foremost proponent of Thelonious Monk’s music. Lacy played with a broad range of musicians, including Monk and Gil Evans, and led his own bands. A voracious reader and the recipient of a MacArthur “genius” grant, Lacy was particularly known for setting to music literary texts—such as the Tao Te Ching, and the work of poets including Samuel Beckett, Robert Creeley, and Taslima Nasrin—as well as for collaborating with painters and dancers in multimedia projects.
Lacy lived in Paris from 1970 until 2002, and his music and ideas reflect a decades-long cross-pollination of cultures. Half of the interviews in this collection originally appeared in French sources and were translated specifically for this book. Jason Weiss provides a general introduction, as well as short introductions to each of the interviews and to the selection of Lacy’s own brief writings that appears at the end of the book. The volume also includes three song scores, a selected discography of Lacy’s recordings, and many photos from the personal collection of his wife and longtime collaborator, Irene Aebi.
Interviews by: Derek Bailey, Franck Bergerot, Yves Bouliane, Etienne Brunet, Philippe Carles, Brian Case, Garth W. Caylor Jr., John Corbett, Christoph Cox, Alex Dutilh, Lee Friedlander, Maria Friedlander, Isabelle Galloni d'Istria, Christian Gauffre, Raymond Gervais, Paul Gros-Claude, Alain-René Hardy, Ed Hazell, Alain Kirili, Mel Martin, Franck Médioni, Xavier Prévost, Philippe Quinsac, Ben Ratliff, Gérard Rouy, Kirk Silsbee, Roberto Terlizzi, Jason Weiss
Adam Smith, asserting the common humanity of the street porter and the philosopher, articulated the classical economists' model of social interactions as exchanges among equals. This model had largely fallen out of favor until, recently, a number of scholars in the avant-garde of economic thought rediscovered it and rechristened it "analytical egalitarianism." In this volume, Sandra J. Peart and David M. Levy bring together an impressive array of authors to explore the ramifications of this analytical ideal and to discuss the ways in which an egalitarian theory of individuality can enable economists to reconcile ideas from opposite ends of the political spectrum.
"The analytical egalitarianism project that Peart and Levy have advanced has come to occupy a prominent place in the current agenda of historians of economic thought."
---Ross Emmett, Associate Professor of Economics and Co-Director of the Michigan Center for Innovation and Economic Prosperity, Michigan State University
"These essays and dialogs from the Summer Institute would make Adam Smith, economist and moral philosopher, proud."
---J. Daniel Hammond, Hultquist Family Professor of Economics, Wake Forest University
With essays by:
- James M. Buchanan, Alfred Nobel Memorial Prize in Economic Sciences recipient (1985) and Professor Emeritus, George Mason University and Virginia Polytechnic and State University
- Juan Pablo Couyoumdijian, Universidad del Desearrollo, Chile
- Tyler Cowen, George Mason University
- Eric Crampton, University of Canterbury, New Zealand
- Andrew Farrant, Dickinson College
- Samuel Hollander, Professor Emeritus, University of Toronto
- M. Ali Khan, Johns Hopkins University
- Thomas Leonard, Princeton University
- Deirdre McCloskey, University of Illinois, Chicago
- Leonidas Montes, Dean of School of Government, Universidad Adolfo Ibañez, Chile
- Maria Pia Paganelli, Yeshiva University and New York University
- Warren J. Samuels, Professor Emeritus, Michigan State University
- Eric Schliesser, VENI post-doctoral research fellow, Leiden University, and University of Amsterdam
- Gordon Tullock, George Mason University
Sandra J. Peart is Dean of the Jepson School of Leadership Studies, University of Richmond, Virginia.
David M. Levy is Professor of Economics at George Mason University (GMU) and Research Associate at the Center for Study of Public Choice at GMU.
They are Co-Directors of George Mason University's Summer Institute for the Preservation of the History of Economics.
Combining elements of criticism with various modes of artistic expression, these responses take the form of reviews, letters, interviews, and in one case an imaginary TV programming schedule. Interspersed with—and sometimes literally interrupting—the video scripts, these contributions interact with one another on multiple levels and complement Fagin’s scripts. Historical, political, and theoretical issues dovetail, ricochet, and interplay in this book, revealing a multiplicity of voices, concerns, and cultural revelations.
Unique in its structure and intellectual approach, Talkin’ with Your Mouth Full will appeal equally to those who have seen Fagin’s videos and those who have not. Students of art history and cultural critique, and anyone interested in the ongoing dialogue between artists and theorists, will find particular value in this book.
Contributors. Gregg Bordowitz, Constance DeJong, Leslie Dick, Steve Fagin, Barry Gifford, Victoria Gill, Bill Horrigan, Bertha Jottar, Ivone Margulies, Patricia Mellencamp, Margaret Morse, Constance Penley, Vicente L. Rafael, Mark Rappaport, Andrew Ross, Vivian Sobchack, Trinh T. Minh-ha, John Welchman, Peter Wollen
Talking Leadership presents a though-provoking look at differences and commonalities in the lives and leadership approaches of some of today's outstanding women in areas ranging from philanthropy to politics, and from business to academia. Regardless of their backgrounds and areas of expertise, these women are committed to social change--change that includes improving women's lives and options.
Well beyond personal details and entertaining anecdotes, these conversations capture a variety of fascinating experiences and insights reflecting what it is like to be a woman and a major leader in America at the close of the twentieth century. Many of these women hold positions in which womanhood sets them apart--not infrequently in uncomfortable ways. Talking Leadership gives testimony not only to how far women have come, but also how far they still have to go to claim their places as leaders.
Whether we love it, hate it, or use it just to pass the time, most adults in the United States are watching more television than ever, up to four hours a day by some estimates. Our devotion to commercial television gives it unprecedented power in our lives.
Advertisers and television executives want us to spend as much time as we can in front of our sets, for it is access to our brains that they buy and sell. Yet the most important effect of television may be one that no one intends-accelerated destruction of the natural environment.
Consuming Environments explores how, with its portrayal of a world of simulated abundance, television has nurtured a culture of consumerism and overconsumption. The average person in the US consumers more than twice the grain and ten times the oil of a citizen of Brazil or Indonesia. And people in less industrialized countries suffer while their resources while their resources are commandeered to support comfortable lifestyles in richer nations.
Using detailed examples illustrated with images from actual commercials, news broadcasts, and television shows, and authors demonstrate how ads and programs are put together in complex way s to manipulate viewers, and they offer specific ways to counteract the effects of TV and overconsumption's assault on the environment.
Insightful, good-humored essays on the possibilities of alien life and the uses of space exploration, based on an astrobiologist’s everyday conversations with his fellow humans—taxi drivers, to be precise.
If you’ve ever sat in the back seat of a taxi, you know that cabbies like to talk. Sports or politics, your job or theirs, taxi drivers are fine conversationalists on just about any topic. And when the passenger is astrobiologist Charles Cockell, that topic is usually space and what, if anything, lives out there.
Inspired by conversations with drivers all over the world, Taxi from Another Planet tackles the questions that everyday people have about the cosmos and our place in it. Will we understand aliens? What if there isn’t life out in the universe? Is Mars our Plan B? And why is the government spending tax dollars on space programs anyway? Each essay in this genial collection takes questions like these as a starting point on the way to a range of insightful, even poignant, observations. Cockell delves into debates over the inevitability of life and looks to both human history and scientific knowledge to consider what first contact will be like and what we can expect from spacefaring societies. He also offers a forceful argument for the sympathies between space exploration and environmentalism.
A shrewd and entertaining foray into the most fundamental mysteries, Taxi from Another Planet brings together the wisdom of scientific experts and their fellow citizens of Earth, the better to understand how life might unfold elsewhere.
In these penetrating essays, twenty-four distinguished contributors from a broad range of fields present the voices of the scientists themselves—through interviews, conversations, and memoirs. We hear from Lithuanian physicists who discuss science after Communism and their own fantasies about what Western science is; a Japanese-American woman struggling with her ambivalence over designing nuclear weapons; political activists in India who examine relations among science, environmental politics, and government ideology in the aftermath of the Bhopal disaster; and many others, including biologists, physicians, corporate researchers, and scientists working with virtual reality and other cutting-edge technologies.
The contributors to this volume are Mario Biagioli, Maria E. Carson, Gary Lee Downey, Joseph Dumit, Michael M. J. Fischer, Mary-Jo DelVecchio Good, Hugh Gusterson, Diana L. L. Hill, James Holston, Herbert C. Hoover, Jr., Gudrun Klein, Leszek Koczanowicz, Irene Kuter, Kim Laughlin, Rita Linggood, George E. Marcus, Kathryn Milun, Livia Polanyi, Christopher Pound, Simon Powell, Paul Rabinow, Kathleen Stewart, Allucquere Rosanne Stone, and Sharon Traweek.
2023 SANA Book Award, Society for the Anthropology of North America
2023 Honorable Mention, Outstanding Book Award NACCS Tejas Foco Award for Non-Fiction, National Association for Chicana and Chicano Studies
2022 Nonfiction Discovery Prize, Writers' League of Texas
An intimate portrayal of the hardships faced by an undocumented family navigating the medical and educational systems in the United States.
Claudia Garcia crossed the border because her toddler, Natalia, could not hear. Leaving behind everything she knew in Mexico, Claudia recounts the terror of migrating alone with her toddler and the incredible challenges she faced advocating for her daughter’s health in the United States. When she arrived in Texas, Claudia discovered that being undocumented would mean more than just an immigration status—it would be a way of living, of mothering, and of being discarded by even those institutions we count on to care.
Elizabeth Farfán-Santos spent five years with Claudia. As she listened to Claudia’s experiences, she recalled her own mother’s story, another life molded by migration, the US-Mexico border, and the quest for a healthy future on either side. Witnessing Claudia’s struggles with doctors and teachers, we see how the education and medical systems enforce undocumented status and perpetuate disability. At one point, in the midst of advocating for her daughter, Claudia suddenly finds herself struck by debilitating pain. Claudia is lifted up by her comadres, sent to the doctor, and reminded why she must care for herself.
A braided narrative that speaks to the power of stories for creating connection, this book reveals what remains undocumented in the motherhood of Mexican women who find themselves making impossible decisions and multiple sacrifices as they build a future for their families.
Although his contributions to philosophy are revered and his writings have been collected, Eric Voegelin’s persona will inevitably fade with the memories of those who knew him. This book preserves the human element of Voegelin by capturing those valuable personal recollections.
Barry Cooper and Jodi Bruhn conducted intensive interviews with Voegelin’s wife, his closest friends, and his first-generation students—many of whom have since passed on—in order to bring to print everything important about his life and personality. American scholars will especially appreciate the glimpses provided by Voegelin’s German colleagues into his life in Munich, as well as the thoughts of his students in Vienna. Reflections of people such as Paul Caringella, Bruno Schlesinger, and Heinz Barazon capture Voegelin’s greatness and shortcomings alike and also shed new light on his philosophical quest for truth.
By descending progressively further into the past, the book takes readers deeper into the essence of Voegelin as reminiscences become more dramatic. Ranging widely from America back to Germany—with recollections of Gestapo intimidation and eventual emigration—the accounts interweave episodes of pathos, humor, fear, rivalry, and ambition. We witness Voegelin’s persistent and partly self-imposed communication problems and impatience with administrative duties, his respect for prudent political actors and public servants, and his genuine affection not only for his colleagues and best students but also for diligent secretaries and empathetic nurses. Through these recollections, key elements of his personality repeatedly emerge: his intelligence, optimism, and integrity, combined with an acute perception of the significance of his work.
This is the most revealing and comprehensive biographical work yet available on a man known to be captivating as a thinker—and now shown to be equally fascinating as a human being. His own publications attest to his mind and methods; Voegelin Recollected provides a deeper understanding of the man himself.
Weapon of the Strong analyses the forms of US state terrorism through exclusive, never before published interviews with leading commentators and theorists, including Noam Chomsky, Edward S. Herman, Richard A. Falk, Judith Butler, Ted Honderich, Norman Finkelstein and Gilbert Achcar. The interviews explore the different aspects of state terrorism: its functions, institutional supports and the legal and moral arguments surrounding it, and consider specific case studies in Europe, Latin America and the Middle East.
Weapon of the Strong makes an indispensable contribution to contemporary debates on terrorism and constructs a damning critique of US foreign policy from World War Two to the present day.
Brower was deeply committed to Native culture, and his life history is a moving expression of the Inupiaq way of life. He was also influential in traditionally non-Native arenas in which Native and non-Native values sometimes collided. Acting as a mediator between Inupiaq whalers and non-Native scientists, Brower communicated a vast understanding of bowhead whales and whaling that became the basis for a scientific research program and helped protect Inupiaq subsistence whaling. He was a central architect of the Arctic Slope Regional Corporation boundaries, and served for over twenty years as a consultant to scientists at the Naval Arctic Research Laboratory. Brower's role in this collaborative research serves as one of the earliest and best examples of how scientists and Native experts can work together to advance knowledge. Such approaches are now promoted by researchers around the world.
The Whales, They Give Themselves not only conveys Brower's life story, but also is a cross-cultural journey of wisdom and friendship. Whereas academic oral historians once strove to erase the presence of the interviewer in the name of objectivity, Brewster recognizes the influence her specific relationship with Brower had on the way he narrated his life. This volume is a major contribution to our understanding of northern peoples, and a testament to the immense value of collaborative oral history.
Interviewees. Naomi Beckwith, Claire Bishop, Tania Bruguera, Brett Cook, Teddy Cruz, Jay Dykeman, Wendy Ewald, Sondra Farganis, Harrell Fletcher, David Henry, Gregg Horowitz, Grant Kester, Mierle Laderman Ukeles, Pedro Lasch, Rick Lowe, Daniel Martinez, Lee Mingwei, Jonah Peretti, Ernesto Pujol, Evan Roth, Ethan Seltzer, and Mark Stern
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