front cover of Coriolanus
Coriolanus
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2023
A powerfully topical new translation of Shakespeare’s study of military power and political folly.

Bay Area director, actor, and producer Sean San José takes on the themes of power and politics in his version of Coriolanus, Shakespeare’s exploration of militaristic might and political folly. San José’s take on this little-known classic reimagines the text to be spoken by and for a community of “others.” The translation, which brings Shakespeare’s language into our era, rendering its thematic and dramatic power broadly accessible, is powered by a reexamination of populism in our current political moment.
 
This translation of Coriolanus was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
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front cover of Shakespeare's Rome
Shakespeare's Rome
Republic and Empire
Paul A. Cantor
University of Chicago Press, 2017
For more than forty years, Paul Cantor’s Shakespeare’s Rome has been a foundational work in the field of politics and literature. While many critics assumed that the Roman plays do not reflect any special knowledge of Rome, Cantor was one of the first to argue that they are grounded in a profound understanding of the Roman regime and its changes over time. Taking Shakespeare seriously as a political thinker, Cantor suggests that his Roman plays can be profitably studied in the context of the classical republican tradition in political philosophy.
           
In Shakespeare’s Rome, Cantor examines the political settings of Shakespeare’s Roman plays, Coriolanus and Antony and Cleopatra, with references as well to Julius Caesar. Cantor shows that Shakespeare presents a convincing portrait of Rome in different eras of its history, contrasting the austere republic of Coriolanus, with its narrow horizons and martial virtues, and the cosmopolitan empire of Antony and Cleopatra, with its “immortal longings” and sophistication bordering on decadence.
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