“Since long before medieval times cranes have been considered messengers of the gods, calling annually from on high to remind humans below of the passing years and of their own mortality. Now it is up to humans to take responsibility for controlling our own fate—and also to cry out to protect not only cranes but all the other wonderful creatures that share our increasingly fragile and threatened planetary ecosystem with us."
—Paul A. Johnsgard, from the acknowledgments

Accompanied by the stunning photography of Thomas D. Mangelsen, A Chorus of Cranes details the natural history, biology, and conservation issues surrounding the abundant sandhill crane and the endangered whooping crane in North America. Author Paul A. Johnsgard, one of the leading authorities on cranes and crane biology, describes the fascinating social behaviors, beautiful natural habitats, and grueling seasonal migrations that have stirred the hearts of people as far back as medieval times and garnered the crane a place in folklore and mythology across continents.

Johnsgard has substantially updated and significantly expanded his 1991 work Crane Music, incorporating new information on the biology and status of these two North American cranes and providing abbreviated summaries on the other thirteen crane species of the world. The stories of these birds and their contrasting fates provide an instructive and moving history of bird conservation in North America. A Chorus of Cranes is a gorgeous and invaluable resource for crane enthusiasts, birders, natural historians, and conservationists alike.

Whether watching men releasing caged birds at dawn in New York City or a ladder of cranes rising from a field in Manitoba, Tom Sexton is a keen observer of the interconnectedness of the natural and human worlds. The former Alaska poet laureate takes to the road in this new collection, wending a lyrical and at times mystical path between Alaska and New England.
Travelers along the way include the fabled wolf of Gubbio, old and lame and long past his taming encounter with Saint Francis of Assisi, and Chinese poet Li Bai chanting to a Yangtze River dolphin. Yet, while Sexton’s journey crosses borders—and occasionally centuries—his ultimate destination is always the landscape and people of Alaska. A Ladder of Cranes showcases Sexton’s mastery of both traditional forms and free verse. The tensions of his formal influences, Chinese and European, force the reader to experience these spare lines and tight observations in stunning new ways.