front cover of British Naturalists in Qing China
British Naturalists in Qing China
Science, Empire, and Cultural Encounter
Fa-ti Fan
Harvard University Press, 2004

In the eighteenth and nineteenth centuries, Western scientific interest in China focused primarily on natural history. Prominent scholars in Europe as well as Westerners in China, including missionaries, merchants, consular officers, and visiting plant hunters, eagerly investigated the flora and fauna of China. Yet despite the importance and extent of this scientific activity, it has been entirely neglected by historians of science.

This book is the first comprehensive study on this topic. In a series of vivid chapters, Fa-ti Fan examines the research of British naturalists in China in relation to the history of natural history, of empire, and of Sino-Western relations. The author gives a panoramic view of how the British naturalists and the Chinese explored, studied, and represented China's natural world in the social and cultural environment of Qing China.

Using the example of British naturalists in China, the author argues for reinterpreting the history of natural history, by including neglected historical actors, intellectual traditions, and cultural practices. His approach moves beyond viewing the history of science and empire within European history and considers the exchange of ideas, aesthetic tastes, material culture, and plants and animals in local and global contexts. This compelling book provides an innovative framework for understanding the formation of scientific practice and knowledge in cultural encounters.

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front cover of Rilke's Russia
Rilke's Russia
A Cultural Encounter
Anna A. Tavis
Northwestern University Press, 1996
Anna A. Tavis explores the important of Russia in shaping Rilke's aesthetics. Rilke's two trips to Russia at the turn of the century, made in the company of Lou Andreas-Salome, led to connections with Leo Tolstoy, Boris Pasternak, Marina Tsvetaeva, and Maxim Gorky. Tavis uses letters, poems, and fiction to trace Rilke's actual and symbolic encounters with Russian culture and its prose masters between 1898 and 1926.
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