Domination and Cultural Resistance examines the social life of the Yura, a Quechua-speaking Andean ethnic group of central Bolivia, and focuses especially on their indigenous authorities, the kuraqkuna or elders. Combining ethnohistorical research with contemporary fieldwork, Roger Neil Rasnake traces the evolution of leadership roles within the changing composition of the native Andean social groupings, the ayllus—from the consolidation of pre-Hispanic Aymara polities, through the pressures of the Spanish colonial regime and the increasing fragmentation of the republican era, to the present.

An illuminating look at the festival performances of slaves in Havana and New Orleans

However urban slave societies might have differed from their rural counterparts, they still relied on a concerted assault on the psychological, social, and cultural identity of their African-descended inhabitants to maintain power and control. This ambitious book looks at how people of African descent in two such societies—Havana and New Orleans in the nineteenth century—created and maintained their own forms of cultural resistance to the slave regime’s assault and, in the process, put forth autonomous views of self and the social landscape.

In Havana’s annual Día de Reyes festival and in the weekly activities that took place at New Orleans’s Congo Square, author Daniel Walker identifies specific cultural beliefs and activities that Africans brought to the New World and modified in order to withstand and contest the dehumanizing effects of oppression. No More, No More crosses disciplinary boundaries as well, elucidating the economic, social, cultural, and demographic operations at work in two cities and the wide-scale efforts at cultural resistance embodied in public performances.

The postwar histories of Paris and Amsterdam have been significantly defined by the notion of the “underground” as both a material and metaphorical space. Examining the underground traffic between the two cities, this book interrogates the countercultural histories of Paris and Amsterdam in the mid to late-twentieth century. Shuttling between Paris and Amsterdam, as well as between postwar avant-gardism and twenty-first century global urbanism, this interdisciplinary book seeks to create a mirroring effect over the notion of the underground as a driving force in the making of the contemporary European city.