National Geographic magazine is an American popular culture icon that, since its founding in 1888, has been on a nonstop tour classifying and cataloguing the peoples of the world. With more than ten million subscribers, National Geographic is the third largest magazine in America, following only TV Guide and Reader's Digest. National Geographic has long been a staple of school and public libraries across the country.

In Veils and Daggers, Linda Steet provides a critically insightful and alternative interpretation of National Geographic. Through an analysis of the journal's discourses in Orientalism, patriarchy, and primitivism in the Arab world as well as textual and visual constructions of Arab men and women, Islam, and Arab culture, Veils and Daggers unpacks the ideological perspectives that have guided National Geographic throughout its history. Drawing on cultural, feminist, and postcolonial criticism, Steet generates alternative readings that challenge the magazine's claims to objectivity. In this fascinating journey, it becomes clear that neither text nor image in the magazine can be regarded as natural or self-evident and she artfully demonstrates that the act of representing others "inevitably involves some degree of violence, decontextualization, minaturization, etc." The subject area known as Orientalism, she shows, is a manmade concept that as such must be studied as an integral component of the social, rather than the natural or divine world.

Veils and Daggers repositions and redefines National Geographic as an educational journal. Steet's work is an important and groundbreaking contribution in the area of social construction of knowledge, social foundations of education, popular educational media, and social studies as well as racial identity, ethnicity, gender. Once encountered, readers of National Geographic will never regard it in the same manner again.

Thomas Hauser's annual collections have been avidly anticipated from the time A Beautiful Sickness was published by the University of Arkansas Press in 2001 until his most recent collection, Boxing Is . . . , was named a 2010 Best Sports Book of the Year by Booklist, which has called Hauser "the current champ in boxing literature." Sportswriter Donald McRae recently wrote, "Thomas Hauser has become boxing's indispensable writer with a stream of books and internet columns that strip away the layers of intrigue to reveal a seamy but addictive world. Whether writing Muhammad Ali's biography, or shredding boxing's power brokers, Hauser instills passion and gravitas into his work." Winks and Daggers continues that tradition with Hauser's writing from 2010. Hauser brings readers into Manny Pacquiao's intimate circle in the moments before last year's two biggest fights. His award-winning investigative journalism exposes the inner workings of HBO Sports and examines the use of performance-enhancing drugs in boxing. There's a look back in time at Rocky Marciano and Sugar Ray Leonard. And there's much more in this latest collection in the series that has become, according to reviewer Bart Barry, "an essential part of boxing's official record and the chronicles of this era most likely to endure."