front cover of Dare the School Build a New Social Order?
Dare the School Build a New Social Order?
George S. Counts. Preface by Wayne J. Urban
Southern Illinois University Press, 1978

George S. Counts was amajor figure in American education for almost fifty years. Republication of this early (1932) work draws special attention to Counts’s role as a social and political activist. Three particular themes make the book noteworthy because of their importance in Counts’s plan for change as well as for their continuing contem­porary importance: (1)Counts’s crit­icism of child-centered progressives; (2)the role Counts assigns to teachers in achieving educational and social re­form; and (3) Counts’s idea for the re­form of the American economy.

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front cover of Dare the Sea
Dare the Sea
Stories
Ali Hosseini
Northwestern University Press, 2023
Debut short-story collection in English from acclaimed fiction writer Ali Hosseini, named a Favorite Short Story Collection of 2023 by the Chicago Review of Books

The stories in Dare the Sea explore Iran’s landscape, culture, and the undercurrent of change affecting its people—both in Iran and the United States. The stories in the first half of the collection are set in Iran in the time before and just after the Iranian Revolution of 1979. Each tale discloses the obstacles rural Iranians lived with on a daily basis and the exigencies of survival: petty theft, corruption, drug trafficking, religion, and love. Stories in the second half take place in exile, where characters are seemingly dropped into American locales like the Midwest or Hawaii, taking in their situation with only the survival skills they’ve learned in their own land and enduring the hardships of being strangers in a new country.

Loosely interconnected by reappearing characters, the stories in Dare the Sea are strongly linked by the country of Iran, its landscape, its history, and its hold on its people.
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Truth or Dare
Art and Documentary
Edited by Gail Pearce and Cahal McLaughlin
Intellect Books, 2007
The new wave of documentaries that prominently feature their filmmakers, such as the works of Michael Moore and Morgan Spurlock, have attracted fresh, new audiences to the form—but they have also drawn criticism that documentaries now promote entertainment at the expense of truth. Truth or Dare examines the clash between the authenticity claimed by documentaries and their association with imagination and experimental contemporary art. An experienced group of practitioners, artists, and theorists here question this binary, and the idea of documentary itself, in a cross-disciplinary volume that will force us to reconsider how competing interests shape filmmaking. 
 
 
 
 
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