Narrative Mourning explores death and its relics as they appear within the confines of the eighteenth-century British novel. It argues that the cultural disappearance of the dead/dying body and the introduction of consciousness as humanity’s newfound soul found expression in fictional representations of the relic (object) or relict (person). In the six novels examined in this monograph—Samuel Richardson's Clarissa and Sir Charles Grandison; Sarah Fielding's David Simple and Volume the Last; Henry Mackenzie's The Man of Feeling; and Ann Radcliffe's The Mysteries of Udolpho—the appearance of the relic/relict signals narrative mourning and expresses (often obliquely) changing cultural attitudes toward the dead.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 

Although famous for his purported last words—“I only regret that I have but one life to lose for my country”—few people know the real Nathan Hale. M. William Phelps brings into focus the life of this famed patriot and first spy of the American Revolution, charting Hale’s rural childhood, his education at Yale, and his work as a schoolteacher. Like many young Americans, he was soon drawn into the colonies’ war for independence and became a captain in Washington’s army. When the general was in need of a spy, Hale willingly rose to the challenge, gathering intelligence behind British lines on Long Island, and in the end bravely sacrificing his life for the sake of American liberty. Using Hale’s own journals and letters as well as testimonies from his friends and contemporaries, Phelps depicts the Revolution as it was seen from the ground. From the confrontation in Boston to the battle for New York City, readers experience what life was like for an ordinary soldier in the struggling Continental Army. In this impressive, well-researched biography, Phelps separates historical fact from long-standing myth to reveal the truth about Nathan Hale, a young man who deserves to be remembered as an original American patriot.

In Necro Citizenship Russ Castronovo argues that the meaning of citizenship in the United States during the nineteenth century was bound to—and even dependent on—death. Deploying an impressive range of literary and cultural texts, Castronovo interrogates an American public sphere that fetishized death as a crucial point of political identification. This morbid politics idealized disembodiment over embodiment, spiritual conditions over material ones, amnesia over history, and passivity over engagement.
Moving from medical engravings, séances, and clairvoyant communication to Supreme Court decisions, popular literature, and physiological tracts, Necro Citizenship explores how rituals of inclusion and belonging have generated alienation and dispossession. Castronovo contends that citizenship does violence to bodies, especially those of blacks, women, and workers. “Necro ideology,” he argues, supplied citizens with the means to think about slavery, economic powerlessness, or social injustice as eternal questions, beyond the scope of politics or critique. By obsessing on sleepwalkers, drowned women, and other corpses, necro ideology fostered a collective demand for an abstract even antidemocratic sense of freedom. Examining issues involving the occult, white sexuality, ghosts, and suicide in conjunction with readings of Harriet Jacobs, Ralph Waldo Emerson, Frederick Douglass, Nathaniel Hawthorne, and Frances Harper, Necro Citizenship successfully demonstrates why Patrick Henry's “give me liberty or give me death” has resonated so strongly in the American imagination.