A SCHOLARLY BOOK REPOSITORY14 start with F start with F
At the turn of the twentieth century, two young women find themselves in Stanyslaviv under Austro-Hungarian rule. Adela, the daughter of a wealthy German doctor, and Stefania, her orphan Ukrainian servant, could not be further apart socially and economically; but their fates intertwine in the cityscape of the late Habsburg Empire, densely inhabited by Ukrainians, Poles, Germans, and Jews for centuries. The intricate relationship between the two women—told by an unreliable narrator—unfolds against the backdrop of a rich ethnic, social, and cultural fabric that seems almost implausible to today’s reader who knows it to be irretrievably lost.
In Felix Austria, Sophia Andrukhovych uses techniques from Gothic literature to reconstruct with astonishing detail the atmosphere and the everyday life of Stanyslaviv. As if foreshadowing the wars to come and their devastation, the city’s population delights in earthly pleasures: extravagant dinner parties and receptions, mass celebrations, exotic theater performances, art exhibitions, glitzy shows of stars and starlets from near and far, local rituals of soap making, competition among fashionable dames, and much more. Felix Austria is a must-read for all those who seek to understand Ukraine’s deep ties with Western Europe and its struggle to break away from Russia’s orbit.
Flames from the Earth: A Novel from the Łódź Ghetto is an autobiographical novel written by Isaiah Spiegel, one of the most revered Yiddish authors to survive the Holocaust. Originally published in Israel in 1966, the novel brings together material that Spiegel wrote while imprisoned in the Łódź Ghetto, which he recovered from a cellar when he returned from Auschwitz after the war. The only works by Spiegel previously available to English readers have been short stories.
In this, his first novel, Spiegel explores a complex web of characters in and around the Łódź Ghetto: Vigdor and Gitele, lovers who are involved in the ghetto resistance movement; Nicodem, a Polish priest, who hides a member of the Jewish underground; Stefan Kaczmarek, a Polish tavern keeper who betrays Nicodem to preserve his own smuggling business; Franz Jessike, a Nazi guard who blackmails local Poles for personal gain; and Chaim Vidaver, the heroic leader of the ghetto resistance. Based largely on historical events, the novel’s lyrical style echoes its emotional intensity.
Gripping and atmospheric, Flames from the Earth honors daring acts of heroism and human connections forged amid unthinkable conditions. Spiegel’s novel represents an important contribution to the archive of literary depictions of historical trauma.
Located at the intersection of comparative literature, area studies, and literary theory, this interdisciplinary study has a twofold commitment: to Eastern Europe on the one hand and to literature on the other. It aims to intervene in the way we conceive of Eastern Europe by seeking to develop a more equitable way of thinking, one that avoids subordinating it to Eurocentric narratives of progress. At the same time, it marshals literature as both object and method of this rethinking, in order to extend existing conceptions of the usefulness and of the proper organization of literary studies. The three terms in the title of this book mark a passage—via literature—from “Eastern Europe” as an inadequate and obsolescent category to “post-imperial difference” as a more accurate, if provisional, account of the region. By way of original readings of particular texts, and by attending to literature as a critical
Jana Renée Friesová was fifteen when she was imprisoned by the Nazis in the Czech ghetto town of Terezín. Her memoir tells the poignantly familiar story of a young girl who, even under the most abominable circumstances, engages in intense adolescent friendships, worries with her companions over her looks, and falls in love.
Anne Frank’s diary ends with deportation to a concentration camp; Fortress of My Youth, in contrast, takes the reader deep into the horrors of daily life in a camp that were faced by a young girl and her family. But Friesová also tells of love, joy, sacrifice, and the people who shared in the most profound experiences of her life.
As the subject of ideological, aesthetic, and existential manipulations, the Polish home and its representation is an ever-changing phenomenon that absorbs new tendencies and, at the same time, retains its centrality to Polish literature, whether written in Poland or abroad. Framing the Polish Home is a pioneering work that explores the idea of home as fundamental to the question of cultural and national identity within Poland's recent history and its tradition.
In this inaugural volume of the Polish and Polish-American Studies Series, the Polish home emerges in its rich verbal and visual representations and multiple material embodiments, as the discussion moves from the loss of the home during wartime to the Sovietized politics of housing and from the exilic strategies of having a home to the the idyllic evocation of the abodes of the past.
Although, as Bożena Shallcross notes in her introduction, “few concepts seem to have such universal appeal as the notion of the home,” this area of study is still seriously underdeveloped. In essays from sixteen scholars, Framing the Polish Home takes a significant step to correct that oversight, covering a broad range of issues pertinent to the discourse on the home and demonstrating the complexity of the home in Polish literature and culture.
Bulgaria’s media-driven pivot to right-wing populism parallels political developments taking place around the world. Martin Marinos applies a critical political economy approach to place Bulgarian right-wing populism within the structural transformation of the country’s media institutions. As Marinos shows, media concentration under Western giants like Westdeutsche Allgemeine Zeitung and News Corporation have led to a neoliberal turn of commercialization, concentration, and tabloidization across media. The Right have used the anticommunism and racism bred by this environment to not only undermine traditional media but position their own outlets to boost new political entities like the nationalist party Ataka. Marinos’s ethnographic observations and interviews with local journalists, politicians, and media experts add on-the-ground detail to his account. He also examines several related issues, including the performative appeal of populist media and the money behind it.
A timely and innovative analysis, Free to Hate reveals where structural changes in media intersect with right-wing populism.
Murphy examines the government of the Polish-Lithuanian Commonwealth and the several imperial administrations that replaced it after the Partitions, comparing and contrasting their relationships with local citizenry, minority communities, and nobles who enjoyed considerable autonomy in their management of the cities of present-day Poland, Ukraine, and Belarus. He shows how the failure of Enlightenment-era reform was a direct result of the inherent defects in the reformers' visions, rather than from sabotage by shortsighted local residents. Reform in Poland-Lithuania effectively destroyed the existing system of complexities and imprecisions that had allowed certain towns to flourish, while also fostering a culture of self-government and civic republicanism among city citizens of all ranks and religions. By the mid-nineteenth century, the increasingly immobile post-Enlightenment state had transformed activist citizens into largely powerless subjects without conferring the promised material and economic benefits of centralization.
In recent years a prominent trend in the study of European modernism and the avant-garde has been increased attention to texts and traditions that have long stood in the shadow of the French, German, and British traditions that dominate the canon. Yet this more expansive view of European modernism and the avant-garde has been hindered by the limited range of texts available outside the original languages. This book addresses that problem by offering a wide-ranging selection of literary, theoretical, and documentary sources from one of the most dynamic and original European avant-garde traditions: that of the first Czechoslovak Republic and of the Bohemian lands. The Czech avant-garde is in many respects the ideal “alternative” avant-garde to present in detail to a wider readership: it tracks Central European developments and was often influential internationally while being deeply embedded in particular cultural dynamics that produced original forms. This volume returns interwar Czech avant-garde writings to their place as a firmly embedded component of the European avant-garde.
A young Jewish boy—the old, much-fought-over city of Vilnius—the rumblings and then the reality of World War I—all combine in this book to create a striking historical document of a period during which Europe and the Western world were changed forever. In the streets and alleys of Vilnius actor Joseph Buloff came of age, learning the arts of shape-altering necessary for survival during successive occupations by Cossacks, Germans, Bolsheviks, and Poles; it is this fascinating vanished milieu that he brings to life in From the Old Marketplace.
For a little boy, the old marketplace was full of enchantment, a world in itself, and Buloff brilliantly describes the eccentric inhabitants who peopled his childhood: Berchick the orphan, Barve's son the intellectual and historian, the starveling Matzek, Arkashka the Cossack, Joseph's mother, the saintly yet practical Sarah, and his father, Benjamin, who made a fortune in America and lost it again in Europe.
The boy came to realize his own Jewishness when Russian persecution forced the Jews to make the synagogue the center of their world. He was driven by brutality, hunger, and ostracism to transform himself in spirit into the imaginary Chantille Jeantaigne Delacroix, scourge of evil, avenger of his people, Conqueror of Death. Joseph's accounts of daily life under unbelievably hard circumstances range from down-to-earth facts to soaring flights of fantasy—and his desperate acting in order to stay alive brought him his true vocation, first on the scrounging amateur stage and then in the professional theatre.
The Frontline presents a selection of essays drawn together for the first time to form a companion volume to Serhii Plokhy’s The Gates of Europe and Chernobyl. Here he expands upon his analysis in earlier works of key events in Ukrainian history, including Ukraine’s complex relations with Russia and the West, the burden of tragedies such as the Holodomor and World War II, the impact of the Chernobyl nuclear disaster, and Ukraine’s contribution to the collapse of the Soviet Union.
Juxtaposing Ukraine’s history to the contemporary politics of memory, this volume provides a multidimensional image of a country that continues to make headlines around the world. Eloquent in style and comprehensive in approach, the essays collected here reveal the roots of the ongoing political, cultural, and military conflict in Ukraine, the largest country in Europe.
The leading Polish poet still residing in his native land, Zbigniew Herbert as not been the subject of a book-length study in English until now. Stanislaw Baranczak, himself a poet, critic, and translator, emigrated from Poland only in 1981, and is therefore eminently qualified to supply a politico-cultural context for Herbert while describing and analyzing the texts and themes of his poems.
Herbert's poetry is based on permanent confrontation--the confrontation of Western tradition with the experience of a "barbarian" from Eastern Europe, of the classical past with the modern era, of cultural myth with a practical, empirical point of view. Baranczak illustrates these oppositions by examining, first, the complex relations between "disinheritance" and "heritage" as they appear in Herbert's work on various structural levels, from symbolic key words to lyrical characters; second, the forms and functions of Herbert's "unmasking metaphor"; third, his uses of irony; fourth, his ethical system, which enables him to be both ironist and moralist. Baranczak pays special attention to irony as the most conspicuous feature of Herbert's poetic method.
A Fugitive from Utopia makes Herbert's poetic ideas fully accessible to the general reader, and will also be of interest to students of Polish literature, of East European culture and society, and of modern poetry. Those who have already encountered Herbert's poetry in one of the several translations into English currently available will welcome this lucid explication of his work.
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