front cover of The Black Body in Ecstasy
The Black Body in Ecstasy
Reading Race, Reading Pornography
Jennifer C. Nash
Duke University Press, 2014
In The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism's theory of representation. Her analysis moves beyond black feminism's preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects. Nash's innovative readings of hardcore pornographic films from the 1970s and 1980s develop a new method of analyzing racialized pornography that focuses on black women's pleasures in blackness: delights in toying with and subverting blackness, moments of racialized excitement, deliberate enactments of hyperbolic blackness, and humorous performances of blackness that poke fun at the fantastical project of race. Drawing on feminist and queer theory, critical race theory, and media studies, Nash creates a new black feminist interpretative practice, one attentive to the messy contradictions—between delight and discomfort, between desire and degradation—at the heart of black pleasures.
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Ecstasy and the Demon
The Dances of Mary Wigman
Susan Manning
University of Minnesota Press, 2006
Mary Wigman, Germany’s premier dancer between the two world wars, envisioned the performer in the thrall of ecstatic and demonic forces. Widely hailed as an innovator of dance modernism, she never acknowledged her complex relationship with National Socialism. In Ecstasy and the Demon, Susan Manning advances a sociological explanation for the collaboration between German modern dancers and National Socialism. She models methods for dance studies that contextualize choreography in relation to changing sociopolitical conditions, bringing dance scholarship into conversation with intellectual trends across the humanities.The introduction to this second edition brings Manning’s groundbreaking work to bear on dance studies today and reconsiders Wigman’s career from the perspective of queer theory and globalization, further illuminating the interplay of dance and politics in the twentieth century.Susan Manning is professor of English, theater, and performance studies at Northwestern University.
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An Ecstasy of Folly
Prophecy and Authority in Early Christianity
Laura Nasrallah
Harvard University Press, 2003

Who is a true prophet? Who has real access to divine realms of knowledge? Early Christian communities accused each other’s prophets of madness and of making false claims to divine knowledge. This book argues that early Christians did not seek to answer questions about true prophecy or to define madness and rationality, but rather used this discourse in order to control knowledge, to establish their own authority, and to define Christian identity. Christians launched these arguments in the context of the Greco-Roman world, where prophecy, visions, ecstasy, and dreams—all considered part of the same phenomenon—were the subject of cutting-edge philosophical, medical, and even political debates.

Early Christian prophecy has usually been interpreted according to a model which explains that at its origins, Christianity was characterized by vibrant spiritual gifts which declined as church order and institutions developed. Arguing that a model of struggle informed by feminist theory and postcolonial criticism provides a better framework for understanding early Christian texts, this work clarifies how early Christian arguments about rationality, madness, and the role of spiritual gifts in history are attempts to negotiate authority and to define religious identity in the midst of many competing forms of Christianity. Laura Nasrallah uses New Testament and early third-century texts to trace the rhetoric of this debate—rhetoric that is still alive today as communities across the globe struggle to define religious identity.

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Ecstasy of Regret
Poems
Dannye Powell
University of Arkansas Press, 2002
Dannye Romine Powell writes of marriage, parenthood, and temptation-of love in its many forms. Her lyrical, imagistic poems bring into sudden focus the subtle shifts of understanding and emotion within intimacy. In her reworking of the primal story of Eve and Adam and throughout all the poems, she elucidates how everyday life can sustain a family or sunder it. With clarity and care, she illuminates the world.
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