front cover of Yale Papyri in the Beinecke Rare Book and Manuscript Library IV
Yale Papyri in the Beinecke Rare Book and Manuscript Library IV
Hélène Cuvigny, Ruth Duttenhöfer, Ann Ellis Hanson, editors
University of Michigan Press, 2021
Yale Papyri in the Beinecke Rare Book and Manuscript Library IV springs from work undertaken at Yale University’s Beinecke Rare Book and Manuscript Library, at its Papyrological Summer Institute in 2003. This fourth volume of Yale papyri presents three groups of texts dating from the second century BCE to the seventh century CE. Editions are presented in chronological order, and include items such as samples of scribal training, mathematical tables and exercises, schoolroom work, letters, tax- receipts, contracts, and petitions. Contributors in addition to the volume editors include Daniel Markovich, Charles W. Hedrick, Jr., Jitse H. F. Dijkstra, Kevin Wilkinson, AnneMarie Luijendijk, Richard L. Phillips, Gary Reger, Shane Berg, Elizabeth Penland, George Bevan, Josiah E. Davis, Mariam Dandamayeva, Andrew T. Crislip, and Jean Gascou.
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Yearning for Immortality
The European Invention of the Ancient Egyptian Afterlife
Rune Nyord
University of Chicago Press

front cover of You Can Crush the Flowers
You Can Crush the Flowers
A Visual Memoir of the Egyptian Revolution
Bahia Shehab
Gingko, 2021
Part visual history, part memoir, You Can Crush the Flowers is a chronicle of the 2011 Egyptian Revolution and its aftermath, as it manifested itself not only in the art on the streets of Cairo but also through the wider visual culture that emerged during the revolution. Marking the ten-year anniversary of the revolution, celebrated Egyptian-Lebanese artist Bahia Shehab tells the stories that inspired both her own artwork and the work of her fellow revolutionaries. Shehab narrates the events of the revolution as they unfolded, describing on one hand the tactics deployed by the regime to drive protesters from the street—from the use of tear gas and snipers to brute force, intimidation techniques, and virginity tests—and on the other hand the retaliation by the protesters online and on the street in marches, chants, street art, and memes. Throughout this powerful and moving account, which includes over one hundred images, Shehab responds to all these aspects of the revolution as both artist and activist. The result bears witness to the brutality of the regime and pays tribute to the protestors who bravely defied it.

 
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