A SCHOLARLY BOOK REPOSITORY7 start with B start with B
Beads have long been worn as jewelry, but in Bead International 2008 contemporary bead artists are shaking things up. From fine jewelry to loom weaving to sculpture, the sixty-eight pieces by fifty-one artists in this collection represent some of the most innovative and well-executed art in the modern beading world. Considering any pierced object to be a bead, pieces range in style from the traditional to the whimsical as they incorporate a variety of colors and materials. This vibrant collection will spark the reader’s creativity and broaden his or her perspective.
When the age-old art form of basketry is combined with contemporary visions and techniques, the result is the striking Beyond Basketry, a collection of sixty-five artworks created by forty-two artists from across the United States. The artworks represented in these beautiful color photographs will challenge the reader’s ideas of what constitutes a basket. All artworks are vessels made of woven materials, but the pieces explore a variety of sizes, colors, shapes, and techniques
Photography possesses a powerful ability to bear witness, aid remembrance, shape, and even alter recollection. In Beyond Memory: Soviet Nonconformist Photography and Photo-Related Works of Art, the general editor, Diane Neumaier, and twenty-three contributors offer a rigorous examination of the medium's role in late Soviet unofficial art. Focusing on the period between the mid-1950s and the late 1980s, they explore artists' unusually inventive and resourceful uses of photography within a highly developed Soviet dissident culture.
During this time, lack of high-quality photographic materials, complimented by tremendous creative impulses, prompted artists to explore experimental photo-processes such as camera and darkroom manipulations, photomontage, and hand-coloring. Photography also took on a provocative array of forms including photo installation, artist-made samizdat (self-published) books, photo-realist painting, and many other surprising applications of the flexible medium.
Beyond Memory shows how innovative conceptual moves and approaches to form and content-echoes of Soviet society's coded communication and a Russian sense of absurdity-were common in the Soviet cultural underground. Collectively, the works in this anthology demonstrate how late-Soviet artists employed irony and invention to make positive use of difficult circumstances. In the process, the volume illuminates the multiple characters of photography itself and highlights the leading role that the medium has come to play in the international art world today.
Beyond Memory stands on its own as a rigorous examination of photography's place in late Soviet unofficial art, while also serving as a supplement to the traveling exhibition of the same title.
The book is a revised and expanded edition of the authors' classic catalog that accompanied a pioneering exhibition mounted in 1973 by the National Portrait Gallery.
Blanche Lazzell went from Maidsville, West Virginia, to the leading edge of twentieth-century American art. A member of the prominent art communities of Paris and Provincetown, MA during the '20s and '30s, Lazzell was always on the fringe of important developments in the modern art world. Her studies in Paris led her to adopt the techniques of modernism as well as other emerging styles. Among her groundbreaking works were some of the first examples of abstraction in America. Blanche Lazzell: The Life and Work of an American Modernist is a significant contribution to the history of twentieth-century American art.
Know primarily as a Provincetown printmaker, Lazzell’s full life and career are presented here, generously accompanied by color reproductions of her work, showing the breadth of her accomplishment in painting, printmaking, and hooked rugs. Lazzell's true contribution to American art history was never fully appreciated during her lifetime. A renewed interest in the artist has developed over the past fifteen years, due mostly to the critical appreciation of her color wood block prints. She is worth remembering not only for her own work, but also for her role as a translator of the achievements of the European modernists for her colleagues in America. In Blanche Lazzell: The Life and Work of an American Modernist, nine essays and hundreds of full-color illustrations bring this incredibly talented and influential artist's work to life.
From the classical encyclopedias of Pliny to famous tales such as The Travels of Marco Polo, historical travel writing has had a lasting impact, despite the fact that it was based on a curious mixture of truth, legend, and outright superstition. One foundational medieval source that expands on the ancient idea of the “wonders of the world” is the fifteenth-century French Book of the Marvels of the World, an illustrated guide to the globe filled with oddities, curiosities, and wonders—tales of fantasy and reality intended for the medieval armchair traveler. The fifty-six locales featured in the manuscript are presented in a manner that suggests authority and objectivity but are rife with stereotypes and mischaracterizations, meant to simultaneously instill a sense of wonder and fear in readers.
In The Book of Marvels, the authors explore the tradition of encyclopedias and travel writing, examining the various sources for geographic knowledge in the Middle Ages. They look closely at the manuscript copies of the French text and its complex images, delving into their origins, style, content, and meaning. Ultimately, this volume seeks to unpack how medieval white Christian Europeans saw their world and how the fear of difference—so pervasive in society today—is part of a long tradition stretching back millennia.
This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 11 to September 1, 2024, and at the Morgan Library & Museum from January 24 to May 25, 2025.
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