Bruce Ackerman shows how the institutional dynamics of the last half-century have transformed the American presidency into a potential platform for political extremism and lawlessness. Watergate, Iran-Contra, and the War on Terror are only symptoms of deeper pathologies. ­Ackerman points to a series of developments that have previously been treated independently of one another—from the rise of presidential primaries, to the role of pollsters and media gurus, to the centralization of power in White House czars, to the politicization of the military, to the manipulation of constitutional doctrine to justify presidential power-grabs. He shows how these different transformations can interact to generate profound constitutional crises in the twenty-first century—and then proposes a series of reforms that will minimize, if not eliminate, the risks going forward.

The book aims to begin a new constitutional debate. Americans should not suppose that Barack Obama’s centrism and constitutionalism will typify the presidencies of the twenty-first century. We should seize the present opportunity to confront deeper institutional pathologies before it is too late.

The cultural Cold War in Latin America was waged as a war of values--artistic freedom versus communitarianism, Western values versus national cultures, the autonomy of art versus a commitment to liberation struggles--and at a time when the prestige of literature had never been higher. The projects of the historic avant-garde were revitalized by an anti-capitalist ethos and envisaged as the opposite of the republican state. The Decline and Fall of the Lettered City charts the conflicting universals of this period, the clash between avant-garde and political vanguard. This was also a twilight of literature at the threshold of the great cultural revolution of the seventies and eighties, a revolution to which the Cold War indirectly contributed. In the eighties, civil war and military rule, together with the rapid development of mass culture and communication empires, changed the political and cultural map.

A long-awaited work by an eminent Latin Americanist widely read throughout the world, this book will prove indispensable to anyone hoping to understand Latin American literature and society. Jean Franco guides the reader across minefields of cultural debate and histories of highly polarized struggle. Focusing on literary texts by García Marquez, Vargas Llosa, Roa Bastos, and Juan Carlos Onetti, conducting us through this contested history with the authority of an eyewitness, Franco gives us an engaging overview as involving as it is moving.

Only one surviving source provides a continuous narrative of Greek history from Xerxes' invasion to the Wars of the Successors following the death of Alexander the Great—the Bibliotheke, or "Library," produced by Sicilian historian Diodorus Siculus (ca. 90–30 BCE). Yet generations of scholars have disdained Diodorus as a spectacularly unintelligent copyist who only reproduced, and often mangled, the works of earlier historians. Arguing for a thorough critical reappraisal of Diodorus as a minor but far from idiotic historian himself, Peter Green published Diodorus Siculus, Books 11-12.37.1, a fresh translation, with extensive commentary, of the portion of Diodorus's history dealing with the period 480–431 BCE, the so-called "Golden Age" of Athens.

This is the only recent modern English translation of the Bibliotheke in existence. In the present volume—the first of two covering Diodorus's text up to the death of Alexander—Green expands his translation of Diodorus up to Athens' defeat after the Peloponnesian War. In contrast to the full scholarly apparatus in his earlier volume (the translation of which is incorporated) the present volume's purpose is to give students, teachers, and general readers an accessible version of Diodorus's history. Its introduction and notes are especially designed for this audience and provide an up-to-date overview of fifth-century Greece during the years that saw the unparalleled flowering of drama, architecture, philosophy, historiography, and the visual arts for which Greece still remains famous.

‘Usher ... does the best foreign on-the-spot reporting from Palestine.’ Edward Said, London Review of Books

‘The reader vicariously experiences what will become great moments of popular oral history that official historians will forget in the great scheme of things.’ Middle East International