Explore a diversity of feminist readings of the Bible
This latest volume in the Bible and Women series is concerned with documenting, through word and image, both well-known and largely unknown women and their relationship to the Bible from the period of the late eighteenth century up to the beginning of the twentieth century. The essays in this collection illustrate the broad range of treatment of the Holy Scripture. Paul Chilcote, Marion Ann Taylor, Christiana de Groot, Elizabeth M. Davis, and Pamela S. Nadell offer perspectives on the Anglo-American sphere during this period. Marina Cacchi, Adriano Valerio, Inmaculada Blasco Herranz, and Alexei Klutschewski and Eva Maria Synek illuminate the areas of southern and eastern Europe. Angela Berlis, Ruth Albrecht, Doris Brodbeck, Ute Gause, and Michaela Sohn-Kronthaler examine women from the German-speaking world and their texts. Bernhard Schneider, Magda Motté, Katharina Büttner-Kirschner, and Elfriede Wiltschnigg treat the subject area of religious literature and art.
Features
Contributors. Benedict R. O’G. Anderson, Sita Aripurnami, Jane Monnig Atkinson, Nancy K. Florida, Daniel S. Lev, Dédé Oetomo, Laurie J. Sears, Ann Laura Stoler, Saraswati Sunindyo, Julia I. Suryakusuma, Jean Gelman Taylor, Sylvia Tiwon, Anna Lowenhaupt Tsing, Diane L. Wolf
Simidele Dosekun's interviews and critical analysis consider the female subjectivities these women are performing and desiring. She finds that the women embody the postfeminist idea that their unapologetically immaculate beauty signals—but also constitutes—feminine power. As empowered global consumers and media citizens, the women deny any need to critique their culture or to take part in feminism's collective political struggle. Throughout, Dosekun unearths evocative details around the practical challenges to attaining their style, examines the gap between how others view these women and how they view themselves, and engages with ideas about postfeminist self-fashioning and subjectivity across cultures and class.
Intellectually provocative and rich with theory, Fashioning Postfeminism reveals why women choose to live, embody, and even suffer for a fascinating performative culture.
How creativity makes its way through feeling—and what we can know and feel through the artistic work of Black women
Feeling is not feelin. As the poet, artist, and scholar Bettina Judd argues, feelin, in African American Vernacular English, is how Black women artists approach and produce knowledge as sensation: internal and complex, entangled with pleasure, pain, anger, and joy, and manifesting artistic production itself as the meaning of the work. Through interviews, close readings, and archival research, Judd draws on the fields of affect studies and Black studies to analyze the creative processes and contributions of Black women—from poet Lucille Clifton and musician Avery*Sunshine to visual artists Betye Saar, Joyce J. Scott, and Deana Lawson.
Feelin: Creative Practice, Pleasure, and Black Feminist Thought makes a bold and vital intervention in critical theory’s trend toward disembodying feeling as knowledge. Instead, Judd revitalizes current debates in Black studies about the concept of the human and about Black life by considering how discourses on emotion as they are explored by Black women artists offer alternatives to the concept of the human. Judd expands the notions of Black women’s pleasure politics in Black feminist studies that include the erotic, the sexual, the painful, the joyful, the shameful, and the sensations and emotions that yet have no name. In its richly multidisciplinary approach, Feelin calls for the development of research methods that acknowledge creative and emotionally rigorous work as productive by incorporating visual art, narrative, and poetry.
Asian Americans have become the love-hate subject of the American psyche: at times celebrated as the model minority, at other times hated as foreigners. Wen Liu examines contemporary Asian American identity formation while placing it within a historical and ongoing narrative of racial injury. The flexible racial status of Asian Americans oscillates between oppression by the white majority and offers to assimilate into its ranks. Identity emerges from the tensions produced between those two poles. Liu dismisses the idea of Asian Americans as a coherent racial population. Instead, she examines them as a raced, gendered, classed, and sexualized group producing varying physical and imaginary boundaries of nation, geography, and citizenship. Her analysis reveals repeated norms and acts that capture Asian Americanness as part of a racial imagination that buttresses capitalism, white supremacy, neoliberalism, and the US empire.
An innovative challenge to persistent myths, Feeling Asian American ranges from the wartime origins of Asian American psychology to anti-Asian attacks to present Asian Americanness as a complex political assemblage.
The first book of essays to explore the intersection of these two vital disciplines.
Documentary and feminist film studies have long been separate or parallel universes that need to converse or collide. The essays in this volume, written by prominent scholars and filmmakers, demonstrate the challenges that feminist perspectives pose for documentary theory, history, and practice. They also show how fuller attention to documentary enriches and complicates feminist theory, especially regarding the relationship between gender and sexuality, race and ethnicity, class and nation.
Feminism and Documentary begins with a substantial historical introduction that highlights several of the specific areas that contributors address: debates over realism, the relationship between filmmaker and subject, historical thinking about documentary and thinking about the historical documentary, biography and autobiography, and the use of psychoanalysis. Other essays, most of which appear here for the first time, range from broad overviews to close analyses of particular films and videos and from discussions of well-known works such as Roger and Me and Don’t Look Back to lesser known texts that might revise the canon. The collection includes an extensive filmography and videography with useful distribution information and a bibliography of work in this neglected area of scholarship. Lucid, sophisticated, and eye-opening, this book will galvanize documentary studies and demonstrate the need for women’s and cultural studies to grapple with visual media. Contributors: Michelle Citron, Northwestern U; Gloria J. Gibson, Indiana U; Chris Holmlund, U of Tennessee; Alexandra Juhasz, Pitzer College; Ann Kaneko; Anahid Kassabian, Fordham U; David Kazanjian, U of California, Berkeley; Susan Knobloch; Silvia Kratzer-Juilfs; Deborah Lefkowitz; Julia Lesage, U of Oregon; Laura U. Marks, Carleton U, Ottawa; Paula Rabinowitz, U of Minnesota; Michael Renov, USC; Patricia R. Zimmermann, Ithaca College.Contributors. Salwa Bakr, Claire Detels, Margaret Ferguson, Carla Freccero, Marjorie Garber, Barbara Harlow, Laura E. Lyons, Anne McClintock, Toril Moi, Linda Nicholson, Mary Poovey, Andrew Ross, David Simpson, Kathyrn Bond Stockton, Jennifer Wicke
In many Latin American countries, guerrilla struggle and feminism have been linked in surprising ways. Women were mobilized by the thousands to promote revolutionary agendas that had little to do with increasing gender equality. They ended up creating a uniquely Latin American version of feminism that combined revolutionary goals of economic equality and social justice with typically feminist aims of equality, nonviolence, and reproductive rights.
Drawing on more than two hundred interviews with women in Nicaragua, El Salvador, and the Mexican state of Chiapas, Karen Kampwirth tells the story of how the guerrilla wars led to the rise of feminism, why certain women became feminists, and what sorts of feminist movements they built. Feminism and the Legacy of Revolution: Nicaragua, El Salvador, Chiapas explores how the violent politics of guerrilla struggle could be related to the peaceful politics of feminism. It considers the gains, losses, and internal conflicts within revolutionary women’s organizations.
Feminism and the Legacy of Revolution challenges old assumptions regarding revolutionary movements and the legacy of those movements for the politics of daily life. It will appeal to a broad, interdisciplinary audience in political science, sociology, anthropology, women’s studies, and Latin American studies as well as to general readers with an interest in international feminism.
Misunderstanding and denigration of postmodern feminism are widespread. Elizabeth Flynn’s Feminism Beyond Modernism comes to its defense in a cogent and astute manner by first distinguishing between postmodern and antimodern feminisms and then reclaiming postmodern feminism by reconfiguring its relationship to modernism.
Too often postmodern feminism is unfairly identified as opposed to modernism and associated with subjectivism and relativism. Flynnaddresses these problems by provisionally defining postmodern feminism as problematizing and critiquing modernism without directly opposing it. Flynn also suggests that feminist traditions that reject modernism, such as radical and cultural feminisms, are antimodern rather than postmodern.
In this interdisciplinary study, Flynn defines feminist traditions broadly, situating her discussions within the contexts of literary studies and rhetoric and composition while simultaneously exploring the troubled relationship between these fields. Departing from accepted definitions of modernism, Flynn distinguishes between aesthetic modernism and Enlightenment modernism and uses the work of John Locke, Sigmund Freud, Charlotte Perkins Gilman, Michel Foucault, Donna Haraway, and others as benchmarks for historical placement. In addition, rereadings of works by Virginia Woolf, Adrienne Rich, Alice Walker, Louise Rosenblatt, and others demonstrate the complex ways in which they respond to modernist pressures and tendencies. From this context, Flynn’s Feminism Beyond Modernism reconfigures feminist traditions by defining postmodern feminism as a critique of modernism rather than as an antimodern opponent.
Feminism without Borders opens with Mohanty's influential critique of western feminism ("Under Western Eyes") and closes with a reconsideration of that piece based on her latest thinking regarding the ways that gender matters in the racial, class, and national formations of globalization. In between these essays, Mohanty meditates on the lives of women workers at different ends of the global assembly line (in India, the United Kingdom, and the United States); feminist writing on experience, identity, and community; dominant conceptions of multiculturalism and citizenship; and the corporatization of the North American academy. She considers the evolution of interdisciplinary programs like Women's Studies and Race and Ethnic Studies; pedagogies of accommodation and dissent; and transnational women's movements for grassroots ecological solutions and consumer, health, and reproductive rights. Mohanty's probing and provocative analyses of key concepts in feminist thought—"home," "sisterhood," "experience," "community"—lead the way toward a feminism without borders, a feminism fully engaged with the realities of a transnational world.
A spirited defense of feminism, arguing that the lack of support for working mothers is less a failure of second-wave feminism than a rejection by reactionaries of the sweeping changes they campaigned for.
When people discuss feminism, they often lament its failure to deliver on the promise that women can “have it all.” But as Kirsten Swinth argues in this provocative book, it is not feminism that has betrayed women, but a society that balked at making the far-reaching changes for which activists fought. Feminism’s Forgotten Fight resurrects the comprehensive vision of feminism’s second wave at a time when its principles are under renewed attack.
Through compelling stories of local and national activism and crucial legislative and judicial battles, Swinth’s history spotlights concerns not commonly associated with the movement of the 1960s and 1970s. We see liberals and radicals, white women and women of color, rethinking gender roles and redistributing housework. They brought men into the fold, and together demanded bold policy changes to ensure job protection for pregnant women and federal support for child care. Many of the creative proposals they devised to reshape the workplace and rework government policy—such as guaranteed incomes for mothers and flex time—now seem prescient.
Swinth definitively dispels the notion that second-wave feminists pushed women into the workplace without offering solutions to issues they faced at home. Feminism’s Forgotten Fight examines activists’ campaigns for work and family in depth, and helps us see how feminism’s opponents—not feminists themselves—blocked the movement’s aspirations. Her insights offer key lessons for women’s ongoing struggle to achieve equality at home and work.
The Feminist Avant-Garde in American Poetry offers a historical and theoretical account of avant-garde women poets in America from the 1910s through the 1990s and asserts an alternative tradition to the predominantly male-dominated avant-garde movements. Elisabeth Frost argues that this alternative lineage distinguishes itself by its feminism and its ambivalence toward existing avant-garde projects; she also thoroughly explores feminist avant-garde poets' debts and contributions to their male counterparts.
For over a dozen years, the Vectors Lab has experimented with digital scholarship through its online publication, Vectors, and through Scalar, a multimedia authoring platform. The history of this software lab intersects a much longer tale about computation in the humanities, as well as tensions about the role of theory in related projects.
Tara McPherson considers debates around the role of cultural theory within the digital humanities and addresses Gary Hall’s claim that the goals of critical theory and of quantitative or computational analysis may be irreconcilable (or at the very least require “far more time and care”). She then asks what it might mean to design—from conception—digital tools and applications that emerge from contextual concerns of cultural theory and, in particular, from a feminist concern for difference. This path leads back to the Vectors Lab and its ongoing efforts at the intersection of theory and praxis.
Feminism and liberalism need each other, argues Judith Baer. Her provocative book, Feminist Post-Liberalism, refutes both conservative and radical critiques. To make her case, she rejects classical liberalism in favor of a welfare—and possibly socialist—post-liberalism that will prevent capitalism and a concentration of power that reinforces male supremacy. Together, feminism and liberalism can better elucidate controversies in American politics, law, and society.
Baer emphasizes that tolerance and self-examination are virtues, but within both feminist and liberal thought these virtues have been carried to extremes. Feminist theory needs liberalism's respect for reason, while liberal theory needs to incorporate emotion. Liberalism focuses too narrowly on the individual, while feminism needs a dose of individualism.
Feminist Post-Liberalism includes anthropological foundations of male dominance to explore topics ranging from crime to cultural appropriation. Baer develops a theory that is true to the principles of both feminist and liberal ideologies.
In Feminist Reflections on Childhood, Penny Weiss rediscovers the radically feminist tradition of advocating for the liberatory treatment of youth. Weiss looks at both historical and contemporary feminists to understand what issues surrounding the inequality experienced by both women and children were important to the authors as feminist activists and thinkers. She uses the writings of Mary Wollstonecraft, Elizabeth Cady Stanton, and Simone de Beauvoir to show early feminist arguments for the improved status and treatment of youth. Weiss also shows how Charlotte Perkins Gilman, a socialist feminist, and Emma Goldman, an anarchist feminist, differently understood and re-visioned children’s lives, as well as how children continue to show up on feminist agendas and in manifestos that demand better conditions for children’s lives.
Moving to contemporary theory, Feminist Reflections on Childhood also looks at how feminist disability theory is well-positioned to recognize the voices of children, and how queer theory provides lessons on contemporary trends that provide visions and strategies for more constructive adult-child relations. Weiss, who includes her own experiences as a mother and foster mother throughout the book, closes her distinctively feminist takes on childhood with a consideration of speculative fiction stories that offer examples of what feminists think makes childhood (un)livable.
‘War is a man’s game,’ or so goes the saying. Whether this is true or not, patriarchal capitalism is certainly one of the driving forces behind war in the modern era. So can we end war with feminism? This book argues that this is possible, and is in fact already happening.
Each chapter provides a solution to war using innovative examples of how feminist and queer theory and practice inform pacifist treaties, movements and methods, from the international to the domestic spheres. Chapters propose a range of solutions that include arms abolition, centering Indigenous knowledge, economic restructuring, and transforming how we ‘count’ civilian deaths.
Ending war requires challenging complex structures, but the solutions found in this edition have risen to this challenge. By thinking beyond the violence of the capitalist patriarchy, this book makes the powerful case that the possibility of life without war is real.
The Feminist Spectator as Criticbroke new ground as one of the pioneering books on feminist spectatorship, encouraging resistant readings to generate feminist meanings in performance. Approaching live spectatorship through a range of interdisciplinary methods, the book has been foundational in theater studies, performance studies, and gender/sexuality/women's studies. This updated and enlarged second edition celebrates the book's twenty-fifth anniversary with a substantial new introduction and up-to-the-moment bibliography, detailing the progress to date in gender equity in theater and the arts, and suggesting how far we have yet to go.
Is there such a thing as a "feminist technology"? If so, what makes a technology feminist? Is it in the design process, in the thing itself, in the way it is marketed, or in the way it is used by women (or by men)?
In this collection, feminist scholars trained in diverse fields consider these questions by examining a range of products, tools, and technologies that were specifically designed for and marketed to women. Evaluating the claims that such products are liberating for women, the contributors focus on case studies of menstrual-suppressing birth control pills, home pregnancy tests, tampons, breast pumps, Norplant, anti-fertility vaccines, and microbicides. In examining these various products, this volume explores ways of actively intervening to develop better tools for designing, promoting, and evaluating feminist technologies. Recognizing the different needs and desires of women and acknowledging the multiplicity of feminist approaches, Feminist Technology offers a sustained debate on existing and emergent technologies that share the goal of improving women's lives.
Contributors are Jennifer Aengst, Maia Boswell-Penc, Kate Boyer, Frances Bronet, Shirley Gorenstein, Anita Hardon, Deborah G. Johnson, Linda L. Layne, Deana McDonagh, and Sharra L. Vostral.
An acclaimed political theorist offers a fresh, interdisciplinary analysis of the politics of refusal, highlighting the promise of a feminist politics that does not simply withdraw from the status quo but also transforms it.
The Bacchae, Euripides’s fifth-century tragedy, famously depicts the wine god Dionysus and the women who follow him as indolent, drunken, mad. But Bonnie Honig sees the women differently. They reject work, not out of laziness, but because they have had enough of women’s routine obedience. Later they escape prison, leave the city of Thebes, explore alternative lifestyles, kill the king, and then return to claim the city. Their “arc of refusal,” Honig argues, can inspire a new feminist politics of refusal.
Refusal, the withdrawal from unjust political and economic systems, is a key theme in political philosophy. Its best-known literary avatar is Herman Melville’s Bartleby, whose response to every request is, “I prefer not to.” A feminist politics of refusal, by contrast, cannot simply decline to participate in the machinations of power. Honig argues that a feminist refusal aims at transformation and, ultimately, self-governance. Withdrawal is a first step, not the end game.
Rethinking the concepts of refusal in the work of Giorgio Agamben, Adriana Cavarero, and Saidiya Hartman, Honig places collective efforts toward self-governance at refusal’s core and, in doing so, invigorates discourse on civil and uncivil disobedience. She seeks new protagonists in film, art, and in historical and fictional figures including Sophocles’s Antigone, Ovid’s Procne, Charlie Chaplin’s Tramp, Leonardo da Vinci’s Madonna, and Muhammad Ali. Rather than decline the corruptions of politics, these agents of refusal join the women of Thebes first in saying no and then in risking to undertake transformative action.
Feminist Writings documents and contextualizes Beauvoir's thinking, writing, public statements, and activities in the services of causes like French divorce law reform and the rights of women in the Iranian Revolution. In addition, the volume provides new insights into Beauvoir's complex thinking and illuminates her historic role in linking the movements for sexual freedom, sexual equality, homosexual rights, and women's rights in France.
Although feminist ethnography is an emerging genre, the question of what the term means remains open. Recent texts that fall under this rubric rely on unexamined notions of "sisterhood" and the recovery of "lost" voices. Writing about her work with women in Southern India, Kamala Visweswaran addresses such troubled questions in the essays that make up Fictions of Feminist Ethnography. Blurring distinctions between ethnographic and literary genres, the author employs the narrative strategies of history, fiction, autobiography and biography, deconstruction, and postcolonial discourse to reveal the fictions of ethnography and the ethnography in fiction. In the process of reflecting on the nature of anthropology itself Visweswaran devises an experimental approach to writing feminist ethnography.
What sets this work apart from other self-reflexive feminist ethnographies is its rigorous engagement with the concrete inequalities, refusals, and misunderstandings between the author and the women she worked with in India. In each essay, she takes up the specific ellipses of power differentials in her field research and works out their epistemological consequences. The result is a series of contextualizations of the politics of identity in the field, at "home," and within the lives of women who particpated in the Indian nationalist movement. We learn in lucid detail about the partiality of knowledge and the inevitable difficulties and violations involved in representing the lives of women, both inside and outside the United States. Clearly and forcefully written, this book should be of interest not only to anthropologists but also to cultural theorists and critics, feminist scholars and writers, and other social scientists who grapple with epistemological and political issues in their fields.A comparative analysis of women’s struggle for change in India.
The women’s movement in India has a long and rich history in which millions of women live, work, and struggle to survive in order to remake their family, home, and social lives. Whether fighting for safe contraception, literacy, water, and electricity or resisting sexual harassment, they are participating in vibrant and active women’s movements that are thriving in many parts of India today.
Fields of Protest explores the political and cultural circumstances under which groups of women organize to fight for their rights and self-worth. Starting with Bombay and Calcutta, Raka Ray discusses the creation of “political fields”-structured, unequal, and socially constructed political environments within which organizations exist, flourish, or fail. Women’s organizations are not autonomous or free agents; rather, they inherit a “field” and its accompanying social relations, and when they act, they act in response to it and within it. Drawing on the literature of both social movements and feminism, Ray analyzes the striking differences between the movements in these two cities.Using an innovative and comparative perspective, Ray offers a unique look at Indian activist women and adds a new dimension to the study of women’s movements on a global level.An unparalleled exploration of NOW’s trajectory, from its founding to the present—and its future
A new wave of feminist energy has swept the globe since 2016—from women’s marches and the #MeToo movement to transwomen’s inclusion and exclusion in feminism and participation in institutional politics. Amid all this, an organization declared dead or dying for thirty years—the National Organization for Women—has seen a membership boom. NOW presents an intriguing puzzle for scholars and activists alike. Considered one of the most stable organizations in the feminist movement, it has experienced much conflict and schism. Scholars have long argued that factionalism is the death knell of organizations, yet NOW continues to thrive despite internal conflicts.
Fighting for NOW seeks to better understand how bureaucratic structures like NOW’s simultaneously provide stability and longevity, while creating space for productive and healthy conflict among members. Kelsy Kretschmer explores these ideas through an examination of conflict in NOW’s local chapters, its task forces and committees, and its satellite groups. NOW’s history provides evidence for three basic arguments: bureaucratic groups are not insulated from factionalism; they are important sites of creativity and innovation for their movements; and schisms are not inherently bad for movement organizations. Hence, Fighting for NOW is in stark contrast to conventional scholarship, which has conceptualized factionalism as organizational failure. It also provides one of the few book-length explorations of NOW’s trajectory, from its founding to the modern context.
Scholars will welcome the book’s insights that draw on open systems and resource dependency theories, as well as its rethinking of how conflict shapes activist communities. Students will welcome its clear and compelling history of the feminist movement and of how feminist ideas have changed over the past five decades.
When Jefferson Davis became president of the Confederacy, his wife, Varina Howell Davis, reluctantly became the First Lady. For this highly intelligent, acutely observant woman, loyalty did not come easily: she spent long years struggling to reconcile her societal duties to her personal beliefs. Raised in Mississippi but educated in Philadelphia, and a long-time resident of Washington, D.C., Mrs. Davis never felt at ease in Richmond. During the war she nursed Union prisoners and secretly corresponded with friends in the North. Though she publicly supported the South, her term as First Lady was plagued by rumors of her disaffection.
After the war, Varina Davis endured financial woes and the loss of several children, but following her husband's death in 1889, she moved to New York and began a career in journalism. Here she advocated reconciliation between the North and South and became friends with Julia Grant, the widow of Ulysses S. Grant. She shocked many by declaring in a newspaper that it was God's will that the North won the war.
A century after Varina Davis's death in 1906, Joan E. Cashin has written a masterly work, the first definitive biography of this truly modern, but deeply conflicted, woman. Pro-slavery but also pro-Union, Varina Davis was inhibited by her role as Confederate First Lady and unable to reveal her true convictions. In this pathbreaking book, Cashin offers a splendid portrait of a fascinating woman who struggled with the constraints of her time and place.
A provocative peek into this complicated film as a space for subversion, activism, and imaginative power
While both fans and foes point to Mad Max: Fury Road’s feminist credentials, Furious Feminisms asks: is there really anything feminist or radical happening on the screen? The four authors—from backgrounds in art history, American literature, disability studies, and sociology—ask what is possible, desirable, or damaging in theorizing feminism in the contested landscape of the twenty-first century. Can we find beauty in the Anthropocene? Can power be wrested from a violent system without employing and perpetuating violence?
This experiment in collaborative criticism weaves multiple threads of dialogue together to offer a fresh perspective on our current cultural moment.
Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead
How feminism has failed African American women and why they must fight back.
Amid the longest-running economic boom in American history and despite the emergence of a significant black middle class, the lot of low-income black people in general-and black women in particular-seems more troubling than ever. Their plight, Sheila Radford-Hill argues in this book, is directly related to the diminution of black women’s traditional power as culture bearers and community builders. A cogent critique of feminist theory and practice, Further to Fly identifies the failure of feminism to connect with the social realities it should seek to explain, in particular the decline of black women’s empowerment.
Further to Fly searches out the causes and effects of this decline, describing the ways in which, since the 1960s, black women have been stripped of their traditional status as agents of change in the community-and how, as a result, the black community has faltered. Radford-Hill explores the shortcomings of second-wave black and white feminism, revealing how their theoretical underpinnings have had unintended (and often unacknowledged) negative consequences for black women’s lives and their communities.While acknowledging that African American women have made significant contributions to the black struggle for justice in America, Radford-Hill argues that more needs to be done. She combines social criticism and critical analysis to argue that black women must revive their legacy of activism and reclaim the tradition of nurturing in the black community, proposing specific tactics that can be used to revive the support networks that help determine the obligations of community members and guide how people interact on an everyday level. As a deft account of genesis and effects of black women’s diminishing power, and as a sobering analysis of the devastating blunders of feminist theory and practice, this work makes a compelling argument for an "authentic feminism," one that aggressively connects the realities of women’s experiences, needs, aspirations, and responsibilities.READERS
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