Acknowledging that representations of men confronting violence and pain can reinforce ideas of manly tenacity, Kent L. Brintnall also argues that they reveal the vulnerability of men’s bodies and open them up to eroticization. Locating the roots of our cultural fascination with male pain in the crucifixion, he analyzes the way narratives of Christ’s death and resurrection both support and subvert cultural fantasies of masculine power and privilege. Through stimulating readings of works by Georges Bataille, Kaja Silverman, and more, Brintnall delineates the redemptive power of representations of male suffering and violence.
Jaime Manrique weaves into his own memoir the lives of three important twentieth-century Hispanic writers: the Argentine Manuel Puig, author of Kiss of the Spider Woman; the Cuban Reinaldo Arenas, author of Before Night Falls; and Spanish poet and playwright Federico García Lorca. Manrique celebrates the lives of these heroic writers who were made outcasts for both their homosexuality and their politics.
"Manrique's double vision yields insights into Puig, Arenas, and Lorca unavailable to a writer less attuned to the complex interplay of culture and sexuality, as well as that of race and class in Latino and Anglo societies."—George DeStefano, The Nation
"A splendid memoir of Manuel Puig. It evokes him—how he really was—better than anything I've read."—Susan Sontag
"Where Manrique's tale differs from others is in its unabashed and sensitive treatment of sexuality. One reads his autobiographical account with pleasure and fascination."—Jose Quiroga, George Washington University
"Manrique's voice is wise, brave, and wholly original. This chronicle of self-discovery and literary encounters is heartening and deep."—Kennedy Fraser
"In this charmingly indiscreet memoir, Jaime Manrique writes with his customary humor and warm sympathy, engaging our delighted interest on every page. He has the rare gift of invoking and inviting intimacy, in this case a triangulated intimacy between himself, his readers, and his memories. These are rich double portraits."—Phillip Lopate
This is no ordinary novel. An encyclopedia of memory—from A to Z—The End of the World Book deftly intertwines fiction, memoir, and cultural history, reimagining the story of the world and one man’s life as they both hurtle toward a frightening future. Alistair McCartney’s alphabetical guide to the apocalypse layers images like a prose poem, building from Aristotle to da Vinci, hip-hop to lederhosen, plagues to zippers, while barreling from antiquity to the present.
In this profound book about mortality, McCartney composes an irreverent archive of philosophical obsessions and homoerotic fixations, demonstrating the difficulty of separating what is real from what is imagined.
Finalist, Edmund White Award for Debut Fiction, The Publishing Triangle
Finalist, PEN USA Literary Award for Fiction
A surprising and vivid remembrance of gay life in the wake of World War II
It is often difficult to imagine gay gathering places in the decades before the Stonewall riots of the 1960s, and nearly impossible to think of such communities outside the nation’s largest cities. Yet such places did exist, and their histories tell amazing stories of survival and the struggle for acceptance and self-respect.
Kirmser’s was such a place. In the 1940s, this bar in downtown St. Paul was popular with blue-collar customers during the day, then became an unofficial home to working-class gay men and lesbians at night. After Ricardo J. Brown was discharged from the navy for revealing his sexual orientation in 1945, he returned home to Minnesota and discovered in Kirmser’s a space where he could develop his new self-awareness and fulfill his desire to find people like himself.The Evening Crowd at Kirmser’s is Brown’s compelling memoir of his experiences as a young gay man in St. Paul. In an engaging and open writing style, and through stories both humorous and tragic, Brown introduces us to his family, companions, and friends, such as Flaming Youth, a homely, sardonic man who carried the nickname from his youth ironically into middle age; Dale, who suddenly loses his job of six years after an anonymous note informed his employer that he was gay; and Bud York, an attractive and confident man with a fondness for young boys.READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press